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Nymphenburg, Form 920, Dekor E743 852 5, Tapetenmuster, Stoffmuster, Brokatmuster, Purpur, Pink, Rosa, Kaffeeservice, Dejeuner, www.kabelitz-porzellan.de
Precast form liner samples for color and texture review and approval at Clark Pacific in West Sacramento.
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Located by the main entrance to the Sacramento State campus, Parking Structure V is designed to blend and complement the dense trees of the nearby arboretum. Replacing existing Parking Lot 1, the 1,750 stall, six-level parking structure serves a campus in dire need of parking, and provides a structure exceeding the quality and efficiency of any of the previous parking facilities.
The structure’s skin creates a dialog with the surrounding trees. Combined with columnar trees, the facade is dressed with vertical fins painted in tints of green. The thousands of individual square fins are a digital representation of nature, and form patterns like leaves of a tree canopy overhead. Covering the three upper levels of the structure, precast concrete is textured with a pattern that nods to the rough bark of the birch trees in the adjacent arboretum.
Serving a sizable percentage of the campus’ parking need, automobile circulation is designed to move traffic into the structure as efficiently as possible with queuing space off-street to handle periods of high volume. Taking advantage of Clark Pacific’s Total Precast architectural concrete system, the design quality and level of material finish is second to none. Because of the increased erection speed possible with the precast solution, the overall project schedule is more aggressive and intended to be completed over a single school semester.
The technology, design, innovations, placemaking and conservation programs implemented at Parking Structure V allow it to achieve a Parksmart Gold certification by the Green Parking Council, making it the highest-performing, most-sustainable parking structure on campus.
Construction of the parking structure is expected to be complete in December 2017.
The Visitors Center, to be built after the parking structure is completed, will house UTAPS offices and areas to welcome campus guests and the media.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Biology/ ecology fieldtrip to Beechenhurst, Forest of Dean with Julia Webb. Model release forms signed.
More smoke photography tonight. Although nothing really caught my eye - I thought this was an interesting abstract.
Las montañas Cairngorms forman el Parque Nacional más grande de Gran Bretaña y la zona más extensa de paisaje ártico montañoso en las islas británicas. Este fascinante lugar es también considerado como el último gran espacio salvaje de Europa. El corazón del Parque Nacional está formado por una impresionante cadena montañosa que contiene 4 de las 5 montañas más altas de Escocia. También alberga el 25% de los pájaros, animales y plantas en peligro de extinción del Reino Unido. Incluye áreas montañosas de un gran valor ecológico y antiguos bosques, ríos, lagos, valles y páramos que constituyen frágiles ecosistemas de una gran biodiversidad.
La espectacular meseta central está dividida por diferentes valles donde se encuentran los últimos reductos de los bosques primigenios de pino rojo que cubrían todas las Highlands en la antigüedad. Estos bosques son el hogar de innumerables especies animales como la ardilla roja, el urogallo, la marta, el gato montés, el corzo o el tejón, entre otras. También habitan en las proximidades grandes manadas de ciervos rojos o venados, un rebaño de renos y el grupo más numeroso de águilas reales del Reino Unido.
No podemos olvidarnos de la rica herencia cultural que tiene el P.N. Cairngorms y que contribuye a hacer de este espacio un lugar único, mágico y encantador.
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Die Pyxis in Form eines kleinen Löwen entstand zwischen 572 und 550 v. Chr. in Korinth und wurde wahrscheinlich zur Aufbewahrung einer Salbe oder sonstigen Pflegemittels verwendet.
Das Museo Archeologico Regionale Antonino Salinas (Archäologisches Regionalmuseum) zeigt eine Sammlung archäologischer Funde von der Vorgeschichte Siziliens bis zur spätrömischen Zeit. Die Exponate stammen vorwiegend aus dem westlichen Teil Siziliens, vor allem aus Selinunt, und den Grundstock bildete die Sammlung des Archäologen Antonio Salinas (Palermo 1841 - Rom 1914). Das Museum wurde 1866 im ehemaligen Kloster der Congregazione di San Filippo Neri, das aus dem frühen 17. Jh. stammt, untergebracht. Nach schweren Bombenschäden im 2. Weltkrieg mussten ganze Flügel neu aufgebaut werden und erst seit 2018 sind wieder alle renovierten Räume des Museums geöffnet.
The line forms outside the Apple Store for the release of Mac OS X - Leopard. The line grew as it got closer to 6pm - they had 500 shirts to give away, but they still had some left by the time I left after I made my purchase. There was still a good line outside for people waiting to get in. You can see the iPod Nano displays in the window with some big popcorn pieces hanging near them.
Forms of Recreation (@lu_lu on drums!) and some other bands played, we played some pool, it was a mini-PTUB.
I found this species's catepillar last fall and was excited to find the adult form on my grandparents garage. I was really lucky to have gotten this take off shot. Don't know how, but I timed it just right. Parke County, IN
Perhaps the weather causes some sort of breakdown of social order? Some terrible bunching and spacing going on there.
No âmbito do Programa Erasmus +/mobilidade de docentes, a Professora Slavica Vrsaljko, da Universidade de Zadar, Croatia, proferiu no Auditório 2 do IPBeja, a 14 de abril de 2015, o Seminário “Forms of Communication: formal and informal”
Mais reportagens fotográficas em: <a www.flickr.com/photos/40478366@N08/collections/
38° 00' 46.87''N
7° 52' 22.19''W
Form my weekend trip to Helsinki, Finland. uomenlinna, until 1918 Viapori (Finnish), or Sveaborg (Swedish), is an inhabited sea fortress built on six islands (Kustaanmiekka, Susisaari, Iso-Mustasaari, Pikku-Mustasaari, Länsi-Mustasaari and Långören), and which now forms part of the city of Helsinki, the capital of Finland.
Suomenlinna is a UNESCO World Heritage site and popular with both tourists and locals, who enjoy it as a picturesque picnic site. Originally named Sveaborg (Fortress of Svea), or Viapori as called by Finns, it was renamed Suomenlinna (Castle of Finland) in 1918 for patriotic and nationalistic reasons, though it is still also sometimes known by its original name. In Swedish-speaking contexts, the name Sveaborg is usually used.[1]
The Swedish crown commenced the construction of the fortress in 1748 as protection against Russian expansionism. The general responsibility for the fortification work was given to Augustin Ehrensvärd. The original plan of the bastion fortress was strongly influenced by the ideas of Vauban, the foremost military engineer of the time, and the principles of Star Fort style of fortification, albeit adapted to a group of rocky islands.
In addition to the island fortress itself, seafacing fortifications on the mainland would ensure that an enemy would not acquire a beach-head from which to stage attacks. The plan was also to stock munitions for the whole Finnish contingent of the Swedish Army and Royal Swedish Navy there. In the Finnish War the fortress surrendered to Russia on May 3, 1808, paving the way for the occupation of Finland by Russian forces in 1809.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This is the base of the form and will hold all the truncated hexagonal pyramids. Notice the holes letting the light through. These are where the honeycomb hexagons will be attached.
A Coleção fotográfica faz parte integrante da cobertura efetuada durante a mesa redonda, com João Rodrigues e António Mega Ferreira, que deu início ao ciclo de conferências e Workshops, organizados pelo curso de turismo da ESTIG do IPBeja, a 20 de outubro de 2016.
Todas as fotografias estão otimizadas para a internet e fazem parte do espólio do Instituto Politécnico de Beja. Nenhumas das fotografias podem ser reproduzidas, no seu todo ou parcialmente, de forma eletrónica ou impressas, sem a autorização do IPBeja. Para adquirir fotografias com maior resolução contacte o Gabinete de Imagem e Comunicação do Instituto Politécnico de Beja através dos seguintes mail:
gicom@ipbeja.pt
apassarinho@ipbeja.pt
jdomingos@ipbeja.pt
Site Institucional: WWW.ipbeja.pt
38° 00' 46.87''N
7° 52' 22.19''W
Hier mein Versuch, Kunst zu vereinigen: Das rote Tor am Eingang zum japanischen Garten des Westfalenparks vereinigt mit der "Horizontalen Form".
Ich ertrage die Weltsituation nach dem Angriff der USA und Israels auf den Iran nur noch, indem ich mich mit etwas Schönem ablenke.
In Anlehnung an Brecht: „Was sind das für Zeiten, wo ein Gespräch über Bäume fast ein Verbrechen ist, weil es ein Schweigen über so viele Untaten einschließt.“
(gutezitate.com/zitat/101128).
Oder: Wer in diesen Zeiten nicht depressiv wird, hat kein Herz.
Aquí está mi intento de unir el arte: la puerta roja a la entrada del jardín japonés del Westfalenpark se une con la «forma horizontal».
Solo soporto la situación mundial tras el ataque de EE. UU. e Israel a Irán distrayéndome con algo bello.
En referencia a Brecht: «¿Qué tiempos son estos en los que hablar de árboles es casi un delito, porque implica guardar silencio sobre tantos atropellos?».
(gutezitate.com/zitat/101128).
O bien: quien no se deprime en estos tiempos es que no tiene corazón.
Here is my attempt to unite art: the red gate at the entrance to the Japanese garden in Westfalenpark united with the ‘horizontal form’.
I can only bear the world situation after the attack by the USA and Israel on Iran by distracting myself with something beautiful.
In the words of Brecht: ‘What kind of times are these, when talking about trees is almost a crime because it implies silence about so many atrocities?’
(gutezitate.com/zitat/101128).
Or: Anyone who doesn't become depressed in times like these has no heart.
Shapped into a somewhat bowly bottom shape, at the same time, the walls are brought out the same distance. If everything was still centered up to this point, it's not too bad a step, the hard part is getting a bottom the shape you want. Of course there is room in this step for things to go off center.