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red tape was an installation i set up as part of cms day50 art exhibition. the theme was 'christ plays in 10 000 places'. this was the blurb that went with it...
Red Tape
Mission is a border crossing experience whether geographical or cultural - into new areas, risky spaces, out of the comfort zones onto other peoples turf. In those spaces we are likely to be guests rather than hosts. Someone else is throwing the parties. When we make that journey invariably Christ is already there ahead of us.
Red tape (that great symbol of heavy handed control and stifling beaurocracy seemingly so much loved by religious institutions) explores how easy it is to forget this.
Do we cross borders or create them?
Whilst Christ plays in ten thousand places the church time and again has done her best to keep him wrapped in red tape.
Richard Cutts, SAFE Technical Director, trained a Kenyan--Nya Abagi--in installing the Solar Suitcase. Richard and Nya were the primary members of our December Installation team!
The Great Plains Conference celebrated the assignment of Bishop David Wilson to Kansas and Nebraska on Feb. 11, 2023, at Countryside United Methodist Church.
Creative Stars: Lost is Found
14 Jan - 19 Feb 2012
Installation shot
Lucy Ridges
Image courtesy the artist and Cornerhouse, Manchester
Photo credit Paul Greenwood
Les skateurs ne semblaient pas être particulièrement dérangés par l'érection des Takis sur le parvis du palais de Tokyo.
This was an intimidating job. Newly completed, pristine NIC job. We needed to add a few extras, only when we opened things up did it seem there had been sabotage. I can only think someone was trying to embarrass his QS.
Inspection is as important as testing perhaps more. In this, the RFC earths have been disconnected. The lights remained connected. The floor trunking maintained an earth. The neutral busbars were also missing.
Artist:
Netikan Roopngarm, Thammachat Jun Mepokee
Abstract:
God's Green Earth is a world that was created by God and it is beautiful and peaceful. The aim of this exhibition is to show what has happened to god's creation because of mankind. The God’s green Earth that used to be beautiful, is now destroyed by the humans temptations.
Materials:
Materials include commercial objects such as paper, cloths, water colour, spray pain, legal drugs (as illegal drugs), powder, assemblages of some found objects.
Exhibition format: Installation Art
Overview:
Point of installation is of irresponsibility, carelessness and laziness, leading to social failure as represent by models of both human and non-human elements in the show that would directly and indirectly relate to it. These would expressed in sarcastic way. Humour would also be part of the installation.
Note: The use of the space
- outside the window, where can you see beautiful green scenery = the past (Green Earth)
- inside the room = the present
-the elevator = the future (Hopefully, better)
Creative Stars: Lost is Found
14 Jan - 19 Feb 2012
Installation shot
Andrea Booker
spilt milk (2009)
Image courtesy Cornerhouse, Manchester
Photo credit Paul Greenwood
Installation at UNM. Papercut, linoleum prints, housepaint. Approx 12 feet by 12 feet by 8 feet tall
Art installation on the walls of the now-abandoned former convent of Sant'Orsola, also home to squatters in the past, by local street artist Vaclav Pisvejc.
After fixing hundreds of dollar bills to the wall, the artist spray-painted across them, in French, ‘Capitalism is not possible.' Through his work, Pisvejc hopes to draw attention to San Lorenzo neighbourhood, particularly via Panicale and the Sant'Orsola complex, area with a dense immigrant population, marked by blight and often violence: ‘It's a place that Florentines avoid now.'
Monastero di Sant'Orsola, 1309, was a tobacco factory since 1810. Since 1940s it had different uses, most lately by squatters, and was abandoned, run down, hidden by scaffolding.
Florence 2014
Chancellor Randy Woodson and Susan Woodson wait to enter Reynolds Coliseum for the installation ceremony with Gov. Bev Perdue (center right) and Erskine Bowles (right). (Becky Kirkland)
installation by Jim Campbell
Located on the Mississippi riverfront in downtown St. Paul, Scattered Light is part of Northern Spark, an art event taking place in the Twin Cities on June 4 and 5.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
Textile art and painted paper sculptures installation.
27 - 30 October 2011
Reed more about the Reef on Happy Sleepy.
The Empty Pavilion is a meditation on Detroit's evacuated urban context and an experiment in the ability of architecture to make visible a latent public in the city. The project aspires to create an architecture that is physically and semantically empty, while solicitous of public interaction and imaginative projection. The creators of the Empty Pavilion have no specific use or meaning in mind – hoping instead that the project will invite unplanned occupancies and creative associations. This project was funded by a Taubman College of Architecture and Urban Planning Research Though Making grant.
Work by: Assistant Professor McLain Clutter, Oberdick Fellow Kyle Reynolds, and graduate students Ariel Poliner, Mike Sanderson and Nate Van Wylen
Photo by Sasha Topolnytska