View allAll Photos Tagged FinalCutPro
Peace Flickr ♥
RIP Steve Jobs
I created this mosaic using bighugelabs.com/ below
are links to the Photographs of these wonderful photos:
1. Final Cut Pro!, 2. iMac 27", 3. Red Giant, 4. yaaaaaay Explore, 5. Imac 27 Dacmagic AKG, 6. HVX 35mm Rig, 7. Documentaries, Film, Directing, 8. Home Office Setup (2007), 9. iMac 27", 10. DOLLAR$, 11. Apple Certification, 12. Q Train, 13. FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego14. Not available15. Not available16. Not available
I was a bit late at catching the development of this isolated thunderstorm (~40 miles away). However, the fully developed anvil and over-shooting tops was still highlighted. Several small thunderhead cells also made for a photogenic addition.
This time lapse was 434, 5s interval raw images placed in Final Cut Pro.
My Fujifilm X-T5 was used for this ~42 minute clip (compress into 18 secs).
A breeze draws shapes on top of the water as the Milky Way's core climbs the southeastern sky over Horse Island at Tuross Head, Australia. I created this time-lapse sequence from 410 individual images captured over 80 minutes in April 2021. While my camera clicked away at the behest of its intervalometer, I took in the beautiful darkness above and around me, the sounds of the nightlife in the trees, and enjoyed the solitude afforded me.
Each of the photos that makes up the video sequence was taken with my Canon EOS 6D Mk II camera, a Sigma 35mm f/1.4 Art lens @ f/2.2, using an exposure time of 10 seconds @ ISO 6400.
First snow-melt water in a small run-off creek collecting the water from the hills and running through a corner on our lot into Big Fox Lake.
Approach and crossing of the Mackenzie River on Louis Cardinal Ferry.
IPad Mini4 timelapse footage.
Score: Cowboy Desperation - Wild Country Instrumentals
2018 Road Trip to Tuktoyaktuk, NWT via Dempster Highway and the Inuvik-Tuktoyaktuk Highway or ITH (Tuk Highway).
I got a RamperPro for my birthday. It's a camera controller for timelapse video. Here's yesterday's sunset.
This is from my trip out to Whitney Pockets and Little Finland in January. Several things didn't go as planned. I was about half an hour late setting up, so the foreground is in shadow already. Then my light was too bright, so the foreground is too prominent. Then, just as the moon was rising, the battery gave out. And anywhere near Las Vegas is a bad place for star videos due to the airplanes carrying all those lucky gamblers into town (and all those sad losers back home).
But anyway, here it is.
Today's post is the last of three time-lapse sequences I captured during a visit to the far south coast of my home state of New South Wales, Australia, in April 2021. I was blessed with three cloud-free nights during our four-night stay, and considering how long I spent in Covid lockdown for the rest of 2021, those three nights of photography were priceless.
This video was the first of those time-lapses, captured at Wallaga Lake, an estuarine enclosure listed as the largest lake in the state's southern half and of significance to our indigenous Yuin people. I caught the Milky Way's core rising over the small dunes that mark the divide between the lake's waters and the Tasman Sea. You can see some wisps of cloud moving across the scene during the ninety minutes that my camera was capturing photos. Unfortunately, the lens suffered from fogging by the end of the sequence, blurring the footage.
In total, I shot 491 single-frame images to create the time-lapse. I took each of those photos with my Canon EOS 6D Mk II camera, a Sigma 35mm f/1.4 Art lens @ f/1.8, using an exposure time of 10 seconds @ ISO 6400.
Seemingly moving house. Fascinating to watch going by endlessly. Countless ants.
First clip is from an iPhone 6s. The second is from a D500. Both were recorded at UHD. The D500's footage is mostly straight out of camera - minor sharpening & contrast boost. The iPhone's footage required that and a fair bit of colour correction to somewhat fix the bad whitebalance.
Some image stabilisation was also applied.
All edits done in Final Cut Pro. Compressed to H.264 by Handbrake.
Lomo in Lomo Project #36
A making of video made for my lomoinlomo project. Original project photography here.
Conception: Duda Catenacci
Past-up Design: André Coelho
Tanks to André Coelho and LomoBR group.
More details about the project in Lomo in Lomo group.
Made with: Canon 5D Mark II + Zeiss 50mm 1.4 + Zeiss 18mm 3.5 + Final Cut Pro + Maya + After Effects.
This timelapse sequense begins at around 9:30 in the morning and ends ten hours later. As they say in New Mexico, "If you don't like the weather, just wait a few minutes".
The music is "Harkstow Grange" from Percy Grainger's "A Lincolnshire Posey".
