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La place Navone a été construite sur les ruines du stade de Domitien du Ier siècle, dont elle conserve la forme exacte.
~*Photography Originally Taken By: www.CrossTrips.Com Under God*~
United States Air Force
The United States Air Force (USAF) is the aerial warfare branch of the armed forces and one of the seven uniformed services of the U.S. Previously part of the U.S. Army, the USAF was formed as a separate branch of the military on September 18, 1947.[2] It is the last branch of the United States military to be formed.
The USAF is the largest and one of the most technologically advanced air forces in the world, with about 6013 manned aircraft in service (4,282 USAF; 1,321 Air National Guard; and 410 Air Force Reserve); approximately 160 Unmanned Combat Air Vehicles, 2161 Air-Launched Cruise Missiles, and 580 Intercontinental Ballistic Missiles;[3] and as of April 4, 2008, had 328,808 personnel on active duty, 70,303 in the Selected and Individual Ready Reserves, and 106,254 in the Air National Guard. In addition, the Air Force employs 141,573 civilian personnel.[3]
The USAF is conducting a large Reduction-in-Force (RIF). Because of budget constraints, the USAF will reduce the service's current size from 333,000 active duty personnel, to 316,000, which will be the smallest United States Air Force since Pearl Harbor according to Air Force Chief of Staff, General Mosley, in his interview with air internationals vol.74 issue. The current size of the active-duty force is roughly 70% of that of the USAF at the end of the first Gulf War in 1991.[4]
Not all of the United States' military combat aircraft are operated by the USAF. The Army operates its own helicopters, mostly for support of ground combatants; it as well maintains a small fleet of fixed wing aircraft (mostly Unmanned Aerial Vehicles). The Navy is responsible for a multitude of aircraft, including integrated air wing combat aircraft operating aboard its 11 aircraft carriers and also many maritime patrol and transport aircraft stationed at multiple Naval air stations around the world. The Marine Corps operates its own combat and transport aircraft in support of its ground mission and often in conjunction with Naval Aviation. The Coast Guard also maintains transport and search-and-rescue aircraft (SARA), which may be used in a combat and law enforcement role. All branches of the U.S. military operate helicopters.
The Department of the Air Force is headed by the civilian Secretary of the Air Force who heads administrative affairs. The Department of the Air Force is a division of the Department of Defense, headed by the Secretary of Defense. The highest ranking military officer in the Department of the Air Force is the Chief of Staff of the Air Force.
Contents
[hide]
* 1 Mission
o 1.1 Search and rescue
* 2 History
o 2.1 Wars
o 2.2 Humanitarian operations
* 3 Administrative organization
o 3.1 Force structure
* 4 Operational organization
o 4.1 Aerospace Expeditionary Task Force
o 4.2 Commander, Air Force Forces
+ 4.2.1 Air Operations Center
o 4.3 Air Expeditionary Wings/Groups/Squadrons
* 5 Vocations
* 6 Aircraft
* 7 Culture
o 7.1 Uniforms
o 7.2 Awards and badges
o 7.3 Grade Structure and Insignias
o 7.4 Motto
* 8 See also
* 9 References
o 9.1 Further reading
* 10 External links
[edit] Mission
1. According to the National Security Act of 1947 (61 Stat. 502) which created the Air Force:
In general the United States Air Force shall include aviation forces both combat and service not otherwise assigned. It shall be organized, trained, and equipped primarily for prompt and sustained offensive and defensive air operations. The Air Force shall be responsible for the preparation of the air forces necessary for the effective prosecution of war except as otherwise assigned and, in accordance with integrated joint mobilization plans, for the expansion of the peacetime components of the Air Force to meet the needs of war.
2. §8062 of Title 10 US Code (10 USC 8062) defines the purpose of the Air Force as:
* to preserve the peace and security, and provide for the defense, of the United States, the Territories, Commonwealths, and possessions, and any areas occupied by the United States;
* to support national policy;
* to implement national objectives;
* to overcome any nations responsible for aggressive acts that imperil the peace and security of the United States.
3. The stated mission of the USAF today is to "deliver sovereign options for the defense of the United States of America and its global interests — to fly and fight in Air, Space, and Cyberspace".[5]
[edit] Search and rescue
The National Search and Rescue Plan designates the United States Coast Guard as the federal agency responsible for maritime search-and-rescue (SAR) operations, and the United States Air Force as the federal agency responsible for inland SAR.[6] Both agencies maintain Rescue Coordination Centers to coordinate this effort.[3]
* United States Air Force Rescue Coordination Center
[edit] History
Main article: History of the United States Air Force
Roundels which have appeared on US aircraft1. 5/17-2/18 2. 2/18-8/19 3. 8/19-5/42 4. 5/42-6/43 5. 6/43-9/43 6. 9/43-1/47 7. 1/47-
Roundels which have appeared on US aircraft
1. 5/17-2/18 2. 2/18-8/19 3. 8/19-5/42
4. 5/42-6/43 5. 6/43-9/43 6. 9/43-1/47
7. 1/47-
The United States Air Force became a separate military service on September 18, 1947, with the implementation of the National Security Act of 1947.[7] The Act created the United States Department of Defense, which was composed of three branches, the Army, Navy and a newly-created Air Force.[8] Prior to 1947, the responsibility for military aviation was divided between the Army (for land-based operations) and the Navy, for sea-based operations from aircraft carrier and amphibious aircraft. The Army created the first antecedent of the Air Force in 1907, which through a succession of changes of organization, titles, and missions advanced toward eventual separation 40 years later. The predecessor organizations of today's U.S. Air Force are:
* Aeronautical Division, U.S. Signal Corps (August 1, 1907 to July 18, 1914)
* Aviation Section, U.S. Signal Corps (July 18, 1914 to May 20, 1918)
* Division of Military Aeronautics (May 20, 1918 to May 24, 1918)
* U.S. Army Air Service (May 24, 1918 to July 2, 1926)
* U.S. Army Air Corps (July 2, 1926 to June 20, 1941) and
* U.S. Army Air Forces (June 20, 1941 to September 17, 1947)
[edit] Wars
The United States Air Force has been involved in many wars, conflicts, and operations since its conception; these include:
* World War I[9] Aviation Section, U.S. Signal Corps
* World War II[10] United States Army Air Forces
* The Cold War
* The Korean War
* The Vietnam War
* Operation Eagle Claw
* Operation Urgent Fury
* The United States invasion of Panama
* Operation Eldorado Canyon
* The Gulf War
* Operation Northern Watch
* Operation Southern Watch
* The Kosovo War
* Operation Enduring Freedom
* Operation Iraqi Freedom
[edit] Humanitarian operations
The U.S. Air Force has taken part in numerous humanitarian operations. Some of the more major ones include the following:[11]
* Berlin Airlift (Operation Vittles), 1948-1949
* Operation Safe Haven, 1956-1957
* Operations Babylift, New Life, Frequent Wind, and New Arrivals, 1975
* Operation Provide Comfort, 1991
* Operation Sea Angel, 1991
* Operation Provide Hope, 1992-1993
* Operation Unified Assistance, December 2004 - April 2005
[edit] Administrative organization
Main article: Organizational structure and hierarchy of the United States Air Force
The Air Force is one of three service departments, and is managed by the (civilian) Department of the Air Force. Guidance is provided by the Secretary of the Air Force(SECAF) and the Secretary's staff and advisors. The military leadership is the Air Staff, led by the Chief of Staff.
USAF direct subordinate commands and units are the Field Operating Agency (FOA), Direct Reporting Unit (DRU), and the currently unused Separate Operating Agency.
The Major Command (MAJCOM) is the superior hierarchical level of command. Including the Air Force Reserve Command, as of 30 September 2006, USAF has nine major commands, and a tenth, Air Force Cyber Command, in process. The Numbered Air Force (NAF) is a level of command directly under the MAJCOM, followed by Operational Command (now unused), Air Division (also now unused), Wing, Group, Squadron, and Flight.
