View allAll Photos Tagged FinalCutPro
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.
- Correction, management, and grading
- Use FCP, color, and third-party plug ins
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Just playing around with shooting miniatures against a bluescreen and then putting in background video.
Background shot in Palm Springs with the Flip MiniHD, foreground shot in my garage using the Canon 7D. Footage combined in Final Cut Pro.
Much yet to learn but I'm having fun.
Note: The "Please Subscribe" a the end was meant for the YouTube version.
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
Color Correction: It Does The Video Good
Video is becoming more ubiquitous by the day. As a video guy, I’m all for this. I’ll always prefer a moving image to a static one.
This said, let’s please continue to pay attention to quality. Gone are the early days of YouTube when a video for the sake of having a video was suffice. Now, give the online viewer what they expect: An honest attempt at quality.
Here, I take a note from Steve Jobs. iPods/iPhones/iPads have changed the world with their design as much as their functionality. Jobs’ keynotes are legendary for their theatrical flair. In this, look hard at your video and pay attention to the aesthetic details. They are, after all, the carrier of your message.
The still headlining this image is from a current edit with Boston’s own Herb Chambers — for the record, one of the most impressive people I have ever met. The image on the left is the original; on the right, the color-corrected. I correct my whites first. Then usually crush the blacks a bit to add contrast, focus light on the subject’s cheekbones and add a slight vignette (for interviews.) If ambitious, you can add a slight blur to soften your subject’s skin while retaining sharpness in the edges.
Any questions? Find me on Twitter @josepholesh.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Progetto Arcevia 2.0/12
In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.
40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.
Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.
Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
This is my test timeline that I exported from Final Cut Pro 7 to Final Cut Pro X using the 7toX for Final Cut Pro utility. See next photo for the result in FCPX.
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
Progetto Arcevia 2.0/12
In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.
40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.
Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.
Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
Taken with
- Canon EOS 7D
- Canon EF16-35mm f/2.8L II USM
- Canon EF70-200mm f/2.8L IS II USM
Edited in Apple Final Cut Pro X.
YouTube: www.youtube.com/watch?v=88pWjEi3g7c
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
AN UPDATED SPEED TEST CAN BE FOUND HERE FOR 25FPS:
www.flickr.com/photos/nickjonesmedia/4673932150/
AN UPDATED SPEED TEST CAN BE FOUND HERE FOR 50FPS:
www.flickr.com/photos/nickjonesmedia/4674093372/
a quick test of the Canon 7D at 720 and 50fps, all at proresHQ.
shot at 100ISO on a 50mm 1.8. 1/60 at 2.5
in the clip there is:
720@50fps.
720@25fps, processed by Cinema Tools.
720@50fps, at 50% speed by FCP, blended frames.
720@25fps, processed by Cinema Tools, at 50% speed by FCP, blended frames.
720@25fps, processed by Cinema Tools, at 25% speed by FCP, blended frames
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling