View allAll Photos Tagged II
The best way to get kids to be good is to make them happy.
© Copyright: The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited.
Another POV from the Tachinid Fly ( Ectophasia crassipennis )
Tech info | 54 natural light exposures stacked at f5.6, exp.time 1/2sec, ISO200
Stacking Soft / Zerene Stacker
canon mp-e 65mm/f2.8 1-5x macro lens | Metabones Canon EF to Sony E Smart Adapter (Mark IV) | Sony A7
Visibility in nature is a fickle concept. Photographers and naturalists always crave perfect lighting and the correct conditions in which to see a place. But, as everyone knows, perfect lighting and visibility isn’t always possible or realistic to plan for. The light can be too bright and blinding- a lack of clouds can make a sky be overwhelming and burnt out. Too many clouds and what should be a brilliant and shining and defined landscape can become gloomy and diminished and murky. Like most things, balance is needed. When I was in Yosemite, I was besieged by clouds one night, had cloudless and bright skies the next night, and then was overwhelmed by smoke, the next two nights. When I was planning the trip, this is exactly what I wanted to avoid- I wanted consistency! But as I was there? Seeing Yosemite Valley react to the changes of visibility with the receding and growth of the light and the evolution of the colors and textures of the environment? The experience was transcendent. Different levels of visibility brought a different awareness to the actual experience of the place: the walls of the valley were thrown into sharper relief and became towering and immediate monuments that could then suddenly drift back into the foreground allowing for closer introspection of the immediate landscape- the trees, the water, the rocks. Colors fluctuated from being vivid and flashy to cool and muted. Even in moments where the gloom and shadows of the valley were accentuated by the sinking sun, the glow left behind by the absence of direct light only left me with an impression of how much depth there was to my surroundings. Visibility, in Yosemite, as in life, depends on your perspective.
Mundesley Beach - playing with longer exposures and risking my camera (he he he - I had a very tight grip on it at all times and a watchful eye for the larger waves coming in!)
Bananen Teil II
HDR aus 5 Bildern, Eos 50D Tamron 70-300
© rednaxela_west PHOTO'S All Rights Reserved. This image should not be reproduced, published, transmitted in any forum (even via e-mails) or in print or in any other physical or electronic forum either in part or in whole without the explicit written consent from the copyright owner. Legal action will be initiated against any individual, organisation, institution, agency, publishing house, etc. who violate the Copyright laws including but not limited to those mentioned here and use the image for any commercial/non-commercial purposes.
If you would like to use any of the photograph displayed here commercially or would like to use for any other use please do contact me via my profile page. Thanks
FEATURING:
●[ ERAUQS ] - Kenny V-Neck Tee & Pants - NEW @ ACCESS
Fitted for: //Legacy M//Legacy A//Jake//Gianni/
ACCESS EVENT - May 12th- June 8th, 2024.
●Modulus - Paul Hair - NEW - @ KUSTOM9
KUSTOM9 EVENT - May 15th - June 10th, 2024.
From thedailylumenbox.com
Cadobo cam 50 exposure (homemade lumen camera fitted with 50mm Lumenbox lens from Jorge Otero) on dampened 7x7cm Ilford MG II photo paper.
Shot at the central station in the city of Arnhem, Netherlands.
Vom Hauptbahnhof in Arnheim, Niederlande.
Though some Eastern Phoebe's migrate, many Eastern Phoebes remain in Kentucky during winter, switching from a diet of insects to berries and seeds. I may not have the ID correct so any help would be appreciated.
« Quelque chose, quelque part diffère. » (H.M.)
new website : this, random, RSS | random Flickr | © David Farreny.