[edit] Force structure
Headquarters, United States Air Force, The Pentagon, Arlington, Virginia
* Air Combat Command (ACC), headquartered at Langley Air Force Base, Virginia
o First Air Force, headquartered at Tyndall Air Force Base, Florida
o Eighth Air Force, headquartered at Barksdale Air Force Base, Louisiana
o Ninth Air Force, headquartered at Shaw Air Force Base, South Carolina
o Twelfth Air Force, headquartered at Davis-Monthan Air Force Base, Arizona
* Air Education and Training Command (AETC), headquartered at Randolph Air Force Base, Texas
o Second Air Force, headquartered at Keesler Air Force Base, Mississippi
o Nineteenth Air Force, headquartered at Randolph Air Force Base, Texas
* Air Force Cyber Command (Provisional) (AFCYBER), interim location at Barksdale Air Force Base, Louisiana
o Twenty Fourth Air Force
* Air Force Materiel Command (AFMC), headquartered at Wright-Patterson Air Force Base, Ohio
* Air Force Reserve Command (AFRC), headquartered at Robins Air Force Base, Georgia
o Fourth Air Force, headquartered at March Air Force Base, California
o Tenth Air Force, headquartered at Naval Air Station Joint Reserve Base Fort Worth, Texas
o Twenty-Second Air Force, headquartered at Dobbins Air Reserve Base, Georgia
* Air Force Space Command (AFSPC), headquartered at Peterson Air Force Base, Colorado
o Fourteenth Air Force, headquartered at Vandenberg Air Force Base, California
o Twentieth Air Force, headquartered at F. E. Warren Air Force Base, Wyoming
* Air Force Special Operations Command (AFSOC), headquartered at Hurlburt Field, Florida
o Twenty-Third Air Force
* Air Mobility Command (AMC), headquartered at Scott Air Force Base, Illinois
o Eighteenth Air Force, headquartered at Scott Air Force Base, Illinois
* United States Air Forces in Europe (USAFE), headquartered at Ramstein Air Base, Germany
o Third Air Force, headquartered at Ramstein Air Base, Germany
o Seventeenth Air Force, headquartered at Sembach Annex, Germany
* United States Pacific Air Forces (PACAF), headquartered at Hickam Air Force Base, Hawaii
o Fifth Air Force, headquartered at Yokota Air Base, Japan
o Seventh Air Force, headquartered at Osan Air Base, Republic of Korea
o Eleventh Air Force, headquartered at Elmendorf Air Force Base, Alaska
o Thirteenth Air Force, headquartered at Hickam Air Force Base, Hawaii
The permanent establishment of the USAF, as of 30 September 2006,[12] consisted of:
* Active duty forces:
o 57 flying wings, 8 space wings, and 55 non-flying wings
o 9 flying groups, 8 non-flying groups
+ 134 flying squadrons, 43 space squadrons
* Air Force Reserve
o 35 flying wings, 1 space wing
o 4 flying groups
+ 67 flying squadrons, 6 space squadrons
* Air National Guard
o 87 flying wings
+ 101 flying squadrons, 4 space squadrons
The United States Air Force and its Air Reserve Components field a total of 302 flying squadrons.[13]
[edit] Operational organization
The above organizational structure is responsible for the peacetime Organization, Equipping, and Training of aerospace units for operational missions. When required to support operational missions, the National Command Authority directs a Change in Operational Control (CHOP) of these units from their peacetime alignment to a Regional Combatant Commander (CCDR). In the case of AFSPC, AFSOC, PACAF, and USAFE units, forces are normally employed in-place under their existing CCDR. Likewise, AMC forces operating in support roles retain their componency to USTRANSCOM unless chopped to a Regional CCDR.
[edit] Aerospace Expeditionary Task Force
CHOPPED units are referred to as "forces". The top-level structure of these forces is the Air and Space Expeditionary Task Force (AETF). The AETF is the Air Force presentation of forces to a CCDR for the employment of Air Power. Each CCDR is supported by a standing Component Numbered Air Force (C-NAF) to provide planning and execution of aerospace forces in support of CCDR requirements. Each C-NAF consists of a Commander, Air Force Forces (COMAFFOR) and AFFOR/A-staff, and an Air Operations Center (AOC). As needed to support multiple Joint Force Commanders (JFC) in the COCOM's Area of Responsibility (AOR), the C-NAF may deploy Air Component Coordinate Elements (ACCE) to liaise with the JFC. If the Air Force possesses the most strategic air assets in a JFC's area of operations, the COMAFFOR will also serve as the Joint Forces Air Component Commander (JFACC).
[edit] Commander, Air Force Forces
The Commander, Air Force Forces (COMAFFOR) is the senior Air Force officer responsible for the employment of Air Power in support of JFC objectives. The COMAFFOR has a special staff and an A-Staff to ensure assigned or attached forces are properly organized, equipped, and trained to support the operational mission.
[edit] Air Operations Center
The Air Operations Center (AOC) is the JFACC's Command and Control (C²) center. This center is responsible for planning and executing air power missions in support of JFC objectives.
[edit] Air Expeditionary Wings/Groups/Squadrons
The AETF generates air power to support COCOM objectives from Air Expeditionary Wings (AEW) or Air Expeditionary Groups (AEG). These units are responsible for receiving combat forces from Air Force MAJCOMs, preparing these forces for operational missions, launching and recovering these forces, and eventually returning forces to the MAJCOMs. Theater Air Control Systems control employment of forces during these missions.
[edit] Vocations
The vast majority of Air Force members remain on the ground. There are hundreds of support positions which are necessary to the success of a mission.
The classification of an Air Force job is the Air Force Specialty Code (AFSC). They range from flight combat operations such as a gunner, to working in a dining facility to ensure that members are properly fed. There are many different jobs in fields such as computer specialties, mechanic specialties, enlisted aircrew, medical specialties, civil engineering, public affairs, hospitality, law, drug counseling, mail operations, security forces, and search and rescue specialties.
Perhaps the most dangerous Air Force jobs are Explosive Ordnance Disposal, Pararescue, Combat Control, Combat Weather and Tactical Air Control Party, who deploy with infantry and special operations units who disarm bombs, rescue downed or isolated personnel, call in air strikes and set up landing zones in forward locations. Most of these are enlisted positions. Other jobs have seen increasing combat, and have been billed "Battlefield Airmen". These include EOD, Vehicle operators, and OSI.
Nearly all enlisted jobs are "entry level," meaning that the Air Force provides all training. Some enlistees are able to choose a particular job, or at least a field before actually joining, while others are assigned an AFSC at Basic Training. After Basic Military Training, new Air Force members attend a technical training school where they learn their particular AFSC. Second Air Force, a part of Air Education and Training Command is responsible for nearly all technical training.
Training programs vary in length; for example, 3M0X1 (Services) has 31 days of tech school training, while 3E8X1 (Explosive Ordnance Disposal) is 1 year of training with a preliminary school and a main school consisting of 10 separate divisions; somtimes taking students close to 2 years to complete. Some AFSC's have even shorter or longer training.
[edit] Aircraft
Main article: List of military aircraft of the United States
B-2 Spirit
B-2 Spirit
F-22 Raptors
F-22 Raptors
V-22 Ospreys
V-22 Ospreys
C-17 Globemaster III
C-17 Globemaster III
The United States Air Force has over 7,500 aircraft commissioned as of 2004. Until 1962, the Army and Air Force maintained one system of aircraft naming, while the U.S. Navy maintained a separate system. In 1962, these were unified into a single system heavily reflecting the Army/Air Force method. For more complete information on the workings of this system, refer to United States Department of Defense Aerospace Vehicle Designations.
Current aircraft of the USAF[14]:
* O/A-10A/C Thunderbolt II
* An-26 Curl
* B-1B Lancer
* B-2A Spirit
* B-52H Stratofortress
* C-5A/B/C/M Galaxy
* KC-10A Extender
* C-12C/D/F Huron
* C-17A Globemaster III
* C-20A/B/C Gulfstream III
* C-20G/H Gulfstream IV
* C-21A Learjet
* C-22B
* VC-25A (Air Force One)
* C-26B Metroliner
* C-29A
* C-32A
* C-37A Gulfstream V
* C-38 Courier
* C-40B Clipper
* C-41A Aviocar
* C-130E/H/J Hercules
* AC-130H/U Spectre/Spooky II
* HC-130H/N
* LC-130H
* MC-130E/H/W Combat Talon/Combat Spear
* WC-130J
* C-135C/E/K Stratolifter
* NC-135B/E/W
* KC-135E/R/T Stratotanker
* EC-137D Stratoliner[citation needed]
* VC-137C
* CN-235-100[citation needed]
* E-3B/C Sentry
* E-4B
* E-8C JSTARS
* E-9A
* F-15A/B/C/D Eagle
* F-15E Strike Eagle
* F-16A/B/C/D Fighting Falcon
* F-22A Raptor
* F-35 Lightning II
* F-117A Nighthawk
* MH-53J/M Pave Low III/IV
* HH-60G Pave Hawk
* Mi-8 Hip
* NT-39A/B Sabreliner
* OC-135B
* M/RQ-1A/B Predator
* RQ-4A Global Hawk
* MQ-9 Reaper
* RC-135S/U/V/W
* T-1A Jayhawk
* T-6 Texan II
* (A)T-38A/B/C Talon
* Boeing T-43
* TC-18E
* TC-135S
* TC-135W
* Piper Aircraft Company TG-8A Piper Club glider
* TG-3A
* TG-4A
* TG-7A
* TG-9A
* TG-10B/C/D
* TG-11A
* TG-15A/TG-15B
* UH-1N Iroquois
* U-2R/S "Dragon Lady"
* UC-26C
* UV-18A/B Twin Otter
* UV-20A Chiricua
* CV-22B Osprey
* U-28A
* WC-135C/W
Source: [15]
[edit] Culture
[edit] Uniforms
Main article: United States Air Force uniform
United States Air Force personnel wear uniforms which are distinct from those of the other branches of the United States Armed Forces. The current uniform is an olive drab/black/brown and tan combination called the Battle Dress Uniform (BDU). Members deployed to an AOR wear a variation of the BDU, tan and brown in color, called the Desert Camouflage Uniform (DCU). A new uniform called the Airman Battle Uniform (ABU) is currently being distributed to some bases, and in a memo from HQ AFPC at Randolph AFB dated September 2007, will be distributed to basic trainees in their clothing issue starting October 2007. The ABU is already authorized for wear, and is scheduled to completely replace the BDU and DCU by November 2011.
[edit] Awards and badges
In addition to basic uniform clothing, various badges are used by the USAF to indicate a job assignment or qualification-level for a given assignment. Badges can also be used as merit-based or service-based awards. Over time, various badges have been discontinued and are no longer distributed.
[edit] Grade Structure and Insignias
See also: United States Air Force officer rank insignia
See also: United States Air Force enlisted rank insignia
The standard USAF uniform is also decorated with an insignia to designate rank. USAF rank is divided between enlisted airmen, non-commissioned officers, and commissioned officers, and ranges from "airman basic" to the commissioned rank of general. Promotions are granted based on a combination of test scores, years of experience, and selection board approval. Promotions among enlisted men and non-commissioned officers rankings are generally designated by increasing numbers of insignia chevrons. Commissioned officer rank is designated by bars, oak leaves, a silver eagle, and anywhere from one to five (only in war-time) stars.
