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(further pictures and information you can see by clicking on the link at the end of page!)
Tea room and billiard room
The history of the crimson-covered tea room and the adjacent, yellow held billiard-room is characterized by a specialty:
The equipment of both chambers in 1867 was replaced by Archduke Albrecht.
Tearoom
For this, the partition has been moved to a window bay and all decorative elements of the panelings and windows as well as the floors were replaced. (Speaking of "tea": Since 1895, the TE.E. butter was from the Te(Schener - Duchy of Teschen - Tesín) E(rzherzoglichen - arch-duke) Dairy to Vienna delivered, of which still today the term "tea butter" reminds.)
The billiard room served the evening amusements of the nobility, specifically Duke Albert and Archduke Carl preferring the billardgame the hasardeurhaften (reckless) card games.
www.albertina.at/das_palais/prunkraeume/teesalon_und_bill...
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
flickriver.com/photos/javier1949/popular-interesting/
La boutique de Zaha Hadid en Haro. Viña Tondonia
Pabellón de visitantes de las Bodegas R. López de Heredia-Viña Tondonia. HARO, LA RIOJA.
Arquitecto Zaha Hadid -premio Pritzker de arquitectura- con el estudio de arquitectura MC2 colaborador en la dirección de las obras. 2001-2006
Las Bodegas López de Heredia son las más antiguas de Haro y unas de las tres primeras de La Rioja. Un conjunto que por su solidez y grandiosidad ha merecido la denominación de "Catedral del Vino".
La Galería
La Casita o Chalet suizo, como llamaba D. Rafael López de Heredia Landeta a su vivienda –y que desde 1896 se incorpora en las etiquetas de la bodega–, ya estaba construida en 1886. La familia López de Heredia Aransáez crece hasta llegar a 14 descendientes, en 1903. En esta fecha se estaba construyendo la galería que unía las dos viviendas de la bodega, para albergar a la numerosa prole. La obra se encarga según los planos del Archivo en 1889, y el herrero la concluye en 1903, fecha en la que el vidriero Basilio Paraíso de Cristalería La Veneciana de Zaragoza coloca los cristales coloreados y tallados al ácido. Posteriormente un pintor de Vitoria hace la pintura.
El pabellón de visitantes y la adecuación del acceso y patio de la bodega, es la primera fase de un proyecto global de museo que promueve la bodega López de Heredia, a fin de potenciar el conocimiento de sus instalaciones y su historia. Se trata de una construcción modular metálica situada en el patio de la bodega y que es el nuevo acceso de los visitantes. Esta construcción se concibió como un edificio desmontable, y se erigió originalmente en 2002 con motivo del 125 aniversario de la bodega en la feria Alimentaria en Barcelona. En su interior se expone el pabellón modernista realizado, según diseño del arquitecto J. Cabrera y Latorre, por el carpintero Juan Sagrado, el ebanista José Besga para la exposición de Bruselas de 1910, y cuyo trabajo ornamental se atribuye al escultor y tallista Fidel Vargas y San Román. La restauración se efectúa por Blanca Ameztoy Fernández-Montes.
Para que la pequeña instalación pudiese recobrar su antiguo esplendor y utilidad, se pensó en crear una estructura exterior que lo cubriera y protegiera.
“En López de Heredia conocíamos y admirábamos la obra de Zaha Hadid, arquitecta iraquí afincada en Londres y conocida por la espectacularidad, innovación, plasticidad, atrevimiento y sutileza de sus obras. Acudimos a ella para la realización de este proyecto que enseguida saldría adelante, dado el entusiasmo que la arquitecta mostró por la idea, y la sensibilidad que puso de manifiesto a la hora de integrar tradición y modernidad, vino y estética, naturaleza y arquitectura”.
El punto de partida fue un puente entre el pasado, presente y futuro desarrollo de las bodegas. La necesidad de un stand que debía ubicarse al aire libre, motivó la creación de una estructura exterior que lo cubriera y lo protegiera, concebida como algo “escultórico”, una estructura fija que toma como punto de apoyo estructural el pabellón original. Como una serie de muñecas rusas. Esta pieza se resuelve con una construcción modular metálica y de madera, pensada como un edificio desmontable, cuya sección distorsionada de un rectángulo alrededor del antiguo pabellón dio una forma parecida a un decantador. No fue un punto final intencionado, pero se había diseñado una botella nueva para un vino viejo. La integración de este edificio con la construcción existente se realiza a través de un entramado de líneas metálicas que construyen el nuevo pavimento del patio y sus accesos.
El Stand ha sido premio de instalaciones en los Premio Corian de Diseño 2010, valorándose por el jurado el impacto de la instalación, la gran plasticidad orgánica y el carácter funcional como soporte de los productos del vino, además de servir de banco para los asistentes
Week 6 Week beginning August 8, 2011 and Week ending August 14, 20111 was an awesome week!
The 6th week of camp was filled with more of our campers favorite summer activities! To round out our week we had another popular event our All Camp Cookout! This event is always a hit with the campers! We hope everyone enjoyed their week!
Congratulations to all for a great Color War. Final score Blue WaWa 733, White Dunkin Donuts 702.
Many of our campers celebrated their birthdays this week! We just want to give them on last shout out and hope they enjoyed their special day! We wish you many more! Chase Felgoise, Anna Tucker Simeon Lehmann, Emily Pauson, Jenna Steinbrink, Julia Schwartz, Madeline Epstein, Benjamin Gause, Mikun Fasan, and Nickolas Giardetti
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com
Week 3 beginning July 7, 2012 and ending July 13, 2012.
The third week of camp was a busy one for all our campers! The senior boys went and saw the Trenton Thunder play, the junior girls went to BounceU, the CITs went tubing, and a few groups went bowling. This week also including some visiting days for many groups. Also, our first Twilight parties of the season were this week! Its the third week down and a great fourth week to come!
About Willow Grove Day Camp
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com.
flickriver.com/photos/javier1949/popular-interesting/
MUROS 2016 Naturalezas Urbanas Muros Tabacalera 2016. Glorieta de Embajadores cv a Miguel Servet y Mesón de Paredes. Madrid
Muros es un proyecto anual que busca la recuperación de los muros del perímetro exterior del patio del edificio de Tabacalera, con el objetivo de convertirlos en espacios de arte para disfrute de todos los ciudadanos. Entre los días 5 y 13 de mayo de 2014, 32 artistas llevaron a cabo 27 intervenciones de arte urbano en las tapias situadas en la glorieta de Embajadores y en las calles de Miguel Servet y Mesón de Paredes.
De esta forma, se pretende dar un nuevo uso a este espacio de la ciudad, convirtiéndolo en una galería de arte en el espacio público, así como trasladar al exterior del edificio de Tabacalera la relevancia artístico-cultural de su interior.
Muros nace como un proyecto anual con vocación de continuidad. En esta primera edición, el proyecto ha pretendido dar relevancia al concepto de “contexto” como elemento fundamental en la propia naturaleza del arte urbano. Por ello, todos los artistas seleccionados forman o han formado parte en algún momento de la escena del arte urbano en Madrid y, muchos de ellos, en concreto, se encuentran directamente vinculados con la actividad artística de Tabacalera. Las intervenciones artísticas llevadas a cabo son libres y sin una temática concreta, permitiendo así a los artistas crear una obra acorde con su línea de trabajo pero integrada a su vez en el contexto en el que se realizan.
Muros, el proyecto de Madrid Street Art Project para el Ministerio de Educación, Cultura y Deporte, pretendía reconvertir el perímetro del edificio de Tabacalera en un espacio dedicado al arte urbano, a su creación y disfrute, y transformar así unas paredes toscas y grises en un lugar para la creación artística en el espacio público, para su disfrute estético y conceptual, para la reflexión y el pensamiento. El ánimo y la fuerza para llevarlo a cabo partieron principalmente de los artistas participantes, con sus sprays, pinceles, botes de pintura e incluso paletas y cemento, pero sobre todo con su creatividad, trabajo y esfuerzo.
“Muros” es un proyecto que recupera los muros del perímetro exterior del patio del edificio de Tabacalera, convirtiéndolos en espacios de arte urbano para disfrute de todos los ciudadanos.
Tras el éxito de la primera edición en mayo de 2014, en junio de 2016, otros 25 nuevos artistas dan vida a las paredes de la Glorieta de Embajadores y de las calles Miguel Servet y Mesón de Paredes (Madrid).
En esta segunda edición, las creaciones giran en torno al concepto de Naturalezas Urbanas: la ciudad contemporánea, por el modo de vida que sostiene y el tipo de sociedad que alberga, conlleva una parte hostil hacia las personas, entre otras cosas por el exceso de contaminación y su carencia general de espacios naturales. Con esta propuesta, Muros Tabacalera busca revertir este estado de cosas, aunque sea de manera metafórica, a través del arte, mediante intervenciones que sustituyan artísticamente el cemento gris por naturaleza.
Entre el 14 y el 22 de junio, los muros exteriores de Tabacalera, recibieron la visita de estos 25 artistas: Add Fuel, Alice Pasquini, Animalitoland, Antonyo Marest, Btoy, Casassola, Chincheta, Dadi Dreucol, Deno, Digo Diego, Doa Oa, Gola Hundun, Grip Face, J.M. Yes, Julieta XLF, Koctel, Laguna, Lelo, Lolo, Nano4814, Nuriatoll, Okuda, Rubén Sánchez, Tellas y Zosen.
Add Fuel www.addfuel.com/
Alice Pasquinihttp://www.alicepasquini.com/
Animalitoland animalitoland.com/
Antonyo Maresthttp://antonyomarest.com/
Btoy www.miscelanea.info/a67/andrea-michaelsson-btoy www.instagram.com/btoyandrea/
Casassolahttps://www.facebook.com/Casassola
Chinchetahttps://www.instagram.com/chincheta/
Dadi Dreucolhttp://www.dadidreucol.com/
Denowww.instagram.com/deno_jr
Digo Diego www.instagram.com/digo_di3go/
Doa Oahttps://doaoa.wordpress.com/
Gola Hundun www.golahundun.com
Grip Facewww.gripface.tumblr.com
J.M. Yeswww.jesusmorenoyes.com
Julieta XLFwww.julietaxlf.com
Koctelhttps://koctel.wordpress.com
Lagunawww.flickr.com/photos/laguna626/
Lelowww.leloart.com
Lolowww.lolofonico.com
Nano4814https://www.instagram.com/nano4814
Nuriatollwww.instagram.com/nuriatoll
Okudawww.okudart.es
Rubén Sánchezwww.iamrubensanchez.com
Tellaswww.tellas.org
Zosenwww.zosenbandido.comwww.zosenymina.com
Happy Fourth of July, Everyone! I saved this image taken on a photo stroll in June, for the moment I got it I thought right away that this would be a photo as American as can be. Passing the young couple, I stopped to ask if they'd mind a photo because the light was so right and they said yes. Then as I got my camera up to focus, they suddenly kissed. Woohoo!
