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Afiche para Buenaventura II, obra dirigida por Antonio Campos, protagonizada por Claudia di Girólamo y Sergio Hernández. Presentada en el Teatro Mori. Mes de Julio de 2013.
I was tempted to start another 365 Project and even went as far as shooting for a few days in May but soon realised that spontaneous shooting leads to repetitive and unconsidered shots. So from all the days of shooting, I've narrowed it down to three images which I don't entirely hate.
These images are released under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. For a plain speaking version of the license click here.
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Ford Capri II 1600L, 1976, Roman Bronze. 'Ghost light' done with a neon work lamp between the front seats.
Canon Eos300D, CZJ Tessar 50mm/f2.8
This is my Certo Super Dollina II. It has a Tessar 50 mm f/2.8 in a Synchro Compur shutter. The coupled rangefinder works quite well. Some of the pictures I've taken with it are in a set (should be linked somewhere on the right there...). It has a slight tendency to scratch the film, which I mean to track down and sort out.
Check out Basicframework's earlier model too: www.flickr.com/photos/basicframework/203341611/
Russo-Chinese bank was built 1901 and was designed by Heinrich Bake
the Bank of Taiwan Building was built in 1924 for a japanese bank of that name. The two floors above the main banking hall were originally rented out, whilst the top floor provided living quarters and recreational rooms for bank staff.
www.travelchinaguide.com/attraction/shanghai/bund-archite...
'the Bund'
Shanghai
3196
Day LXXIII - 5 (of 15) - Sony A77 II with Minolta MD Rokkor-X 1:1.7 50mm Prime (SR mount) with Cross Filter and Polarizer & Fotodiox MD to SN(A) Adapter - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Second picture of my project!
By the way, HAPPY EASTER world! I've eaten so much that I could survive the whole week without food! :D
On Aston Cantlow Road in Wilmcote. The only shop in the village is down here (is also a post office I think).
Also this way is a pub.
The pub on Aston Cantlow Road is the Masons Arms. It is Grade II listed.
The Mason's Arms Public House, Wilmcote
ASTON CANTLOW ASTON CANTLOW ROAD
SP15NE (East side)
Wilmcote
8/5 The Mason's Arms Public House
11/12/69
- II
Public house. Late C18/early C19 with C19 additions. Regular coursed lias with
simple cornice. Old tile roof; brick ridge stack. Double-depth plan, with
single-storey wing to right and 2-storey wing behind. 2 storeys and attic;
2-window range. Central C20 half-glazed door; blocked doorway to left. Ground
floor has 24-pane sashes, first floor has 3-light casements with glazing bars.
All openings have segmental brick arches. Single-storey range has late C19
gabled porch with half-glazed door, and iron window with glazing bars. Left and
right return sides have semi-circular attic windows. To rear late C19 and C20
additions. Interior altered.
Listing NGR: SP1629058174
II Gran Gala de Venecia Carnaval de Sitges 2016 al Palau de Maricel. TOTES LES FOTOS I PROGRAMA A www.visitsitges.com/ca/carnaval-sitges-2016
Leon Golub
Chicago 1922 – New York 2004
1979
Acrylic on canvas
305 x 366 cm
Purchase, Horsley and Annie Townsend Bequest
Inventory 1983.1
Golub is one of the masters of political realism, and one of the few American painters of his generation to have steered away from abstraction. Several complex artistic currents come together in his sensibility, which was forged during a stay in Italy (1956-1957), where he discovered Hellenistic, Etruscan and Roman art. Golub lived in Paris from 1959 to 1964, exhibiting with artists under the banner of New Figuration, a movement that sought a third way between Abstraction and New Realism, advocating a critical examination of contemporary social conditions. Golub, for his part, had already developed a grim vision of the brutality of power, which he dubbed "brutal realism". He fully engages in political current events with the "Napalm" series, which evoked the horrors of the Vietnam War. This was followed by a series devoted to the world of mercenaries, paramilitaries and interrogations under torture. Critic Donald Kuspit has described the artist as "the Jacques-Louis David of the reactionary American empire, showing it defending its outposts through mercenaries . . . affecting every life in the world." Characteristic of the other works in the latter series and painted against a background of red oxide, this painting is inspired by the murals of Pompeii. Golub imparts a heroic dimension to a scene that is anything but heroic - mercenaries horsing around. The artist says of them: "they may be brutes, but . . . they're not that different from everybody else . . . they are part of a system of domination and control."