For cadet rank at the U.S. Air Force Academy, see United States Air Force Academy Cadet Insignia.
[edit] Motto
The United States Air Force does not have an official motto, but there are numerous unofficial slogans such as "Nothing Comes Close" and Uno Ab Alto. For many years, the U.S. Air Force used "Aim High" as its recruiting motto; more recently, they have used "Cross Into the Blue", "We've been waiting for you" and "Do Something Amazing", and the newest one, "Above All".[16]
Each wing, group, or squadron usually has its own motto(s). Information and logos can usually be found on the wing, group, or squadron websites.[17]
The Airman's Creed is a statement introduced in the spring of 2007 to summarize the culture of the Air Force.
Today, I went to Vancouver and a group of women where raising money for www.walk.com for world poverty and they where giving people henna for a small fee! So of course I got this beauty! I love it, I think it's so beautiful! the woman did a wonderful job. I'd love to learn how to do this!
ALSO!! guess who I saw at Whole Foods in Vancouver? Mark Harmon!!! from NCIS who plays Gibbs! I never see anyone famous so I got a little overly excited.
Formada por Lula Washington (guitarra), Claudio Alves (baixo), João Saravia (bateria) e Luiz De Simone (piano/teclados), a banda instrumental Gallo Absurdo reúne quatro amigos que compartilharam os palcos do cenário rock do Rio de Janeiro por mais de dez anos.
Iron Photographer #182
1 - a head (or at least part of one)
2 - something on the head that doesn't belong there (the unqualified deep contemplation of homeownership in a 21 century industrialized nation)
3 - heavy post-processing (a digital tribute to the cutout animation of Terry Gilliam).
St Martin’s Church in Zillis, Canton Graubünden, CH
The earliest preserved, figuratively painted wooden ceiling in Europe can be seen above the nave of St Martin's Church in Zillis. Today only three other painted ceilings from the Middle Ages remain: they are located in Hildesheim (St Michael's), in Peterborough Cathedral and in Dadesjo (Sweden). The Swedish church in Sodra Rada was destroyed by fire in 2001.
The ceiling paintings in Zillis demonstrate such a rich variety of form and contents as is only found in great works of art.
And so today the ceiling serves to illustrate the Gospel, Sunday for Sunday, from spring to autumn. In winter the parishioners do without heating in the church for the sake of the paintings and hold their services in the parish hall. Only funeral services and the school Christmas celebrations on Christmas Eve take place in the moderately heated church during the cold season.
St Martin's Church is situated below the historic centre of Zillis. At first, the church possibly stood directly above the wide bed of the Hinterrhein River. Zillis is one of the two settlements nestling at the bottom of the Schams Valley (Romansh: Val Schons), an inner-Alpine valley basin, through which a route has traversed the Alps at least since the Roman era. It used to link Bregenz with Milan, Lake Constance with Lakes Como and Maggiore. The Schams is the secondhighest section of the Hinterrhein Valley. It lies directly south of the Viamala Gorge, which on the northern side of the Alpine ridge represented the main obstacle on the route from Chur over the Splugen Pass to Chiavenna, resp. over the San Bernardino Pass to Bellinzona and Locarno. Throughout all the centuries Zillis occupied a very peripheral position on the inner border of the Alps, but was always on a route connecting the major settlements flanking the Alpine ridge.
THE PAINTED CEILING
THE CONCEPT OF THE PAINTED CEILING
The Zillis ceiling comprises 153 painted panels. They are slotted into longitudinal battens, which until 1938 were attached to the ceiling beams by long nails. Cross-battens are inserted between the painted panels as a connecting link, forming a regular grid. Doubled longitudinal and cross-battens accentuate the junctions of the grid, creating the shape of the cross.
The ceiling is enhanced by a meander frieze which was created at the same time; the greater part of the frieze was restored in 1938-1940. In the frieze we see female busts, representing the Classical sybils, whose prophesies were taken fro(ll late Antiquity onwards as a reference to the Advent of Christ.
The 153 panels are arranged as on a medieval map of the world. There is a border representing the ocean surrounding the Continent, on which the Life of Christ and the legend of St Martin are portrayed.
The border
At the edges of the ceiling, resp. on the borders of the world, swim mythical fish-tailed creatures; there are even some manned boats and music-making sirens on a continuous band of wavy lines, which represent the sea in a simplified and abstract form. Only the angels sounding their horns in the corners, marked as the south wind Auster and the north wind Aquilo, stand on firm land.
The inner cycle
On the interior fields, i.e. the Continent, the Life of Christ is depicted on 98 panels. One half describes Christ's childhood and youth, the other half recounts his miracles, his teaching and Passion. The individual scenes frequently continue over several successive panels. Each half has seven rows with seven panels. The last row of the interior panels is dedicated to the church patron St Martin.
The choir is the best place from which to view the first half of the cycle portraying the Life of Christ. Since the 1940 rearrangement the visitor has been able to «read» the pictures like a text from this vantage point, in rows running from left to right. The cycle begins with a gallery of Christ's ancestors, the Kings of the Old Testament, and the personifications of Synagogue and Ecclesia. The story of Christ's Life begins with the Annunciation of the Blessed Virgin, followed by Joseph's Dream, the Visitation and the four panels on the Nativity.
15 panels describe the Journey of the Three Magi. This is followed by the Purification and the the Presentation of the Infant Jesus in the Temple, the Flight into Egypt and the Massacre of the Innocents in Bethlehem, the Miracle of the Clay Pigeons, the 72-year-old Jesus in the Temple and the Sermons of St John the Baptist.
The second part of the Christological cycle begins with the Baptism of Christ and the Temptation by the Devil. These are followed by cases of miraculous Healings: in addition to the Wedding Feast in Cana and the Raising of Lazarus, we see the Healing of physically and mentally sick persons. The mentally disturbed were considered to be possessed by demons. After the miracles follow the Teachings of Jesus, the Transfiguration on Mount Tabor, the Entry into Jerusalem and the Expulsion of the Moneychangers from the Temple, the Last Supper, the MOunt of Olives, the Betrayal by Judas, Christ before Pilate, the Mocking of Christ and the Crowning with Thorns.
The cycle then breaks off. There is no consensus among researchers on whether this was, in fact, the original end of the cycle or if the Crucifixion and the Rising from the Dead were formerly depicted on the north wall of the nave or in the former Romanesque choir.
The last seven panels of the interior fields describe episodes from the life of St Martin, commencing with the Sharing of the Cloak, probably the best-known element of the legend. This is followed by the Consecration and the Miracle of the Raising from the Dead. The conclusion comprises three panels on St Martin's Encounter with a King who pretended to be Jesus but turned out to be the Devil.
As mentioned above, the panels were rearranged on the ceiling in 1940, the 1938 sequence having been described by experts as «absurd» und «unsystematic». An attempt to reconstruct the original order, based on the sequence of the pictures before 1938, gives the following results: the panels were arranged to be read by following the rows in an S-shaped order. In the centre of the ceiling there was the depiction of Christ's Baptism; in front of this, the scenes with St John the Baptist; behind, the four panels on the Temptation of Christ by the Devil.
During the Reformation the sequence of the panels was probably altered. In the cycle depicting the Life of St Martin, the consecration scene was removed from the central axis. The sermons of St John the Baptist and the Temptation of Christ by the Devil disappeared from the central row and were replaced by the cases of miraculous healing and depictions of Christ's teachings. From the 16th century until 1938 the Expulsion of the Moneychangers from the Temple, as a symbol of one of the Reformation's main tenets, was set in the centre of the ceiling replacing Christ's Baptism.
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Blancpain Endurance Series - SOFREV ASP - Patrice Goueslard - Julien Jousse - Jérome Policand - Ferrari 458 Italia - GT3 Pro Cup
Not the greatest of shots but I was struck by how pale this Buzzard was.
Footnote: speaking to someone at work and mentioned this. He tells me that a 'white' Buzzard had been seen regularly about 10 miles north of here last winter and was frequently and wrongly reported as an Osprey. At least I didn't make that mistake but when I was checking ID I did notice how similar the markings were to that of an Osprey
"Contrapuntal Forms 1950-51" is carved from Irish blue limestone. It was commissioned for the Festival of Britain by the Arts Council and in 1953 was presented to the new town of Harlow where it still (normally) stands.
Exam Piece (5 Hour Constraint) AS 3D design '07
(To answer the question "Distressed Forms")
Hand-Built Clay
approx: h13" w7" d8"
Like I said, the urban jungle is filled with interesting forms—especially through the reflective surfaces of skyscrapers whose windows were never perfectly flat.
# SML Data
+ Date: 2013-02-11 15:25:01 GMT+0800
+ Dimensions: 3354 x 5032
+ Exposure: 1/250 sec at f/5.6
+ Focal Length: 98 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM Canon EF 1.4x Extender III
+ GPS: 22°16'49" N 114°10'31" E
+ Altitude: 61.5 m
+ Location: 中國香港灣仔告士打道132號樂高大廈 中国香港湾仔告士打道132号乐高大厦 Lok Go Building, 132 Gloucester Road, Wan Chai, Hong Kong,
+ Serial: SML.20130211.7D.22763.P1.L1
+ Workflow: Photoshop CS6, Lightroom 4
+ Series: 形 Forms, 抽象 Abstracts
“紅白藍 Red, White and Blue” / 城市建築抽象之形 Urban Architecture Abstract Forms / SML.20130211.7D.22763.P1.L1
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Shiva (/ˈʃivə/; Sanskrit: Śiva, meaning "The Auspicious One"), also known as Mahadeva ("Great God"), is a popular Hindu deity. Shiva is regarded as one of the primary forms of God. He is the Supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism.[2][3] He is one of the five primary forms of God in the Smarta tradition,[2] and "the Destroyer" or "the Transformer"[4] among the Trimurti, the Hindu Trinity of the primary aspects of the divine.
At the highest level, Shiva is regarded limitless, transcendent, unchanging and formless.[5][6][7][8][9] Shiva also has many benevolent and fearsome forms.[10] In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash,[4] as well as a householder with wife Parvati and his two children, Ganesha and Kartikeya and in fierce aspects, he is often depicted slaying demons. Shiva is also regarded as the patron god of yoga and arts.[11][12][13]
The main iconographical attributes of Shiva are the third eye on his forehead, the snake Vasuki around his neck, the crescent moon adorning, the holy river Ganga flowing from his matted hair, the trishula as his weapon and the damaru as his instrument. Shiva is usually worshiped in the aniconic form of Lingam
The Sanskrit word Shiva (Devanagari: शिव, śiva) comes from Shri Rudram Chamakam of Taittiriya Samhita (TS 4.5, 4.7) of Krishna Yajurveda. The root word is[17] means auspicious. In simple English transliteration it is written either as Shiva or Siva. The adjective śiva, is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.[18]
The other popular names associated with Shiva are Mahadev, Mahesh, Maheshwar, Shankar, Shambhu, Rudra, Har, Trilochan, Devendra (meaning Chief of the gods) and Trilokinath (meaning Lord of the three realms).[19][20][21]
The Sanskrit word śaiva means "relating to the god Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect.[22] It is used as an adjective to characterize certain beliefs and practices, such as Shaivism.[23]
The Tamil word Sivan, Tamil: சிவன் ("Fair Skinned") could have been derived from the word sivappu. The word 'sivappu' means "red" in Tamil language but while addressing a person's skin texture in Tamil the word 'Sivappu' is used for being Fair Skinned.[24][25]
Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: "The Pure One", or "the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)" or "the One who purifies everyone by the very utterance of His name."[26] Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means "the One who is eternally pure" or "the One who can never have any contamination of the imperfection of Rajas and Tamas".[27]
Shiva's role as the primary deity of Shaivism is reflected in his epithets Mahādeva ("Great god"; mahā "Great" and deva "god"),[28][29] Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"),[30][31] and Parameśvara ("Supreme Lord").[32]
There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva.[33] The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata is considered the kernel of this tradition.[34] Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names.[35][36]The worship of Shiva is a pan-Hindu tradition, practiced widely across all of India, Nepal and Sri Lanka.[37][38]The figure of Shiva as we know him today was built up over time, with the ideas of many regional sects being amalgamated into a single figure.[38] How the persona of Shiva converged as a composite deity is not well documented.[39] According to Vijay Nath:
Visnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent the multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara."[40]
Axel Michaels the Indologist suggests that Shaivism, like Vaishnavism, implies a unity which cannot be clearly found either in religious practice or in philosophical and esoteric doctrine. Furthermore, practice and doctrine must be kept separate.[41]
An example of assimilation took place in Maharashtra, where a regional deity named Khandoba is a patron deity of farming and herding castes.[42] The foremost center of worship of Khandoba in Maharashtra is in Jejuri.[43] Khandoba has been assimilated as a form of Shiva himself,[44] in which case he is worshipped in the form of a lingam.[42][45] Khandoba's varied associations also include an identification with Surya[42] and Karttikeya.[46]Many Indus valley seals show animals but one seal that has attracted attention shows a figure, either horned or wearing a horned headdress and possibly ithyphallic[47][48][49] figure seated in a posture reminiscent of the Lotus position and surrounded by animals was named by early excavators of Mohenjo-daro Pashupati (lord of cattle), an epithet of the later Hindu gods Shiva and Rudra.[47][50][51][52] Sir John Marshall and others have claimed that this figure is a prototype of Shiva and have described the figure as having three faces seated in a "yoga posture" with the knees out and feet joined.
While some academics like Gavin Flood[53][54] and John Keay have expressed doubts. John Keay writes that "He may indeed be an early manifestation of Lord Shiva as Pashu- pati", but a couple of his specialties of this figure does not match with Rudra.[55] Writing in 1997 Doris Srinivasan rejected Marshall's package of proto-Siva features, including that of three heads. She interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man.[56] According to Iravatham Mahadevan symbols 47 and 48 of his Indus script glossary The Indus Script: Texts, Concordance and Tables (1977), representing seated human-like figures, could describe Hindu deity Murugan, popularly known as Shiva and Parvati's son.[57]
Writing in 2002, Gregory L. Possehl concluded that while it would be appropriate to recognize the figure as a deity, its association with the water buffalo, and its posture as one of ritual discipline.[58]Shiva's rise to a major position in the pantheon was facilitated by his identification with a host of Vedic deities, including Purusha, Rudra, Agni, Indra, Prajāpati, Vāyu, and others.[59]Shiva as we know him today shares many features with the Vedic god Rudra,[60] and both Shiva and Rudra are viewed as the same personality in Hindu scriptures. The two names are used synonymously. Rudra, the god of the roaring storm, is usually portrayed in accordance with the element he represents as a fierce, destructive deity.
Hindu text Rig Veda, which is dated to between 1700 and 1100 BC based on linguistic and philological evidence.[61] A god named Rudra is mentioned in the Rig Veda. The name Rudra is still used as a name for Shiva. In RV 2.33, he is described as the "Father of the Rudras", a group of storm gods.[62] Furthermore, the Rudram, one of the most sacred hymns of Hinduism found both in the Rig and the Yajur Vedas and addressed to Rudra, invokes him as Shiva in several instances, but the term Shiva is used as an epithet for the gods Indra, Mitra and Agni many times. Since Shiva means pure, the epithet is possibly used to describe a quality of these gods rather than to identify any of them with the God Shiva.
The identification of Shiva with the older god Rudhra is not universally accepted, as Axel Michaels explains:
Rudra is called "The Archer" (Sanskrit: Śarva),[63] and the arrow is an essential attribute of Rudra.[64] This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages.[65]
The word is derived from the Sanskrit root śarv-, which means "to injure" or "to kill",[66] and Sharma uses that general sense in his interpretive translation of the name Śarva as "One who can kill the forces of darkness".[65] The names Dhanvin ("Bowman")[67] and Bāṇahasta ("Archer", literally "Armed with arrows in his hands")[67][68] also refer to archery.
Agni[edit]
Rudra and Agni have a close relationship.[69][70] The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual development into the later character as Rudra-Shiva.[71] The identification of Agni with Rudra is explicitly noted in the Nirukta, an important early text on etymology, which says, "Agni is also called Rudra."[72] The interconnections between the two deities are complex, and according to Stella Kramrisch:
The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination.[73]
In the Śatarudrīya, some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest a fusing of the two deities.[74] Agni is said to be a bull,[75] and Lord Shiva possesses a bull as his vehicle, Nandi. The horns of Agni, who is sometimes characterized as a bull, are mentioned.[76][77] In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature.[78]
Indra[edit]
According to Wendy Doniger, the Puranic Shiva is a continuation of the Vedic Indra.[79] Doniger gives several reasons for her hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare, transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3,[80] 6.45.17,[81][82] and 8.93.3.[83]) Indra, like Shiva, is likened to a bull.[84][85] In the Rig Veda, Rudra is the father of the Maruts, but he is never associated with their warlike exploits as is Indra.[86]
The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion,[87][88] and the Indo-Iranian religion.[89] According to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Iran.[90] It was "a syncretic mixture of old Central Asian and new Indo-European elements",[90] which borrowed "distinctive religious beliefs and practices"[89] from the Bactria–Margiana Culture.[89] At least 383 non-Indo-European words were borrowed from this culture, including the god Indra and the ritual drink Soma.[91] According to Anthony,
Many of the qualities of Indo-Iranian god of might/victory, Verethraghna, were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda. He was associated more than any other deity with Soma, a stimulant drug (perhaps derived from Ephedra) probably borrowed from the BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers.[92]
Later Vedic literature[edit]
Rudra's transformation from an ambiguously characterized deity to a supreme being began in the Shvetashvatara Upanishad (400-200 BC), which founded the tradition of Rudra-Shiva worship. Here they are identified as the creators of the cosmos and liberators of souls from the birth-rebirth cycle. The period of 200 BC to 100 AD also marks the beginning of the Shaiva tradition focused on the worship of Shiva, with references to Shaiva ascetics in Patanjali's Mahabhasya and in the Mahabharata.[54][93]
Early historical paintings at the Bhimbetka rock shelters, depict Shiva dancing, Shiva's trident, and his mount Nandi but no other Vedic gods.[94][95]
Puranic literature[edit]
The Shiva Puranas, particularly the Shiva Purana and the Linga Purana, discuss the various forms of Shiva and the cosmology associated with him.[96]
Tantric literature[edit]
The Tantras, composed between the 8th and 11th centuries, regard themselves as Sruti. Among these the Shaiva Agamas, are said to have been revealed by Shiva himself and are foundational texts for Shaiva Siddhanta.[97]Shaivism[edit]
Main articles: Shaivism and History of Shaivism
Shaivism (Sanskrit: शैव पंथ, śaiva paṁtha) (Kannada: ಶೈವ ಪಂಥ) (Tamil: சைவ சமயம்) is the oldest of the four major sects of Hinduism, the others being Vaishnavism, Shaktism and Smartism. Followers of Shaivism, called "Shaivas", and also "Saivas" or "Saivites", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. The tantric Shaiva tradition consists of the Kapalikas, Kashmir Shaivism and Shaiva Siddhanta. The Shiva MahaPurana is one of the purāṇas, a genre of Hindu religious texts, dedicated to Shiva. Shaivism is widespread throughout India, Nepal, and Sri Lanka, mostly. Areas notable for the practice of Shaivism include parts of Southeast Asia, especially Malaysia, Singapore, and Indonesia.
Panchayatana puja[edit]
Main article: Panchayatana puja
Panchayatana puja is the system of worship ('puja') in the Smarta sampradaya of Hinduism. It is said to have been introduced by Adi Shankara, the 8th century AD Hindu philosopher. It consists of the worship of five deities: Shiva, Vishnu, Devi, Surya and Ganesha. Depending on the tradition followed by Smarta households, one of these deities is kept in the center and the other four surround it. Worship is offered to all the deities. The five are represented by small murtis, or by five kinds of stones, or by five marks drawn on the floor.[98]
Trimurti[edit]
Main article: Trimurti
The Trimurti is a concept in Hinduism in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahmā the creator, Vishnu the maintainer or preserver and Śhiva the destroyer or transformer.[99][100] These three deities have been called "the Hindu triad"[101] or the "Great Trinity",[102] often addressed as "Brahma-Vishnu-Maheshwara."
Shiva's form: Shiva has a trident in the right lower arm, and a crescent moon on his head. He is said to be fair like camphor or like an ice clad mountain. He wears five serpents and a garland of skulls as ornaments. Shiva is usually depicted facing the south. His trident, like almost all other forms in Hinduism, can be understood as the symbolism of the unity of three worlds that a human faces - his inside world, his immediate world, and the broader overall world. At the base of the trident, all three forks unite. It is often not shown but Shiva has 6 heads, of which only five (Isana, Tatpurusha, Vamana, Aghora, Sadyojata) are visible while the 6th (Adhomukh) can only be seen by the enlightened.
Third eye: (Trilochana) Shiva is often depicted with a third eye, with which he burned Desire (Kāma) to ashes,[103] called "Tryambakam" (Sanskrit: त्र्यम्बकम् ), which occurs in many scriptural sources.[104] In classical Sanskrit, the word ambaka denotes "an eye", and in the Mahabharata, Shiva is depicted as three-eyed, so this name is sometimes translated as "having three eyes".[105] However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers".[106][107] These three mother-goddesses who are collectively called the Ambikās.[108] Other related translations have been based on the idea that the name actually refers to the oblations given to Rudra, which according to some traditions were shared with the goddess Ambikā.[109] It has been mentioned that when Shiva loses his temper, his third eye opens which can reduce most things to ashes.
Crescent moon: (The epithets "Chandrasekhara/Chandramouli")- Shiva bears on his head the crescent moon.[110] The epithet Candraśekhara (Sanskrit: चन्द्रशेखर "Having the moon as his crest" - candra = "moon"; śekhara = "crest, crown")[111][112][113] refers to this feature. The placement of the moon on his head as a standard iconographic feature dates to the period when Rudra rose to prominence and became the major deity Rudra-Shiva.[114] The origin of this linkage may be due to the identification of the moon with Soma, and there is a hymn in the Rig Veda where Soma and Rudra are jointly implored, and in later literature, Soma and Rudra came to be identified with one another, as were Soma and the moon.[115] The crescent moon is shown on the side of the Lord's head as an ornament. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end.
Ashes: (The epithet "Bhasmaanga Raaga") - Shiva smears his body with ashes (bhasma). The ashes are said to represent the end of all material existence.[116] Some forms of Shiva, such as Bhairava, are associated with a very old Indian tradition of cremation-ground asceticism that was practiced by some groups who were outside the fold of brahmanic orthodoxy.[117] These practices associated with cremation grounds are also mentioned in the Pali canon of Theravada Buddhism.[118] One epithet for Shiva is "inhabitant of the cremation ground" (Sanskrit: śmaśānavāsin, also spelled Shmashanavasin), referring to this connection.[119]
Matted hair: (The epithet "Jataajoota Dhari/Kapardina") - Shiva's distinctive hair style is noted in the epithets Jaṭin, "the one with matted hair",[120] and Kapardin, "endowed with matted hair"[121] or "wearing his hair wound in a braid in a shell-like (kaparda) fashion".[122] A kaparda is a cowrie shell, or a braid of hair in the form of a shell, or, more generally, hair that is shaggy or curly.[123] His hair is said to be like molten gold in color or being yellowish-white.
Blue throat: The epithet Nīlakaṇtha (Sanskrit नीलकण्ठ; nīla = "blue", kaṇtha = "throat").[124][125] Since Shiva drank the Halahala poison churned up from the Samudra Manthan to eliminate its destructive capacity. Shocked by his act, Goddess Parvati strangled his neck and hence managed to stop it in his neck itself and prevent it from spreading all over the universe, supposed to be in Shiva's stomach. However the poison was so potent that it changed the color of his neck to blue.[126][127] (See Maha Shivaratri.)Sacred Ganges: (The epithet "Gangadhara") Bearer of Ganga. Ganges river flows from the matted hair of Shiva.[128][129] The Gaṅgā (Ganges), one of the major rivers of the country, is said to have made her abode in Shiva's hair.[130] The flow of the Ganges also represents the nectar of immortality.
Tiger skin: (The epithet "Krittivasana").He is often shown seated upon a tiger skin,[116] an honour reserved for the most accomplished of Hindu ascetics, the Brahmarishis.[131]
Serpents: (The epithet "Nagendra Haara" or 'Vasoki"). Shiva is often shown garlanded with a snake.[132]
Deer: His holding deer on one hand indicates that He has removed the Chanchalata of the mind (i.e., attained maturity and firmness in thought process). A deer jumps from one place to another swiftly, similar to the mind moving from one thought to another.
Trident: (Trishula): Shiva's particular weapon is the trident.[116] His Trisul that is held in His right hand represents the three Gunas— Sattva, Rajas and Tamas. That is the emblem of sovereignty. He rules the world through these three Gunas. The Damaru in His left hand represents the Sabda Brahman. It represents OM from which all languages are formed. It is He who formed the Sanskrit language out of the Damaru sound.
Drum: A small drum shaped like an hourglass is known as a damaru (ḍamaru).[133][134] This is one of the attributes of Shiva in his famous dancing representation[135] known as Nataraja. A specific hand gesture (mudra) called ḍamaru-hasta (Sanskrit for "ḍamaru-hand") is used to hold the drum.[136] This drum is particularly used as an emblem by members of the Kāpālika sect.[137]
Axe: (Parashu):The parashu is the weapon of Lord Shiva who gave it to Parashurama, sixth Avatar of Vishnu, whose name means "Rama with the axe" and also taught him its mastery.
Nandī: (The epithet "Nandi Vaahana").Nandī, also known as Nandin, is the name of the bull that serves as Shiva's mount (Sanskrit: vāhana).[138][139] Shiva's association with cattle is reflected in his name Paśupati, or Pashupati (Sanskrit: पशुपति), translated by Sharma as "lord of cattle"[140] and by Kramrisch as "lord of animals", who notes that it is particularly used as an epithet of Rudra.[141] Rishabha or the bull represents Dharma Devata. Lord Siva rides on the bull. Bull is his vehicle. This denotes that Lord Siva is the protector of Dharma, is an embodiment of Dharma or righteousness.
Gaṇa: The Gaṇas (Devanagari: गण) are attendants of Shiva and live in Kailash. They are often referred to as the bhutaganas, or ghostly hosts, on account of their nature. Generally benign, except when their lord is transgressed against, they are often invoked to intercede with the lord on behalf of the devotee. Ganesha was chosen as their leader by Shiva, hence Ganesha's title gaṇa-īśa or gaṇa-pati, "lord of the gaṇas".[142]
5 heads: Shiva is known as panchavactra means 5 heads which indicates 5 elements.
Arms: Shiva has 4 arms which resembles 4 vedas
Mount Kailāsa: Mount Kailash in the Himalayas is his traditional abode.[116] In Hindu mythology, Mount Kailāsa is conceived as resembling a Linga, representing the center of the universe.[143]
Varanasi: Varanasi (Benares) is considered to be the city specially loved by Shiva, and is one of the holiest places of pilgrimage in India. It is referred to, in religious contexts, as Kashi.[144]
LINGAM
Apart from anthropomorphic images of Shiva, the worship of Shiva in the form of a lingam, or linga, is also important.[145][146][147] These are depicted in various forms. One common form is the shape of a vertical rounded column. Shiva means auspiciousness, and linga means a sign or a symbol. Hence, the Shivalinga is regarded as a "symbol of the great God of the universe who is all-auspiciousness".[148] Shiva also means "one in whom the whole creation sleeps after dissolution".[148] Linga also means the same thing—a place where created objects get dissolved during the disintegration of the created universe. Since, according to Hinduism, it is the same god that creates, sustains and withdraws the universe, the Shivalinga represents symbolically God Himself.[148] Some scholars, such as Monier Monier-Williams and Wendy Doniger, also view linga as a phallic symbol,[149][150] although this interpretation is disputed by others, including Christopher Isherwood,[151] Vivekananda,[152] Swami Sivananda,[153] and S.N. Balagangadhara.[154]
JYOTHIRLINGAM
The worship of the Shiva-Linga originated from the famous hymn in the Atharva-Veda Samhitâ sung in praise of the Yupa-Stambha, the sacrificial post. In that hymn, a description is found of the beginningless and endless Stambha or Skambha, and it is shown that the said Skambha is put in place of the eternal Brahman. Just as the Yajna (sacrificial) fire, its smoke, ashes, and flames, the Soma plant, and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted hair, his blue throat, and the riding on the bull of the Shiva, the Yupa-Skambha gave place in time to the Shiva-Linga.[155][156] In the text Linga Purana, the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the superiority of Shiva as Mahadeva.[156]
The sacred of all Shiva linga is worshipped as Jyotir linga. Jyoti means Radiance, apart from relating Shiva linga as a phallus symbol, there are also arguments that Shiva linga means 'mark' or a 'sign'. Jyotirlinga means "The Radiant sign of The Almighty". The Jyotirlingas are mentioned in Shiva Purana.[157]Shiva forms a Tantric couple with Shakti [Tamil : சக்தி ], the embodiment of energy, dynamism, and the motivating force behind all action and existence in the material universe. Shiva is her transcendent masculine aspect, providing the divine ground of all being. Shakti manifests in several female deities. Sati and Parvati are the main consorts of Shiva. She is also referred to as Uma, Durga (Parvata), Kali[158] and Chandika.[159] Kali is the manifestation of Shakti in her dreadful aspect. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Since Shiva is called Kāla, the eternal time, Kālī, his consort, also means "Time" or "Death" (as in "time has come"). Various Shakta Hindu cosmologies, as well as Shākta Tantric beliefs, worship her as the ultimate reality or Brahman. She is also revered as Bhavatārini (literally "redeemer of the universe"). Kālī is represented as the consort of Lord Shiva, on whose body she is often seen standing or dancing. Shiva is the masculine force, the power of peace, while Shakti translates to power, and is considered as the feminine force. In the Vaishnava tradition, these realities are portrayed as Vishnu and Laxmi, or Radha and Krishna. These are differences in formulation rather than a fundamental difference in the principles. Both Shiva and Shakti have various forms. Shiva has forms like Yogi Raj (the common image of Himself meditating in the Himalayas), Rudra (a wrathful form) and Natarajar (Shiva's dance are the Lasya - the gentle form of dance, associated with the creation of the world, and the Tandava - the violent and dangerous dance, associated with the destruction of weary worldviews – weary perspectives and lifestyles).
The five mantras[edit]
Five is a sacred number for Shiva.[160] One of his most important mantras has five syllables (namaḥ śivāya).[161]
Shiva's body is said to consist of five mantras, called the pañcabrahmans.[162] As forms of God, each of these have their own names and distinct iconography:[163]
Sadyojāta
Vāmadeva
Aghora
Tatpuruṣha
Īsāna
These are represented as the five faces of Shiva and are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of action.[164][165] Doctrinal differences and, possibly, errors in transmission, have resulted in some differences between texts in details of how these five forms are linked with various attributes.[166] The overall meaning of these associations is summarized by Stella Kramrisch:
Through these transcendent categories, Śiva, the ultimate reality, becomes the efficient and material cause of all that exists.[167]
According to the Pañcabrahma Upanishad:
One should know all things of the phenomenal world as of a fivefold character, for the reason that the eternal verity of Śiva is of the character of the fivefold Brahman. (Pañcabrahma Upanishad 31)[168]
Forms and roles[edit]
According to Gavin Flood, "Shiva is a god of ambiguity and paradox," whose attributes include opposing themes.[169] The ambivalent nature of this deity is apparent in some of his names and the stories told about him.
NATARAJA
The depiction of Shiva as Nataraja (Sanskrit: naṭarāja, "Lord of Dance") is popular.[199][200] The names Nartaka ("dancer") and Nityanarta ("eternal dancer") appear in the Shiva Sahasranama.[201] His association with dance and also with music is prominent in the Puranic period.[202] In addition to the specific iconographic form known as Nataraja, various other types of dancing forms (Sanskrit: nṛtyamūrti) are found in all parts of India, with many well-defined varieties in Tamil Nadu in particular.[203] The two most common forms of the dance are the Tandava, which later came to denote the powerful and masculine dance as Kala-Mahakala associated with the destruction of the world. When it requires the world or universe to be destroyed, Lord Śiva does it by the tāṇḍavanṛtya.[204][205] and Lasya, which is graceful and delicate and expresses emotions on a gentle level and is considered the feminine dance attributed to the goddess Parvati.[206][207] Lasya is regarded as the female counterpart of Tandava.[207] The Tandava-Lasya dances are associated with the destruction-creation of the world.[208][209][210]
Dakshinamurthy[edit]
Main article: Dakshinamurthy
Dakshinamurthy, or Dakṣiṇāmūrti (Tamil:தட்சிணாமூர்த்தி, Telugu: దక్షిణామూర్తి, Sanskrit: दक्षिणामूर्ति),[211] literally describes a form (mūrti) of Shiva facing south (dakṣiṇa). This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom and giving exposition on the shastras.[212] This iconographic form for depicting Shiva in Indian art is mostly from Tamil Nadu.[213] Elements of this motif can include Shiva seated upon a deer-throne and surrounded by sages who are receiving his instruction.[214]
ARDHANARISWARA:
An iconographic representation of Shiva called (Ardhanārīśvara) shows him with one half of the body as male and the other half as female. According to Ellen Goldberg, the traditional Sanskrit name for this form (Ardhanārīśvara) is best translated as "the lord who is half woman", not as "half-man, half-woman".[215] According to legend, Lord Shiva is pleased by the difficult austerites performed by the goddess Parvati, grants her the left half of his body. This form of Shiva is quite similar to the Yin-Yang philosophy of Eastern Asia, though Ardhanārīśvara appears to be more ancient.Shiva is often depicted as an archer in the act of destroying the triple fortresses, Tripura, of the Asuras.[216] Shiva's name Tripurantaka (Sanskrit: त्रिपुरान्तक, Tripurāntaka), "ender of Tripura", refers to this important story.[217] In this aspect, Shiva is depicted with four arms wielding a bow and arrow, but different from the Pinakapani murti. He holds an axe and a deer on the upper pair of his arms. In the lower pair of the arms, he holds a bow and an arrow respectively. After destroying Tripura, Tripurantaka Shiva smeared his forehead with three strokes of Ashes. This has become a prominent symbol of Shiva and is practiced even today by Shaivites.Shiva, like some other Hindu deities, is said to have several incarnations, known as Avatars. Although Puranic scriptures contain occasional references to "ansh" avatars of Shiva, the idea is not universally accepted in Saivism.[218] The Linga Purana speaks of twenty-eight forms of Shiva which are sometimes seen as avatars.[219] According to the Svetasvatara Upanishad, he has four avatars.[220]
In the Hanuman Chalisa, Hanuman is identified as the eleventh avatar of Shiva and this belief is universal. Hanuman is popularly known as “Rudraavtaar” “Rudra” being a name of “Shiva”.[221] Rama– the Vishnu avatar is considered by some to be the eleventh avatar of Rudra (Shiva).[222][223]
Other traditions regard the sage Durvasa,[224][225][226][227] the sage Agastya, the philosopher Adi Shankara and Ashwatthama as avatars of Shiva. Other forms of Shiva include Virabhadra and Sharabha.Maha Shivratri is a festival celebrated every year on the 13th night or the 14th day of the new moon in the Shukla Paksha of the month of Maagha or Phalguna in the Hindu calendar. This festival is of utmost importance to the devotees of Lord Shiva. Mahashivaratri marks the night when Lord Shiva performed the 'Tandava' and it is the day that Lord Shiva was married to Parvati.[228] The holiday is often celebrated with special prayers and rituals offered up to Shiva, notably the Abhishek. This ritual, practiced throughout the night, is often performed every three hours with water, milk, yogurt, and honey. Bel (aegle marmelos) leaves are often offered up to the Hindu god, as it is considered necessary for a successful life. The offering of the leaves are considered so important that it is believed that someone who offers them without any intentions will be rewarded greatly.[229]
Buddhism[edit]
Shiva is mentioned in Buddhist Tantra. Shiva as Upaya and Shakti as Prajna.[230] In cosmologies of buddhist tantra, Shiva is depicted as active, skillful, and more passive.[231]
Sikhism[edit]
The Japuji Sahib of the Guru Granth Sahib says, "The Guru is Shiva, the Guru is Vishnu and Brahma; the Guru is Paarvati and Lakhshmi."[232] In the same chapter, it also says, "Shiva speaks, the Siddhas speak."
In Dasam Granth, Guru Gobind Singh have mentioned two avtars of Rudra: Dattatreya Avtar and Parasnath Avtar.[233]
Others[edit]
The worship of Lord Shiva became popular in Central Asia through the Hephthalite (White Hun) Dynasty,[234] and Kushan Empire. Shaivism was also popular in Sogdiana and Eastern Turkestan as found from the wall painting from Penjikent on the river Zervashan.[235] In this depiction, Shiva is portrayed with a sacred halo and a sacred thread ("Yajnopavita").[235] He is clad in tiger skin while his attendants are wearing Sodgian dress.[235] In Eastern Turkestan in the Taklamakan Desert.[235] There is a depiction of his four-legged seated cross-legged n a cushioned seat supported by two bulls.[235] Another panel form Dandan-Uilip shows Shiva in His Trimurti form with His Shakti kneeling on her right thigh.[235][236] It is also noted that Zoroastrian wind god Vayu-Vata took on the iconographic appearance of Shiva.[236]
Kirant people, a Mongol tribe from Nepal, worship a form of Shiva as one of their major deity, identifying him as the lord of animals. It is also said that the physical form of Shiva as a yogi is derived from Kirants as it is mentioned in Mundhum that Shiva took human form as a child of Kirant. He is also said to give Kirants visions in form of a male deer.
