View allAll Photos Tagged II

Made with Repix (repix.it) , Snapseed, Glaze, Image Blender

Non, se xa volo dicía eu.

Visibility in nature is a fickle concept. Photographers and naturalists always crave perfect lighting and the correct conditions in which to see a place. But, as everyone knows, perfect lighting and visibility isn’t always possible or realistic to plan for. The light can be too bright and blinding- a lack of clouds can make a sky be overwhelming and burnt out. Too many clouds and what should be a brilliant and shining and defined landscape can become gloomy and diminished and murky. Like most things, balance is needed. When I was in Yosemite, I was besieged by clouds one night, had cloudless and bright skies the next night, and then was overwhelmed by smoke, the next two nights. When I was planning the trip, this is exactly what I wanted to avoid- I wanted consistency! But as I was there? Seeing Yosemite Valley react to the changes of visibility with the receding and growth of the light and the evolution of the colors and textures of the environment? The experience was transcendent. Different levels of visibility brought a different awareness to the actual experience of the place: the walls of the valley were thrown into sharper relief and became towering and immediate monuments that could then suddenly drift back into the foreground allowing for closer introspection of the immediate landscape- the trees, the water, the rocks. Colors fluctuated from being vivid and flashy to cool and muted. Even in moments where the gloom and shadows of the valley were accentuated by the sinking sun, the glow left behind by the absence of direct light only left me with an impression of how much depth there was to my surroundings. Visibility, in Yosemite, as in life, depends on your perspective.

Reeditando esta foto unos años después.

   

Ruhrgebiet

NRW

   

« Quelque chose, quelque part diffère. » (H.M.)

 

new website : this, random, RSS | random Flickr | © David Farreny.

The full image image of the Geometrid caterpillar from the previous post.

 

What a nice camouflage for this caterpillar!

 

Stack info: Canon 5D Mark II, Canon EF 100mm f/2.8L Macro IS USM lens

45 natural light exposures, f5.0, ISO 100

 

3600px

  

Model: Dona Bergés

Stylism: Melina Evangelista

 

www.lsmartphotography.com

The new Grand Egyptian Museum seeks to come up with the dimensions of the ancient Egyptian pharaones like Ramses II.

- ¿Y si lo intentamos juntos?

- ¿Juntos?

- Si, toma mi mano

 

:: Now playing : God Is An Astronaut - Infinite Horizons ::

 

* Better View on Black - Press L Key

 

Changdeokgung Palace, Seoul, South Korea

Könnintie, Ilmajoki

   

Essen

Ruhrgebiet

NRW

   

Recklinghausen II (Schächte 1/2/4) Recklinghausen 23.10.1989,

Schacht 4 "Konrad Ende".

1990 wurde das Baufeld Recklinghausen II abgeworfen und die Schächte verfüllt.

Heute ist nur noch das Fördergerüst Schacht 4 (ohne Schachthalle) mit den 2 Fördermaschinenhäusern und einer Dampffördermaschine von 1963 nebst Kauen- und Verwaltungsgebäude erhalten.

 

Germany, ruhrarea

Another shot from Lindesnes and the end of Norway. The sunset at it's strongest :)

Photo club evening walk around Royal William Yard. Not sure which of these pictures I prefer, perhaps 'ii'.

Lucky Me! I got free ticket for the opening ceremony of 2007 Special Olympics World Summer Games. Cheers!

I couldn't pick one so here's three :)

    

View On Black

  

Facebook I Twitter I Tumblr

I am at my mom's now.

today I was looking through some old pictures and came across these ones.

I couldn't help uploading them here and setting them as my profile picture on VK.

haha. :D we both seem so young in these.

have a nice day there. ;)

 

thanks for watching.

Slightly different processing and no pedestrian, I hope you like it

Bamboo grove II

2011-07-29

木蘭二號 - マグノリア II

I caught this touching scene during lunch. Normally Miles' ears stand straight up, ut I like how he laid them town to accommodate Nita Jane's loving kiss.

  

Sultan 2. Beyazıt Külliyesi

 

İstanbul fotoğraflarım

 

Fotoğrafların Orjinal boyutlarının temini ve kullanımı için Sinan Doğan ile iletişim kurunuz...

 

E Mail: foto.sinandogan@gmail.com

İnstagram Sayfası

1 2 ••• 25 26 28 30 31 ••• 79 80