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That awkward moment when you post photographs of your bras on the Internet...
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Ah, new films " Scharf "??
No! No! ;p
I found them at the stationary shop.
They're pencil sharpeners, you see "FILM SHARPENER" on the bodys.
They're really cute so I bought some, different colors, just for fun!
On the opposite side, it's written like that; " The pen is mightier than the sword." .
Contax S2b + Zeiss 1,4/50
Lomography Color Negative 100
Expired 7/2013
I am loving the colors of this film. I plan on ordering newer stock.
Daphne would be the perfect short-haired brunette for a film noir.
Film noir films (mostly shot in gloomy grays, blacks and whites) showed the dark and inhumane side of human nature with cynicism and doomed love, and they emphasized the brutal, unhealthy, seamy, shadowy, dark and sadistic sides of the human experience. An oppressive atmosphere of menace, pessimism, anxiety, suspicion that anything can go wrong, dingy realism, futility, fatalism, defeat and entrapment were stylized characteristics of film noir. The protagonists in film noir were normally driven by their past or by human weakness to repeat former mistakes.
Film noir was marked by expressionistic lighting, deep-focus camera work, disorienting visual schemes, jarring editing or juxtaposition of elements, skewed camera angles (usually vertical or diagonal rather than horizontal), circling cigarette smoke, existential sensibilities, and unbalanced compositions. Settings were often interiors with low-key lighting, venetian-blinded windows and rooms, and dark, claustrophobic, gloomy appearances. Exteriors were often urban night scenes with deep shadows, wet asphalt, dark alleyways, rain-slicked or mean streets, flashing neon lights, and low key lighting. Story locations were often in murky and dark streets, dimly-lit apartments and hotel rooms of big cities, or abandoned warehouses. [Often-times, war-time scarcities were the reason for the reduced budgets and shadowy, stark sets of B-pictures and film noirs.]
Narratives were frequently complex, maze-like and convoluted, and typically told with foreboding background music, flashbacks (or a series of flashbacks), witty, razor-sharp and acerbic dialogue, and/or reflective and confessional, first-person voice-over narration. Amnesia suffered by the protagonist was a common plot device, as was the downfall of an innocent Everyman who fell victim to temptation or was framed. Revelations regarding the hero were made to explain/justify the hero's own cynical perspective on life. Some of the most prominent directors of film noir included Orson Welles, John Huston, Billy Wilder, Edgar Ulmer, Robert Siodmak, Fritz Lang, Otto Preminger, and Howard Hawks. "
www.filmsite.org/filmnoir.html
I absolutely love dox.media2.org/barista/archives/film noir.jpg' target= pool.
you sure remember i love taking lots of pictures of this type of berries, now it is the season ;) not to overload here, so more on my blog.
Minolta with kodak ektar 100 film.