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The FFF+ have created a group challenge called "Five On The Fifth" (FOTF) . . . five images in the form of a collage or composite must be uploaded on the 5th of each month, with there being a different theme, set by a member of the group each month.
This month Andrew www.flickr.com/photos/ajhaysom/ chose “Something reminiscent of a favourite song, album, piece of music, band or artist”.
The obvious choice for me was Bob Dylan. I had picked out a song and I have a great idea for a concept image. However, time got in the way and there is no way I could do a half hearted or rushed job for my musical hero. So instead, I have chosen "Everything I've got Belongs to You" by Ed Keupper. I chose this one because I think this is one of the great opening lines to a song and it has inspired this image:
"I have designs on you that come from dirty books"
www.youtube.com/watch?v=YoNAUhMJRW4
It appeals to my naughty side :)
I am still a baby Photoshop user but I did this in P.S and it somehow evolved into close to what I wanted it to be. It is five images that I took at home and layered over each other using blend modes. I made one mistake that the image was too small as I based it on book template. Andrew was able to resize it to make it bigger!
"I've designs on you that come from dirty books
I would lie to you if that is what it took
I can act out of spite
And those times ain't few
And everything I've got belongs to you
Yeah everything I've got belongs to you
I come by for you and take you by the wrist
You might well boohoo there might be that risk
To let you off of the hook
That just wouldn't do
Cause everything I've got belongs to you
Yeah everything I've got belongs to you
I don't care who's wrong or right
I'll just start another fight
You get yours, can't you see
You always get your comeuppance with me
Now, time has proved I'm churlish and I'm rude
And I find a real contentment in bad moods
And because it's all true,
There's nothing to do
Cause everything I've got belongs to you
Yeah everything I've got belongs to you
I don't care who's wrong or right I'll just start another fight
You get yours, can't you see
You always get your comeuppance with me
Now, time has proved I'm churlish and I'm rude
And I find a real contentment in bad moods
And because it's all true,
There's nothing to do
Cause everything I've got belongs to you"
Ed Keupper from Honey Steel's Gold
You can also find me on Instagram: tekapa_pictures
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#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
Rigged mesh hair
for ordinary shapes and for Lolas
Fatpack Hud - 34 colors
TRY DEMO BEFORE ANY PURCHASING!
marketplace link:
marketplace.secondlife.com/p/MLT-LATICIA-MESH-HAIR-FATPAC...
frustrations of the world getting to me so thinking of relocating, unfortunately no trees or birds and I had to abort landing due to a little malfunction of the booster rockets upon final approach.....
Thank you guys for the tag: Jade, Dolldiva, Leslie, Audra, Sidia09, Melanie, Dorothy!
And, moreover, I would like to thank all of you, my Flickr Friends, for your wonderful support, thoughtful comments and for making our little dolly community here on Flickr this open, welcoming place I feel so comfortable at! Huge hugs to you all and I also wish you all the best for 2019! May this year bring you a lot of fulfilled dreams and plans succeeded.
I don't want to do any resolutions for this year, because it tends to be a bit stressful trying really hard to accomplish it all, but I hope to be better with managing my time and spend it more photographing and creating new things for my dolls :)
Also, lately Flickr's notifications doesn't seem to show in my stream and in a mobile app so I'm slightly delayed with being up to date...
mais imagens: álbum/set Flores & Plantas & Árvores =>
www.flickr.com/photos/wilsonhouck/sets/72157643747313295/...
mais imagens: álbum/set Orquídeas =>
www.flickr.com/photos/wilsonhouck/sets/72157634580311988/
mais imagens: google-panoramio => www.panoramio.com/user/5393464
i knew your name one night, between the snow and the stars.
www.flickr.com/photos/a_morosini/7628940660/in/photostrea...
IMG_0859
Looking Back 100 Years.
The Somme, WW1.
"They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them."
This image cannot be used on websites, blogs or other media without explicit my permission. © All rights reserved
Fotografía para agradeceros las 4.000 visitas a mi galería.