The bridge over Tempe Town Lake is featured in many previous photos of my stream, and the young man's belt buckle too, ha ha! Couldn't believe that just at that moment the flag furled out so classic, so this was a photo moment meant to be. A set for the images is in "Tempe Time".
www.facebook.com/FabioZenoardoPhotography
My picture published here:
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1. THE HYPOTHETICAL AWARDS . July 2012 Challenge, 2. *Famous 216 Year Old Fig Tree*, 3. ~*Twinkle*Twinkle*Little*Star*~, 4. *Pink*Magic*, 5. *Magical*Red*Poinsettia*, 6. ~*Winter*Snow*Tree*~, 7. ~*magical moonlight on ice*~, 8. ~Fly With Me...!~,
9. ~Thank you, Steve~, 10. ~Swarovski Crystal~, 11. ~Happy Halloween, Friends!~, 12. ~Jeffrey's Journey~ .third series., 13. ~MidnightMagic~, 14. ~Magical Sea Treasures~, 15. ~RedMapleTree~, 16. ~Jeffrey's Journey~ .first series.,
17. ~SunMists~, 18. ~MagicalMists~, 19. ~MagicalWater~, 20. ~Soaring through Stars~, 21. ~Purple Thistles .., 22. ~Seduction~, 23. flickr.com/photos/35365288@N05/5735052575/, 24. ma passion pour vous,
25. ~Glow of Love~, 26. ~SweetDreams~, 27. Mother's Day .. May 8, 2011, 28. Sailing in the Gulf of Mexico, 29. SunriseFlames, 30. GulfCoastTrees, 31. 'Fire...', 32. WinterWanderer...,
33. SnowFlakes, 34. Eclipse Moon... journey into history...!, 35. Good Morning..., 36. colors of nature..., 37. weeping willow tree, 38. leaves, trees, & ferns..., 39. bright sunrise..., 40. Air Force One. Fort Myers, FL 2.10.09
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© Álbum 0165
By Catedrales e Iglesias
Arquidiócesis Primada de México
Sitio Oficial de la Arquidiócesis de México
www.arquidiocesismexico.org.mx/
Parroquia San Gabriel Arcángel
Jardín principal
(Calz.Méx-Tacuba)
Col. Tacuba
C.P. 11410
Del. Miguel Hidalgo
Tel. 5527-3077
La Parroquia de San Gabriel Arcángel, anteriormente era un monasterio de franciscanos, que aunque llegaron a la Nueva España en 1524, su orden fue la primera en asentarse en el barrio de Tacuba construyendo una de las primeras iglesias en el Valle de México.
Este sitio histórico ha sufrido muchas transformaciones, que se dieron en dos momentos: uno cuando se modificó su planta a principios del siglo XVIII con los consecuentes cambios en partes de su estructura y la del convento franciscano.
En el siglo XX se hicieron adosamientos, abrieron muros, cubrieron arcos y las dimensiones del atrio variaron al grado que hubo épocas en que no existió. Respecto al siglo XIX, posiblemente se dieron cambios en su estructura e interior, pero no existen evidencias claras de alguna modificación realizada durante este período, tampoco información documental.
Durante la época prehispánica, Tacuba se conoció como Tlacopan que significa "sobre las jarillas" o "sobre los mimbres", centro rector de la región tepaneca a partir de la caída de Azcapotzalco y de la conformación de la Triple Alianza, por cierto, fue uno de sus miembros junto con México-Tenochtitlán y Texcoco.
El reconocimiento del señorío de Tlacopan, por parte de los españoles, permitió que su importancia prevaleciera en la época colonial debido a que además estaba asentada en una región agrícola que permitió el desarrollo de un buen número de haciendas y de la cual Tacuba continúo siendo cabecera.
En la década de los 60, el presbítero José Reyes propuso construir un retablo apostólico muy similar a los del siglo XVII o XVIII, tomando como base nueve pinturas originales de los apóstoles encontradas en el templo; en su remate estaría el Padre Eterno y en su parte central la escultura de Cristo Crucificado, retablo que fue colocado al término de los 80, así como la barda atrial con sus dos accesos de tres puertas en forma de arcada; en el interior del atrio se estableció un jardín y en su parte noreste se colocó un busto en honor a Plácido Domingo por su participación en las obras de salvamento del terremoto de 1985.
En la plaza del convento, en su extremo sur, se construyó en la década de los 90 una pequeña capilla donde en abril de 1995 se develó una placa conmemorativa de las obras de conservación y mantenimiento llevadas a cabo por el presbítero José Reyes.
Es así como se concluye que la iglesia de San Gabriel Arcángel de Tacuba, patrimonio cultural del siglo XVI, no sólo de Tacuba sino del pasado novohispano, ha transitado desde su fundación por una serie de procesos de cambio, reflejo de los acontecimientos que se han suscitado en el devenir histórico de nuestro país.
Después de la Conquista y colonización españolas se construyó el convento y la iglesia, lo que obedeció a un sentido evangelizador y estuvo presente, además, lo político al edificarse en el centro rector de la otrora región tepaneca, confluencia de los habitantes de los pueblos bajo su jurisdicción.
Su construcción se dio en una época de cambios sustanciales en las instituciones novohispanas, en momentos en que la Corona iba teniendo más control sobre las comunidades indígenas y la sociedad novohispana se consolidaba.
La modernización en sus diferentes épocas ha influido, un ejemplo lo tenemos en la construcción de la Línea 2 del Metro, que trajo como consecuencia el deterioro del inmueble.
El interior, los cambios han sido propiciados por diferentes acontecimientos históricos entre los que podemos indicar: la lucha entre el clero regular y secular que dio como resultado la secularización de la iglesia de Tacuba. Estos han influido en su conservación como uno de los pocos monumentos históricos que quedan en el pueblo de Tacuba, testigo de su importancia socioeconómica .
Necesario es crear conciencia del descuido de estos bienes culturales debido, muchas veces, al desconocimiento de su valor histórico.
Información Tomada de
El Sol de México
7 de agosto de 2008
José Carlos Aviña
Image Source: www.archivessearch.qld.gov.au/items/ITM299141
Australia was approaching its bicentennial celebrations, and after Brisbane’s success hosting the 1982 Commonwealth Games, Brisbane City Council and the Queensland State Government were confident they could win the bid to hold the next World Exhibition.
Brisbane won the right to hold the event and Expo 88 was officially opened by Her Majesty Queen Elizabeth II on 30 April 1988. By the time it closed, it had changed the way the world saw Brisbane and helped shaped the city as we know it today.
Starting with an estimated budget of $645 million, the Queensland State Government developed a World Expo that would recoup and support its own costs and promote international investment in Queensland, both during and after the event. South Bank, badly damaged in the 1973–74 floods, was chosen and the site acquired for $150 million. Developers completed construction on time and within budget. The targets set for ticket sales were reached 11 weeks before Expo 88 had even opened. It was off to a smashing start.
Celebrating ‘Leisure in the age of technology’, there was an incredible range of pavilions, performances, parades, comedy and artwork on show. Guests could experience over 50 restaurants filled with flavours from around the globe. Hosted over six months, it drew more than 18 million people to the renewed South Bank parklands district. An average of 100,000 people a day entered the gates.
An influx of royalty, celebrities and international visitors came to Brisbane for the exhibition, but it was Queensland residents who attended the most often, purchasing 500,000 season tickets. Expo 88 provided something the city needed: an easy-to-access recreational facility with exciting things to do, see and experience. Brisbanites returned again and again to socialise and enjoy the festival atmosphere.
The monorail was one of the most popular attractions. Giving travellers a view of the entertainments from above, it operated along a 2.3-kilometre track during Expo 88, taking up to 44,000 visitors a day from one side of Expo to the other, along the Brisbane River. Built by Swedish manufacturer Von Roll, the monorail cost $12 million and comprised four MkII trains with nine carriages each. The idea of keeping the monorail operating after Expo and extending it into the Brisbane CBD was discussed. Ultimately, the existing monorail wasn’t a feasible long-term people-moving solution and it was disbursed. Three trains were sold back to Von Roll and were used in Germany’s Europa-Park. The remaining train and some tracks were incorporated into the Sea World theme park on the Gold Coast.
Some of the most significant installations, exhibitions and artworks from Expo 88 were relocated and continue to be enjoyed today. Ken Done AM, a prominent Australian artist and designer, was commissioned to produce the entry and exit statement art pieces for the Australia Pavilion. Using the word ‘Australia’, Done produced a sign nearly six metres tall that could not be missed by anyone who attended Expo 88. The letters have since been restored and are on display at the Caboolture Heritage Village. The Nepal Peace Pagoda was the only international pavilion that remained on-site, after a petition asking that it remain attracted about 70,000 signatures. The Japan Garden and Pond were gifted to the city of Brisbane and moved to the Botanic Gardens at Mt Coot-Tha.
The buzz of activity, the investment in South Bank’s infrastructure and the spotlight on Brisbane transformed the city. The physical legacy left by Expo 88 turned South Bank into a thriving social space and prominent cultural hotspot: 42 hectares was dedicated to the construction of the South Bank Parklands.
blogs.archives.qld.gov.au/2021/10/29/when-the-world-comes...
PRESS RELEASE Nº24/24th AU SUMMIT
24TH ORDINARY SESSION OF THE ASSEMBLY OF AFRICAN UNION HEADS OF STATE AND GOVERNMENT BEGINS IN ADDIS ABABA
Addis Ababa Ethiopia, 30 January 2015-The 24th summit of the Heads of State and Government of the African Union, which started in Addis Ababa today has heard from distinguished speakers of the progress and some of the challenges that Africa faces, as well as proposals for the way forward. The opening ceremony of the summit also saw the election of Zimbabwean President Robert Mugabe as the Union’s Chairperson for the year 2015.
Speaking at the opening ceremony of the 24th summit of the African Union today, Dr DlaminiZuma said Africa has no choice but to move forward and upwards. The continent, she said, has been climbing, “a step at a time, up the steep cliff towards peace, prosperity and the restoration of the dignity of its people”.
She projected that the present generation is the one that will eradicate poverty, disease and hunger. “We are the generation that shall manage diversity and silence the guns”, she added.
The Chairperson recalled that, at the 50th anniversary celebrations of the Organisation of African Unity in 2013, the continent’s resolve to be in charge of its destiny, informed its decision to develop Agenda 2063 “through a people-driven process for the realization of our vision for an integrated, people-centred, prosperous Africa at peace with itself”. The Agenda 2063 framework document will be presented for adoption by the Heads of State and Government today.
Agenda 2063 outlines the aspirations and the concrete programmes to steer the continent for the next fifty years: to diversify African economies and industrialise; to have a skills and entrepreneurial revolution, unleashing the creativity and energy of young people, and to effect an agricultural and agro-processing transformation, so that Africa can feed itself and contribute to feeding the world.
