View allAll Photos Tagged Injectables
Color pigment injector. This homemade unit injects via a magnet a little color pigments to a falling droplet. The amount of pigment can be regulated by a screw. Only 2 ml/schot is need to form excellent colors.
Harvey Holt (OSU grad. student) injecting Cacodylic Acid into beetle infested tree. Deschutes National Forest, Oregon.
Note: "Cacodylic acid (dimethylarsenic acid), an herbicide, has shown promise in several recent experiments as a chemical control for bark beetles. ...
Introduced into the sap stream of a tree, cacodylic acid either kills the beetles outright, makes the environment unsuitable for them, or both. Acid-treated green trees are attractive to beetles under certain conhttps://www.flickr.com/photos/151887236@N05/45815075092/in/dateposted-public/ditions, and this characteristic has been used in attempts to reduce beetle populations by setting up fatal "attractant centers." Postflight applications, in which newly infestes trees are treated, have also been tried."
For more see: J.F. Chasler, D.B. Cahill, and R.E. Stevens. Cacodylic Acid Field Tested For Control of Mountain Pine Beetles in Ponderosa Pine. 1970. Research Note RM-161. Rocky Mountain Forest and Range Experiment Station.
Photo by: Robert E. Dolph
Date: March 1966
Credit: USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection.
Source: Division of Timber Management, Insect and Disease Control Branch Collection; Regional Office, Portland, Oregon.
Image: ID-491
Image provided by USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection: www.fs.usda.gov/main/r6/forest-grasslandhealth
Bidayat (Beginnings):
The First Glimmer Light in the Realm of Darkness,
Assiut, Upper Egypt
By Emad Abo Grain - Egypt
Founding statement:
In December 2009, the Upper Egyptian city of Assiut saw the first
signs of an emergent independent cultural and artistic movement. It
took the form of Bidayat Al Tashkiliya (Beginnings for the Fine Arts),
which in its founding statement declared that this society marked
the true beginning for a group of young practitioners of the fine arts
and a starting point for injecting a new vision into a listless cultural
environment. In the declaration, the founders said:
“In view of the lack of attention accorded to us as young artists
by the official establishment responsible for the supervision of
arts and culture in the governorate of Assiut in Upper Egypt, as
embodied by the Ministry of Culture and its General Organization
for Cultural Palaces, which monopolizes cultural work throughout
most of Egypt, and given the indifference to the value of the artist
as a cultural innovator with a vital role to play in society, we felt it
our duty to act. In so doing, we were driven by a spirit of optimism
for the future and by a desire to break the moulds of stagnation
and traditionalism that prevail in the arts milieu in the governorate
of Assiut and that have confined the hearts and minds of young
artists, preventing the emergence of new and outstanding talents
and energies, and hampering the generational progression which is
a prime engine for the creative process. These motivations shaped
the impetus and the hope to found an independent artistic society
consisting of a group of young plastic artists from Assiut. The purpose
of this society is to furnish them with aid and assistance in their
creative careers, to promote a good working environment in which
their creative output would receive the appreciation it merits, and
moreover to encourage them to confront the deteriorating state to
which culture and the arts have sunk in Upper Egypt and, indeed, in
all parts of the country and the Arab world, since we firmly believe that art is the cornerstone upon which any cultural revival is built.”
This was our first cry against the stagnation and rigidity that kills
dozens of creative talents by the day.
The birth:
The idea for the society was born several years before this, following
a workshop that had brought together a group of young artists
in Assiut in 2005 with the purpose of helping them to prepare to
compete in an official contest. It was then that the dream first
dawned on us to found an independent artistic entity that would
foster a qualitatively new vision for the plastic arts, one that would
deliver creativity “shocks” that would stimulate cultural dialogue
and debate, after which we, as artists, would come together in
a new spirit that we would draw on as we reached out to other
diverse segments of the public and encourage others to join us.
After issuing its founding statement in 2009, Bidayat El Tashkiliya
initiated the project Wilad Tisaa with children in New Assiut. This
project, inspired by the folk proverb that we are all born in nine
months, which is to say, we are all human, germinated the idea of
offering works of art to the public for free, as gifts, so that people
could display them in their homes. The exhibit from which these
gifts were presented featured both paintings and photographic
art. It was followed by Chants of Form, an exhibit of the work of
six young sculptors from Assiut that was also pioneering in that it
simultaneously incorporated a theatrical performance that attracted
young artistic energies from diverse creative disciplines.
