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Allonby is a village on the coast of the Allerdale district in Cumbria, England. The village is on the B5300 road 5 miles north of Maryport and 8 miles south of Silloth. The village of Mawbray is 3 miles to the north, and 3.5 miles to the east is the village of Westnewton. The county town of Carlisle is located 26 miles to the north east. Other nearby settlements include Crosscanonby, Edderside, Hayton, and Salta.
The village overlooks Allonby Bay in the Solway Firth. The area is within the Solway Coast Area of Outstanding Natural Beauty, and the historic county of Cumberland. Allonby, and the five-mile coastal strip of the bay, has views across the Solway to the Galloway hills of southern Scotland. Both the South Saltpans beach and the West Winds beach were awarded the Blue flag rural beach award in 2005. The village is located on the 150 miles Cumbria Coastal Way long distance footpath.
From the late 18th century until the mid 19th century, Allonby was home to a small fishing fleet. The main catch was herring. Fish yards were built where these were salted and packed in barrels made on the premises. There was also a smoke house where kippers were produced.
In the early part of the 19th century Allonby was a popular sea-bathing resort. Baths were built in 1835. The buildings still survive as private residences in the Market Square.
The village has a 17th century coaching inn now known as the Ship Hotel. Charles Dickens and Wilkie Collins stayed overnight at the hostelry in 1857 (due to Collins' illness) while they were touring northern Cumberland.
The Reading Room, opened in 1862, was designed by Alfred Waterhouse, the Victorian architect, when he was only 32 years old. The building was largely financed by Joseph Pease who was Britain's first Quaker MP.
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Brown Bear, Grizzly Bear or Kodiak Bear, they are all members of the brown bear family, Ursidae. Scientific names differ amongst groups of brown bears found in specific regions such as Coastal and Grizzly Bears, which have been given the name, Ursus arctos horribilis. Though there is a wide variety of brown bears found throughout the world, all having unique scientific names, they are still all members of the brown bear family, Ursidae. Middendorffi is the one exception and only scientifically recognized sub species of brown bear, due to the fact that they have the smallest gene pool of all brown bears and have a definite larger bone structure than other brown bears.
Brown bears found inland and in mountainous habitats are called "grizzlies" while brown bears living in coastal areas are called Coastal Brown Bears. The Kodiak brown bear is isolated to Kodiak Island in Alaska. Kodiak bears are not Grizzly Bears, the name “grizzly” comes from the silver tipped hairs these bears get, as they grow older. In comparison, the grizzly is considerably smaller than both the coastal brown bear and the Kodiak brown bear. This size difference is due to the abundance of food available in coastal areas and on Kodiak Island. The Kodiak bear has been isolated to Kodiak Island for some 12,000 years. The bone structure of the Kodiak is much larger than other Brown Bears, they have a more diverse social structure than other bears due to the close proximity in which they live and they have a gene pool that is much smaller than that of other bears.
The Kodiak brown bear is the world’s largest bear while the polar bear being a direct descendent of the brown bear is the world’s heaviest bear. Polar bears have been reclassified as marine mammals due to the amount of time these bears spend in the water.
The bear pictured is a Coastal Brown bear photographed at Hallo Bay in Katmai National Park in Alaska. This is a she bear or sow, (terms often used in reference to a female bear) with her cub. Male bears are called boars and female bears are called sows.
Brown bears gain an average of 3-6 pounds of fat per day during peak periods to obtain enough body weight to survive winter hibernation. Hibernation is a state of dormancy at which time bears are inactive, allowing them to adapt to short winter food supplies. During a bears hibernation, its body temperature is close to that of the surrounding air, its metabolic rate is comparatively high and it may awaken and move about outside the den. The length of a bears hibernation depends on climate, location, sex, age and reproductive status of the individual bear. Bears that have not obtained an adequate fat reserve may not hibernate at all.
Mating takes place during the spring months from late May through early July. Brown bears are serially monogamous and will remain with the same mate from several days to a couple of weeks. Female brown bears become sexually mature between 5 and 7 years of age, males usually will not mate until a few years later when they are able to compete successfully with other males for an available female.
Through a remarkable process known as delayed implantation, a fertilized egg will divide and float free within the uterus for six months. During hibernation, the embryo will attach itself to the uterine wall and the cubs will be born after an eight-week period while the mother sleeps (January or February). This process is important to the survival of the mother. Should she not gain enough weight to carry her through the winter, the embryo will not implant and be reabsorbed by the body.
The average number of cubs born is between one and four, with two being the average. There have been cases where a bear has been spotted with five cubs, though the mother has been suspected of adopting an orphan, which is not unusual. Age, geographic location and food supply influence the size of a bears litter. The number of cubs a female will have increases, as she gets older. At birth, the cubs are blind, toothless, hairless and very tiny weighing less than 1 pound. They feed on mother’s milk until spring, when she is ready to leave the den, sometime between April and May and as late as June depending on climate conditions. At this time they will have developed enough to follow her and begin to forage. The cubs will weigh from 15 to 20 pounds at this time.
Cubs will stay with their mother from two to four years. During this time, they will learn survival techniques crucial to their existence. They will learn which foods return the highest nutritional values, where to attain them, how to hunt, how to fish, how to defend themselves and where to den. The cubs learn by following and imitating their mother’s actions during the period they are with her.
Icones plantarum novarum vel imperfecte cognitarum floram Rossicam, imprimis Altaicam, illustrantes..
Rigae :apud I. Deubner,1829-34..
Mingle Media TV and Red Carpet Report host Ine Iversen were invited to cover the World Premiere of Disney’s “ Cinderella,” at the El Capitan Theatre in Hollywood. This new live-action feature directed by Kenneth Branagh is inspired by the classic fairy tale, “Cinderella” and brings to life the timeless images from Disney’s 1950 animated masterpiece as fully-realized characters in a visually-dazzling spectacle for a whole new generation.
“Cinderella” will be released through Walt Disney Studios Motion Pictures on March 13, 2015.
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About Cinderella
The story of “Cinderella” follows the fortunes of young Ella (Lily James) whose merchant father remarries following the death of her mother. Eager to support her loving father, Ella welcomes her new Stepmother (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drisella (Sophie McShera) into the family home. But, when Ella’s father unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. When Ella meets a dashing stranger in the woods, unaware that he is really the Prince (Richard Madden) and not merely Kit, an apprentice at the palace, she believes she has finally found a kindred soul. Meanwhile, the calculating Grand Duke (Stellan Skarsgård) devises a plan to thwart the Prince’s hopes of reuniting with Ella and enlists the support of the devious Stepmother. But, as in all good fairy tales, help is at hand. Soon, a kindly beggar woman (Helena Bonham Carter) steps forward and, armed with a pumpkin, a few mice and a magic wand, changes Cinderella’s life forever.
Directed by Academy Award® nominee Kenneth Branagh (“Thor,” “Hamlet”) and starring two-time Academy Award winner Cate Blanchett (“Blue Jasmine,” “Elizabeth”), Lily James (“Downton Abbey”), Richard Madden (“Game of Thrones”) and Academy Award nominee Helena Bonham Carter (“The King’s Speech,” “Alice in Wonderland”), “Cinderella” is produced by Simon Kinberg (“X-Men: Days of Future Past,” “Elysium”), Allison Shearmur (“The Hunger Games: Mockingjay, Part 1”) and David Barron (“Harry Potter and the Deathly Hallows: Part 1”) with Tim Lewis (“Edge of Tomorrow”) serving as executive producer. The screenplay is by Chris Weitz (“About a Boy,” “The Golden Compass”).