In Indonesia, Shiva is also worshiped as Batara Guru. In the ancient times, all kingdoms were located on top of mountains. When he was young, before receiving his authority of power, his name was Sang Hyang Manikmaya. He is first of the children who hatched from the eggs laid by Manuk Patiaraja, wife of god Mulajadi na Bolon. This avatar is also worshiped in Malaysia. Shiva's other form in Indonesian Hinduism is "Maharaja Dewa" (Mahadeva).[237]
© Billy Wilson 2011
A shot of one of the many wonderful windows of stained glass inside of Saint James Cathedral in Toronto. The parish was formed in 1797 and this current church structure was built between 1850-1853. At the time of completion it was one of the tallest structures in all of Toronto.
The Toronto Project:
Hi Flickr, I have been busy finishing my degree, and now I'm done!! I have finally completed my bachelor's in biology and chemistry. I just returned from a trip to Toronto. I have taken a fascination with the city in many ways and I had a list of things to do and experience there. In my three full days of staying there and shooting I experienced a lot and took 4927 photos, I walked dozons of kilometers, and visited many interesting areas. Some of the highlights include; the PATH system, Hockey Hall of Fame, Union Station, all of the major financial building complexes, CN Tower, Old City Hall, Osgoode Hall, Art Gallery of Ontario, Kensington Market, Chinatown, Sunnybrook Park, Cabbagetown, Necropolis, Euclid Hall, Gooderham Houses, Queen's Park Legislative Buildings, All of the old colleges of the University of Toronto, Royal Conservatory of Music, Annex style houses, Yorkville Houses and firehall, Casa Loma, Spadina Museum, the Royal Ontario Museum, Allen Gardens, Mackenzie House, St Michael's Church, Metropolitan United Church, Flatiron Building, St Lawrence Market, Toronto's first post office, St. Lawrence Hall, Sculpture Garden, St. James Church, Gooderham and Worts Distillary, Cherry Street Hotel, and Little Trinity Church and the surrounding neighborhood of Corktown.
This is just an image of a large series that I'm doing. The primary goal of this project is to document the diverse types of architecture that one can find in Toronto. Much of it has a British influence or American such as Richardsonian Romanesque when it comes to older buildings. But since Toronto is also a modern alpha global city and a global financial city it has a diverse and impressive amount of modern skyscrapers and post modern architecture. Its diversity is also shown in its people in that atleast 50% of the people living in Toronto weren't even born in Canada, making Toronto the world's most ethnically diverse city. It is extremely colourful and every corner has a new surprise. One can pass down the same street multiple times and stil find surprises like little shops you didn't even notice. I can't wait to return, but I need work in order to get down there again.
Technical Information:
*Camera: Canon EOS Digital Rebel XS *Lens: EF-S 18-55mm ƒ/3.5-5.6 *Shutter Speed: 1/50 Sec. *Aperture Value: ƒ/5.6 *ISO: 100 *Focal Length: 47mm (75.2mm Equivalent on 35mm Film)
Please press "L" on your keyboard to see the image on black!!
“No permanence is ours; we are a wave
That flows to fit whatever form it finds:
Through night or day, cathedral or the cave
We pass forever, craving form that binds.”
― Hermann Hesse, The Glass Bead Game
Quinceañera (pronounced: [kinseaˈɲeɾa]/[k̟ĩn̺s̺e̞äˈɲe̞ɾä]; feminine form of "fifteen-year-old"), also called fiesta de quince años, fiesta de quinceañera, quince años or simply quince, is a celebration of a girl's fifteenth birthday in parts of Latin America and elsewhere in communities of people from Latin America. This birthday is celebrated differently from any other as it marks the transition from childhood to young womanhood.[1] Latin myths and tradition tell about how girls were prepared to be married by the age of fifteen or become nuns. In the years prior to their fifteenth birthdays, girls were taught to cook, weave, and about child rearing by the elder women in their communities in preparation for their lives as married women.[2] The celebrations today vary significantly across countries; celebrations in some countries, for example, have taken on more religious overtones than in others.
In Brazil, a Portuguese-speaking country, the same celebration is called festa de debutantes, baile de debutantes or festa de quinze anos. In the French Caribbean and French Guiana, it is called fête des quinze ans. It is comparable to the debutante formerly common amongst the upper-class in the United Kingdom and the United States.
for more:
en.wikipedia.org/wiki/Quincea%C3%B1era
Contents
[hide] 1 In specific countries 1.1 Argentina, Peru, Paraguay, Bolivia and Uruguay 1.1.1 Ceremony of the 15 Candles
1.2 Brazil
1.3 Cuba
1.4 Dominican Republic
1.5 Ecuador, Venezuela and Colombia
1.6 French Guiana and French Caribbean
1.7 Mexico
1.8 Traditions from other hispanic countries
2 Quinceañera's new tradition
3 See also
4 References
5 External links
In specific countries[edit]
Argentina, Peru, Paraguay, Bolivia and Uruguay[edit]
In Argentina, Peru, Paraguay, and Uruguay[citation needed] the celebration (which is never referred to as a quinceañera but as a fiesta de quince) begins with the arrival of the teenager accompanied by her father, the girl wearing an elaborate, elegant dress she has chosen according to her preferences in colors and style, but still maintaining with the traditional dress. The location, if indoors, commonly has its entrance specially adorned for the occasion. The father and daughter make their entry through this front-door entrance, while music plays and friends and relatives customarily give flowers (usually roses) to the father. After this, the ceremony of the waltz begins, in which the girl first dances with her father—or the father figure—who then passes her on to her friends and relatives. Normally, the ball is divided into segments between which various food dishes are served in order to allow the guests—who are usually close family members and friends—to mingle and enjoy the celebration. The following order of events represents a typical program:
1.Entrance, which is usually accompanied by slow songs
2.Waltz
3.Entree
4.First period of dancing
5.Main meal course
6.Second period of dancing
7.Dessert and video playback of the recorded birthday with her friends
8.15-candle ceremony (optional)
9.Third period of dancing
10.Toast, cake cutting, and a ritual where each female friend/relative pulls a ribbon out of a bunch. The ribbons all have charms on the ends except for one which has a ring.
11.Last period of dancing
Ceremony of the 15 Candles[edit]
In this ceremony, the birthday girl hands a candle to each of fifteen people she considers were most influential in her life during her fifteen years. It is often accompanied by a speech, usually dedicated to each of the people that are given candles. This ceremony is also known as the Tree of Life. The 15 candles symbolize the 15 years the girl has "left behind". Each of the candles represents a special memory, a moment shared with any person who is invited to join the ritual. This is to give gratitude to these 15 people she will tell how they helped her.
Brazil[edit]
In Brazil the celebration is called festa de debutantes, baile de debutantes or festa de quinze anos. The following order of events represents a typical program:
1.Entrance
2.Mass (optional)
3.First period of dancing (usually to international music)
4.Ceremony with videos about the girl's life with friends' greeting
5.A dance with men from her family and one boy (either her boyfriend or her best friend)
6.Second period of dancing (usually to national music)
7.Cake cutting
8.Third period of dancing
Cuba[edit]
In Cuba, the party may include a choreographed group dance, in which 14 couples waltz around the quinceañera, who is accompanied by one of the main dancers, a boy of her choice, her boyfriend or friends of rights.[vague] The choreography often includes four or six dancers or escorts called experts, who are allowed to dance around the quinceañera. They are usually inexperienced dancers whose function is to highlight the central couple. The male dancers are also allowed to wear tuxedos in different colors.
Fifteenth birthday celebrations were very popular in Cuba until the late 1970s. This practice partly entered Cuba via Spain, but the greatest influence was the French.[citation needed] The wealthy families who could afford to rent expensive dining rooms in private clubs or hotels of four and five stars were the real precursors of quinceañeras, which they called quinces. These celebrations usually took place in the house of the girl or the more spacious house of a relative.
Dominican Republic[edit]
This celebration is very traditional and common. It begins with a Mass in the Catholic Church to receive the blessing of God and give thanks for another year of life. At the birthday party, the birthday girl makes her entrance to the place of the party accompanied by 14 additional pairs of guests, which together with the teenager's own are 15 pairs of people total. Usually, the quinceañera wears a bright color dress. Ladies wear long dresses and gentlemen wear suits and ties, which are often brightly colored, but never to overshadow the birthday girl's dress, which is the focal point of the celebration. Almost immediately the quinceañera birthday girl dances the waltz with her partner who usually waltzes in the middle and passes her to the hands of her father to finish the waltz.
It is customary for the quinceañera girl and her escorts to perform several choreographed dances, which may include rhythms like merengue, pop, or salsa. A buffet and drinks are usually served. As the party favors or memories are given to the guests, an album is signed by invited guests to record their presence at the party. One of the main attractions in the Dominican Republic is the traditional cake of fifteen years, which is usually of immense size and beauty, decorated with colorful designs. The cake is cut shortly after the dancing. Traditionally an artist or band participates in the celebration to bring it to life and give a musical touch.
A Nicaraguan girl celebrating her quince años. In Nicaragua, only the girl, and never the celebration itself, is referred to as quinceañera.
Ecuador, Venezuela and Colombia[edit]
In Ecuador, the quince starts with the arrival of the teenager, accompanied by her father, who is then received by her mother and other relatives and friends. Then father and daughter dance a waltz and other tunes.[3] The quinceañera birthday girl will dance with her brothers (if any) and their uncles and godparents. Then she performs the paso doble and the waltz with all members of the procession (then optional dances to other music, such as merengue or pop). For this occasion the teenager wears an evening dress in light colors or pastels, is dressed and made up slightly, and usually places a tiara in her hair and jewels on her neck and hands. All the guests dress in formal attire, including the teenager's peers.
