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Photos from a Film Noir shoot at the electric cinema, Birmingham organised by David Rann of Fotofilia.
Model Joel Hicks
In Summer 2010, Vancouver Film School offered young actors an opportunity to develop their on-camera acting skills for 5 days in a fun and exciting workshop environment. Under the guidance of VFS Acting for Film & Television instructors, students experienced our one-year program's approach to the craft, from basic acting fundamentals to audition techniques, improvisation, and much more!
Learn about Act Out Loud Summer Camps at VFS at vfs.com/summercamps.
Find out more about VFS's four-month Acting Essentials program at vfs.com/actingessentials.
Star Trails over Cragsmoor.
Unguided photo taken with a Hasselblad 500C/M camera mounted on a tripod with a Carl Zeiss Distagon 40mm f/4 C T* lens at f/5.6 using Fuji Provia 400F film with an exposure of 1 hour started at 1:12 AM on May 17, 2004 in Ellenville, NY.
Camera: Yashica FX-3 + 50mm F1.7
Film: Kodak Proimage 100
Developer: Tetenal C-41
Scanner: Reflecta Proscan 7200
First assistant director K.C. Hodenfield and the director Michael Bay on the set of Transformers in London.
for our daily challenge - that warm fuzzy feeling.
Cameras give me that. This is a camera I borrowed from my Photography teacher. I'm bummed that the lens was dented because the reflection in it was still pretty cool.
Remember disk film? It was available in the early '80s when our kids were born. For this Christmas our daughter asked for digital copies of the family photos which were on disk film and 35mm film. I have a 35mm film scanner but it doesn't handle disk film so I decided to take pictures of the negatives with a digital camera. After trying my various cameras, lenses, closeup attachments and teleconverter the best rig is the Sony A300 with its kit zoom lens set at it's maximum of 70mm. To make it macro capable I used an adaptor ring to attach to it face to face an old Yashica Auto Yashinon-DX F2 50mm lens from a Yashica J-4 35mm SLR which was my dad's camera when I was growing up.
After shooting a 15 exposure disk on a light table with the white balance on the camera set to 2500K the images were opened in Paint Shop Pro X on the desktop computer. The process then was to straighten, crop, invert the colors to make a positive and adjust the white balance.
To get the best image quality the camera was set to aperture priority F8, ISO100, self timer to reduce camera shake while on the tripod, auto expose set to center weighted and auto focus. 12 disks have been processed so far and the cd is on its way to my daughter. I enjoyed the project especially since I got to relive all those precious moments.
Ah Olivia....
Girl, you wear me out sometimes.
I try to give you a lot of freedom,
but you are already beginning to resist.
thinking I am being mean
when I am trying to help
I can already tell
of what the next phase of life is going to be like
and it's not going to be easy
but don't worry
You're worth it.
Last Sunday was Film Photography Day, at least according to the Lomography website, so Andi and I went down to the local Audubon Center to shoot some film. I made this shot with my Canon QL17 and Ilford HP5+ developed in HC-110 and scanned with a CanoScan FS2710. I did the final processing, which consisted of only some slight level adjustments, in Lightroom.
Film in Chinatown no. 40
Stockton x Pacific
Chinatown, San Francisco, CA
Fujifilm GA645
Ilford HP5 plus (roll 1 of 2 exp 16)
Kodak HC110
Epson GTX-770 (V500) scanner
I posted a picture of this from my Kodak point and shoot long ago, I just finally got around to scanning the film. Post processing to bring up the contrast. As I mentioned previously, in person this panel really stands out, but none of the pictures are able to do it justice. And I have no idea of those are rainbows, but arcs (whatever they represent) are just about the most common element in BCS panels.