The summit of African Union Heads of State and Government is being held under the theme “Year of Women’s Empowerment and Development”. Various speakers at the summit’s opening ceremony expressed their commitment to mainstreaming women in all socio- economic activities, with Malawian President Mr PeterMutharika dedicating his entire statement to the topic. He outlined major successes achieved by his country, but also mentioned the challenges they face. However he gave his commitment that his government will continue to strive to achieve gender equality. United Nations Secretary General Mr Ban Ki Moon also expressed strong support for the AU’s annual theme: “Women must be at the center and front of all our lives”, he said.
Issues of peace and security dominated many of the presentations by the African and visiting Heads of State and Government. President of the State of Palestine and Chairperson of the Palestine Liberation Organisation Executive Committee Mr Mahmoud Abbas spoke of his government’s desire and the efforts being exerted to achieve a Palestinian state living side by side with the state of Israel.
Many of the leaders condemned terrorism in very strong terms, with then outgoing Chairperson of the African Union Mr Mohammed Ould Abdelaziz saying, “Terrorism remains a global scourge and fighting it requires cooperation at the international level.”AUC Chairperson Dr Dlamini Zuma also cautioned that Africa should be aware of the new global threats such as terrorism, insecurity and climate change. “Terrorism, in particular the brutality of Boko Haram against our people, the senseless killings, the destruction of property, the enslavement and sale of our people, our girls kidnapped and married, and the terrorization of villages, are a threat to our collective safety, security and development”.
The Ebola virus disease that affected mostly three countries in West Africa attracted a lot of attention at the meeting of the Heads of State and Government. AU Commission Chairperson Dr NkosazanaDlaminiZuma praised the work of the 835 African health workers who were deployed to Guinea, Liberia and Sierra Leone under the banner of the African Union Support to the Ebola Outbreak in West Africa (ASEOWA). She also extended her gratitude to the ASEOWA head of mission Dr Julius Oketta and the African private sector that is raising funds to keep the health workers on the ground until the affected countries are declared Ebola free. There are signs that, due to the work of the ASEOWA health workers among others, the Ebola crisis is now abating, with the incidents of infection and death from the disease vastly decreasing.
Tunisian President Mr Beji Caid Essebsi informed the summit that “the democratic process chosen by Tunisians is irreversible”. Tunisians, he said, had proven that the people of Africa can build the continent with their own hands. He also said Tunisia is proud of being African.
New Zambian President Mr Edgar Lungu thanked the African Union for supporting his country through the death of Mr Michael Satain October 2014 and the subsequent elections that ushered him into power. He thanked the Southern African Development Community, the AU and other organisations that sent in election monitors. Zambia, he said, has demonstrated that it is possible to have peaceful elections, and pledged that Zambia will actively participate in the affairs of the Union.
The late Zambian President meanwhile was honoured by his colleagues and other delegates by a one minute silence in his memory.
Outgoing Namibian President Mr HifikinyePohambawas given a chance to bid farewell to his colleagues at today’s opening ceremony of the Assembly.
New AU Chairperson Mr Robert Mugabe of Zimbabwe meanwhile accepted his position by saying "By electing me to preside over this august body, with full knowledge of the onerous responsibility that lies ahead, I humbly accept your collective decision". He urged Africa to take charge of its destiny and pledged to work for Africa’s development particularly through infrastructure development. He then proceeded to launch the theme of the year, i.e. “Women’s Empowerment and Development towards Agenda 2063”.
The meeting of African Heads of State and Government will conclude on Saturday 31st January with the adoption of decisions and declarations to guide the work of the African Union this year.
WZM/
For inquiries, contact:
Wynne Musabayana | Deputy Head of Division | Information and Communication Directorate | African Union Commission | Tel: (251) 11 551 77 00 | Fax: (251) 11 551 78 44 | E-mail: MusabayanaW@africa-union.org
For further information:
Directorate of Information and Communication | African Union Commission I E-mail: DIC@african-union.org I Web Site: www.au.int I Addis Ababa | Ethiopia
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Building guide for my own Lego creation inspired by an articulated 4-8-8-4 steam locomotive manufactured by the American Locomotive Company (ALCO) between 1941 and 1944 and operated by the Union Pacific Railroad in revenue service until 1959.
The dimensions of the entire locomotive are 56.9 x 5 x 7.3 (in studs)
- i.e. a length of approximately 455 mm, which roughly corresponds to a scale of 1:89,
i.e. the scale of H0 models, which are in a scale of 1:87.
Bangkok Hotel in Sukhumvit - Admiral Suites Bangkok- Admiral Suite Bedroom
All 62 suites are self-contained for maximum comfort and privacy. A paradise getaway, each suite comes fully equipped with the necessary amenities to create a comfortable ambiance in a relaxing environment. Every kitchenette comprises a refrigerator, hot plate, microwave, and dining ware. For utmost convenience, 24-hour Reception, Room Service, daily maid service, fresh linen, same-day laundry, and dry cleaning are also included.
Complimentary satellite television, IDD telephone, and optional high-speed Internet access make business and personal communication easy and accessible right from your suite. Having been meticulously appointed, each unit excludes a generous sense of spaciousness as well as the warmth of being at home. What also makes a pleasant difference at Admiral Suites is that each unit features a private balcony, thus permitting you to enjoy unlimited fresh air from dawn to dusk.
Please visit us at www.admiralsuites.com/
Visita la Pagina Facebook y da clik en me gusta
www.facebook.com/catedralesiglesias
© Álbum 0903
By Catedrales e Iglesias
By Cathedrals and Churches
By Catedrais e Igrejas
Par Cathédrales et Eglises
Diócesis de Veracruz
Santuario Nuestra Señora de Guadalupe
4 Decanato San José
Diócesis de Veracruz
Parr. Pbro. Joaquín Vélez Martínez
Acol. Ismael Villegas Narváez
Calle Leona Vicario No 18
Colonia Centro
C.P. 91670
Paso de Ovejas, Ver.
Tel 01-285-971-3216
El estado de Veracruz tiene sin lugar a dudas un sin fin de lugares históricos que marcan la cultura y tradiciones actuales que nos cobijan a lo largo del tiempo, dentro del municipio de Paso de Ovejas, La Parroquia de Nuestra Señora de Guadalupe , tiene sus orígenes en la incursión de jesuitas en el año 1572, en la hacienda de Acázonica, donde comercializaban con el ganado lanar que ellos introdujeron, trasladando sus rebaños de ovejas hasta el Camino Real o Paso de Atliyac, de ahí el nombre que hasta hoy conserva este lugar, pues le llamaban el Paso de las Ovejas o Lugar de las Ovejas.
Muy probablemente al parecer los padres jesuitas bajaban sus rebaños por un camino que cruzaba el río Atliyac hasta un pequeño templo quienes dieron el nombre de Nuestra Señora La Piedad, ahí se hospedaban mientras empacaban la lana que revisaban en la Casa de los Portales, que fungía como Oficina Administradora Española, para enviarla al Puerto de Veracruz para cargarlos a los barcos españoles, con el paso de los tiempos sería administrada por tres misioneros franciscanos.
Hacia el año de 1835 forma parte de la Parroquia de la Purísima concepción sede en Puente Nacional; pero el 12 de octubre de 1853 el Sr. Obispo Don Luciano Becerra y Jiménez da posesión al Sr. Cura Rafael Cabañas, quien se convierte de hecho en el primer párroco de este lugar, con el cual se inicia la construcción de la Iglesia de la Piedad (cuyas ruinas se encuentran adyacentes a este recinto). Pero dados los procesos de Reforma e invasión extranjera en nuestro país, el culto religioso público es afectado casi hasta anularlo temporalmente debido a la inestabilidad político – social en estos años.
a historia de su templo parroquial es historia de superación constante. Cuando el célebre Obispo Don Arcadio Pagaza viene a realizar su visita pastoral en febrero de 1897, ordena al Párroco Don Pascual Gutiérrez, que construya un templo digno de la feligresía que crecía en número y en fe. Terminará de construirlo Don Porfirio N. Flores, quien lo mostrara satisfecho al Sr. Pagaza en diciembre de 1903 y el 12 de para octubre de 1906 se terminará completamente con la construcción de la torre y la bendición de las campanas, mismas que están dedicadas la mayor a Nuestra Señora de Guadalupe y la menor a San Miguel Arcángel.
Hacia el año de 1936 se inicia la reconstrucción del templo ya que por el paso del tiempo y el cierre de los cultos durante los años aciagos, contribuyen a que el templo se deteriore nuevamente. Vienen entonces, continuos esfuerzos de parte de los diferentes párrocos en orden a remozar y detener el deterioro del edificio, debido a las lluvias torrenciales del año de 1935 se cae el techo de teja destruyendo algunos objetos y muebles que se encontraban en el interior del templo.
El 5 de mayo de 1986 se iniciaron las labores de reconstrucción y ampliación con beneplácito del Obispo y de toda la comunidad. El día 5 de agosto de 1986 por decreto del Excmo. Don José Guadalupe Padilla Lozano Primer Obispo de Veracruz, es elevada a la dignidad de Santuario Diocesano. La imagen de Nuestra Señora de Guadalupe que se venera en este Santuario. Existe algo muy digno de notarse en la historia de Paso de Ovejas; ha estado siempre bajo la protectora de la Santísima Virgen María. Cuando no tenía iglesia propia; sino que pertenecía a la Parroquia de Puente Nacional estaba bajo la protección de la Santísima virgen en su advocación de la Purísima Concepción. Cuando es ya Parroquia el templo esta dedicado a la Santísima Virgen de la Piedad; pero la parroquia se llamará de Santa María de Guadalupe, muy probablemente por la influencia de José Miguel Ramón Adaucto Fernández y Félix mejor conocido como Guadalupe Victoria Primer Presidente de México, pues una antigua tradición y versiones de los mismos pobladores dice que se acercaba a rendir culto a la Virgen, y en unos sus arribos a estos lugares en las diferentes defensas que realizó a la invasión extranjera o en sus persecuciones que sufrió, dono a este lugar su estandarte de la Virgen de Guadalupe, el cual es el que se alberga en este Santuario.
Desde entonces esta inmensa parroquia estará en el regazo de la “Madre del Verdadero Dios por quien se vive”, pues esta devoción a Nuestra Señora de Guadalupe se constata, con las visitas constantes de los habitantes de esta parroquia y de parroquias vecinas.
Así lo indica la celebración tumultuosa de las fiestas en diciembre en las que, los diversos pueblos rivalizan en devoción y amor a la Virgen de María, Nuestra Señora de Guadalupe. Recopilación de los datos históricos fueron hechos por: Pbro. Ismael Villegas Narváez. Basado en: El Decreto a la elevación a Santuario Diocesano del día 5 de agosto de 1986.
