View allAll Photos Tagged FinalCutPro
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
This is the edit timeline in FCP for a mashup I did between Kanye West's Stronger and Akira. There were a lot of cuts, so, kinda fun to look at.
Progetto Arcevia 2.0/12
In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.
40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.
Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.
Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.
I have a few of these keyboards which are surplus to requirements. If anyone anyone is interested Flickrmail me.
Progetto Arcevia 2.0/12
In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.
40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.
Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.
Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.
Take your HDSLR skills to the next level. Create and record video/audio that is rich in quality and unique in aesthetics. Attend this class and experience hands-on training in shooting video, lighting a scene, video editing and much more.
- Importing, managing, and exporting footage
- Syncing audio
- First steps in editing like a pro
- Next steps toward your technical and creative growth.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
More and more I'm less impressed with Final Cut Pro's interface. Especially after seeing what Apple's designers have done with Aperture. Final Cut Studio needs a facelift.
during a huge swell that came up quickly at the end of february, the sailing club decided to go outside the harbor and enjoy the wind. most made it out (but had to stay out until the harbor patrol helped them in), but this guy didn't make it and got sucked into the pier.
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
The guy doing the demo edited a brief segment of a music video in real time. Nine separate video tracks were going at once. You simply move your mouse around or use the keyboard to select which track to use. It's all non-destructable, which is very cool. After you've made the edit, you can easily modify the in/out point. Very cool interface.
Finally! Multicam editing in FCP! You can have up to 128 different angles/sources, 16 of which will show in real time for you to make edit decisions on.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Take your HDSLR skills to the next level. Create and record video/audio that is rich in quality and unique in aesthetics. Attend this class and experience hands-on training in shooting video, lighting a scene, video editing and much more.
- Importing, managing, and exporting footage
- Syncing audio
- First steps in editing like a pro
- Next steps toward your technical and creative growth.
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
A few tidbits from the Throttle Rockets versus Grave Danger bout of the Rat City Roller Girls last month: June 18th, 2011.
This is my very first video editing with Final Cut Pro X... I know it has lots of room for improvement. I'll do another (from other footage) tomorrow, which will hopefully be incrementally better. :)
I think I spent maybe an hour or two on this, total. FCPX is definitely a huge improvement over anything I've used in the past, as far as usability goes. I can hardly wait to spend more time with it, and find a project that I'm inspired to really work to perfect. For right now, though, it's all about cranking something out every day.
New-to-me feature of note: Just using the program at all. :)
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Learn color correction using tools within Final Cut Studio. Taught by Jodi Cilley.
- Correction, management, and grading
- Use FCP, color, and third-party plug ins
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Just playing around with shooting miniatures against a bluescreen and then putting in background video.
Background shot in Palm Springs with the Flip MiniHD, foreground shot in my garage using the Canon 7D. Footage combined in Final Cut Pro.
Much yet to learn but I'm having fun.
Note: The "Please Subscribe" a the end was meant for the YouTube version.
PLACES: NYC, USA
While shooting with my Canon DSLR, I discovered its amazing video capability. Hypothetically, if I shoot at 24 frames per second, that means that I can have thousands, perhaps tens of thousands of frames as material for still images from just a few minutes of video, after the visual effects are in place.This body of work is about the places that I visit in NYC, with my camera for photo opportunities.
FINAL CUT PRO 202: Working with Images @ MEDIA ARTS Center San Diego
An essential part of professional video production is using the the technique of zooming, rotating, and panning across still images to give life. Learn how to use the concept of keyframing to animate ordinary images and transform your style of storytelling. Anyone interested in Documentary, educational programming, and slideshows will especially want to take this class. Along with Final Cut Pro, we will be integrating other software like Adobe Photoshop and Apple Motion to prepare and add effects to images.
- Animate photographs with keyframing
- Strengthen your power of storytelling
Students learning how to use Final Cut Pro Studio's Compressor and DVD Studio Pro to export their final projects.
- Understand how compression works
- Use DVD Studio Pro
- Make professional DVD menus
Color Correction: It Does The Video Good
Video is becoming more ubiquitous by the day. As a video guy, I’m all for this. I’ll always prefer a moving image to a static one.
This said, let’s please continue to pay attention to quality. Gone are the early days of YouTube when a video for the sake of having a video was suffice. Now, give the online viewer what they expect: An honest attempt at quality.
Here, I take a note from Steve Jobs. iPods/iPhones/iPads have changed the world with their design as much as their functionality. Jobs’ keynotes are legendary for their theatrical flair. In this, look hard at your video and pay attention to the aesthetic details. They are, after all, the carrier of your message.
The still headlining this image is from a current edit with Boston’s own Herb Chambers — for the record, one of the most impressive people I have ever met. The image on the left is the original; on the right, the color-corrected. I correct my whites first. Then usually crush the blacks a bit to add contrast, focus light on the subject’s cheekbones and add a slight vignette (for interviews.) If ambitious, you can add a slight blur to soften your subject’s skin while retaining sharpness in the edges.
Any questions? Find me on Twitter @josepholesh.