View allAll Photos Tagged FinalCutPro

Second Round time lapse. D200 Apreture Set to manual ISO 1250,Shutter 1/40 sec F1.4. No Homeless men Here. Music by shagrugge-Song-planzn skematikz(Duncan Bass )Creative commons License

Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.

 

- Understand how compression works

 

- Use DVD Studio Pro

 

- Make professional DVD menus

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

PLACES: NYC, USA

While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.

 

Today was a quiet day to myself, but there was no way I was spending it alone in the apartment. So I went for a walkabout through the outskirts of town, had a cup of tea here and there, where I began reading Patrick Rothfuss's "The Wise Man's Fear", which is the sequel to his first novel, The Name of the Wind, which remains as one of my favourite fantasy novels I have ever read.

 

The story is basically about a young man who's family is murdered and he sets off to learn more of his family's killers. But this leads him to a University, where he has settled down and tried to get his place in the world. This is a low overview of the story so far and not what the whole picture, but I told this part simply because now that I am in University, I can begin to relate to the main character's experiences, of worrying about money, the joy of doing well in his work, the complete and utter confusion of girls and how sometimes, late at night, you remember and miss those you left behind.

Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.

 

- Correction, management, and grading

- Use FCP, color, and third-party plug ins

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.

 

- Correction, management, and grading

- Use FCP, color, and third-party plug ins

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

Zahra Premji and Michelle Seo working with camera to shoot Dwayne's World for Visual Fundamentals class. Fun Feature was shot in Burnaby.

Progetto Arcevia 2.0/12

In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.

40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.

Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.

Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.

FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego

 

An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.

 

- Animate photographs with keyframing

- Strengthen your power of storytelling

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

Progetto Arcevia 2.0/12

In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.

40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.

Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.

Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.

80/365

21 January 2010.

Shot on a Canon HV20 and Panasonic GH1.

 

Post work done in Final Cut Pro, Motion & Soundtrack Pro.

 

Watch this video on Vimeo. Video created by Matt Pringle.

PLACES: NYC, USA

While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.

 

Still saying Universal... i wonder if anyone has tried it o a G5.

Montez le son...!

-

Montage FinalCutPro X - Mac - 2012

Canon 1D Mark IV

Canon EF500 f4 IL USM

An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.

 

- Animate photographs with keyframing

- Strengthen your power of storytelling

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

So I've been fooling around with time lapse, lately. These exposures are 35 seconds at 40 second intervals, and 12 frames per second. Not bad for my first outdoor try. I'll start earlier next time to avoid the fog ending the shoot early.

Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.

 

- Correction, management, and grading

- Use FCP, color, and third-party plug ins

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

It would certainly be better if FCPX didn't bake in these "can't quite catch up" frames in the final render.

This is a short 'summer' themed promo piece that I created for a recent SEM campaign here at Dealer.com.

 

Animation - Apple Motion

3d Animation - Blender

NLE - Final Cut

Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.

 

- Correction, management, and grading

- Use FCP, color, and third-party plug ins

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.

 

- Correction, management, and grading

- Use FCP, color, and third-party plug ins

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

PLACES: NYC, USA

While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.

 

PLACES: NYC, USA

While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.

 

En ACME puedes superar los examenes de certificación oficial de Apple. www.acmegalicia.com

Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.

 

- Understand how compression works

 

- Use DVD Studio Pro

 

- Make professional DVD menus

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

Fashion's Night Out

One special night in celebration of remarkable visionaries & designs

On Friday September 10th Neiman Marcus, Palm Beach played host to Fashion's Night Out 2010.

It was amazing event put on by It! Weddings & Events. Fashion's Night Out Palm Beach had over 600 RSVP. Some of the presentations showcased fashion trends on the table with experts on hand to explain their one-of-a-kind works of art.

Guests enjoyed signature cocktails created by Echo mixologist Charles Steadman and delightful light bites from the hottest local restaurants

The night was topped off by a runway fashion show highlighting the upcoming trends of the season.

