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Limited engagement now over. I miss it. Featuring a Spoon poster and excerpts from "New Yorker" magazine.
Well, that didn't last long.
Notice that
— there was no "hardware or software change" (I merely started installation!)
— it asks for the "Windows installation disc", which is the very thing I'm booting from.
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“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and
weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, a Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
Installation view, In Residence, Oslo Architecture Triennale 2016: After Belonging. Photograph by Istvan Virag.
OPEN Transformation by Elisabeth Søiland, Silje Klepsvik, Åsne Hagen
From China to the Universe is an exhibition by New York based artist, Brian Reed.
Artitute's Lady Boss, Suzzana Chew met the artist at the opening ceremony held on 5th May 2013 at 99 Art Center Fine Arts College of Shanghai University at M50 Art District at Moh Gan San Lu.
Read about it at www.artitute.com
Paver Installation
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Cathedral interior.
Christmas installation - 'Peace Doves' - paper birds are cut out by children from seventy local schools, and then hung en masse above the nave.
Photography: Martina Pipprich
For a detailed list of all authors please refer to lyriklabor.de/
Das LyrikLabor ist ein Projekt von Studierenden der Lehreinheiten Kommunikationsdesign und Innenarchitektur der Fachhochschule Mainz und des Deutschen Instituts der Johannes Gutenberg-Universität Mainz.
Das LyrikLabor entführt seine Besucher in eine literarische Traumwelt. Vom 19. bis zum 22. März entsteht in Mainz ein poetisches Design- und Kommunikationszentrum.
Poesie für alle Sinne
Auf drei Ebenen zeigt das LyrikLabor Installationen, die Traumgedichte aus verschiedenen Epochen künstlerisch interpretieren. Der Besucher kann hier selbst aktiv werden; er darf nicht nur entdecken, sondern mitgestalten. Lyrik wird aus den Anthologien befreit und zu einem Erlebnis für alle Sinne.
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The Creative Act: Performance, Process, Presence, opens on March 7 at Manarat Al Saadiyat in Abu Dhabi. This second exhibition from the Guggenheim Abu Dhabi’s unique collection features works by more than 25 artists from different nationalities and generations who have emphasised performance, process, and human presence in their practice, through a variety of mediums. Learn more: www.guggenheim.org/exhibition/the-creative-act-performanc... Photos: Jonathan Gibbons
Photography: Martina Pipprich
For a detailed list of all authors please refer to lyriklabor.de/
Das LyrikLabor ist ein Projekt von Studierenden der Lehreinheiten Kommunikationsdesign und Innenarchitektur der Fachhochschule Mainz und des Deutschen Instituts der Johannes Gutenberg-Universität Mainz.
Das LyrikLabor entführt seine Besucher in eine literarische Traumwelt. Vom 19. bis zum 22. März entsteht in Mainz ein poetisches Design- und Kommunikationszentrum.
Poesie für alle Sinne
Auf drei Ebenen zeigt das LyrikLabor Installationen, die Traumgedichte aus verschiedenen Epochen künstlerisch interpretieren. Der Besucher kann hier selbst aktiv werden; er darf nicht nur entdecken, sondern mitgestalten. Lyrik wird aus den Anthologien befreit und zu einem Erlebnis für alle Sinne.
Clockwise from Left:
Dirge II - Paper Shoe installation by Tara Bursey / Photo by Tara Bursey
Flaming Flakes - laser-cut banners by Day Milman / Photo By ???
Reverend Aitor's Unflattering Portraits (at Uncle Fun in Chicago) / Photo by Becky Johnson
City of Craft (Toronto) is looking for crafty artists and artsy crafters to create installations for this year’s City of Craft, which will take place both in and around The Theatre Centre during the weekend of December 12-13, 2009. This year’s installation programming will be greatly expanded to include more installation artists and even more fantastic Queen Street West venues. For this year’s installations we hope to include a wide range of crafty approaches, which reflect the diversity and conceptual richness of contemporary craft practices. Several venues will be available to artists for City of Craft installation programming this year, from Queen West galleries, storefront windows and public spaces to the nooks and crannies of City of Craft's fabulous and historic venue, The Theatre Centre. Some ideas for proposals could include (but are certainly not limited to!) the exploration of:
- crafty public interventions
- “digital craft” (craft + video, craft + kinetics, etc)
- crafty performance
- textile-based installations
- participatory craft-based installations
To propose an installation, go here:
CEA Project Logistics were contracted for the transportation, assembly and installation of a metal press for a Metal Stamping and Assembly Factory in Rayong province, Thailand.
CEA received a combination of containerized and flat rack OOG cargo to their Cargo Consolidation Facility in Laem Chabang. Each container was unloaded and unstuffed. Several sections of the main bed and tie-rod uprights were assembled by CEA before transportation.
Upon arrival at the factory, the remaining press parts and sections were unloaded and assembled. As several sections were of considerable size and weight CEA erected a temporary gantry crane to assist in installation. The crane was placed over a pre-constructed pit which would house the completed press. The press bed section was lifted and placed into position and aligned on the pit floor.
Other sections were carefully lifted and moved into place with the crown section being installed last. Tie rods and bolts were tightened to complete the assembly of the major sections. The gantry crane was removed to allow a small mobile crane and Elevated Work Platform to install the smaller parts. Upon the project completion, both CEA and the client were very happy with the efficiency and expertise of the installation.
Book pages, installation, February-March 2008.
A small area of the room is sectioned off with tables. Along these tables are what appear to be origami in many different forms (such as stars, chains, etc.). Each piece/grouping of origami has a tag beside it with a book title and author- implying that each piece of origami is a book. The book title is reflected in the style of the origami.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.