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Questo è un report lungo e breve al tempo stesso, sulla tradizionale festa dal sapore sacro e profano con radici pagane, chiamata "U Ballu di Diavuli" (il Ballo dei Diavoli) che ho realizzato quest'anno durante il pomeriggio di Pasqua nel paese siciliano di Prizzi, in provincia di Palermo: questa festa, che ha origini medioevali, è la rappresentazione dell'eterna lotta del Male (due Diavoli e la Morte) contro il Bene (il Cristo e la Madonna). I Diavoli indossano una tuta di lana di colore rosso (il colore del fuoco dell'Inferno...), indossando anche una vistosa maschera di ferro con una grande bocca adornata da grossi denti e da una lingua penzoloni, maschera che è sormontata da due corna, posteriormente rivestita da un vello di caprone che ricopre spalle e parte della schiena (un Diavolo ha un vello nero, l'altro Diavolo un vello bianco), infine entrambi i Diavoli stringono tra le mani pezzi di catene di ferro, che vengono agitate e fatte sbattere contro le stesse maschere; la Morte indossa una tuta di lana di colore giallo ocra, indossa una maschera di cuoio sempre di colore giallo, che assomiglia ad un teschio, dalla cui bocca escono dei lunghi denti, essa stringe tra le mani uno "strumento di morte" molto simile ad una balestra medioevale. La festa ha inizio la mattina di Pasqua, la Morte insieme ai due Diavoli (che sono diventati ad un certo momento, anche quattro, per coinvolgere più passanti) scorazzano per le vie del paese di Prizzi, coinvolgendo coi loro scherzi e moine, i passanti...i quali vengono invitati a ballare assieme a loro al suono ben ritmato della banda musicale; spesso i due Diavoli "catturano l'anima" di un passante, il quale per poter vedere la sua anima liberata....deve rilasciare un piccolo obolo simbolico ....Purtuttavia, il nome della festa "il Ballo dei Diavoli" trae origine da un momento molto particolare della manifestazione, allorquando le due statue, quella del Cristo Risorto e quella Madonna si trovano l'una di fronte l'altra per potersi incontrare (U 'Ncontru): è qui, tra le due statue, che i due Diavoli e la Morte inscenano un andirivieni fatto di balli, salti, moine...con lo scopo di impedire questo incontro, però… le due statue, per nulla intimorite dalle forze nefaste del Male, finiscono col chiudono tra loro, senza vie di fuga, i Diavoli e la Morte .... che vengono così trafitti dalle spade degli Angeli (messi a guardia del Cristo Risorto); finalmente la Madre ed il suo Figlio possono incontrarsi, in un tripudio di gioia dei devoti, col Bene che ha così sconfitto le forze del Male...
Fotos Nuevas 2013
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© Álbum 0363
By Catedrales e Iglesias
Arquidiócesis de Puebla
Parroquia: Nuestra Señora del Sagrado Corazón
Zona: Urbana
Decanato: Santa Teresita
Dirección: Avenida Esperanza # 1
Colonia: La Paz
Ciudad/Municipio: Puebla, Puebla
CP.: 72160
Tel: (222) 248 48 04 / (222) 232 00 96
Fax:
E-Mail:
Iglesia del Cielo
El Sacerdote Rafael Figueroa fue conocido como el Padre chanclas de oro, porque provenía de una familia acomodada y cuando se ordenó impulsaba a que la feligresía diera mucho dinero para mejorar el templo del Santuario del Cielo.
Por su ubicación en el cerro de la Paz es visible desde cualquier punto de la ciudad y, construida en los años 40, es la corona de la Ciudad de Puebla.
Ubicada en la colonia La Paz, donde los terrenos son de entre 700 y mil metros cuadrados por que en un principio los habitantes eran los más acaudalados de la ciudad.
El templo, hoy día, sigue recibiendo eventos religiosos de grupos aristocráticos. Con una enorme cúpula iluminada por las noches podemos distinguir su belleza y sus cualidades arquitectónicas.
Câu chuyện đau lòng trên bao gia dinh: Một mình tự lo cuộc sống mới, nàng dâu L. T. H. còn tất tả ngược xuôi gửi đơn kêu cứu mong được cắt khẩu khỏi nhà chồng cũ và làm tròn nghĩa vụ của một người mẹ.
Cuộc hôn nhân đầy nước mắt của nàng dâu Hà thành
Sinh ra và lớn lên tại Hải Dương, chị L.T.H (sinh năm 1982) lấy chồng ở tuổi 22, đem theo bao ước mơ về cuộc sống đủ đầy nơi phồn hoa đô thị. Anh H.M.T (sinh năm 1980), chồng chị H vốn là trai gốc Hà Nội – mẫu đàn ông vốn là niềm ao ước của biết bao cô gái tỉnh lẻ lên thành phố lập nghiệp. Hai người quen nhau khi cùng vào Sài Gòn làm việc, sau đó thì nhanh chóng nảy sinh tình cảm. Sau một thời gian tìm hiểu, hai người tổ chức đám cưới vào tháng 1/2004, chẳng bao lâu sau, tổ ấm nhỏ chào đón thêm thành viên mới là bé trai H.K kháu khỉnh, đáng yêu.
Hai vợ chồng ở cùng gia đình chồng tại một căn nhà nhỏ thuộc khu phố cổ Hà Nội sầm uất, tần tảo buôn bán, xây dựng tổ ấm. Những tưởng cuộc sống hôn nhân như vậy đã tạm gọi là đủ đầy, nhưng chẳng ngờ hạnh phúc đến chưa được bao lâu đã vội ra đi, khi chị H phát hiện ra chồng là một con nghiện ma túy nặng. Bao nhiêu tiền của trong nhà cứ thế đội nón ra đi theo những cơn đói thuốc của anh T.
Kể từ khi lấy vợ, anh T không những không chịu thay đổi mà còn ngày càng lún sâu vào con đường tệ nạn. Anh không màng đến vợ con, trách nhiệm kiếm tiền gánh vác gia đình dồn cả vào đôi vai chị H. Không những thế, trong những cơn đói thuốc vật vã, anh T còn thẳng tay đánh đập vợ không thương tiếc. Nhiều lần vì muốn giữ cho con có một mái ấm đầy đủ cả cha lẫn mẹ, chị H nuốt nước mắt, nhẫn nhục chịu đựng qua ngày. Không ít lần, chị H động viên anh T đi cai nghiện, chị còn đích thân đưa chồng đến một lớp học dành cho những người nghiện ma túy, nhưng kiên trì chẳng được bao lâu, anh T bỏ về, quay trở lại đường cũ, hết vào tù lại ra tội.
Khổ vì chồng đã đành, trong nhà chị H còn ngày càng ngột ngạt vì mâu thuẫn mẹ chồng nàng dâu. Mẹ chồng chị thương và chiều con trai, vốn đã không thích chị H làm dâu nên giữa hai người thường xuyên xảy ra xung đột. "Cưới nhau được 2 năm, tôi đã phải ra ngoài thuê nhà ở riêng vì bị mẹ chồng hành hạ cả về thể xác lẫn tinh thần. Thời gian có bầu, tôi vừa làm lụng tự nuôi mình vừa lo đồ tiếp tế cho chồng. Ngày nào cũng vác bụng bầu to tướng ra ngồi lề đường từ sáng đến 2h đêm bán nước mía mà không dám mở lời kêu than", chị H xót xa kể lại quãng thời gian đau khổ.