Simbólicamente, creo que representa el espíritu de Flickr.
Juntos por una afición, la fotografía.
Muchos besos y abrazos.
Con una dedicatoria especial a Soledad Elisabetta Estigarribia, por demostrarme que "el fin del mundo" está también muy cerca gracias a personas como ella.
In this tutorial, learn how to brighten highlights and darken shadows non-destructively using Curves, the best way to dodge and burn any photo in Photoshop. Ready for more? Visit your Flickr Pro account settings for a free month of PHLEARN in-depth tutorials (and 35% off your monthly subscription after).
..a todas, toditas las Pilares....incluiros, porfi.
Besitos y achuchones a todas.
¿Ya sabeis que mi segundo nombre es Pilar? Lo puse el año pasado...
María de los Desamparados Pilar del Sagrado Corazón. ¡¡¡Prohibido burlarse!!! jejeje
Thank you Flickr for the feature, it's much appreciated! Check it out here: blog.flickr.net/en/2020/08/26/the-stories-of-our-favorite...
And the Kickstarter for the book here: www.kickstarter.com/projects/americanrestaurant/american-...
This is a photo I had posted previously, but the iPhone had somehow resulted in a noticeable dip/curve in the horizon. I just figured out I can correct that using the app SKRWT, so this is a newly corrected version.
Flickr contacts are what makes Flickr “Flickr”. We can post our pictures on the web in any number of places. Flickr is about photography, but it is also a social network. Our interaction with our Flickr contacts determines how much we get out of our investment in Flickr.
Flickr contacts do a lot of things for us. They provide us a mini art gallery of new work each day to look at--an art gallery where we have 100% control of the artists in it. They give us words of wisdom, friendship, humor, and sorrow. Their art provides us with new ideas that improves our own work.
The nature of Flickr creates a unique environment by which to enjoy art. The everyday blog nature of Flickr links Flickr photos to the everyday rhythm and pace of the artist’s life—the ups and downs, the moments of extreme excitement and boredom, the life transitions, the seasons. Coupled with the ability to interact with the artist in a reciprocal relationship makes Flickr a “hot” medium.
I am convinced that Flickr contacts are the most common reason people leave Flickr. You have to nourish your network constantly. Keeping up with the social network aspect of Flickr takes a lot of time, and for any number of reasons this can become impossible or undesirable. Flickrites who can’t figure out how to create and engage an effective social network don’t get the level of traffic and comments on their pictures they expect and give up on Flickr.
I have 3663 total contacts: 239 are two-way (i.e. they are contacts with me and I am a contact of theirs), 33 are one-way from me to them (i.e. they are my contact, but I am not theirs), and 3424 are one-way from them to me. I have managed as many as 400 and as few as 150 contacts, but for me 250 is about the sweet spot.
I want to THANK the 31 Flickr contacts that I have had as contacts for three years or more: Hazed, ilsebatten, fotoaparatas, I'mMurphy'sLaw, losy, Anne Strickland, crowt59, brynmeillion, peggyhr, bryanilona, Sir Cam, Tailer's Family, André Pipa, LukeOlsen, i_love_u_get_away_from_me, tengtan, setsuna, abuela pinocho, jotKa26, Zé Eduardo, goorn23, the-father, spkennedy3000, Sati Kobashi, Celia, Zinni, ~lala~(Lisa), Steve-h, Lady Smirnoff, 3dphoto.net, Pisces Romance, and {maeve}. What joys you have given me!
I manage my network size through occasional purges—if someone doesn’t reciprocate my comments for a long period of time I have to make a judgment whether to keep or not. I do keep some contacts who never look at my work, but not many. When new contacts connect with me, I consider two questions: Will I like looking at their art every day, and will they be a good, reliable contact?
I have observed many different types of Flickr contacts over my three years of Flickring:
* The Reliable Contact—One or two pictures a day, every day, always reciprocates.