Esta celebración llega aun en día a celebrarse y es hoy precisamente cuando miles de feligreses a la Virgen de Guadalupe llegan al Santuario de Paso de Ovejas a rendirle tributo tal y como lo hicieron sus ante pasados.
Por otra parte cabe señalar que dichos datos fidedignos se encuentran dentro de los libros del Archivo Parroquial de Paso de Ovejas en donde se tiene acceso a los feligreses para que puedan saber los inicios y como se realizo lo que hoy es el Santuario Guadalupano.
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2020 Oxfordshire XC Round 3 - Adderbury.
Sammlung neuer oder wenig bekannter aussereuropäischer Schmetterlinge. Bd.1.
Regensburg :G.J. Manz,1850/1858 [i.e. 1858-1869].
27.media.tumblr.com/tumblr_ls1trevncc1qcaakuo1_500.jpg
طلعت اللي بالسماق الذ
وهذي صورتها من قريب :
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اخذت الطريقة من هذا الرابط :
ملاحظات :
الزعتر دهنته بلبنه ..1
بس الجبن السائل يمسك التوست مع الكراكرز اكثر2
الجبن ماكان عندي شرايح بشرت موزريلا
Bain News Service,, publisher.
Tsa Tien - Chin, Chang Chi
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.23529
Call Number: LC-B2- 4097-8
Atlanticwall Regelbau S75 & S80 - 38 cm S.K.C/34 Naval Gun - The Adolf Gun Bunker.
S75 is the ammunition depot of the Bunker and
The S80 is the for machine room and room for crew.
The 38 cm SK C/34 naval gun was developed by Germany mid to late 1930s. It armed the Bismarck-class battleships and was planned as the armament of the O-class battlecruisers and the re-armed Scharnhorst-class battleships. Six twin-gun mountings were also sold to the Soviet Union and it was planned to use them on the Kronshtadt-class battlecruisers, however they were never delivered. Spare guns were used as coastal artillery in Denmark, Norway and France. One gun is currently on display at Møvig Fortress outside Kristiansand.
Ammunition
It used the standard German naval system of ammunition where the base charge was held in a metallic cartridge case and supplemented by another charge in a silk bag. Both cartridges were rammed together.
Propellant charge
Main charge: 38 cm HuelsKart34 – GefLdG – 108 kg (238 lb) RPC 38 (16/7)
Fore charge: 38 cm VorKart34 – GefLdG – 104 kg (229 lb) RPC 38 (16/7)
Shell
Four types of shells were used by the 38 cm SK C/34 although the Siegfried-Granate could only be used by the coast defense versions. Almost 40 percent lighter, this latter shell could be fired with a reduced charge at 920 metres per second (3,000 ft/s) out to 40 kilometres (44,000 yd). With a full charge it reached 1,050 metres per second (3,400 ft/s) and could travel 55.7 kilometres (60,900 yd) – over 34 miles.
Naval gun
The data given is according to Krupp datasheet 38 cm S.K.C/34 e WA52-453(e). This gun was mounted in pairs in the Drh.L. C/34e turret which allowed elevation from -5° 30' to +30°. Each gun had an individual cradle, spaced 3.5 metres (11 ft) apart, but they were normally coupled together. In general the turret was hydraulically powered, but the training gear, auxiliary elevation, auxiliary hoists and some loading gear was electrically powered. The turrets weighed 1,048 tonnes (1,031 long tons; 1,155 short tons) to 1,056 tonnes (1,039 long tons; 1,164 short tons), rested on ball bearings on a 8.75 metres (28.7 ft) diameter track, could elevate 6° per second and traverse 5.4° per second. The guns were loaded at +2.5° and used a telescoping chain-operated rammer. According to German manuals the required permanent capacity for the loading equipment for ammunition was 2.5 shells per minute. During testing period at the Baltic Sea the AVKS Report states an output of the ammunition delivery system up to 3.125 shells per minute. Under battle conditions Bismarck averaged roughly one round per minute in her battle with HMS Hood and Prince of Wales.
These guns were modified with a larger chamber for coast defense duties to handle the increased amount of propellant used for the special long-range Siegfried shells. Gander and Chamberlain quote a weight of 105.3 tonnes (103.6 long tons; 116.1 short tons) for these guns, presumably accounting for the extra volume of the enlarged chamber. An armored single mount, the Bettungsschiessgerüst ("Firing platform") C/39 was used by these guns. It had a maximum elevation of 60° and could traverse up to 360°, depending on the emplacement. The C/39 mount had two compartments; the upper housed the guns and their loading equipment, while the lower contained the ammunition hoists, their motors, and the elevation and traverse motors. The mount was fully powered and had an underground magazine. Normally these were placed in open concrete barbettes, relying on their armor, but Hitler thought that there was not enough protection for the guns of Battery Todt emplaced on Cap-Gris-Nez in the Pas de Calais near Wimereux and ordered a concrete casemate 3.5 m (11 ft) thick built over and around the mounts. This had the unfortunate effect of limiting their traverse to 120°. Other C/39 mounts were installed at the Hanstholm fortress in Denmark, and the Vara fortress in Kristiansand, Norway.
Four Drh LC/34 turrets, three of which were originally intended to re-arm the Gneisenau and one completed to the Soviet order, modified for land service, were planned to be emplaced at Paimpol, Brittany and on the Cap de la Hague on the Cotentin Peninsula, but construction never actually began. Construction for two of those turrets was well underway at Blaavand-Oksby, Denmark when the war ended.
how is a Regelbau
Before and during World War II, the Wehrmacht built several standardised bunkers and weapon positions in Germany and German-occupied countries. These buildings were called Regelbau, i.e. standardised buildings.
The Regelbau (German for "standard design") were a series of standardised bunker designs built in large numbers by the Germans in the Siegfried Line (German: Westwall) and the Atlantic Wall as part of their defensive fortifications prior to and during the Second World War.
#Bunker #WorldWar2 #Atlanticwall
View all of my Burning Man 2015 photos on one page. Duncan.co/Burning-Man-2015
View all of my Burning Man 2014 photos on one page. Duncan.co/Burning-Man-2014
View all of my Burning Man 2013 photos on one page. Duncan.co/Burning-Man-2013
View all of my Burning Man 2012 photos on one page. Duncan.co/Burning-Man-2012
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Das Sowjetische Ehrenmal im Treptower Park (auch Treptower Ehrenmal) ist eine Gedenkstaette im Treptower Park in Berlin. Die im Mai 1949 fertiggestellte Anlage wurde im Auftrag der sowjetischen Truppen errichtet, um die im Zweiten Weltkrieg gefallenen Soldaten der Roten Armee zu ehren. Die zum Monument gehoerende Statue ist mit Huegel und Sockel insgesamt 30 Meter hoch.
From Wikipedia, the free encyclopedia
The animal kingdom, arranged according to its organization, serving as a foundation for the natural history of animals :.
London :G. Henderson,1834-1837..
Chồng nhiễm sùi mào gà từ "rau sạch"
Tại phòng khám sản khoa của trọng tâm Y tế Âu Việt, tiếng người nữ giới hét thất thanh kêu đau. Ở bên ko kể, rộng rãi người cho rằng chắc họ đau đẻ.
Nhưng ít ai biết rằng bên trong người nữ giới đó nên đốt sùi mào gà. Căn bệnh xã hội cốt yếu lây nhiễm qua đường tinh duc.
Xem thêm:
điều trị xuất tinh sớm ở nam giới
Người chồng của bệnh nhân đấy úp tay che lấy mặt. 1 phần vì thương vợ đau, một phần anh ta hổ ngươi do đã mang bệnh xã hội về cho vợ mình.
Theo như lời bệnh nhân tên T. 32 tuổi, trú tại Trung Hòa, Hà Nội, anh lây lan sùi mào gà từ ý trung nhân của mình. Cô sinh viên anh quen hai năm và là người đàn bà thứ hai của anh trong cuộc sống.
Anh ko ngờ "mình chăn "rau sạch" mà vẫn dính phải bệnh xã hội". Anh T. cho biết, sắp tháng nay anh thấy cơ quan sinh sản của mình ngứa, rát và xuất hiện những mụn li ti.
ban sơ, anh cho rằng ấy là mụn cóc sinh lý. Anh lên mạng tìm kiếm thì xảy ra hai trường hợp là mụn cóc hoặc mụn sùi mào gà. tuy nhiên, dạng của anh hình mụn trắng như hạt gạo, chưa định hình là mụn gì.
đồng thời cộng xuất hiện dấu hiệu với anh T. là vợ anh. Chị cũng bị ngứa và xuất hiện mụn chùm quanh đó vùng lỗ đít, cơ quan sinh dục nữ. Chị nghi ngờ bị nhiễm bệnh xã hội cần tra khảo chồng.
Anh T. chối đây đẩy vì anh không linh tinh với gái mại dâm hay các cô gái khiến cho nhân viên massager, tẩm quất khác. Anh thề thốt mình trong sạch. Còn chuyện anh với thể mắc từ cô ý trung nhân trẻ kia thì ko biết thế nào.
Anh T. lén lút đến phòng khám nam khoa khám thì phát hiện mình bị nhiễm sùi mào gà. Ngay sau đấy, anh cũng nhận được tin nhắn từ người đồ vật ba thông tin dương tính sở hữu vi rút HPV.
khi này, anh T. đành năn nỉ, xin lỗi vì tai nạn đáng tiếc nuối và đưa vợ đi chữa trị sùi mào gà. khi thầy thuốc đề nghị người thứ ba tới khám, anh chỉ gãi đầu, gãi tai không biết cô đó đang chữa ở đâu.
Bệnh khó điều trị dứt điểm
Từ khi dương tính với HPV, mỗi lần đi chữa trị anh lại đưa vợ đi cộng. Dù rất hổ hang nhưng anh thấy thương vợ nhiều hơn. Vì anh mà chị bắt buộc chịu bao đớn đau.
Đốt sùi mào gà ở đàn bà rất đau
bàn bạc mang chúng tôi về vấn đề này, BS da liễu Nguyễn Thành - BV Da liễu Trung ương cho biết: "Đốt sùi mào gà ở đàn bà khủng khiếp siêu.
phần đông các chị em mắc bệnh này đều là gái mại dâm, nhân viên những quán tầm quất, đèn mờ. một phần ít chị em lây truyền từ chồng. đa số đều trở thành nỗi ám ảnh kinh hoàng của họ".