Vất vả trăm đường, chị H không hề biết rằng đằng sau, bà đã ngấm ngầm rỉ tai "khuyên" con trai bỏ vợ. Tháng 3/2013, chị H ngỡ ngàng khi nhận được lá đơn ly hôn do anh T đích thân viết. Mặc dù từ ngày lấy chồng, số ngày hạnh phúc của chị chưa đầy bàn tay, cũng không hề được "ăn sung mặc sướng, vô lo vô nghĩ" như những gì mọi người thường nghĩ đến các nàng dâu may mắn lấy được chồng Hà Nội, nhưng quả tình chị H chưa một lần nghĩ đến việc sẽ ly hôn với chồng. Chuyện đã đến nước này, chị đành phải gạt nước mắt ký vào đơn ly hôn.Sau ly hôn, tòa ra phán quyết: bé K, con chung của chị H và anh T sẽ sống chung với ông bà nội và bố, để thuận lợi cho việc học tập, đi lại. Hai mẹ con chị H sẽ được gặp nhau vào 2 ngày cuối tuần, cũng như chị H có trách nhiệm chu cấp số tiền nuôi con cho gia đình chồng là 1 triệu đồng/tháng. Thời gian đầu, mặc dù kinh tế chưa dư dả gì nhưng chị H vẫn cố gắng thuê trọ ở gần nhà chồng cũ, để được gặp con mỗi ngày. Sau này vì mẹ chồng cũ thường xuyên chửi bới, chị đành dọn đi, tìm một chỗ ở khác xa hơn để tránh phải chạm mặt.Sau khi ly hôn, anh T vẫn tiếp tục chìm trong cơn mê của "nàng tiên nâu". Nhiều lần không có tiền hút hít, anh T còn chủ động vòi vĩnh tiền của vợ cũ. Đỉnh điểm nhất là một lần anh T hùng hổ dọa dẫm vợ cũ qua điện thoại: nếu đến gặp con thì anh sẽ gặp đâu đánh đấy, đánh đến chết mới thôi. Quá sợ hãi và một phần cũng biết tính nết anh T, chị H cũng không dám chọc giận chồng cũ vì sợ bị anh túng quá hóa liều. Một thời gian sau, anh T bị bắt giam khi đang tàng trữ hàng trắng trong người, kể từ đó, chị H không còn tin tức gì về chồng cũ. Cháu K ở với ông bà nội, tuy không còn bị bố ngăn cản gặp mẹ, nhưng hai mẹ con chị H cũng hiếm hoi mới có thể gặp nhau, vì mẹ chồng chị H vẫn giữ ác cảm với nàng dâu cũ, không mấy hài lòng khi thấy chị đưa đón con đi chơi.
Thoạt đầu, chị H chỉ thấy lạ khi thấy thái độ của bà, nhưng càng về sau này, chị mới thấm thía tất cả. Dịp Tết năm 2014, chị H có gọi điện đến xin phép bà nội cháu kha ngan đến đón con về quê ngoại nhưng bà lấy lý do thoái thác không đồng ý cho mẹ đón. Kể từ đó, chị H mới vỡ lẽ rằng hóa ra mẹ chồng cũ vẫn ngấm ngầm nuôi ý định chia cắt hai mẹ con chị. Nhiều lần háo hức gặp con, thì cũng ngần ấy lần chị thất vọng, hụt hẫng. Nỗi nhớ và thương con, chị chỉ biết lặng lẽ cất giấu vào sâu trong lòng.Có những khi nhớ con quá, tôi chỉ biết canh giờ đến trường rồi lén lút gặp cháu. Nhiều khi nhìn thấy con mà nước mắt chỉ chực ứa rangười mẹ tội nghiệp nghẹn ngào nói. Không cam chịu chấp nhận số phận, chị H chủ động tạm dừng việc đóng góp tiền học của cháu K, để tạo áp lực với nhà chồng cũ cho chị gặp con. Không ngờ, vì việc này mà mẹ chồng cũ càng lấy cớ chửi bới chị nặng lời, bà thường xuyên gọi điện thoại chì chiết chị là người mẹ vô trách nhiệm với con. Là người rứt ruột sinh con ra, nhưng lại phải gặp con trong lén lút, còn nỗi khổ sở nào bằng – đó là tâm trạng của người mẹ tội nghiệp khi ấy.Sau những tổn thương của cuộc hôn nhân đầu, chị H gặp được một người đàn ông hiền lành, chịu khó, tuy không phải là "mơ ước của mọi cô gái" nhưng đây đích thực là nơi mà chị có thể tin tưởng. Với anh, chị tìm được sự cảm thông và san sẻ, hiểu hoàn cảnh của chị, anh không những không xa lánh mà còn lấy đó làm lý do để ở bên cạnh chị nhiều hơn.Sau khi làm thủ tục đăng ký kết hôn, chị H có lên UBND Phường để xin đăng ký cắt khẩu, nhưng được họ cho biết là phải có hộ khẩu gốc. Chị bèn quay lại nhà chồng cũ, đề xuất nguyện vọng muốn làm thủ tục tách khẩu và hỏi mượn cuốn sổ hộ khẩu để ra phường nhưng mẹ chồng chị lập tức quay ra mắng té tát. Chung sống cùng bà gần 10 năm nên chị H gần như bị ám ảnh bởi tính tình của mẹ chồng cũ. Tuy rất muốn được việc nhưng để quay lại nói chuyện với bà, chị gần như không đủ can đảm… Cực chẳng đã, chị H đành gửi đơn khiếu nại lên Công an Phường và báo Trí Thức Trẻ để mong được hỗ trợ và can thiệp.
Gặp chị H trong những ngày Hà Nội bước vào trận nắng nóng kỷ lục, người mẹ đáng thương vừa o bán hàng kiếm tiền lo cho gia đình mới, vừa tất tả đi khắp nơi mong được giúp đỡ. Sau 9 năm hôn nhân ngập trong nước mắt và tủi hờn, chị H cho biết cho đến giờ phút này, chị chỉ có hai mong ước giản dị mà dù có thế nào, chị cũng cố gắng hết sức để thực hiện. "Hiện giờ, tôi chỉ có hai mong ước: thứ nhất là được làm thủ tục cắt hộ khẩu khỏi nhà chồng cũ để ổn định cuộc sống, thứ hai là được gặp con.
Nếu được gặp thằng bé, tôi sẽ làm tròn trách nhiệm của một người mẹ. Có nhiều khi, tôi nghĩ nếu gia đình chồng cũ có đồng ý đưa con cho tôi nuôi, tôi chắc chắn sẽ đón cháu về ngay, nhưng có lẽ là sẽ chẳng bao giờ có chuyện ấy xảy ra đâu. Vì ông bà đã mất con trai, nay chỉ còn một đứa cháu để bầu bạn, tôi cũng không nỡ lòng nào đòi cháu của ông bà", chị H tâm sự.Thực hư sự việc nàng dâu ngược xuôi kêu cứu mong được cắt khẩu khỏi nhà chồng, mời các bạn đón đọc ở kỳ sau
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Source: livinghistories.newcastle.edu.au/nodes/view/35452
This image was scanned from a postcard in an album belonging to Francis Richard (Frank) Moore (1878-1964), whose family was based at Bishop's Bridge near Maitland, New South Wales at the time the postcard was sent. Mr Moore was a teacher who taught in schools in northern NSW and in Sydney. The postcards were collected at the turn of the twentieth century.
After Mr Moore's death, the album passed to his sister, Eliza Jane Keily, née Moore (1890-1968). The image is published here with permission of the family.
If you wish to reproduce the image, please acknowledge the Collection and the University of Newcastle Library.
Please contact us or leave a comment if you have any information about the image.
hear it and see it: youtu.be/H771jzmx168
Paul Petersen became a part of the Motown family in the latter part of the 60's and it's interesting to hear his recordings. I knew he played Jeff Stone on the Donna Reed Show and had done recordings prior to Motown. What is nice about these Motown recordings is that the producers didn't attempt to turn him into a Blue-Eyed Soul singer, but capitalized on his easy-going way with a lyric.
"Your Love's Got Me Burning Alive" was the first Motown record I was able to find by Paul. I was really curious and excited about what I would hear and this song was a fantastic revelation. To my ears, it didn't have a typical Motown Sound, but a sort of pop-country feeling. The biggest thing I got out of this record was that it was FUN!
It's those "OOOH WEEE's" that grabbed me right away. This is one of those Summertime, drive-with-the-windows-open-and-belt-along type of songs. Producer Hal Davis did everything right. A great western guitar opening gives way to a big, bright and everybody's-gonna-be-happy arrangement. A finger-snapping tempo with just the right amount of horns to sharpen the edge a bit. A fantastic piano figure plays throughout. The backing vocal group seems to be having a ball.
Paul Petersen sounds right at home. He sounds simultaneously young and grown-up. I love his cool, laid-back delivery. When he gets going on the "OOHH WEE" refrain with the ladies joining in, it all sounds catchy enough that you can't help but find yourself singing along. Isn't that what a good song shoud do?
