flickr Inferno...
Vivitar Ultra Wide & Slim + Redscaled Expired Kodak Gold 200.
Classic Vivitar plastic lens flare, and four flickr'rs all caught inside it!
Thanks to .danimal, I've learned how to redscale film, the results are rather dramatic but worthwhile from time to time I think!
Basically it involves taking a roll of ordinary 'bog standard' print film, reversing it and respooling it into another film cannister (all done in a dark bag) so that the light is exposed on 'the wrong side of the film' when you take a shot. You then lose two 'stops' on the optimal exposure conditions from the original. It gets developed in exactly the same way as print film, but be prepared for the technician to be a little startled (at best) or a little irritated (at worst) when they realise that something very odd has happened to the film. :)
This first roll shot on a flickr-walk with archidave, Bingo Little, .danimal, *Hairbear & knautia, during a gloriously sunny day to Ashton Court.
flickr Inferno...
Vivitar Ultra Wide & Slim + Redscaled Expired Kodak Gold 200.
Classic Vivitar plastic lens flare, and four flickr'rs all caught inside it!
Thanks to .danimal, I've learned how to redscale film, the results are rather dramatic but worthwhile from time to time I think!
Basically it involves taking a roll of ordinary 'bog standard' print film, reversing it and respooling it into another film cannister (all done in a dark bag) so that the light is exposed on 'the wrong side of the film' when you take a shot. You then lose two 'stops' on the optimal exposure conditions from the original. It gets developed in exactly the same way as print film, but be prepared for the technician to be a little startled (at best) or a little irritated (at worst) when they realise that something very odd has happened to the film. :)
This first roll shot on a flickr-walk with archidave, Bingo Little, .danimal, *Hairbear & knautia, during a gloriously sunny day to Ashton Court.