* The Weekend Contact—Posts one or two pics a day, and then catches up with their contacts on the weekend.
* The Haphazard Contact—Posts haphazardly, visits haphazardly. Still can be good contacts, they just are at a different activity level with Flickr. Sometimes Reliable and Weekend Contacts go through this phase.
* The Contact Who Dumped You—Won’t visit you even though you notice they’re visiting others.
* The Dead Contact—Isn’t visiting anybody.
* The Experimenting Contacts—Of course I love them! Always trying to push the boundaries with something new.
* The One Trick Pony Contacts—Yes I love the 1000 pictures of {Insert Obsession Here}, but could you try something different!
* The Blogging Contacts—Contacts who have as much to say as they do to show.
* The No Hands Contacts—Contacts who only fave, won’t comment.
* The Lurking Contacts—They don’t comment or fave, but they still may be viewing your work.
* The On the Cusp Contacts—They’re on the cusp of quitting Flickr… beware the drama!
* The Photo Dump Contacts—They post a lot of pictures every day. If they’re not good artists they won’t remain a contact very long… but if they’re really good artists, I don’t mind keeping up with the volume. Few can pull it off but there are some gems.
* The Teaching Contacts—Their art teaches us constantly how to improve ourselves.
Here’s Three Cheers for Contacts!
Uploaded for the theme "Gates & Fences" in The Flickr Lounge .
Another overgrown fence...
Using the Nikon Nikkor AF-P 70-300mm f/4.5-6.3 ED VR DX lens.
Critique is welcomed.
Thank you all very much for your visits, favs and comments.
Finally they got the message, thanks for changing it back to a better format and no black page to squint at,
My Sunday Sunset outing at the harbor.
A wonderful photo walk with the Famous Flickr Five, a group of Melbourne Flickr-ites which has grown beyond five members now yielded some fabulous street and street art shots. I just had to post this one this evening.
As of this afternoon, the 59,360 photos I have posted to Flickr (of which, 24,178 are public) have been viewed nine million times in fifteen years.
Thank you to all who have viewed the images, favorited them, and commented upon them, since 2006.
Thomas Cizauskas
1 December 2021.
***************
▶ Image uploaded by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on web: YoursForGoodFermentables.com.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Commercial use requires explicit permission, as per Creative Commons.
Switzerland : La Chaux -de-Fonds : Villa Turque (Le Corbusier). No. 88.
"La Villa Turque a été construite en 1916-1917 par Le Corbusier. Manifeste de jeunesse, elle appartient au patrimoine de l’architecture mondiale. Depuis 1987, elle est devenue le Centre de Relations Publiques de l’entreprise horlogère Ebel."
"C'est en 1916, au retour de son voyage en Orient, que Le Corbusier se lance dans la construction de la villa commandée par Anatole Schwob, riche industriel de La Chaux-de-Fonds.
Alors âgé de 29 ans, l'architecte associe brique et béton pour édifier une construction révolutionnaire. Pas de murs porteurs mais 16 piliers soutenant 4 dalles quadrangulaires pour une construction qui parvient à marier des lignes très épurées à la généreuse rondeur des deux ailes semi-circulaires situées de chaque côté.
A l'intérieur, c'est la magie de la lumière: celle qui entre par la grande verrière située au sud pour jouer avec la clarté des ouvertures plus discrètes à l'est et à l'ouest. De l'immense pièce centrale, on accède aux étages qui recèlent des chambres et leurs dépendances dont un solarium et un jardin terrasse.
Seule oeuvre de jeunesse revendiquée par l'architecte, cette réalisation lui permit de s'affranchir de l'influence «Art nouveau» de l'époque. Elle fut également à l'origine de nombreux déboires avec le propriétaire et certainement cause de son installation à Paris. Reprise aujourd'hui par l'horloger Ebel, qui en a fait son centre de relations publiques, la Villa Turque est ouverte au public tous les 1er et 3e samedis du mois."
Rue du Doubs 167, 2300 La Chaux-de-Fonds.