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I picked up a roll of film from the drugstore yesterday, so I obviously didn't take these today. But I scanned them today, now that I finally know how our scanner works. Hahaha. Also scanned a couple older pictures that I'll upload next week. I know, I know that doesn't technically count, but I don't care. I don't wanna distract myself from doing stuff for school next week, haha, good joke, I'm sure I'll find another way to do so. But I just don't feel like taking pictures at the moment. And I rather upload old ones and cheat, than like, you know take bad pictures. Although I don't really consider it cheating. But okay, I have to go and help my mom peeling potatoes.
See you later, alligator.
Roll110_Image5
Part of my film project
Minolta Dynax 5
Minolta AF 135/2.8
Fuji Superia 200 (Expired 2006)
film. pentax k1000. kodak elite chrome.
at the smile,
bond street, nyc.
my beverage,
anna's beverage.'
smile.
Daphne would be the perfect short-haired brunette for a film noir.
Film noir films (mostly shot in gloomy grays, blacks and whites) showed the dark and inhumane side of human nature with cynicism and doomed love, and they emphasized the brutal, unhealthy, seamy, shadowy, dark and sadistic sides of the human experience. An oppressive atmosphere of menace, pessimism, anxiety, suspicion that anything can go wrong, dingy realism, futility, fatalism, defeat and entrapment were stylized characteristics of film noir. The protagonists in film noir were normally driven by their past or by human weakness to repeat former mistakes.
Film noir was marked by expressionistic lighting, deep-focus camera work, disorienting visual schemes, jarring editing or juxtaposition of elements, skewed camera angles (usually vertical or diagonal rather than horizontal), circling cigarette smoke, existential sensibilities, and unbalanced compositions. Settings were often interiors with low-key lighting, venetian-blinded windows and rooms, and dark, claustrophobic, gloomy appearances. Exteriors were often urban night scenes with deep shadows, wet asphalt, dark alleyways, rain-slicked or mean streets, flashing neon lights, and low key lighting. Story locations were often in murky and dark streets, dimly-lit apartments and hotel rooms of big cities, or abandoned warehouses. [Often-times, war-time scarcities were the reason for the reduced budgets and shadowy, stark sets of B-pictures and film noirs.]
Narratives were frequently complex, maze-like and convoluted, and typically told with foreboding background music, flashbacks (or a series of flashbacks), witty, razor-sharp and acerbic dialogue, and/or reflective and confessional, first-person voice-over narration. Amnesia suffered by the protagonist was a common plot device, as was the downfall of an innocent Everyman who fell victim to temptation or was framed. Revelations regarding the hero were made to explain/justify the hero's own cynical perspective on life. Some of the most prominent directors of film noir included Orson Welles, John Huston, Billy Wilder, Edgar Ulmer, Robert Siodmak, Fritz Lang, Otto Preminger, and Howard Hawks. "
www.filmsite.org/filmnoir.html
I absolutely love dox.media2.org/barista/archives/film noir.jpg' target= pool.