Writers Frank Wilson, Ruth Talmadge and Vance Wilson supplied fine lyrics that could play well as pop or country-western. Motown's West Coast team scored many fine productions that added a nice California flair to Motown's output.
Histoire universelle du règne végétal, ou nouveau dictionnaire physique et economique de toutes les plantes qui croissent sur la surface du globe.
Paris :Brunet,1775-1778, [i.e.1773-1778]
Hotel relais Saint Honore Paris
Site internet : relaissainthonore.com/
E-mail : contact@relaissainthonore.com
308, rue Saint-Honoré - 75001 Paris
Tél. : 01 42 96 06 06
Fax : 01 42 96 17 50
Le Relais Saint-Honoré au 308 rue Saint-Honoré Paris 1er Hôtel de Charme 3 étoiles. Au cœur du quartier le plus luxueux de Paris, à l'une des plus belles adresses de la capitale, le Relais Saint-Honoré vous attend et saura faire de votre séjour à Paris un moment d'exception.
Situé à en face du célèbre Magasin Colette et à deux pas du Jardin des Tuileries, Le Louvre, L'Opéra, La Place Vendôme, La Concorde sont à proximité immédiate. Poussez la porte...
Dans un immeuble du XVIIe siècle (entièrement rénové) vous retrouverez le charme et le raffinement d'antan au travers de l'harmonie des couleurs, du mobilier ancien, des poutres, des petits détails de la décoration qui ajoutent une touche unique à l'ensemble.
Elégance, confort et accueil sont les maîtres mots du Relais Saint-Honoré. Intimité et convivialité aussi, car ici vous vous sentez vraiment chez vous.
Dans l'Hôtel Relais Saint Honoré, que ce soit dans l'une des 13 chambres doubles ou l'une des 2 suites du 5ème et dernier étage, tout a été pensé pour votre confort.
Une literie haut de gamme, de très jolies salles de bain et leurs serviettes moelleuses, sont des éléments primordiaux pour une chambre d'hôtel, mais pour rendre votre séjour encore plus confortable nous avons voulu une télévision avec écran LCD et (avec votre ordinateur portable) un accès illimité et offert à l'Internet haut débit.
Le Relais Saint-Honoré est un hôtel à taille humaine, un peu comme une « grande maison » et nous aimerions vraiment pouvoir vous recevoir comme l'on reçoit ses propres amis, c'est-à-dire avec chaleur et attention.
L'hôtel propose 13 chambres doubles. Elles peuvent être équipées indifféremment d'un grand lit pour 2 personnes (160 cm de large) ou de deux lits jumeaux (2 fois 80 cm de large). À chaque étage : une chambre sur la rue Saint-Honoré et deux chambres sur la rue de la Sourdière, toutes au calme grâce à une excellente isolation phonique.
Dans chaque chambre une salle de bain complète (baignoire, douche et toilettes séparées) avec sèche-cheveux et miroir maquillage.
Télévision écran plat LCD et accès Internet ADSL gratuit (avec votre ordinateur portable).
Au cinquième et dernier étage se trouvent nos deux suites « sous les toits de Paris ».
Charme de leurs poutres peintes et leur grande hauteur sous plafond.
Junior Suite 501
Composée d'une grande chambre double (avec un grand lit pour deux personnes en largeur 160cm ou deux lits jumeaux en largeur 80cmx2) avec salle de bain complète (baignoire, douche et toilettes.) et d'une mezzanine avec lit single plus cabinet de toilette (lavabo + toilettes).
Télévision LCD écran plat dans la chambre. Prise modem ADSL gratuit et illimité (utilisable avec votre ordinateur portable).
Suite 502
Composée d'une belle chambre double (avec un grand lit pour deux personnes en largeur 160cm ou deux lits jumeaux en largeur 80cmx2) avec salle de bain complète (baignoire, douche et toilettes) et d'un confortable salon avec canapé-lit pour deux personnes.
Téléphone direct dans la chambre et le salon. Télévision LCD écran plat dans la chambre, et téléviseur avec lecteur DVD dans le salon. Prise modem ADSL gratuit et illimité dans le salon (utilisable avec votre ordinateur portable).
Toutes les chambres sont équipées de l'air conditionné et chauffage individuel ainsi que :
• Téléphone direct
• Minibar
• Coffre-fort individuel à combinaison
• Télévision écran plat LCD avec les chaînes suivantes :
TF1/F2/F3/F5-ARTE/M6/LCI/CNN/CNBC/BBC WORLD/ZDF/TVE/RAI1/FASHION TV/EUROSPORT (français et allemand)/MTV/TPS STAR (cinéma et football)/EURONEWS (français)/TRAVEL
• Prise Internet ADSL permettant l'accès gratuit et illimité à l'Internet haut-débit avec votre ordinateur portable. Utilisation gratuite borne Internet ADSL à la réception de l'hôtel.
• Parking sur demande et disponibilité au parking Place du Marché Saint-Honoré (à 150 m de l'hôtel)
• Blanchisserie et nettoyage à sec dans la journée.
• Réservations spectacles, restaurants, excursions etc...
Petit-déjeuner
Le petit-déjeuner continental est servi uniquement dans votre chambre à l'heure qui vous conviendra et ce à partir de 7 heures.
Deux formules sont proposées
• Plateau continental classique comprenant viennoiseries (un petits croissant, un petit pain au chocolat), 2 petits pains de campagne, 2 confitures à l'ancienne, miel, fromage sec, un fruit de saison, boissons chaudes (excellents thés de Betjeman and Barton) et un jus frais d'oranges pressées.
• Plateau continental vitalité : les viennoiseries sont remplacées par un choix de céréales (corn flakes ou muesli), un laitage (yaourt ou fromage blanc) et un fruit supplémentaire.
Site internet : relaissainthonore.com/
E-mail : contact@relaissainthonore.com
308, rue Saint-Honoré - 75001 Paris
Tél. : 01 42 96 06 06
Fax : 01 42 96 17 50
(for further pictures please go to the link at the end of page!)
Krems an der Donau (Stein)
Community Krems at the Danube
History
Stein, copper engraving, Georg Matthäus Vischer, 1672
© IMAREAL, Austrian Academy of Sciences
The twin city of Krems-Stein in 1995 celebrating the 1000 year jubilee, is one of the oldest cities in Austria. The terrace formation, the favorable climate and location at the crossroads of the Danube trade route with the north-south connections from the Waldviertel (Wood district) and the wine district (Weinviertel) favored for thousands of years the colonization of the area and contributed essentially to the development as a center in the Danube region.
For a far into the early days reaching settlement tradition speak finds from the Paleolithic (Hundssteig, Wachtberg, 30000-25000 BC), from the Neolithic period (ceramic cultures), but also the special role of the region in the Early Bronze Age Unetice Culture (1800-1500 BC) as well as traces of the urn field culture of the late Bronze Age and the Hallstatt culture (800-400 BC). In the La Tène period settled here probably celticized groups, in the Roman period the area belonged since the beginning of the second Century to the sphere of influence of the Germanic Marcomanni. According to the biography of Saint Severin ("Vita Severini") the center of the Germanic Rugians in the second half of the 5th Century probably lay in the area of Krems-Stein, for the next century the cemetery in Unter-Rohrendorf proves the presence of the Lombards.
First time mentioned by name Krems is in a charter of Emperor Otto III of 9th August 995 as orientalis urbs que dicitur Chremisa - as a fortified place in the East which is named the Chremisa. The settlement then lay on the eastern border of the small Mark Ostarrîchi in close proximity to Moravia, but soon it grew beyond the castle district and developed in the 11th Century to a market settlement around the High market (Hoher Markt). Since 1014 Krems was due to a Royal donation (Königsschenkung) parish. The sister city of Stein is only in the second half of the 11th century (1072) named. Its center was the to parish Krems belonging Michael Church. Stone primarily was a toll and loading berth for salt, wine and grain. From skipper settlement arose a market and in the 12th Century a town settlement (since 1144). The character as a city of Krems is yet a little earlier for the year 1136 proven.