The second signs:
Soon a number of young dramatists, musicians and writers
joined the artists. They sensed that something new and different
was happening and they were enthused by the notion of an
“independent artistic group” because it offered them opportunities
to take off, without complications and with the simplest resources,
and in a spirit of honesty, cooperation and dedication, towards the
successful realization of any artistic project or dream. But when our
numbers grew to over 35 male and female artists, we knew we had
to find a place, however modest, that would be large enough for us to meet, exchange ideas, air artistic and cultural proposals, and
discuss where we were heading. Eventually our thinking extended
to a place large enough for artists to work on their output and for
others to hold rehearsals.
The Marsam:
Within the space of a few months, the Marsam (atelier) became a
Mecca for young artists and intellectuals and a host of artistic talents
whom we had never heard of before and who represented a diverse
range of creative disciplines. It was not long before the idea came
to change the name of our society to Bidayat lil Funun (Beginnings
for the Arts) and to expand its scope to include sections for music,
theater and literature. In fact, we began to create an independent
theater troupe.
Meanwhile, we persisted in our mission to produce something new
every day. We held frequent meetings and roundtables to discuss
the dismal state of culture in Upper Egypt and how to develop our
performance in the arts and culture. At the same time, we sought
to keep abreast with the latest artistic and cultural movements
and schools in the capital and, indeed, around the world, and
we explored opportunities to cooperate artistically and culturally
with other bodies. Of equal importance, we applied ourselves to
becoming more familiar with the nature of the society to which
we had chosen to dedicate our efforts, to elevate its aesthetic
and emotional senses and to raise its intellectual and cognitive
capacities.
The revolution and a dream:
The January 25 Revolution came as a magnificent surprise.
Suddenly we saw new horizons and we had a new surge of hope
and optimism. As we watched the graffiti and street art appear on
the walls in the major squares and streets of Assiut, we were struck
by the magnitude of this moment and the need to make a stance in
the streets with all our might. Around this time we first heard of the
drive to create an Independent Culture Coalition. A few weeks after
the revolution began we signed the coalition’s founding declaration
and joined in our capacity as an artistic society from Upper Egypt.
There followed a call to hold a meeting to air and discuss proposals for artistic activities that would involve various forms of street art
that would work in tandem with the political and social goals of
the revolution. The result was the inauguration of the countrywide
event El Fan Midan. Bidayat offered to coordinate and host the
event in Assiut. As a society of young artists from that governorate
we enjoyed good relations with other artistic and cultural groups
and entities in the area and their member artists and intellectuals of
all age groups. We were handed the responsibility and El Fan Midan
opened in Assiut in April 2011. This magnificent event gave us a
wide platform to express ourselves and introduce new talents, as
well as to meet with all segments of the public in a new way and
with a unique revolutionary spirit.
Bidayat continued to cooperate with the Independent Culture
Coalition and to help support it, and the Marsam continued
to perform its function of bringing together young artists and
intellectuals from Assiut and nearby towns.
Becoming official:
Of course, we encountered obstacles with respect to funding and
our lack of legal status. However, we held on to our dream and
the more it grew, the more we realized how important it was for
us to work in the framework of an organized cultural entity with
a clear administrative structure and effective distribution of roles
and functions. We debated the need to establish ourselves officially
so that we could present our artistic and cultural activities more
professionally, and so that we could have access to material support
and improve the level of cultural management of our society, which
was a pioneering experience in the contemporary cultural history
of Assiut. There was so much we wanted to do. We were a group of
young people who were on a quest to contribute to our society in
original ways, and to produce something new in form and substance
that would leave an impact in the souls of the people and on their
auditory and visual memories, for we knew that this was our key to
realizing change and rectifying the warps and deformations that had
set in over the preceding decades. We therefore set the following
among our highest priorities:
− The creation of an independent cultural entity for the support and
dissemination of cultural activity in the governorate of Assiut, which
would then serve as a platform for extending this effort to the rest
of Upper Egypt and other parts of the country.
− To make the young creative artist the cornerstone of the plans,
aims and activities of Bidayat.
− To profile the identity of Upper Egyptian society as part of the
activities and outlooks of Bidayat.
− To develop effective partnerships and forms of artistic cooperation
between Bidayat and other cultural entities.