Để giảm cơn đau tinh thần cho bệnh nhân, thầy thuốc thường bảo họ bị bệnh hạt gạo, 1 từ mà thầy thuốc cho rằng nó khiến họ đỡ đớn đau hơn với từ sùi mào gà.
mang những chị tôi vào đốt sùi mào gà khóc than rồi hẹn xin chừa nhưng vẫn không dứt bệnh. Đốt ở phụ nữ cực kỳ lâu, bệnh dai dẳng vì đặc điểm thân thể khác đàn ông.
có những chị em không biết để bệnh lâu dẫn đến hầu hết vùng lỗ đít, âm đạo mụn sùi chen chúc nhau, đốt rất đau đớn. Sùi mào gà còn gây cho phổ biến người nữ giới lãnh cảm tình dục vì sợ ám ảnh về tâm lý, việc sinh đẻ cũng gặp nhiều khó khăn.
BS Thành cho biết sùi mào gà là một vi rút với tên HPV gây ra. sở hữu hơn 100 tuyp HPV khác nhau, ở người mang 4 tuyp HPV phổ thông đấy là tuyp số 6, 11, 16 và 18.
Trong ấy tuyp số 6 và 11 khả năng tái phát phần lớn lần. Người mắc tuyp này thì với thể vừa mới đốt sùi mào gà tháng trước xong tháng sau lại bị tái phát, thậm chí một tháng mang thể tái phát vài lần.
Tuyp 16 và 18 thì trái lại, nó xúc tiến tới 2/3 nếu ung thư cổ tử cung của người đàn bà và 1/3 liên hệ đến ung độc dương vật, ung độc quy đầu của nam giới. tuy nhiên, sùi mào gà còn gây ung thư vùng hầu họng, hậu môn trực tràng.
Exhibition curated by Brad Troemel and Lauren Christiansen
thejogging.tumblr.com/post/459553531/an-immaterial-survey...
An Immaterial Survey of Our Peers presents installation images of an exhibit that never physically took place. Using digital compositing techniques, we have re-imagined the process of browsing through a Google Reader by adding art to images of the Sullivan Galleries’ empty walls. This presentational gesture of conflating scrolling with strolling is meant to question the ongoing tendency to believe material interaction with art is mandatory despite living in an age of utter dependency on the digital image as an informational source. Like the Argentinean Communication Media artists before us, we have cut out the middle-man (objects) and inserted the image as our final product, aware that the documentary media art receives plays the most pivotal role in defining its public discourse anyway. To expedite this process of media exposure, An Immaterial Survey is simultaneously being debuted online in addition to its projection in Chicago, confusing the boundaries of when and where the exhibit took place.
It is an intentional choice to offer no objects and no work of our own as our final display at SAIC. This is in part a tribute to the decentralized network of artists who comprise An Immaterial Survey. To present art online is an act of selflessness; the creator forfeits stringent control over their work’s meaning in favor of allowing the most generous opportunity for global viewership possible. For this we are thankful and indebted to the names that comprise our list of participants. We choose not to present sellable goods because we are fully aware of the irony of the BFA Exhibit itself; four years of a Feminist-Marxist education culminating in a grand celebration of luxury goods and the willful commodification of artist identity brands (best exemplified by the entire shelving units dedicated to freshly printed business cards). It is our intent to use this opportunity not for our own market assimilation, but for the praise of others and the criticism of art’s hierarchy of material value still present in our digital age.
An Immaterial Survey of Our Peers includes work by:
modemacher.blogspot.com/2014/10/cruel-intentions.html
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MIJAS NATURAL (Beauty & Hair), Centro de BELLEZA en Mijas Pueblo (Málaga - España) / Estética - Estilismo (Peluquería) - Asesoría de Imagen - Solarium - LPG - Micropigmentación - Fotodepilación - Plataforma Vibratoria - Dietética y Nutrición - Psicología - Técnicas Corporales (Pilates) ift.tt/NtOUix info@mijasnatural.com Tfno. 952 590 823
Detail - St John www.flickr.com/gp/52219527@N00/j4007Z
Right: Sellack
Left; Foy
The chancel east window set in late 14c stonework contains 15c, 16c & 17c stained glass thought to have been put together by Richard Scudamore whose initials are shown along with the date 1630
It is said to have escaped destruction by parliamentary soldiers intent on smashing it to bits, after the vicar received them hospitably and changed their minds - Only one soldier compounded his conscience by firing at the lower glass which is now filled with white glass.
There is a paler copy at Foy dated 1675 gifted by John Abrahall www.flickr.com/gp/52219527@N00/75VB54 - Church of St Tesiliog, Sellack Herefordshire
Field and garden crops of the North-western Provinces and Oudh
Roorkee,Printed at the Thomason Civil Engineering College Press,1882-93.
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courtesy of Organ Museum
©2014 www.AbodeofChaos.org
[Canobbia (i.e., Cannobio), Lake Maggiore, Italy]
[between ca. 1890 and ca. 1900].
1 photomechanical print : photochrom, color.
Notes:
Title from the Detroit Publishing Co., Catalogue J--foreign section, Detroit, Mich. : Detroit Publishing Company, 1905.
Print no. "6546".
Forms part of: Views of architecture and other sites in Italy in the Photochrom print collection.
Subjects:
Italy--Maggiore, Lake.
Format: Photochrom prints--Color--1890-1900.
Rights Info: No known restrictions on reproduction.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Views of architecture and other sites in Italy (DLC) 2001700650
More information about the Photochrom Print Collection is available at hdl.loc.gov/loc.pnp/pp.pgz
Persistent URL: hdl.loc.gov/loc.pnp/ppmsc.06527
Call Number: LOT 13434, no. 099 [item]
willowgrovedaycamp.com/willows/
It is unbelievable that we have completed our fifth week of camp. On Tuesday, everyone had the opportunity to join all the campers in the much awaited “Waterworld” activities. The day was filled with excitement as many of the children, climbed on the floats and drove their bumper cars. A terrific time was had by all.
This week’s theme was “Wild, Wild Willows.” To celebrate our theme the children created fabulous western photo frames to showcase their ability to ride their favorite pony Magic. In Ceramics the Tadpoles and Minnows had fun making their faces out of clay. Make sure to look on the website for all of our fabulous pictures. Everyone is having lots of fun!
Our wonderful week ended on Friday when the Willows danced and sang to a mix of pop songs at “Puttin’ on the Hits.” The children were adorable The excitement will continue over the next three weeks. On Tuesday July 31st, we are looking forward to watching “Puppets Pizzazz” In the sixth week we will be painting.
About Willow Grove Day Camp
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows at Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows/
Mingle Media TV and our Red Carpet Report hosts Corinne Henneberry and Keetin Marchi were on the red carpet talking to the talent and creators at this summer's NBCUniversal Press Tour over two days at the Beverly Hilton Hotel to learn more about for their upcoming Fall and Winter programs.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
2016 NBCUniversal’s Summer Press Tour
We saw and spoke with the following actors from these NBCUniversal Networks and cable shows. For more info, please visit www.NBC.com
William Shatner - NBC’s “Better Late Than Never”
Jeff Dye - NBC’s “Better Late Than Never”
Jesse Lee Soffer - NBC’s “Chicago P.D.”
Jesse Spencer - NBC’s “Chicago Fire”
Harry Connick Jr. - TVD’s “Harry”
D’Arcy Carden & William Jackson Harper - NBC’s “The Good Place”
Brian Tee - NBC’s “Chicago Med”
JR Lemon & Robert Bailey Jr - NBC’s “The Night Shift”
Susan Kelechi Watson - NBC’s “This Is Us"
Mandy Moore - NBC’s “This is Us”
Milo Ventigmilia - NBC’s “This Is Us”
Gerina Piller - US Olympic Women's Golf Team
Lauren Ash & Mark McKinney - NBC’s “Superstore”
Matt Iseman, Kristine Leahy & Akbar Gbajabiamila - NBC’s “American Ninja Warrior”
Malcolm Barrett - NBC’s “Timeless”
Justin Hartley - NBC’s “This is Us”
Ron Cephas Jones - NBC’s “This Is Us"
Colton Dunn, Nico Santos & Nichole Bloom - NBC’s “Superstore”
Bonin Bough - CNBC's "Cleveland Hustles"
Melanie Collins - The Golf Channel's "Driver Vs Driver” -
Margaret Cho, Brad Goreski & Melissa Rivers - E!'s "Fashion Police”
Gale Anne Hurd - Executive Producer, USA Network's "Falling Water"
Will Yun Lee, Lizzie Brouchere & David Ajala - USA Network's "Falling Water” -
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host, Corinne on Twitter at twitter.com/CorinneMusic and Follow Keetin at twitter.com/KeetinMarchi
Samen met Truus en Irma op stap geweest naar het Boelekeerlspad om de boomkikker te zoeken.
Het pad is genoemd naar de 'boelekeerl', een boeman waarmee in vroeger tijden kinderen angst werd aangejaagd om ze op die manier bij putten, sloten en poelen vandaan te houden:
"De boelekeerl zit onder 't vlonder, doarumme meug i-j nooit dichte bi-j 't water of bi-j de kolk kommen."
En we hebben de boomkikker gevonden!
Dit kleine kikkertje kan een lengte van 3.5 tot 5 cm bereiken. Hij is groen gekleurd maar kan van kleur veranderen tot geel, olijfgroen of donkerbruin. De Boomkikker wijkt af van andere kikkers omdat hij zuignapjes aan de poten heeft. In tegenstelling tot de andere soorten heeft hij een kwaakblaas onder de kin in plaats van aan de zijkanten van de kop. Boomkikkers houden van zonbeschenen oevers met struikgewas en houtwallen. Ze overwinteren tussen boomwortels of tussen houtopslag etc. De Boomkikker komt niet voor in onze tuin.
De voortplanting vindt plaats in water met veel zon en onderwaterplanten. Larven van boomkikkers zijn teer en licht gekleurd.
De Boomkikker is op veel plaatsen verdwenen en is hierdoor een ernstig bedreigde soort die nog slechts voorkomt in westelijk Zeeuws-Vlaanderen, Twente, de Achterhoek en sporadisch in Brabant en Limburg.
Together with Truus en Irma looking for this treefrog. We found it!
Hyla arborea
Linnaeus, 1758
The European tree frog is a small frog that can grow to 4,5 cm in size at most. Historically, tree frogs were used as barometers because they respond to approaching rain by croaking. In the breeding season, even when migrating to their mating pools, they croak as well. Depending on subspecies, temperature, humidity, and the frog's 'mood', skin color ranges from bright to olive green, grey, brown and yellow. The head is rounded, the lip drops strongly, the pupil has the shape of a horizontal ellipse and the eardrum is clearly recognizable.
Males can be distinguished from females by their browny-yellowy, large (folded) vocal sacs in the throat region. The amplexus is axillary (in the armpits). Both adult males and females reach sizes up to 30-40 mm, rarily longer than 45 mm. The smooth, shining, usually leaf-green back and the white-yellowish to grey belly are separated by a dark stripe on its flank reaching from the nostrils, over the eye and the eardrum, to the groin, contrasting the green, and forming a dark spot near the hips. The hind legs are much larger and stronger than the fore legs, which enables to jump rapidly.