The position at the Danube the two cities had assigned their complementary functions: Stein lay directly at the stream and became toll and landing place for ships, had but due to the rising hillsides little space for large commercial and market places and construction activity. Krems, however, was cut by tributaries and floodplains from the main stream, but offered plenty of space for colonization and markets as well as the protection of a mighty castle.
Around 1150 Krems was the most important commercial center in the country. In the tower of the town castle of Krems at the steep slope of the High market between 1130-190 the first Babenberg coin, the Kremser penny, was minted. On the world map of the Arab scholar Idrisi Krems is named before Vienna, which only in subsequent time should surpass Krems. The city's growth probably already in the first half of the 12th Century the relocation of the parish of St. Stephen's Church on woman mountain (Frauenberg - now Piaristenkirche) to the foot of the mountain made necessary where the new Vitus church became parish. End of the 12th Century Krems was surrounded by a city wall, 1196 the first city judge is testified. The city has been expanded several times and extended in the late Middle Ages from the Steiner Tor in the west to the Krems river in the east. The Dominican monastery, founded in 1236 was initially outside the city.
Stein evolved from the high terrace in the direction of Nicholas church, which in 1283 was elevated into the status of a parish. In the late Middle Ages, the area between Landstraße and the Danube was built-up and the city in the area of the in 1223/1224 founded Minorits monastery (consecration of the church in 1264) and between Reisperbach and Linzertor extended.
Both cities since the beginning of the 12th Century were princely and complemented each other as land and Danube trading venues. Their close relationship has led to a unique construction as a twin city. Both cities had a civic community with its own military and financial sovereignty, but had a common municipal law (1305) and a common municipal judge and later mayor (since 1416). 1463 Emperor Frederick III the two cities conferred a common coat of arms, the imperial double-headed eagle in gold on a black background. In addition to Krems-Stein only Wiener Neustadt and Vienna had the privilege to lead the double eagle. The union of the cities existed until 1849, after 90 years of independence of Stein, in 1939 took place the recent merger.
The economic boom in the late Middle Ages was based on the viticulture and trade with wine, salt and iron. In Stein shipping formed a significant economic factor. 1463 Stein received by the Emperor Frederick III the privilege to build a fixed bridge, the second oldest after Vienna in the area of the Austrian course of the Danube river.
From the richness and self-conciousness of the citizenship testifies the in 1265 built "Gozzoburg" of the mighty city judge Gozzo of Krems, a castle-like town house with loggia. The appearance of both cities is characterised of the numerous houses from the 15th and 16th century, which are designed with bay windows, sgraffito and paintings and as well as arcade courtyards inside. A characteristic of both cities are the since the High Middle Ages profable "vintage courtyards" of monasteries and bishoprics, which were used to store wine and served for the administration of the monastic possessions, such as the Passau courtyards, the Kremsmünstererhof or the Göttweigerhof. The Göttweigerhofkapelle (chapel) is equipped with valuable frescoes from the early 14th Century. About 1500 Krems through the work of the Augsburg artist Jörg Breu became a center of the Danube School.
Since the second half of the 16th Century Krems was mostly Protestant. The resistance of the citizens against the recatholicization in 1593 led to the loss of all privileges. It was not until 1615 as Emperor Matthias cancelled the harsh verdict and restored the independence of the city. A big part in the Catholic restoration played the in 1616 settled Jesuits who ran the school and by their theater performances became famous. In addition to the Jesuit college emerged in the time of the Counter-Reformation the Capuchin Monastery Und (1614) and the early Baroque new building of the Kremser parish church, in which renowned Italian artists took part.
The 17th Century due to the shift of international trade routes and the decline of the importance of the Danube trade brought an economic downturn. Severe damages the city suffered in 1645 by the Swedes, who besieged Krems, conquered and extended it to the main fortress, and by the reconquest a year later. It was only after 1700 as a upswing set in again, which found its expression in the Baroque style of the city. Employers for the resident artists or handicrafts were the big monasteries of the country. One of the most important painters of this period was Martin Johann Schmidt, the Kremser Schmidt, until his death (1801) in Stein maintaining a painting workshop.
In the second half of the 18th Century changed the ecclesiastical structures of the city. The since 1616 the Jesuits transmitted Frauenberg church was taken over by the Piarists in 1776 after the abolition of the Order (1773). 1783 the Dominican Monastery, 1796 the Minorit's monastery and the Capuchin monastery was abolished and profaned.
The biggest change of the cityscape since the Middle Ages took place in the 19th Century by the removal of the ramparts and the city gates. Remained except for remnants of the wall only the Steinertor (gate), which became the symbol of the city. Of the in the course of industrialization established factories of importance were the leather factory in Rehberg, the factory for the manufacturing of mats and rugs made of coconut fibres in Stein and the first quartz millstone factory of Austria. Great reputation also enjoyed the organ builders Zachistal, Capek and Hradetzky and the Kremser bell founders, including Matthias Prininger, Ferdinand Vötterlechner and Johann Gottlieb Jenichen. In the last third of the century followed the connection to the railway network, 1909, the Donauuferbahn (railway line along the Danube) was opened.
After the Second World War - on 2nd April 1945, there was heavy bombing - succeeded the city to preserve the architectural heritage largely in its original state and to connect it with modernity. The successful revitalization already received international recognition, Krems in 1975, 1979 and 2009 was Europa Nostra award winner. The city with the "Art Mile" in Stein (Kunsthalle, Museum of Caricature and Artothek), the Danube Festival and numerous cultural events developed to one of the most important cultural centers in Lower Austria .
The art treasures of the city as well as tradition and the history of wine-growing presents the "museumkrems" in the former Dominican church. Which the in 1994 founded and in 1995 opened "Danube University", Krems became 13th Austrian university town and is since 2002 the seat of a University of Applied Sciences (International Management Center). With the since 1998 annually realized Wachau Marathon Krems itself also could established as a "sports city".
In the 1970s, the city once again experienced a major expansion. In 1972 joined the community of Hollenburg Krems. The once separating Danube became the connecting element between the urban north and the "orchard" in the south. Meanwhile, the "Southtown" became integral part of the city, but could maintain its rural character.
Krems has partnerships with cities in Denmark, Germany, France, Czech Republic and the USA.
geschichte.landesmuseum.net/index.asp?contenturl=http://g...
Click here to learn more about Camp Humphreys
U.S. Army photos by Pvt. Ma, Jae-sang
By Pvt. Ma, Jae-sang
USAG Humphreys Public Affairs
CAMP HUMPHREYS – As the lights at the Community Tree Lighting and Christmas Tree Lane were turned on, Nov. 30, the holiday season officially began here.
The event, hosted by Family and Morale, Welfare and Recreation, took place at Transformation Park. The event was kicked off by remarks from Brig. Gen. Darryl Williams, the 2nd Infantry Division’s deputy commanding general for support and Col. Darin S. Conkright, the Humphreys Garrison commander.
Following the welcoming remarks, a holiday invocation was read and Christmas carols were sung by the Humphreys American School Choir. Following the performance, Santa Claus appeared on top of a fire truck and children yelled out a cheer to him.
“I like the lights of the Christmas tree,” said Daltry Edwards, age three. “I want to go to top of the fire truck so I can be with Santa Claus.”
But children were not the only ones happy. Parents were happy, too. Captain Jeremy Larson, of Bravo Company, 602nd Aviation Support Battalion, who participated in the event with his daughter, said “I enjoy this event. My kid loves to see these lights and all kinds of decorations.”
After Santa Claus and the participants spent a little time at Transformation Park, Santa Claus led the crowd to the Super Gym, where the Holiday Social and Humphreys Holiday Bazaar took place.
Upon arrival at the Super Gym, there was a ribbon cutting to officially open the events. The Super Gym’s lobby was full of people, excited about the upcoming holiday season. The Holiday Social featured free goodies, the 2nd Infantry Division Band, the HAS Choir and members of the Camp Humphreys Community Theatre group performing an excerpt of their upcoming production of “A Christmas Carol.”