The Bidayat spirit:
We are still, up to this moment, operating on a volunteer basis,
independent from any pressures that could influence the integrity
of our choices. While we are continuing our search for new
opportunities, we are planning to take on a larger space to serve
as our artistic center where larger numbers of artists and members
of the public can meet. We also foresee this space to be a cultural
haven in Upper Egypt for the production and experience of serious
and worthy art and culture events that reach out to ordinary people.
In addition, since the January 25 Revolution, there have been a
number of cultural and artistic initiatives that have derived their
energy and spirit from the experience of Bidayat for the Arts. They
include the One Million Artists Creativity Center, founded by a
group of young artists and intellectuals. The aim of his initiative is
to reclaim old derelict buildings and unused neglected spaces and
to put them back to use for artistic and cultural purposes. The first
experience of this sort was the First Creative Forum Tunnel, hosted
in a 170 meter long pedestrian tunnel and in certain areas in its
immediate environment such as public gardens. This event took
place in March 2012. Currently preparations for a second forum
are under way and include plans to transform the tunnel into the
first arts exhibit hall open to the public 24 hours a day. In a second
initiative by the One Million Artists Creativity Center, the ancient
Islamic wikalas, or caravansaries, located in the western part of
Assiut city such as Wikalat Shalabi, are gradually being transformed into cultural centers for the presentation of various forms of creative
output and for hosting cultural and artistic forums, fairs and other
activities. Each of these centers will have its own teams of artists
and intellectuals who will draw up the cultural and artistic plans and
programs most appropriate to these venues.
The beginning of the road:
The road is long, of course. In the rich and edifying process so far
we have become aware of how difficult it is to offer a proper and
genuine cultural service. At the same time, we have come to realize
the importance of working in an organized and institutionalized
manner that, simultaneously, observes the respect for the freedom
of the artist and his/her creative energies and impulses. We have
also realized how important it is to constantly strive to keep our
relations with other cultural entities alive, and to work to develop
new relations in the spirit of promoting a climate conducive to
creativity and to generating support commensurate to the ongoing
artistic and cultural activities and to forthcoming proposals and
projects.
The foregoing has been an attempt to offer a brief account of
the origins of the Bidayat for the Arts Group and its experience
in stimulating a cultural and artistic revival in the Upper Egyptian
governorate of Assiut since 2009, through a range of workshops,
projects and other events and activities. As this group prepares
for future plans and projects, I would also like to stress the extent
to which this artistic and cultural venture has affected all of us,
as artists. It has given us strength, self confidence, and moral and
spiritual support for a value that was one day just a dream but now
has become a reality. This value is manifold: it means giving before
you think to take, striving to add something new to the cultural
reality in Egypt, and finally, being a socially committed artist.
Bidayat is an artistic group from Upper Egypt dedicated to the love
of art and sustained by the love for Egypt.
_______________________________
Emad Abo Grain - Egypt
Visual artist and theatrical set and costume designer; Emad Abo
Grain co founded Bidayat Group for the Arts in Assiout in Upper
Egypt in 2009. He launched an initiative to establish the Million
Artists Creativity Center in 2012.
He holds a B.A. degree in art education in the Faculty of Special
Education of Assiout University. After graduating, he worked
as an art education teacher, but in 2004 he resigned so that he
could devote himself entirely to art. He took part in a number of
group exhibitions featuring painting, photography, installations
and physical performance. At the same time, he created set and
costume designs for several theatrical performances.
In 2009 he started a series of artistic ventures, with children and
ordinary people in the street as their intended recipients. Most of
these took place in Assiout city or nearby towns and villages.
_________________________________
This Is What Happened
Personal testimonies on the state of independent culture
in the Arab region
This book was compiled and prepared for the conference
Independent Culture for Democracy
Cairo, 15 – 17 December 2012
Find Injectable Gels and high quality #Hyaluronic Acid #Filler from NovaCutis, which can be used to restore and create balance on facial surface. Used for delicate areas like the human lips and mucosae. Our Liquidimplant products are named as Labium, Cutis and SubCutis.
TITLE: Bee: Buff-tailed Bumblebee (Bombus terrestris) with Conopid fly (Sicus ferrugineus) attempting to inject it with an egg. TAKEN: 2016/07/20 09:11:57
ID TRACKING: ID VIA FACEBOOK: UK Bees, Wasps and Ants: Nahid Freudenberg: www.facebook.com/photo.php?fbid=1580390828928542&set=...