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*UPDATE: you can now watch this in HD, click on "HD" in the lower right corner when you put your mouse over the vid. it seems to be slower to load though. so maybe it's best to hit pause and wait for the whole thing to load before playing it back*
I was home sick today and it started to snow so i shot these simple clips from my bedroom window.
song: "through the backyard" by "Au Revoir Simone"
Funny that the first thing i should post from my new camera is a video and not a photo. I bought the older album of Au Revoir Simone off of itunes over the weekend and it was playing in the background while I shot this, so it seemed fitting to set the video to it.
Be sure to look at the notes.
adding this photo to this this thread
For some reason I think its it's awsome to check out other people's desks!
The first section of my little amble around Southend Seafront on 2.4.2017.
This is my first attempt at editing a multi speed video in Final Cut Pro X. I learned a lot.
Back by (popular) demand..
All the fun of the WelshFlickrCymru social meet in Swansea. Sometimes talking about cameras, sometimes just shooting the breeze and having a laugh.
For those that really must know, 9 and a half Gigabytes of Medium resolution JPEG stills, about 4324 shots.. But not all made this cut..
I really struggled to cut this one down to the Flickr requirement of 1m30secs.. There'll be a longer cut up on YouTube later hopefully..
Enjoy.
P.S. This one goes out with a special mention to Helen, (livin the dream*) who was our designated driver.. She must be mad.... but its much appreciated! Thanks Helen!
If you have a slow assed connection like me, let it buffer a bit before playing..
Graffiti plays a huge role in my life.
I'm not gonna post alot on this due to the fact police can access it. In fact this will probably be my only post explaining about it.
But "Anemal" is a huge influence his stuff is up everywhere. He's got style.
I'm just gonna shut up now. . . .
But just know there's SO much more behind graffiti then JUST spraypaint and a wall.
Photo: THE SLED
Shop talk: Shot on NEX-6 kit lens, followed by A7II w Rokinon 14mm, running Sony timelapse app in Sunset mode. Edited in Lightroom, LRTimelapse and Final Cut Pro. 280 RAW files from NEX6, 390 from A7II
K made this video from pics and video footage of Sunny's day out to Manchester.
This is the full video, enjoy :)
Music: Foo Fighters: Breakout
Blink 182 - All the small things
Time-lapse of snow drifting along Fox Lake during sunset hours.
866 frames, X-T2 @ 3sec interval. Combined in Final Cut Pro and slowed to 47%.
That was just a couple inch of late light snow that blew by. The low sun made it nicely visible. This action is going on all winter and the folks living at the end of the lake collect quite a bit of snow in their yards and along the shore.
a colourful and I guess very accurate summing up by Kristel ;-)
this was, in keeping with Gary's shot, to be a full frame 6x6 shot with the Autocord - unfortunately after taking the shot I put the camera in a recently bought leather case and in the process jammed the crank reverse on - resulting in a double exposure - so this is the digi back up taken when I was metering
The best head shaving clip your ever likely to see. *I don't own or reserve any rights to this song, i just rock it.
My Apple Certification certificates. They've been kicking about at home for months so I finally felt it was time to put them up on the wall.
Framegrab from footage shot with the Panasonic GH2 and Sankor 16C anamorphic lens adaptor attached to a Nikkor AF 50/1.8D lens with Vid-Atlantic's VAMP Clamp. Using hacked AVC-Intra 1080p setting 'Mysteron' to desqueeze and upscale 3.55:1 aspect ratio 4K 4096x1152 footage in Final Cut Pro X. Since using a 4K timeline in FCPX, the output can be cropped and scaled to other aspect ratios and resolutions without losing the original 1080p vertical resolution. These are just the first few frames of testing with this lens combo, it's tricky to achieve focus since both lenses has to be focused in unison. This aspect ratio here is the widest, but it can be easily cropped to 2.66:1 or 2.35:1 for more regular cinema crop.
Back in the day (early 2000's) when software came with printed manuals. In the case of FCP 6 + DVD Studio Pro, it was more than 2,000 pages of manuals. Now i have taken them to the recycle center.
Strobist: Profoto B1 500 AirTTL bounced from ceiling, Profoto radio trigger.
Some footage I shot of a friend, Jamie Stoker, at his halls down in Brighton, on his shiny new 5d. I was just messing around with the camera at the time but decided to edit it into a little video.
The lens on at the time was a manual 50mm (can't remember the manufacturer).
Edited in Final Cut Pro with some basic colour correction. I applied smoothcam to some of the footage (which was all handheld). Some of the raw footage however was clearly too shaky for smoothcam and results in artefacting, which appears as a kind of 'buzz.'
Exported using compressor, left at 30fps