View allAll Photos Tagged Handheld
@ 1/5th
factors that helped to keep it steady enough for slow shutter speed:
- focal length
- leaning back
- positioning feet so the back foot can handle most of the weight
- keeping elbow as close to chest as possible
- luck is always your best friend :)
1/30/11. Lake Oswego, Oregon. While riding. Nikon Coolpix S8000. 10 second timer on, camera placed on wall. SOOC.
From the paper: Janz, K., & Powers, S. M. (2003). The handheld computing initiative: placing technology in the hands of all faculty. In Willis, D. A. (Ed.), Information Technology & Teacher Education Annual, 2003 (pp. 1301 – 1306). Norfolk, VA: Association for the Advancement of Computing in Education.
Was in Lyon last weekend visiting my brother and his family, and tried a few night shots without a tripod - this is about the only one that wasn't blurred.
Playing around with making handheld panos with a half meter pole.
First try with just 5 photos. Happy enough with the results.
First serious attempt at capturing shorebirds. Was hesitant to get too close. This was as close as I could get, as I was hiding behind some plants on this sandy beach. Heavily cropped.
（鳥種辨識若有誤，請各位先進不吝嗇指正）
This very small rain-soaked leaf deep inside a tree on the walk trail was very bright in color and caught my attention. Partially eaten, that color must taste good. :-) Taken looking down into the tree. There were a few other leaves this color, as well.
A collection of all of my Nintendo handhelds. The only items missing are the original Nintendo DS, Gameboy Micro, and ... the Virtual Boy.
8/16/10. Portland, Oregon. While riding. Nikon Coolpix S8000. Handheld. Licence plate edited w/ Microsoft Paint to protect privacy.
Model Samm Olsen seated on a model stand with a tableau containing a potted papyrus plant in an urn, lit dramatically for chiaroscuro (a painterly term meaning dark and light, side by side, to dramatically delineate form -- that's a loose definition without looking it up). I went around the room and shot from the easel or viewpoint of each of the ten artists who took the $325 workshop, so that they could work more on their paintings after the morning modeling session was over, if they so desired. This was shot handheld with my Sony Super Steady Shot DSC-H5, a 7.12 megapixels digital camera with fixed lens, Carl Zeiss optics. The strong light being used to illuminate the model can be seen enteriing the frame at the upper right, but since this was mainly meant as reference for painting, and an artist can easily leave it out (an artist's prerogative), I'm not unhappy because it's there. It's also part of the documentation of the event. It helps explain what's going on in the picture.