“I have two daughters who are in the play,” said Capt. David Blackwell, assigned to Headquarter and Headquarter Company, U.S. Army Garrison Humphreys and the Provost Marshall’s Office. “I like my daughters’ acting and how the people reacting. I’m very proud of my daughters.”
www.844gethair.com - Female hair loss is a common concern. Stress, heredity, medical conditions, medications, nutrition and many other factors can contribute to hair loss in women. Today, hair loss specialists use a multitude of effective treatments to slow stop and reverse the hair loss process. Weak hair, thinning hair, loss of volume or severe shedding are common problems. An abnormal amount of hair in the brush or drain can be signs that hair loss is occurring. Your local dermatologist may not have the time or treatments to offer. Full-time hair loss specialists, like ABHRS-certified Hair Restoration Physician, Dr. Alan Bauman are your best source of diagnosis, treatment and accurate tracking of your hair loss and hair regrowth status. Dr. Alan Bauman was invited on the Emmy Award winning show The Doctors to discuss low level laser therapy, a non-chemical, non-drug treatment for hair loss.
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Thanks For Watching!
1. London at a glance, 2. London, sunny max.33°C, 3. The sky is the limit, 4. in a flurry of excitement, 5. Happy New Year, 6. Happy New Year, 7. Let it snow, 8. shop-window,
9. Ein- und Ausblicke, 10. Badetag, 11. I Am Your Father, 12. Lichtblick, 13. Hotel Sacher, 14. Ganz Wien - Zimmer mit Aussicht, 15. Stadtschloss, 16. ready for takeoff,
17. sweet treats, 18. kurvig, 19. X, 20. Fahrradabstellfläche, 21. Fahrradabstellfläche, 22. Himmel & Hölle, 23. Denkste!, 24. Berlins grösster Schatten,
25. Berlins grösster Schatten, 26. Arbeitsbeginn mit Erholungswert, 27. Arbeitsbeginn mit Erholungswert, 28. black sky, 29. Ich glaub, ich steh im Wald..., 30. The Fog, 31. I SEE RED, 32. Reflektion,
33. Lichtquelle, 34. Rotes Moped, 35. Summertime, 36. alles so schön bunt hier
Created with fd's Flickr Toys
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
yt3d, OMG blonde, WindSeeker first night, Fiesta Village, Knott's Berry Farm, Buena Park, CA
Knott's Berry Farm.
Cedar Fair Entertainment Company.
.
SAFETY GUIDE.
Must be 52" tall to ride..
1 Guest per seat..
Riders under the age of 8 yrs. old must be accompanied by an adult..
This ride may not accommodate guests of a larger size. Enter via exit to ensure the restraints function properly prior to waiting in line..
All passenger restraint systems, including lap bars, shoulder harnesses and seat belts must be positioned and fastened properly to allow guests to ride..
.
WINDSEEKER.
is not recommended for guests with a history of .
* Recent Surgery.
* Heart Trouble / High Blood Pressure.
* Neck Trouble.
* Back Trouble.
or are.
* Pregnant.
OR any physical conditions that may be aggravated by this ride..
.
Attention Riders: Due to the nature of this attraction, backpacks, purses, electronics, stuffed animals, and other loos items are not permitted. Smaller items may be secured n cargo pockets, waist packs, left in a locker, or with a non-rider. Loose fitting shoes may be left in a designated area on the ride platform. Knott's Berry Farm is not responsible for lost items..
.
* Caution: Car may move when entering or exiting..
* Remain seated facing forward in an upright position with your back against the seat back and hold on until the ride comes to a complete stop..
* Swinging of seats of holding onto neighboring chairs is prohibited..
* Please do not swing or twist in your seat while riding..
* Keep all parts of our body inside the car at all times..
* Refrain from throwing or dropping items from the ride..
* This attraction contains strobe lighting..
* Finish food and drink before boarding..
* For safety, no picture taking while riding..
* Please refrain from smoking in line or while riding..
* Secure your lap bar..
* Fasten your seatbelt..
* Shirts are required..
* Guests with any type of prosthesis should not ride unless they can ensure that the device is properly secured and will remain in place during the ride. Please speak with the Ride Operator prior to waiting in line..
* SPECIAL ACCESS via entrance. TRANSFER REQUIRED Notices pursuant to C.C.R. TITLE 8, SECTION 344.7 may be viewed at the SECURITY OFFICE..
* Passengers with fear of height shall not ride..
————————————————————————.
^ RIDERS MUST BE TALLER THAN THIS TO RIDE ^.
.
WARNING.
Many rides at Knott's Berry Farm are dynamic and thrilling. There are inherent risks in riding any amusement ride. For your protection, each ride is rated for its special features, such as high speed, steep drops, sharp turns or other dynamic forces. If you choose to ride, you accept all of these risks. Restrictions for guests of extreme size (height or weight) are posted at certain rides. Guests with disabilities should refer to our Ride Admission Policy available at the Information Center. Participate responsibly. You should be in good health to ride safely. You know your physical conditions an limitations - Knott's Berry Farm does not. If you suspect your health could be at risk for any reason, or you could aggravate a pre-existing condition of any kind DO NOT RIDE!
dsc00023, 2011.08.18 20.40, 3D, WindSeeker, Fiesta Village, Knott's Berry Farm, Buena Park, CA
Sample Images: www.sample-image.com/nikon-nikkor-28mm-f2-8-ai/
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Dream League Soccer 2016 | Android Gameplay #10 Best apps for kids and children games. Android and iOS gameplay. ★ Facebook Page goo.gl/YPTzJx ★ Subscribe my channel to watch more videos: goo.gl/JaNiCv Top Playlists: ★ Fifa Mobile Soccer bit.ly/jjgames_fm ★ Dream League Soccer 2018 bit.ly/jjgames_dls18 ★ PES 2018 Pro Evolution Soccer bit.ly/jjgames_pes18 ★ PJ Masks Moonlight Heroes bit.ly/jjgames_pjmmh ★ Thomas and Friends Magic Tracks bit.ly/jjgames_tfmt ★ Score! Hero bit.ly/jjgames_sh ★ PJ Masks Super City Run bit.ly/jjgames_pjmcr ★ Roller Skating Girls bit.ly/jjgames_rsg ★ Dream League Soccer 2017 bit.ly/jjgames_dls17 ★ Toca Kitchen 2 bit.ly/jjgames_tk2 ★ Lego Juniors Create & Cruise bit.ly/jjgames_ljcc ★ Dream League Soccer 2016 bit.ly/jjgames_dls16 ★ Stickman Soccer bit.ly/jjgames_sts ★ Mechanic Max bit.ly/jjgames_mm ★ Head Soccer La Liga bit.ly/jjgames_hsll ★ Spider Simulator Amazing City bit.ly/jjgames_ss ★ Hungry Shark World bit.ly/jjgames_hsw ★ School Bus Driver 3D Sim bit.ly/jjgames_sb ★ Hill Climb bit.ly/jjgames_hc ★ Hey Duggee Sandcastle Badge bit.ly/jjgames_hdsb ★ Baby Panda Candy Shop bit.ly/jjgames_bpcs
ASSISTA FILMES ON LINE NO BLOG
www.cademeufilme.blogspot.com/
Delfos Media LLC Productions
M.Davidson Commercial Casting
Production Varials CMGLA
CARROLL Management Group Los Angeles
On DVD & Blu-Ray Rent, buy or download online at Blockbuster.com & Amazon.com
OCT 4, 2012
#35 - Most Discussed (Today) - Zombie & Vampire Horror
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insanity OCT 10, 2009
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Visit www.jhmcreationz.com/Things-to-Do to check out all of the attractions we have visited and photographed!!!
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Live, Believe & Dream! See You There!
Viméo vimeo.com/124643720
Avril 2015: pour tous les raides dingues de la Demeure du Chaos / Abode of Chaos, vue par un drone de la mort qui tue, chose promise, chose due, la big version cutée de 180 secondes avec 99% de vues nouvelles raptées par la Go Pro HERO Black edition 4K ultraHD avec la complicité de Julien et sa dextérité de ouf pour faire passer le drone dans les obstacles les plus dejantés.