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First day back at school, I didnt have a class till 2, so I decided to take pictures with my friend Jesse. We Went inside this what appears to be small church from the outside, but is actually really big on the inside. It was really nice inside, took this quickly and then left cause they were getting ready to lock the doors. I shall return!
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Flickr: www.flickr.com/photos/194478607@N02/
Flickr Group: flic.kr/g/3e2j9e
Facebook: www.facebook.com/profile.php?id=61557243192883
Facebook Page: www.facebook.com/profile.php?id=61558570251468
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郑少秋当年为什么要抛弃妻女，与沈殿霞离婚 3g.china.com/act/news/10000169/20161231/30131616.html
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忍無可忍 賣國賣港益美國 市民街上怒爆陳方安生 m.youtube.com/watch?v=EPKGrwX8Xcs
台風１９号 堤防決壊２１河川 各地で浸水 m.youtube.com/watch?v=7SY9KiMxDv0
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Hong Kong protest tactics: occupy, disrupt, disperse, repeat
m.youtube.com/watch?v=ihKSHT7gIBY
香港示威：黑衣人抵制「中國國慶」 在多區縱火及衝突－ BBC News 中文
m.youtube.com/watch?v=dBPw6krxCL4
【高清精華】十一國殤日 油麻地 示威者用氣油彈攻勢對抗警方推進，爆發激烈攻防戰 m.youtube.com/watch?v=SwlgkTvRFk4
【高登新聞精華】獨家! 阿叔撞人前傳 直衝彌敦道被維修 m.youtube.com/watch?v=0-ZtheQIHU0
警察尖沙咀星光大道10.27舉槍恐嚇集會市民並出手推撞拍攝的《立場新聞》記者倒地：唔知你有無刀 m.youtube.com/watch?v=6gLHle_qZb8
【10.1香港直擊 國殤日遊行（1）】速龍灣仔清場，抗議者遭殘暴毆打逮捕| 大紀元新聞
m.youtube.com/watch?v=lPZR1xL9R5M
1950 08sep2019 銅鑼灣景隆街速龍特然快速推進至京士頓街,途人驚慌爭相走避
m.youtube.com/watch?v=YoQYD9x5T0Y
防暴警察拘捕示威者後仍不斷用警棍扑頭 m.youtube.com/watch?v=bQLjIFKhBw0
【修例風波】1013 旺角 一名女子被懷疑用手機拍攝示威者容貌，其後遭到多人包圍毆打和欺凌 m.youtube.com/watch?v=YYAUcfhvlcs
2019年10月28日 一名講普通話的男人，晚上於旺角被圍毆至血流披面，有現場人士阻止。現場消息指，被打的男人於現場懷疑拍攝聚集人士，該名男人否認，指自己是來開會，認為被打是沒道理
m.youtube.com/watch?v=26liVlCm0PQ
【10.20九龍遊行】在旺角，警車駛離時，有人掟磚頭、玻璃等硬物，警方發射催淚彈 m.youtube.com/watch?v=7SBH_OfKSsQ
好撚惡的香港曱甴
【反送中】(8.24)深水埗 基隆街有市民跟示威者發生爭執 被十多名黑衣人圍毆 最後街坊拿出菜刀為其解圍 m.youtube.com/watch?v=Dkp6e0_KRXQ
【水炮車射清真寺】立法會議員 #譚文豪 與助手去到尖沙咀清真寺附近時遇到水炮車發射水炮，一行人包括譚文豪及清真寺前的一眾少數族裔人士全部中招，一名非華裔伯伯非常辛苦，途人為他張羅（影片由譚文豪提供）https://m.youtube.com/watch?v=0xMu1x6TqhU
929全球反極權大遊行：示威者被捕情況 PART 1
暴徒罔顧乘客安全 瘋狂破壞粉嶺火車站並向鐵軌拋雜物 m.youtube.com/watch?v=lJKbzUDk_SU
24-08-2019 凌晨時份 元朗大哥被挑釁 廢青人多蝦人少 又叫黑警又報警
m.youtube.com/watch?v=aypZNfcSqtU
過馬路返屋企都打！打打打！ m.youtube.com/watch?v=AhElGEHULoM
旺角惡男打阿叔 遭旁觀者狂毆昏迷
有人被人打
修例風波：示威者堵彌敦道窩打老道 警方於旺角警署開槍
【短片】【私刑氾濫！】搬開路障被暴徒拳打腳踢、扯頭髮、噴黑漆！旺角正義女：點解要剝削我哋嘅民主自由？我寧願被打也要為香港做點事！
毀壞商店和街頭的野
元朗10月4日情景
m.youtube.com/watch?v=w_Z3qIcTuuw
2019年10月6日香港暴徒大肆投擲汽油彈 縱火燒毀商店 破壞鐵路設施 Hong Kong city of rioting
2019年10月13日香港暴徒 攻擊警員 投擲汽油彈 Hong Kong City in Violence
10.13 旺角 黑衫人向警署擲汽油彈 | JVB 時事台 m.youtube.com/watch?v=jseuTMumt90
【恐怖 深水埗親中的士佬蓄意撞人(兩人重傷入院)司機被圍毆私了血流滿地】(有示威者替的士佬求情，才沒有更嚴重事件發生)(無碼慎入!怕請睇到1:30停 18+)10月6日
商務印書館被暴徒縱火破壞
【禁蒙面法】深水埗私了刀手片段 m.youtube.com/watch?v=YXDKjEixamc
【十一】深水埗站出口又見火頭 20191001
太子地鐵站阿叔嚎啕大哭衝上地鐵捶打地鐵大門：他們是無辜的呀!
【網片】暴徒疑荃灣高處掟腐液水彈、樓上居民易晒
【網片】暴徒手持鐵支攻擊市民、中年男子被打到頭破血流、女子動粗竟無人阻止
1/10/2019 荃灣 暴徒破壞港鐵荃灣站內設施
2019年10月1日香港暴徒於屯門圍打警員 Hong Kong City of Rioting
【網片】暴徒亂破壞、嚇壞小巴司機駕車亂衝，誰對誰錯？
1/10/2019 荃灣 暴徒如強盜，大肆破壞優品360、名創優品等商舖
【福建幫吹雞「福建人出嚟」，炮台山大戰示威者】20190915
【十一】油麻地開真槍片段
3漢炮台山站清連儂牆 29歲仔上前喝止遭打傷 m.youtube.com/watch?v=8RkcmUIlxZM
【9.7大埔警方瘋狂打人】9月7日，香港防暴警察在大埔站對毫無反抗的青年人瘋狂毆打。一名青年男子被多名警察用硬物及警棍攻擊頭部，當場失去知覺。警方立即驅散記者及市民，命令職員拉閘，封鎖大埔站 m.youtube.com/watch?v=Sdliwvpr-k8
9.29 有的士被兩南亞裔男子打爆 m.youtube.com/watch?v=QzA3iCbM9PY
暴徒毆打市民，下跪了都不放過 921- 元朗 路人被質疑撕了一張連儂牆傳單，下跪求饒無果，黑衣人群起而毆打。男子想跑，沖上計程車意慾逃走，被暴力示威者拉下了車，一直打、一直打。 最後他的頭下流出一汪血泉 m.youtube.com/watch?v=dZqmsBWLuZo
831太子地鐵站 今日見到幾位勇敢的香港人 m.youtube.com/watch?v=-qCoFKpmMHk&t=762s
【反送中】(9.21)元朗 朗業路一名男子與示威者發生爭執，該名男子一度被多人圍毆
m.youtube.com/watch?v=2pjYt2KTd9w
講記者係黑社會打他們
元朗正義哥 VS 黑記，黑記完敗，完全KO！ m.youtube.com/watch?v=EiBx-IBa7dk
在 YouTube 上觀看「【元朗恐襲兩個月】落單警車被狙擊」
英勇市民以一擋百，反擊過百黑衣暴徒瘋狂攻擊，大獲全勝 m.youtube.com/watch?v=zQMi01j6R58&t=1s
元朗921 兩名疑黑社會人仕被打到頭破血流《連登靈晨一點鐘》
m.youtube.com/watch?v=k-ltV9ic4KM
921晚上，兩批政見不同的市民在元朗大馬路打鬥！https://m.youtube.com/watch?v=vTgQAqU3Emk
恐怖新屋嶺扣留中心 齊阿哥呼籲尋找失蹤小朋友示威者 m.youtube.com/watch?v=KHlLQ0Lt3T0
老外被暴徒打
m.youtube.com/watch?v=kB-tCFgACMU
鬼佬被围殴 港鐵工作人员视而不见 m.youtube.com/watch?v=u357f5idpFg
【逆權運動】瘋警西鐵站推市民落樓梯復用警棍打頭 頭破血流女事主斥警濫暴
8.31大紀元新唐人記者目睹示威者中槍倒下 泣不成聲 m.youtube.com/watch?v=oSaHewU9K0Q
【反送中】(8.3)旺角有途人懷疑因拍攝示威者被追打圍毆 m.youtube.com/watch?v=MXToDrKiEKg
【先烈不容侮辱】全城憤怒！大埔烏蛟騰抗日烈士紀念碑、被塗污噴上「反送中」字樣、正義市民帶齊工具自發漏夜清理
m.youtube.com/watch?v=4R6B_aTjZi0
9.15北角炮台山白衣男子，大叫福建幫出嚟，後發生打鬥《連登靈晨一點鐘》Hong Kong Fortress Hill m.youtube.com/watch?v=U7qhHP2OqjU
5:10 有人哭叫他們回家
香港示威：勇武派中的和理非 他們如何在吵鬧裡稱兄道弟？－ BBC News 中文
m.youtube.com/watch?v=-TcqB3qKL8s
圍毆記 一個人咁樣俾人打 會唔會太恐怖 m.youtube.com/watch?v=8rYxriotRME&feature=youtu.be
2019年9月16日 在北角明園西街，有中年白衣男子手持菜刀。白衣男子一度大叫：「行過嚟呀！行過嚟呀！」並突然拿出液體倒在馬路上。穿黃背心的守護孩子成員曾問：「先生你手上攞住嘅係咩嚟架？」防暴警察到場後，3名男子回到香港第一青年會義工團會址，上月曾有該處人士與黑衣者打鬥
m.youtube.com/watch?v=iOfedKMqHQQ
2019年9月15日香港暴徒於炮台山 北角被大暴打 Hong Kong in Violence
m.youtube.com/watch?v=rwIO_vtgeDE
Rival groups fight in Hong Kong, on its 15th straight weekend of protests
m.youtube.com/watch?v=y2bg1rXsl1g
英勇市民以一擋百，反擊過百黑衣暴徒瘋狂攻擊，大獲全勝 m.youtube.com/watch?v=zQMi01j6R58
香港富寧連儂牆打女人，女人都打係咪人嚟？ - YouTube m.youtube.com/watch?v=2v5-y4OG4Zk
警方9.6晚旺角清場惹憤怒 連撿垃圾的阿婆幾乎對現場每個警察都罵了一遍 大批市民在警察撤退時更不斷緊逼圍罵：黑社會 殺人犯（重溫）
m.youtube.com/watch?v=rxSqdspzRpo
HONGKONG Yuen Long MTR Station m.youtube.com/watch?v=IQhQFxY9pR4
Hong Kong's grandpa protesters speak softly but carry a stick | AFP
m.youtube.com/watch?v=5DHR218Jd0I
香港「反送中」運動：一片看清兩個月來的暴力僵局－ BBC News 中文
m.youtube.com/watch?v=2IAQmKJG_sE&t=1s
2019年9月8日香港暴徒大肆破壞中環 Hong Kong Central was destroyed by the mobs m.youtube.com/watch?v=AlG4XgAcu8Y
831太子地鐵站死人真相
m.youtube.com/watch?v=AGxwLpDsIno
【藍衣人再現】持鐵通追打市民 至少兩人爆頭 黑衫男：佢一棍打頭
m.youtube.com/watch?v=kphD02wEkA4
【9.6太子站求真相】旺角匯豐路段處，警察退走，港人怒罵「黑社會」
m.youtube.com/watch?v=BLPUN-S0IZ0