KEYWORDS: INV, DIP, 2016, INV, HYMENOPTERA
CATEGORIES: -----HOME, ----TIBSHELF, ---TIBSHELF AREA, --DERBYSHIRE, -ENGLAND, [1] INVERTEBRATES, [2] INSECTA (INSECTS), [3] DIPTERA, [3] HYMENOPTERA, [4.1] BEES, [4] APIDAE, [4] CONOPIDAE (THICK-HEADED FLIES), [6] BOMBUS, [6] SICUS, [8] Bombus terrestris (BUFF TAILED BUMBLEBEE), [8] Sicus ferrugineus
LOCATION: HOME / TIBSHELF / DERBYSHIRE / ENGLAND
OS GRID REF: SK445612
Wearing my Marylin Monroe flats by Monkey Garage i had no excuse but to inject some 50s Glam into my day. Nothing would have been more perfect than this beautiful Gianfranco Ferre leather printed skirt and my fabulous heart shaped shades! :) Boop-boop-a-doop!
Marylin Monroe Shoes: Monkey Garage
Sunglasses: Hb Sunglasses
Bag: Limited Edition Lady Dior
Top: Sinequanone
Skirt: Gianfranco Ferre
An injected nitro smallblock Chevy dragster that tangled with the guardrail at Fort Worth's Green Valley Race City sometime in 1967. I missed seeing the crash because I was stuck in line in the concession stand and the hot dog was crap anyhow. D'oh!
The smallest things in life tend to leave the deepest impressions. We remember most the tiny bits of joy and out of the blue surprises. These are moments of magic that shape us. Deriving our name from the musical term “poco a poco”, the Little by Little Co. hopes to inject a few crafty surprises into everyday living.
A little writing a day // keeps me smiling away
These Little / Little Co. pencils are new, and available at the little dröm store.
Injector Rubbers replacement 24-05-2014
Vandaag de rubbers van mn injectors/injectoren vervangen, had al een tijd geleden gezien dat de omgeving rondom de injectoren vies was. Dat kan duiden op kleine lekkage van brandstof door versleten rubbers.
Nieuwe rubbers besteld en vandaag aan het werk gegaan. Was ongeveer een uurtje werk. De cups zijn nog in goede staat, dus die worden nog niet vervangen.
Info:
Camera: Canon Powershot S110
Bain News Service,, publisher.
Dr. Heath injects serum [rabbit]
[between ca. 1910 and ca. 1915]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from data provided by the Bain News Service on the negative.
Photo shows Dr. George M. Heath George M. Heath, a scientist who developed a tuberculosis serum in 1913. (Source: Flickr Commons project, 2008)
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.12505
Call Number: LC-B2- 2634-5
Taking steroids should be done, only after consulting a doctor. A doctor will recommend the perfect cycles of steroids you need to take while building or cutting the weight. Buy steroid cycles online, after the recommendation from the doctor and build an appealing physique.
Injector Rubbers replacement 24-05-2014
Vandaag de rubbers van mn injectors/injectoren vervangen, had al een tijd geleden gezien dat de omgeving rondom de injectoren vies was. Dat kan duiden op kleine lekkage van brandstof door versleten rubbers.
Nieuwe rubbers besteld en vandaag aan het werk gegaan. Was ongeveer een uurtje werk. De cups zijn nog in goede staat, dus die worden nog niet vervangen.
Info:
Camera: Canon Powershot S110
@ het weiland tussen Kloosterlaantje en Engweg in Driebergen
@ 22°C / 72°F ☼ 9:45
foto: Renk Knol 20130618
It should really say "Frequently remove sieve and clean." (Otherwise how many times over what period should you clean the sieve once it's been removed?) No 73156's Davies & Metcalfe 'Class K' exhaust injector.
I love injectors. :-) Especially when they work well.
Bosch is the world's leading supplier of diesel fuel injection systems and is standard equipment on many diesel engines today.
For more information visit: www.makemegofast.com.au/product/bosch-2200cc-injectors/
Injector pump trial fit.
After cleaning and priming the injector pump, I loosely bolted it up to sort out the injector pipes.
I’m missing a clamp for numbers 1&2 and may have to make a new one.
It’s all ready to be sprayed up blue at the weekend.
Some people prefer these pumps to be self colour alloy but, they were always painted blue from the factory.