Personne n'aurait jamais osé, de la vraie bombe, de la pure kéko, à consommer sans modération et à partager un max. Le partage et la gratuité sont les bases de la Demeure du Chaos.
Accrochez-vous ça démarre sécos pour 3 minutes de plans d'enfer ! Adrénaline et scenario garantie par thierry Ehrmann, tournage et réal Julien Berrot Prod Mona Lisa, la Zique est d'enfer, si problème de lecture sur portable voir Viméo vimeo.com/124643720
Friday 19 / Saturday 20 July 2013 - Day 01 - London (25m) - Madrid (610m) - Lima (34m)
Our Peruvian adventures commenced with a few fits and starts: for some reason we'd been unable to do online check in for Iberia's LHR-MAD and MAD-LIM flights, and at LHR T5 the check in machines told us to go to the Special Assistance desk, where the attendant blithely said it was probably because the flight was fully booked. URK! Fortunately that proved false, but hiccup No 2 was a delayed departure from LHR, which meant we only had an hour to make the connection with the onward flight to Peru. Luckily about half the plane were in a similar position, and so the Iberia team arranged for buses to meet us on the tarmac and take us to the South American departures terminal. We made the flight with about 20 mins to spare, and (I think) bypassed the 'leaving Europe' customs/passport control.
Our overnight flight to Lima featured an Iberia plane with amenities tailored for sleeping - old school TV screens that lower down from the ceiling, showing only one 'family friendly' film at a time. Not very engaging - but probably a good thing.
Landing on time at Lima's Jorge Chavez International Airport - 05:25 or there abouts - we were met by Val's taxi driver, Alberto, who drove us to Miraflores along mainly silent streets - we were only to appreciate how unusual this is on our return to Lima at the end of our trek!
Val was at the Faraona Grand Hotel to meet us, and we sat and chatted for a while, hoping for early access to a room. Sadly no go, so around 8am, Val took us and fellow trekker Mike on a tour of Miraflores, which focused on finding a coffee to kick start the morning, and getting hold of some Peruvian Soles. Tricker than it sounds, (no) thanks to our UK banks.
As others on the trip were arriving through out the day we had the whole day in Lima, which we spent pottering along Miraflores' promenade (which felt very Bournemouth-like at times - I don't think it was purely jet lag!), watching the surfers and the huge flock of sea birds diving into the bay. After lunch in pure vegetarian style at Bircher Benner (recommended), we made our way back to the hotel, happy to find we could get into our rooms. Time for a shower, a repack, and some trashy TV in an attempt to stay awake until the 6pm group meeting and reviving Pisco Sour.
Dinner at Les Tejas, a short stroll from the hotel, provided a chance to chat with our fellow trekkers as we dined al fresco with grills of various kinds all round. Not surprisingly, a good night's sleep.
DSC09528_small
Fotos Nuevas 2012
© Álbum 0120
By Catedrales e Iglesias
Arquidiócesis de México
Arquidiócesis de México
www.arquidiocesismexico.org.mx/
Ex Convento Franciscano (San Diego)
Calz. General Anaya esq. Xicoténcatl
Col. Churubusco
Zona: Coyoacán
Metro: General Anaya
C.P. 04000
Del. Coyoacán
Tel. 5688-2088
Tel. 5554-0560
Fax.
Oculto entre los árboles de un tranquilo barrio cercano al centro de Coyoacán, el Ex - Convento de Churubusco aún conserva las marcas que los cañonazos inflingieron a sus muros en una mítica batalla de la guerra mexicano - estadounidense, muros que hasta nuestros días se yerguen airosos como testigos de la historia y como guardianes de uno de los espacios más importantes de la memoria nacional.
El Convento de Churubusco, palabra que proviene del náhuatl "Huitzilopochco" que significa lugar del templo de Huitzilpochlti, tiene sus orígenes en los primeros años del siglo XVI, al establecer los recién llegados misioneros franciscanos un centro de evangelización en lo que anteriormente había sido un poblado prehispánico que databa del año 1065 d.C. Para su construcción los misioneros emplearon como en muchos otros casos de nuestro país, las mismas piedras de los templos prehispánicos para la realización de los distintos espacios religiosos, quedando el templo dedicado a la advocación de Santa María de los Ángeles. Años más tarde, el convento pasó a manos de los misioneros dieguinos, también conocidos como franciscanos descalzos, que con el paso de las décadas y gracias a los donativos de varios personajes del periodo virreinal, pudieron agregar nuevos espacios y mejorar las instalaciones con que contaban. Así el conjunto se encuentra integrado por una capilla y un área de habitaciones y claustro protegidos al norte con una huerta con árboles frutales, ventilando e iluminando sus espacios por medio de tres patios interiores así como por las huertas y el patio del descanso localizados al sur del convento.
Durante 1847, en plena intervención norteamericana, el convento fue designado sitio estratégico, razón por la cual funcionó como base de operaciones para el ejército mexicano para la defensa de la Ciudad de México, sin embargo el 20 de agosto de 1847, este convento fue escenario de una cruenta batalla en la que participaron las tropas mexicanas apoyadas por el famoso batallón de San Patricio que desde entonces hermana al pueblo de México con la República de Irlanda.
Posteriormente, tras la nacionalización de los bienes del clero, el convento pasó a manos del gobierno mexicano que tras varios años de abandono lo convirtió en el Museo Nacional de las Intervenciones, mismo que abrió sus puertas en 1921 y en el cual se exhiben distintos objetos de gran valor histórico de las distintas invasiones que el país sufrió durante el siglo XIX, en un extraordinario marco histórico que sumerge al visitante en la apasionante historia de México
Adicionalmente en este conjunto se pueden conocer como eran los interiores y la vida diaria de las órdenes religiosas de la Nueva España y se pueden apreciar notables espacios como el Templo de San Diego, que alberga un espléndido altar churrigueresco, así como los distintos patios y jardines que nos transportan al pasado y que constituyen una pausa en la vida cotidiana. Asimismo en este sitio se llevan a cabo diversas representaciones artísticas y culturales a lo largo del año con diversas temáticas que aprovechan el magnífico escenario histórico en el que se presentan.
La entrada al museo tiene un costo de 30 pesos y el domingo la entrada es gratuita. El templo se encuentra abierto al público de manera gratuita todos los días.
#EQM2023, #WKKwalificatie, 100m vrije slag, Arena, Dames, Day_3, EQM2023, Eindhoven Qualification Meet, Final, Finale, Freestyle, HPC, KNZB, Marrit Steenbergen, NED, PSV, Pieter van den Hoogenband zwemstadion, Women, competition, dag_3, eqm23action, sessie_06, session_06, sport, start, swimming, wedstrijd, www.eqm2023.nl, www.zwemsportfoto.nl, zwemmen | © Kees-Jan van Overbeeke | _KJM4918_20230408_171946
A proposta do espaço surgiu de uma necessidade de alguns clientes. Como colocar no mesmo quarto um menino e uma menina? A idéia foi criar um ambiente onde cada um tivesse seu canto, mas ao mesmo tempo pudessem conviver e até brincar juntos. Tentamos quebrar a idéia de que quarto de menino é azul e de menina rosa. O ambiente tem um tendência mais atual, pensamos na criança do século XXI que utiliza computador ,jogos eletrônicos, mas sem esquecer que é uma criança. O quarto também apresenta um caráter multiuso, tem lugar para dormir, brincar, estudar e ver televisão.
Osteologia avium, or, A sketch of the osteology of birds /.
[Wellington] :Published by R. Hobson, Wellington, Salop,1858-1875..
www.tate.org.uk/whats-on/tate-modern/exhibition/ey-exhibi...
In 1932, Pablo Picasso (1881–1973) was not yet half-way through his career. After years of poverty as a young artist in Barcelona, he had moved to Paris at the turn of the twentieth century and, by the early 1930s, was both celebrated and wealthy. He was aware, however, that he was losing contact with his artistic contemporaries, and that critics were questioning his ability to create radical new work.