31年老港警一度哽咽哭泣：暴徒攻击我们难道就可以帮到香港吗？
m.youtube.com/watch?v=IIeX6eUwz1k
2019年9月4日香港暴徒於寶琳站毆打他人 Hong Kong mobs beat others at Po Lam Station - m.youtube.com/watch?v=pUnapSWRV8w
一藍衣男踩場831遊行 - YouTube m.youtube.com/watch?v=kkkRLSMgTgo
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901 香港機場警察進廁所追打示威者 m.youtube.com/watch?v=HWeOxeEVnr0
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市民片段：九龍灣警員拖行示威者並用警棍打頭 RTHK m.youtube.com/watch?v=7TxQutP5vNw
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7.21 元朗西鐵站出現多名白衣人突發事件 一度出現打鬥超混亂情況
m.youtube.com/watch?v=E6P5HcsOUhM
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7.21 元朗人親述何君堯與白衣人的內情1 m.youtube.com/watch?v=dNjRhyf5qIY
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8月5月荃湾白衣人勝和黑漢追打途人 m.youtube.com/watch?v=75x2jKPBsL4
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【突發新聞 Breaking News】【85大罷工】北角白衫福建幫持棍 瘋打人群
m.youtube.com/watch?v=ycZasR1u85k&t=216s
影片 暴徒搵福建幫報仇 暴徒在荃灣打了白衣人的門報仇
逃犯條例變相港獨戰爭/曱甴造反，8.25，荃葵青遊行，水炮車出動曱甴散了，這影片紀錄兩件事，暴徒搵福建幫報仇，暴徒使用暴力走火入魔精彩片段正再收集，警察有開槍，今次福建幫下次輪到人大常委會京爺們 m.youtube.com/watch?v=IHj8WmIE8NE
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[5-8-2019] 荃灣有白色衫人士持刀襲擊黑衫人，結果被黑衫人反追擊倒地圍毆
m.youtube.com/watch?v=XllbIhznGbE
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【85大罷工】荃灣黑暗4小時 人群分遭藍衣白衣人埋伏 m.youtube.com/watch?v=q38wglVNmEw&t=35s
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荃灣 眾安街 有約40個白衣人持刀與示威者對峙中 m.youtube.com/watch?v=uCmDCusbo7k
831太子 - 警指有黑衣示威者更衣喬裝成市民 三名身穿「救護」反光衣的人要面壁站立 - 20190831 - 香港新聞 - 有線新聞 i-CABLE News
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m.youtube.com/watch?v=-SJq5QD-iVQ
發布日期：2019年9月1日
事件起因是兩批不同政見的人，在太子站的列車上衝突，警方指有黑衣示威者更衣喬裝成市民，並且攻擊警察，警員用了相應武力應對，否認是「無差別打人」。
警方解釋，進入太子站拘捕人是源於收到報案，兩批人在太子站的列車上發生爭執。一人被掌摑，雙方推撞，一批穿黑衣、蒙面人在車廂外不斷人叫罵，車廂內有人試圖勸阻雙方，雙方互擲傘和雜物，有人一度掏出鎚仔，向著對方揮動，情況一度非常混亂，最終有人開滅火筒。
月台有名女子和黑衣人拉扯，有肢體衝突。有月台幕門穿了個孔。當警察去到現場時，警察指有大批示威者更衣喬裝成市民，增加警務人員拘捕暴力示威者的難度。
既然說示威者已更衣，警察如何分辨有沒有打錯人？畫面所見、有些人已經被制服，但繼續被噴胡椒噴劑，又是否合理？警方在太子站拘捕四十人，又是否包括這個掏出鎚仔的男子？
同一晚，多個港鐵站都有警察入站拘捕人，在油麻地站，一批防暴警察進入大堂，要求多人站在牆邊，搜查隨身物品，三名身穿「救護」反光衣的人要面壁站立。
在觀塘站，一批人破壞站內閉路電視，又向橋下的警員叫罵，警員入站追捕，將其中一人按在地上，一名自稱是義務救護員的男子被帶走。旺角站，有人破壞控制室，警員入站搜查及拘捕，在荔景港鐵站亦有警員進入站內
^^^^^^^^^^^^
【8.31警方阻人道救援】8.31夜間在太子地鐵站大規模無差別毆打市民。急救員心碎痛哭哀求警方開閘進入地鐵救人，令人動容。據稱有4名傷者在油麻地地鐵站裡面，且有人血流不止，警方拒絕並且聲稱不需要。
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- m.youtube.com/watch?v=yiscYp6tnlM
發布日期：2019年9月1日
現場急救員欲進入油麻地地鐵站搶救傷患，他們表示早前有進入地鐵站，知道有4名傷者，並且有人血流不止，但其後，急救員隨即被防暴警察趕走。站內另有三個急救員，卻被迫「面壁」罰站。警方強制封站落閘阻止急救員進入。急救員在鐵閘外苦苦哀求，哭訴寧願自己挨打，也求警方讓他進入救人，令人動容。他還表示，市民並非想要憎恨警方，而他從小的志願是做警察，但今日警察的作法令他改觀，對他們感到失望。
詳細對話：
救護員：阿sir，我代那個傷者跟你喊一聲救命，阿sir，我唔該你（請求你），阿sir，我求求你，你的惻隱之心去哪裡了，我們是來救人的！
警方：不需要你救傷者！
救護員：阿sir，我來救人的，你的惻隱之心去哪裡了？（哭求）
其他救護員：阿sir，你也有家裡人，對吧？
救護員：好了阿sir，朋友來著，你也是香港人吧？
其他市民開始咒罵黑警。
該救護員呼籲其他人冷靜。
救護員：阿sir，你也是香港人來著！
其他人忍不住繼續罵黑警
救護員：等等，讓我講完！
其他人：差佬（警察）無得救（沒得救）！
另外救護員：其實我地唔想憎你，好多市民都唔想憎你（其實我們不想恨你，很多市民都不想恨你）
其他人：等天收啦黑警
救護員：請讓我講！
阿Sir，我從小到大的夢想就是做警察！但是今年，我對你們徹底改觀。阿sir！我對你很失望啊！
阿sir，求求你，我比曬D裝備你（我把我的裝備都給你）
你讓我去救人呀！
我救完，你打我，你噴我，怎麼都好！你拉我啊！
你讓我去救人呀，求求你⋯⋯
^^^^^^^^^
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2019年9月1日香港暴徒大肆破壞東涌站 堵塞機場 Hong Kong thugs devastated Tung Chung Station Bocked the way to Airport m.youtube.com/watch?v=qp-WLx50tvw
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8.31油麻地站：急救員痛哭
m.youtube.com/watch?v=DK3kDuXdFns
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老婆婆元朗哭勸示威者離開不要跟警方硬拼
m.youtube.com/watch?v=vvHCrX-2xFo
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31AUG2019太子車廂警拉人足本 - m.youtube.com/watch?v=vIau2kwxzZA
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11-08-2019 晚上北角穿黑衣路人被幾個人推倒街上拳打腳踢https://m.youtube.com/watch?v=zbTuFehbRFo
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【荃灣黑漢專訪 8月10日】多名白衣黑漢聚集,持械出擊!手繫紅絲帶持鐵通 ︰不要進入二陂坊!記者受傷! 警方派員巡視和白衫交談 -
m.youtube.com/watch?v=m9JzbFsLXbM
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將軍澳遊行市民被四名白衣人毆打 - m.youtube.com/watch?v=Ci4v9_cFIBM&t=4963s
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香港傑老怒打漢奸合集 漢奸林卓廷 快必 故意出現喺630撐警集會附近挑釁傑老 -
m.youtube.com/watch?v=y8JC7RLgkxo&lact=27&itct=CA...
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Hong Kong police face off with protesters as airport protests erupt in chaos -
m.youtube.com/watch?v=tXWnA41_leI
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2019.08.11港警殘忍壓制示威者（血腥慎入） m.youtube.com/watch?v=23Rt8njiRtw
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停止亂港，我們受夠了！ | CCTV
m.youtube.com/watch?v=cGch4VrLcIY
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香港示威者堵路不让的士经过还打骂老司机
m.youtube.com/watch?v=Y68B57v5LEk
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當晚，作為GoGoVan司機的陳先生駕車經過中環，因黑衣人堵塞道路無法前進，他下車與黑衣人理論。接下來的畫面，通過不同平台的直播和各種小視頻流傳甚廣，數十個黑衣人手持雨傘、鐵棍、木棒一擁而上。原本身材壯碩的陳先生，迅速就被「黑潮」淹沒打倒在地。而他的「搵食工具」那輛Van仔也被徹底破壞。剛剛出廠3個月的新車，能拆的都被拆掉，能打碎的都被打碎掉，修理廠估計維修費要50萬元以上。陳先生說：「想死的心都有了。」
網上有很多人說陳先生「很蠢」，「明知那些人是這樣的狀態，還要走下車去理論，就是蠢」。陳先生說「是的，我是蠢。」，他說「每個人真正的勇氣，就如同一枚一元的硬幣，用了就沒有了。」而自己的勇氣用在下車與暴徒理論的那一刻，但被打成「狗熊」一樣，沒有幫到其他人
被打貨Van司機：想死的心都有了
m.youtube.com/watch?v=gWD5yq8Kr9Q
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示威者火燒沙田同葵涌警署
m.youtube.com/watch?v=LfYiX7r2o70
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示威者向沙田警署警署掟石
m.youtube.com/watch?v=693Hftw-4_0
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大量撐警人士指罵黃之鋒是仆街仔https://m.youtube.com/watch?v=KHGaWpFIJj4
^^^^^^^^
似youtube...搜尋.....影片
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SocREC社會記錄協會@CHING😊
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快必 vs 黃洋達
m.youtube.com/watch?v=Vit6gggS_Ug
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直播
在 YouTube 上觀看「20190712 【突發現場】一個月逆權衝突 警察暴力嗎？」
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長沙灣站疑有精神病藍絲破壞連儂牆，南亞漢忍無可忍睇唔過眼出手打到佢仆街!