 

Filmed + Edited By www.lafrancefilms.com

 

Watch this video on Vimeo. Video created by Michael LaFrance.

Kinda morphed after converting.

Music: A Sky For Shoeing Horses Under by Why?

Images tournées avec le Panasonic Lumix GF1 en 720p25

Avec le Zoom Lumix 14/45mm

Postprodution : Final Cut Studio

music : "I can't get no satifaction" José Féliciano

 

Watch this video on Vimeo. Video created by Emmanuel Pampuri /Les Machineurs.

[12/365]

 

"The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy."

- Francis Ford Coppola

 

Please view large on black!

 

This is what my life will consist of for the next few weeks. I have lots of work coming up in film class (editing the rest of my 7 minute film and going through my production portfolio).

 

I really do enjoy editing films, especially color correction.

 

View On Black

Super Awesome video, starring the amazing Fat Ass!!

 

Full video here...http://www.facebook.com/video/video.php?v=829949297948&saved

Senior Degree Project for the Kansas City Art Institute. DJ touch screen interface and gesture interaction concepts.

 

In San Francisco area looking for collaborators interested in discussing this project further.

 

To see process images, please visit: www.behance.net/gallery/Multi-Touch-Light-Table-gergwerk-...

 

you can see my other design work at: www.gergwerk.com

 

this project has a creative commons license of Attribution-NonCommercial-ShareAlike 3.0 Unported.

for more information about this license, please visit creativecommons.org/licenses/by-nc-sa/3.0/

 

Watch this video on Vimeo. Video created by GERG WERK.

Two weeks. TWO weeks! Wow... I have been so... away!

 

This photo was taken a few days ago... when I was finally seeing the end of the project that has consumed the majority of my waking hours over these last couple of weeks. It's not like it's some great shot... it's my excuse for not being here! =)

 

I created a DVD project that involved working extensively in Photoshop and Motion (Apple's fantastic motion graphics software) with a stop or two in Soundtrack Pro and iMovie along the way... all ending up in Final Cut and iDVD Pro. Whew!

 

Thing is... I truly know enough about all this cool software to be dangerous... you know... to really get myself into trouble! So in many cases... I figure it out as I go along... which is both good and not so good. Thankfully... I had the top notch expertise of someone 'in the business' (and you know who you are, Philip Wallis... thank you!) to wrap up all my pixels in motion... and to make sure I had a master disk for duplication that worked as it should! The technical proficiency side of all this fun... well... it's not my strong point.

 

A LOT of work. Made into even more work by not fully knowing my way around all the software (yet). But in the end... I am satisfied. And that works!

 

Oh... and I'm glad to be back! =)

 

– – – – – – – – – –

 

'THE Project'... bigger and on black.

 

Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.

 

- Correction, management, and grading

- Use FCP, color, and third-party plug ins

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

Just a stack o' boxes that once housed Apple products! :-D

Final Cut Pro ha sido rediseñado por completo por Apple para responder a las necesidades de los editores de hoy en día y rompe con las limitaciones de las anticuadas pistas de línea de tiempo. Una nueva interfaz de edición dinámica te permite experimentar con libertad mientras trabajas con una precisión y velocidad extraordinarias.

 

EN ACME GALICIA, CENTRO DE FORMACIÓN AUTORIZADO APPLE puedes incrementar el valor de tu curriculum con los mejores cursos de Edición y Postproiducción de video en grupos reducidos y recibir al final un diploma de validez internacional. www.acmegalicia.com

Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.

 

- Correction, management, and grading

- Use FCP, color, and third-party plug ins

 

www.mediaartscenter.org/diylab

www.macsddiy.posterous.com

Really excited to be finally, after 4 months, importing and logging the first few hours of footage from Pedal :)

Ben Ramsey listens to a PCTV audio track during a Final Cut Pro editing session.

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