After the original dance, the choreography begins with a setup by the teenager and her friends. After that, the festival begins with music from live bands, some famous artists, DJs, food, drink, and at one late point of the night a "crazy hour" is carried out, in which the attendants wear masks or funny wigs and make noise with whistles and rattles while fast-tempo music is played. It is optional to make some surprise dance performed by the quinceañera birthday girl (alone or accompanied), and also a dance that will give away her friends, cousins, and others. [4]
French Guiana and French Caribbean[edit]
In French Guiana and the French Caribbean the celebration is known as fête des quinze ans.
Mexico[edit]
File:Mexican Quinceanera.theora.ogvPlay media
A Mexican quinceañera celebration
Quinceañera with "chambelanes"
In Mexico the quinceañera is adorned with elegant jewelry and makeup. Traditionally, this would be the first time she would wear makeup, but this is no longer the case. The quinceañera is also expected to wear a formal evening dress, traditionally a long, elegant ball gown chosen by the girl and most often, her mother, according to her color and style of favor.[5]
In the Mexican tradition, when the teenager is Catholic, the quinceañera celebration begins with a thanksgiving mass.[5] She arrives at the celebration accompanied by her parents, godparents and court of honor. The court of honor is a group of her chosen peers consisting of paired-off girls and boys, respectively known as damas (dames) and chambelanes (chamberlains). Typically, the court consists of pairs ranging from seven to fifthteen damas and chambelanes. At this religious mass, a rosary, or sometimes a necklace with a locket or pendant depicting Mexico's patron saint, the Virgin of Guadalupe, is presented to the teenager by her godparents, the necklace having been previously blessed by the church clergy. She is also awarded a tiara, which serves as a reminder that to her loved ones, especially her immediate family, the quinceañera will always be a princess. Some also see it as denoting that she is a "princess" before God and the world. After this, the girl may leave her bouquet of flowers on the altar for the Virgin Mary.[5]
After the thanksgiving mass, guests gather for a reception where the remaining celebratory events meant to honor the quinceañera will take place, including the rendering of gifts. This reception may be held at the quinceañera's home, at venues (such as dining halls, banquet halls, or casinos), or in some cases, in more public places, similar to a block party. During the reception, the birthday girl usually dances a traditional waltz with her father to a song chosen by both that speaks about the occasion and their relationship. Then her father passes her over to the "chambelán de honor", who is her chosen escort, and afterwards continues the dance with the rest of her court of honor.[5] Often this section of the celebration is previously practiced and/or choreographed, often weeks in advance, sometimes even with months of anticipation.[5] The basic reception consists of six major parts[6] with dances taking place while a traditional Mexican meal is served:
1.The formal entry - A grand entrance made by the Quinceañera once most guests have been seated.
2.The formal toast - An optional but usually featured part of the reception, generally initiated by the parents or godparents of the birthday girl.
3.The first dance - Usually a waltz where the girl dances, starting with her father.
4.The family dance - Usually a waltz involving just the immediate relatives, the "chambelanes", godparents and the closest friends of the girl.
5.The preferred song - Any modern song particularly enjoyed by the Quinceañera is played and danced.
6.The general dance - Also usually a waltz, where everyone dances to a musical waltz tune.
Traditionally, Mexican girls could not dance in public until they turned fifteen, except at school dances or at family events. So the waltz with her "chambelanes" is choreographed and elaborate to celebrate what was meant to be the quinceañera's first public dance.
Some families may choose to add a ceremonial components to the celebration, depending on local customs. Among them are the ceremony of the Change of Shoes, in which a family member presents the quinceañera with her first pair of high heel shoes; the Crowning ceremony, in which a close relative vests her with a crown on her head; and ceremonia de la ultima muñeca (literally "ceremony of the last doll"), during which her father presents her with a doll usually wearing a dress similar to the quinceañera herself. The ceremony of the last doll is based on a Maya tradition and is related to the birthday girl's receipt and renouncement of the doll as she grows into womanhood. Likewise, the ceremony of the change of shoes symbolizes the girl's maturity.[5]
Once all symbolic gestures have taken place, the dinner is commenced. At this point, the celebration reaches its peak; contracted musical groups begin playing music, keeping the guests entertained. The music is played while the guests dine, chat, mingle, and dance. The next morning the family and closest friends may also attend a special breakfast, especially if they are staying with the family. Sometimes what is known as a recalentado (re-warming) takes place in which any food not consumed during the event of the night before is warmed again for a brunch type event.[7]
Traditions from other hispanic countries[edit]
Another tradition[where?] is to have 14 ladies (sometimes 7), and 14 escorts (sometimes 7) as a court.[citation needed] The escorts hold flowers (usually roses) and the ladies carry candles. As the quinceañera dances the waltz with her father she blows out one candle, then picks up one rose. This continues until all candles have been blown out and all roses have been picked up. The 14 candles blown out represent her 14 years of age. When the time comes to cut the cake the quinceañera will blow out her last candle thus completing her 15 wishes. The flowers are given to her mother. An English quinceañera waltz song especially made for the father and daughter dance is "Sure As The Wind" - www.youtube.com/watch?v=Yw520MtDw28 .
Quinceañera's new tradition[edit]
Nowadays, many young girls create their own Quinceañera celebrations. Whereas traditional dresses were formal and usually white or pink only, dress designs are now more detailed.[8] Also, instead of having the traditional seven damas and seven chambelanes, the Quinceañera now also has the choice to pick all damas or all chambelanes. Traditionally, girls were not allowed to dance in public until turning fifteen, but this taboo has also receded significantly. The ceremony of the Changing of the Shoes has also been modified. Instead of wearing slippers before ceremonially exchanging them for high heels, a girl may decide to wear shoes compatible with the color and style of her dress instead of donning the traditional slippers.
150226 formed of 52226 and 57226 is seen departing Manchester Piccadilly in Northern livery for Manchester Airport.
Gerstner, K. The forms of colour: the interaction of visual elements, Cambridge, MA: The MIT Press, 1986.
I was taking a tea break from my walk around Slimbridge when this Goldfinch popped on to a nearby thistle seed head, posed for a moment then flew off
October 2011
This image shows a work in progress. It's the beginnings of one of the beads I made for the featured necklace in our book about silhouette dieforming, Relief Beyond Belief.
If you know anything about dieforming, in polymer clay or metal, you know that you don't get the form without the flange. Here you see both, after baking: the decorative form rising up in a round dome in the centre, and the flange surrounding the circle silhouette, ready to be trimmed away.
The 'cross-hatch' texture on the flange shows where the clay was burnished with a ball stylus to secure it to the glass tile prior to baking (you can see another example of that here). The intersecting arc pattern featured in the form was made using my Inserts technique, built into a metallic clay slab and then revealed in a single slice with my Cutting Edge Peeler. The dome was pushed through a #5 Circle Die, the middle size in the set of nine concentric circles ranging from .5" to 1.5". The dome here (and the finished bead) is 1" in diameter.
This image doesn't appear in our book, but the finished form does, as one of twelve beads in the RBB MasterClass Necklace.
Kolossi Castle
A fine example of military architecture originally constructed in the 13th century and subsequently rebuilt in its present form in the middle of the 15th century. It served first as the Grand Commandery of the Knights Templar, and after the fall of Acre in 1291 for some years, as the headquarters of the Knights of the Order of St. John of Jerusalem.
Kolossi and its castle are directly connected with a number of important events, which constitute various interesting folds of the age long and stormy history of Cyprus.
In 1191 Richard the Lionheart of England conquered Cyprus after it had been ruled by Isaac Commenus. Isaac Comnenus was the Byzantine Governor of Cyprus who declared himself an independent ruler of Cyprus and would not assist Richard and the Crusaders.
Richard the Lionheart captured St.Hilarion, Buffavento and Kantara Castles. The Castle of Kyrenia was captured by Guy de Lusignan and imprisoned the wife and daughter of Isaac who had sent them there, believing that they would be safe. Guy followed Isaac to Kantara where he captured and imprisoned him. With the fall of the castles, which were protecting Cyprus from the foreign attacks the island came under the power of the King of England, by the end of May 1191 A.D. In May 1192 the Templars who in turn had bought Cyprus from Richard the Lionheart sold the island to Guy de Lusignan. This was the beginning of Frankish domination. The Franks occupied the island for three hundred years. Kolossi Castle belonged first to the Order of the Templar and then to the Order of St. John.
It held great strategic importance in the Middle Ages, and contained large facilities for the production of sugar from the local sugarcane, one of Cyprus's main exports in the period.
The castle today looks really impressive with its square shape. It is a very well built castle similar to a tower, many of which can be seen in Europe. Based on military architecture, the castle offered satisfactory security to the area. It was strong enough to resist any attacks; as strong as the Kyrenia castle and that is why it was considered to be impregnable.
Each of its four sides is 16m long on the outside and 13.5m on the inside. The height of the castle is 21m. The solid construction proved able to protect the castle through the ages and also from the many earthquakes that happened in the area.
A sign in the form of a shield on the building is split into four parts – the emblem of Cyprus, Jerusalem, Armenia and an old coat of arms of the Lusignans. The date the fortress was built, 1454, is preserved on a marble plate. Under the royal coat of arms there is the coat of arms of Louis de Magnac, a Cypriot commander in chief who is believed to have managed the construction.
As well as its sugar. the area is also known for its sweet wine, Commandaria. At the wedding banquet after King Richard the Lionheart's marriage to Berengaria of Navarre at nearby Limassol, he allegedly declared it to be the "wine of kings and the king of wines." It has been produced in the region for millennia, and is thought to be the oldest continually produced and named wine in the world, known for centuries as "Commandaria" after the Templars' Grand Commandery there.