m.youtube.com/watch?v=peCZCwnLJOg
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金髮躁女嫌人阻街 擸掃帚扑穿阿婆頭https://m.youtube.com/watch?v=b-X-UJ1HW6Y
發佈日期：2018年10月3日
【本報訊】在深水埗擺地攤賣白蘭花及藥油的葉婆婆，閒來無事會在擺檔時唱歌娛人娛己，一名金髮女子昨行過時懷疑不滿婆婆的物品阻街及歌聲擾人，兩人口角期間，該女子突然隨手執起一把掃把猛力扑向婆婆，婆婆頭部中招，血流如注，圍觀巿民連忙報警。警員到場拘捕涉嫌傷人女子，婆婆則由救護員包紮後送院治理
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鴨寮街打交，你識吾識打九九九https://m.youtube.com/watch?v=Wjh0XXtpY7w
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【大埔連儂隧道】藍絲破壞連儂牆並打人https://m.youtube.com/watch?v=OPDG2qh8-tw
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【長沙灣連儂牆】藍絲挑機打人 毀連儂牆https://m.youtube.com/watch?v=KwogDEHIiMs
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【割地兩檢 港人危險】快必譚得志變公安，講解割地兩檢有幾危險，連警察都怕咗佢！
m.youtube.com/watch?v=ypIJRMdLhx4
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快必被襲，疑兇逃走過程 2014-01-23
m.youtube.com/watch?v=snuqNDZJFyY
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快必被人打
快必挑機成功起晒朵,勁!
m.youtube.com/watch?v=Jsd4CvM68gw
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快必被人打
口臭漢奸人民公敵快必譚得志抵打，大快人心！對漢奸走狗賣港賊就是要正義的港人狠狠的教訓！狠狠的教訓這羣恐怖怪物！
m.youtube.com/watch?v=e4N-X-hToNk
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連六歲細路仔都喺街上面屌林鄭月娥老母 m.youtube.com/watch?v=iiDaEFaqSW8
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撐警集會人士辱罵記者及反送中示威者https://m.youtube.com/watch?v=mt3NR2S7gQg
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有人講粗口......講粗口得意好聽
建制派舉行撐警察集會 參與者與「反送中」示威者對罵並潑水 自稱記者人士中招
m.youtube.com/watch?v=7fg-bCIKXiE
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油塘屋邨連儂墻。。正義阿伯??? m.youtube.com/watch?v=ggup2dOr21c
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【突發】有藍絲破壞市民的連儂牆 期間更發生衝突 m.youtube.com/watch?v=rPOjnscKCQg
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連儂牆阿伯打人(Backup)
m.youtube.com/watch?v=9tLfNJFomZk
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九龍灣連儂牆「親中」人士拳打「反送中」年青人 年青人「硬挨」幾分鐘不還手（悲哀） m.youtube.com/watch?v=4gtFt5lH4K0
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【突發】遊行人士叫大媽派利是 和捉弄她 大媽不甘受辱出手打人 m.youtube.com/watch?v=8xRrIfb4MUo
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暴徒襲擊警員
m.youtube.com/watch?v=yckmNWeC-Ng
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「旺角衝突」示威者暴打警車 m.youtube.com/watch?v=cWKHT8ax5Bc
發佈日期：2016年2月10日
旺角山東街與砵蘭街交界，大年初一近凌晨零時爆發警民衝突，警方一度展示紅旗、施放胡椒噴霧，並向示威者揮動警棍控制場面，有示威者向警員投擲雜物。其間有警員向後退時倒地受傷，警方向天開2槍警告。之後雙方在彌敦道展開攻防戰
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香港假民主的暴民遊行示威打警察 m.youtube.com/watch?v=eKR_N5McC4I&lact=14&itct=CC...
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【衝擊立法會】示威者拿重物砸向警察 m.youtube.com/watch?v=J_gLWEa60qk
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20180311 黃之鋒香港仔中心外遭途人指罵 m.youtube.com/watch?v=U0iBVxcIAQ8
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建制派的撐警大會 黃之鋒人氣高不斷被「問候」 甚至有人用頭撞玻璃都要跟他親密接觸
m.youtube.com/watch?v=Nl5fJhvTTJk
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大量撐警人士指罵黃之鋒是仆街仔 m.youtube.com/watch?v=KHGaWpFIJj4
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香港霸氣市民以道理一人罵走整隊警察https://m.youtube.com/watch?v=ke1lNZGzNOE
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警察仆街全實錄
m.youtube.com/watch?v=lcsVWaNNu1k
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兩個阿叔瘋狂屌柒香港警察是暴徒 在612使用暴力 m.youtube.com/watch?v=zCTMTm653xc
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林卓廷@海富橋・撐警變暴徒 ｜ Forbidden City
m.youtube.com/watch?v=Bv8mjJjm6K8
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登入 2019.06.30【香港電台記者採訪撐警集會期間被辱駡阻撓】港台嚴厲譴責
m.youtube.com/watch?v=NI7T89QLxis
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撐警人士與反送中人士互相屌你老母 m.youtube.com/watch?v=DLC3FSfOR44
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林鄭畀人狂屌老母包括譚詠麟,鍾鎮濤,梁家輝,高志森 (20190701大遊行)民意就在此 m.youtube.com/watch?v=kjSX4pptpwU
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發佈日期：2019年7月4日
事緣2019年6月30日譚詠麟公開參加撐警察執法集會，惹怒歌迷，碎碟洩憤，嬲譚詠麟唔同佢一齊反《逃犯條例修訂草案》
譚詠麟歌迷怒碎碟
m.youtube.com/watch?v=EH94IoKzJVM
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【7.1上街】譚詠麟歌迷帶珍藏黑膠碟到維園踩爛 痛罵阿倫離棄香港人
m.youtube.com/watch?v=Mup_bztsx68
發佈日期：2019年7月1日
今日民陣發起「七一遊行2019」，主題為「撤回惡法 林鄭下台」，下午1時許，維園已聚集遊行人士，有兩名譚詠麟（阿倫）的資深歌迷，將家中珍藏的阿倫黑膠碟全部帶來現場，丟在草地上用腳踩爛，現場還有幾位參與遊行人士，都加入齊踩阿倫的黑膠碟，有人還爆粗。
事緣昨日阿倫出席撐警集會，指不想涉足政治：「再咁落去，香港無得救。再搞落去無人管治到香港。」引起歌迷對其言行失望。
53歲黃先生表示約10歲便開始聽阿倫及溫拿的歌，今日帶了十多張黑膠碟到現場踩爛。問黃先生昨日見到阿倫為撐警站台及其言論有何感想？他直言感到愕然：「見佢咁好愕然，我以為見到阿叻（陳百祥）都唔會見到佢，反而阿叻無出現。我愕然完之後就覺得有冇搞錯？佢嘅名氣，甚至名利，都係土生土長香港人咁多年對佢支持得番嚟，喺而家咁關鍵嘅時候，我覺得佢係離棄咗香港人。」
問黃先生是否將家中的黑膠碟都拿出來？他表示：「係，搵到嘅都帶晒出嚟，有10幾張，溫拿都帶晒出嚟！」問他是否覺得可惜時，黃先生即語氣堅定說：「唔會，因為佢而家對我嚟講價值係零。」
至於阿倫昨日的表現，又是否令他覺得可惜？黃先生回應稱：「唔會覺可惜，每人取態可以唔同，自己都有自己選擇，我嘅選擇就係由噚日開始唔會再欣賞呢個人，所以唔希望佢嘅嘢喺我屋企出現。」
黃生續謂，自己是近兩年再參與7.1遊行，以前屬政治冷感，現在已退咗休，就用僅餘有用嘅身軀支持一下，「其實我對香港死心好耐，見到保皇黨喺議會，無需理公義，無需理市民聲音，打橫嚟，監粗嚟，之前好死心，但年青人咁樣行出嚟，如果唔企喺佢哋後面back up同支持佢哋，過唔到自己嗰關。」
另一位歌迷王先生珍藏了3、4張阿倫的黑膠碟，他踩爛後接受訪問：「以前有聽佢啲歌，近排都冇啦，聽咗都有幾十年。」問到點解咁不滿？他說：「佢撐警囉，對佢好唔滿意，印象轉變晒，做公眾人物，佢哋應該唔好出聲，出得嚟搵食賺人仔，就唔好出嚟講嘢，應該縮埋一邊唔好講嘢，暗地撐係你嘅事，唔好出嚟講，犯眾憎。」問以後還會聽阿倫的歌嗎？他說：「唔聽，碟都丟埋，一鋪清袋。」
港府硬推《逃犯條例》修訂二讀，觸發逾百萬人上街抗惡法，6.12警方暴力清場致市民兩度包圍政總，警民關係緊張。昨日建制派議員發起撐警集會，譚詠麟（阿倫）和鍾鎮濤（阿B）現身站台支持警察，阿倫指不想涉足政治：「再咁落去，香港無得救。再搞落去無人管治到香港。」而阿B則表示要講的是正義，希望子女能知道對錯，又斥現時年輕人「九唔搭八」，強調孝順父母及奉公守法是理所當然的事
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【引渡惡法●Live】光復屯門公園遊行 m.youtube.com/watch?v=MqxmnuWeSjU
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人類大約在60－65歲，便會到了老年，身體機能便會漸漸衰老
長者常見疾病
認知障礙症 (前稱老人痴呆症／腦退化症)
腦部功能逐漸衰退，是一種非正常腦部退化的疾病
患者的記憶，理解，語言，學習，計算和判斷能力，都會受影響；情緒、行為及感覺方面亦有惡化
症狀
早期：
對近期記憶力衰退
對時間及方向感覺混淆，不知道今天是何年、何月、何日，不清楚自己在何地，出了家門就找不到家
判斷力及思考能力減低
晚期：
說話和理解能力遲鈍
無法認出家人
完全喪失自我照顧能力，如洗澡、吃飯
大小便失禁
日漸消瘦、吞嚥困難、走路不穩或甚至臥床不起
老年人要特别注意营养，多补充锌、铁、钙等微量元素，尤其是锌元素，这些微量元素对预防老年性耳聋有显著效果。富含锌的食物主要有海鱼，鲜贝类等，经常食用对预防老年性耳聋很有好处
影响听力
要戒烟戒酒
尼古丁和酒精会直接损伤听神经，长期大量吸烟，饮酒还会导致心脑血管疾病的发生，致内耳供血不足而影响听力