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Minolta x700, Fuji Professional 400 Film
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
Got hold of expired instant film, never expected it would be so much fun. I just love it.
Linhof Technika III,
Schneider Apo-Symmar 5.6/210,
Fujifilm FP-100C
from before our room-redo. zoe jumping on the bed. She'll miss doing that.
right now, I am freezing cold. David picked the girls up from school a bit early because of slippery roads, bless him. Grocery shopping will wait until tomorrow. tonight it's frozen chicken and roasted asparagus for supper.
Film Photography Podcast – Episode 195 - September 1, 2018
Special guest Phil Steblay from TheDarkroom.com. Topics include Photo Lab Troubleshooting, the Hasselblad Flex Body, Pancake Lenses, and much more!
filmphotographyproject.com/podcast/2018/09/film-photograp...
Photo by Paige K. Davis
This is a 100% comparison of Fujichrome Provia 100F film shot with a Nikon F80 (and scanned on a Nikon Super Coolscan 8000 ED with Vuescan software) and the same view taken with both a digital Nikon D7000 & Fujifilm X10.
Note: Although the caption above says the Fuji X10 was shot in 12MP mode, in reality, once the image is cropped to match the 2:3 aspect ratio, the dimensions change from 3000x4000 to 2664x4000, which is actually 10.7MP. The width however, is the same as 12MP APS-C.
Also, noise reduction with Imagenomic Noiseware Pro was applied in post to the Nikon F80 scan and the Fuji X10 image. The Nikon D7000 image in the middle had no noise so no noise reduction was applied.
Conclusion? For anyone who thinks film is dead, think again. With a good scanner, some tech skills and a $25 '70s era SLR, you can easily get pro results that few could tell the difference from images shot on a $1200 DSLR.
And for those wondering if the Fujifilm X10 can match or exceed film at base ISO; the answer is "yes" in sharpness, color and dynamic range and "always" in convenience and portability.
■ Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
■ S.V.P ne pas utiliser cette photo sur un site web, blog ou tout autre média sans ma permission explicite.
© Tom Freda / All rights reserved - Tous droits réservés
In this BONUS episode The FPP Team chat about the new Cine 8 (Double 8) film-develop-scan bundles offered at The Film Photography Project On-Line Store
filmphotographyproject.com/podcast/2020/08/film-photograp...
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Film: Ilford HP5+ 400
Developer: Ilford DD-X (1:9 ~ 16 min)
Stopper: Ilford Ilfostop Stop Bath
Fixer: Ilford Rapid Fixer
Scanner: Nikon CoolScan 5000 ED
Filter: B+W 022 YELLOW MRC
Nessie. Photographed near to Loch Ness, Scotland.
Canon EOS 55 + EF 28-105mm f/3.5-4.5 USM. Fuji Sensia slide film. You can view this fairly rare camera here www.flickr.com/photos/trevordurrittlrps/49519553733.
Another shot from my latest film role.
No editing at all, I'm in love with how this turned out.
Scout has her puppies tomorrow morning so expect pictures soon!