Picasso was always restless, constantly trying his hand at new things. His Blue and Rose periods in the early 1900s were mainly of figurative paintings. On discovering archaic and notwestern art, he moved further from naturalistic representation and radically reinterpreted it when he and Georges Braque invented cubism. Between the two world wars he made works inspired by classical art, and others that engaged with the contemporary interest in surrealism.
As a foreigner living in France, Picasso refrained from political activities and kept a distance from official engagements, including those with his native Spain. Things changed dramatically when Nazi German and Fascist Italian warplanes bombed the Basque town of Guernica in 1937, in response to which Picasso created a monumental black-and-white painting which to this day is regarded by many as the greatest anti-war statement in art.
Throughout his life, Picasso sought to revive the tradition of western art, especially painting. He competed creatively with his contemporaries, particularly Matisse, but also earlier artists including Velázquez, Ingres and Manet. He returned repeatedly to subjects such as the female nude, classical mythology – particularly the character of the Minotaur – and the bullfight.
Picasso married twice and had several other long-term relationships. He had four children. By 1932, his marriage to Olga Khokhlova was under increasing strain. The escape offered by his relationship with the significantly younger Marie-Thérèse Walter became a key inspiration for much of
his work from this period.
The work that one does is a way of keeping a diary.
Pablo Picasso
LOVE FAME TRAGEDY
Download large print guide [PDF]
1932 was a make-or-break year for Pablo Picasso (1881–1973). In October 1931 he had turned fifty. He was inundated with invitations to exhibit his work. At the same time, critics openly discussed whether he was an artist of the past rather than the future. Picasso’s grand apartment on the rue La Boétie, his tailored suits and chauffeur-driven car symbolised his rise from poor Spanish migrant to international superstar, as did his marriage to the Russian ballerina Olga Khokhlova, his principal model and inspiration for much of the late 1910s and early 1920s.
But Picasso felt increasingly restless and critically sidelined. He bought an eighteenth-century mansion in the Normandy countryside where he experimented with sculpture. He created a chaotic studio in a Parisian apartment identical to the one below in which he lived a life of bourgeois respectability with his wife and son. He was in a secretive relationship with a younger woman, Marie-Thérèse Walter. He flirted with surrealism while trying to beat Henri Matisse at his colourful game.
These contradictions were brought into focus by his first major retrospective in June 1932. In the preceding months Picasso channelled his energies into ambitious paintings intended to silence his detractors. As the year progressed, the mood darkened from sensuous exuberance to ominous anxiety. Rarely overtly political, Picasso’s work nonetheless reflected the times: a world – including his native Spain – increasingly in the grip of economic depression, mass unemployment, populist nationalism and the rise of totalitarian regimes. If 1932 began for Picasso under the sign
of love, it ended with a premonition of tragedies to come.
X - Los Angeles Tour 2011
At The Paradise Rock Club - Boston MA
JOHN DOE - bass, vocals - en.wikipedia.org/wiki/John_Doe_(musician) - www.theejohndoe.com/
EXENE CERVENKA - vocals - en.wikipedia.org/wiki/Exene_Cervenka - www.exenecervenka.net/
BILLY ZOOM - guitar, sax - en.wikipedia.org/wiki/Billy_Zoom - www.billyzoom.com/
D.J. BONEBRAKE - drums+ - en.wikipedia.org/wiki/D._J._Bonebrake - www.djbonebrakemusic.com/
Hometown: Los Angeles
Record Label: Rhino Records
Biography
X were the quintessential L.A. punk rockers before they grew into a world-class rock & roll band and live band; however, enthusiasm for their unique, intelligent and humorous work never quite reached critical mass.
Formed in 1977 after songwriter and bassist John Doe (b. Feb. 24, 1956) met (and later married) Exene Cervenka (b. Feb. 1, 1956) at a Venice poetry workshop, with rockabilly veteran Billy Zoom (b. Feb. 20, 194?) on guitar and D.J. Bonebrake (b. Dec. 8, 1955) on drums, the band garnered an immediate following. "Discovered" by ex-Doors keyboardist Ray Manzarek, he took the band into the studio for the recording of Los Angeles in 1980. It was curious, at a time when punks were supposed to hate hippies, that X's merging with an ex-Door was not only tolerated, but earned them stature as California's preeminent punk band when the record earned across-the-board raves. 1981 saw the release of the similarly punked-up Wild Gift, while their 1982 album, Under the Big Black Sun, began what would be a long career in merging hard rock, country and folk into their fiery mix. The band successfully began to mix in their populist politics with an eye toward matters of the heart.
As the band began to reach wider audiences, both Doe and Cervenka enjoyed outside careers in the arts — he as an actor in films like Great Balls of Fire and Roadside Prophets, and she as a poet and spoken-word artist, collaborating with Lydia Lunch and Wanda Coleman.
In 1983, the rootsy songs on More Fun in the New World lent themselves to acoustic performances which the band had taken to trying live. They took it one step further on their side project, the Knitters (with Dave Alvin) which yielded one Slash album, Poor Little Critter in the Road, in 1985. Ain't Love Grand was a harder rock album in 1986 and was followed by Zoom's departure. He was momentarily replaced by Alvin, but for recording purposes, the band recruited Tony Gilkyson (formerly of Lone Justice) for See How We Are, the band's most decidedly hard-rock record in the catalog. Gilkyson stayed for the recording Live at the Whisky A Go-Go in 1988 before the band took some much-needed time off, although they never broke up. In the interim, Doe and Cervenka had since divorced, and the pair continued to work as solo artists, releasing Cervenka's Old Wives Tales (Rhino, 1989) and Running Sacred (1990) and Doe's Meet John Doe for Geffen in 1990.
By 1993, the band got together for the recording of Hey Zeus!, a collection of new songs, but the response was underwhelming, and it was back to solo work. Doe released Kissingsohard for Rhino in 1995. Exene also released Surface to Air Serpents for the 2.13.61 label, as well as a reading of the Unabomber Manifesto, after changing her name to Cervenkova. During their frequent hiatuses, X would occasionally appear in Los Angeles and San Francisco and during one stay, recorded a live album in San Francisco in 1995, Unclogged, and self-released it. Cervenkova's latest project is Auntie Christ with Bonebrake and Matt Freeman of Rancid. Gilkyson also works as a solo artist. X also appeared in three films: Penelope Spheeris' punk documentary The Decline of Western Civilization, Urgh! A Music War, and a documentary of their lives and times, The Unheard Music. Beginning in 1998, founding member Billy Zoom returned to the fold for a series of on-again/off-again shows and limited touring; a pair of 2004 Los Angeles concerts were recorded and videotaped for Live in Los Angeles, released both as an audio CD and video DVD in the spring of 2005.
The BEAT CARES holiday toy & food drive @ Brentwood Town Centre
With your generous help and donations we were able to raise over $100,000 in cash, over 5,000 toys and over 8,000 pounds of food!
Proudly supportng the Greater Vancouver Foodbank, Salvation Army and the Lower Mainland Christmas Bureau.
Photos by Ron Sombilon Gallery & PacBluePrinting.com
DOWNLOAD the Beat Cares Photos
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Conchologia iconica, or, Illustrations of the shells of molluscous animals
London :Reeve, Brothers,1843-1878.
Realização: www.pridia.com.br
para salvar a foto: clique com o botão direito em cima da foto e escolha o tamanho em baixo dos dirietos autorais, vai abrir outra pagina, ai é só salvar/baixar a foto , duvidas @lukasan18 - by: Lukasan
Website: www.wix.com/lukasan18/photos
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Willow Grove Day Camp embarked on their 57th year as one of the areas best and notable summer day camps around on June 27, 2011. With the first week complete there has been many memories made, friendships built, and not to mention endless fun!
The first week of camp was filled with some of the best summer activities kids dream about! The campers at Willow Grove Day Camp participated in activities such as: horseback riding, baseball, arts and crafts, miniature golf, fishing, gymnastics, soccer, swimming and so much more!
The fun as only just begun! Willow Grove Day Camp has a summer full of fun and exciting trips, activities, and experiences for all campers!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Horsham, Hatboro, Philadelphia, Huntingdon Valley, South Hampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com