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I got my first roll of film developed! I'm really happy with how it came out!
Check out the full set of my website!
from the first roll of film I shot after I went digital some years ago - Olympus XA2, Fuji X-TRA 400
Ballerina Session, Mexico City...
Model: Paola Martín Del Campo
Natural Light.
Film: Ilford PAN 400
Equipment: Canon AE-1 / 50mm f/1.8
I've always had a fascination with machinery. When I was out looking for some places to take landscape photos, I came across this bulldozer sitting by itself out in the middle of nowhere.
The colors aren't quite right and I'm not sure exactly what happened. I don't know if the light just wasn't the best or if maybe the photo lab's chemicals are getting weak. I took this with Kodak Ektar 100 film and it should have really poppy, saturated colors. But somehow, I do still kind of like the sort of washed-out look. It kind of fits with the look of a heavy, rusted machine out in the middle of nowhere in the sand and brush. It kind of has the Terminaotor Salvation bleach-bypass look to it.
九眼桥, Chengdu
Film: Lomography 200, Scanner: Fuji SP-3000
Developed at 画英雄
Sorry for the missing hands...
La Sardina Belle Starr, 04/2013
first exposure: tamtaram
second exposure: me
This happens, when the Lomography Shop offers two cams for the price of one. ;)
camera : Bronica ETRSi
lens : Zenzanon Eii 75mm f/2.8
film : ILFORD HP5+ 400
dev : D76
scan : Epson V600
I love Futurama, and in order to test out the close in focus of my new Leica CL I paused the video and shot as close as the CL and Jupiter-8 lens could. Looks like it worked.
Camera: Leica CL (#2, no meter)
Lens: Jupiter-8
Film: Arista Professional 400
Developer: D-76 stock, 7.5 minutes at 72° F
---model and interview with : Aï Nakayama---
When it comes to my daily routine, it's makeup. Unless they have sensitive skin, many Japanese women wear it to go to work. I (M) talked about it with Ai Nakayama (A) through old prime lens.
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