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Photo by: Captain Samantha Parrell, Unit Public Affairs Representative

View On Black

 

At an rat themed art-show that took place under a manhole in the middle of a street in Brooklyn, in which my sister's boyfriend's art was also displayed.

Narisa O.

 

This was my first attempt at homemade enchiladas...

 

Filling

Ingredients:

3-4 (medium-size) chicken breasts boiled and shredded

1 1/2 cup chopped yellow/white onion

1/2 cup chopped red onion

1 small can of diced black olives

1/4 cup chopped cilantro

1 10 oz.-can of cream of chicken soup

1/2 cup of chopped green chiles (fresh is best but canned will do)

1/2 cup sour cream

2-3 cups of shredded Mexican cheeses

1-2 tbsp of garlic powder (to taste)

Salt and pepper to taste

 

Instructions:

Boil chicken breasts until done. Shred the chicken but pour the broth (2 cups) into a bowl and set aside for now. Put the shredded chicken back into the pan and mix in the cream of chicken soup, sour cream, yellow/white onion, one cup of the cheese, and garlic powder, salt and pepper to taste, heat but don’t boil.

 

Sour Cream Sauce

 

Ingredients:

1/2 stick of butter

1/4 cup of chopped green chilies

1/4 cup of flour

1 cup sour cream

Salt to taste

Instructions

In a sauce pan, melt butter, blend in flour, add chicken broth, and cook until mixture thickens and bubbles. Stir in sour cream and green chilies and salt to taste. Heat on low. DO NOT BOIL.

 

The rest

You can fry the tortillas in the traditional method, but they add a heaviness that I’d prefer to avoid for a number of obvious reasons. So I found another method that’s a light lighter: Spray both sides of each tortilla with a non-stick cooking spray then wrap them in a paper towel and place in the microwave and cook on high for 60 seconds.

 

Once tortillas are ready, spoon filling into each tortilla, roll and place them in a baking pan(s). Sprinkle a light layer of cheese over the tortillas then pour the sour cream sauce over top and bake at 425 degrees for 20 to 25 minutes. Serve piping hot.

 

Makes about 12-15 enchiladas.

Nian gao slices sandwiched between slices of sweet potato, coated with batter, and fried.

 

Observe the nian gao!

Exploit the poor and call it art.

Ligne 3B - Arrêt : La Rochelle - Belvédère

Exploitant : Transdev Express Sud Ouest

Réseau Région Nouvelle-Aquitaine

Exploited @ Ópera 1 Curitiba 2009

Sony Ericsson k850i Ciber-Shot

Ligne 3

Exploitant : SEMITAN

Réseau TAN - Nantes

The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Reginald Saunders /NCMEC

HMS Exploit, Portsmouth 16/08/17

Live @Man's ruin, cacilhas, 13.11.2008

I'm not very used to SD size( I'll try to sew more in this size).

in 2013 I've had this super cute sd10 girl as guest at my home...and I've made her a lttle mori ensemble.

SHARE Lab

Exploitation Forensics

 

Aksioma Project Space

Komenskega 18, Ljubljana

 

29 November - 15 December 2017

 

Production: Aksioma - Institute for Contemporary Art, Ljubljana, 2017

 

Photo: Janez Janša

 

MORE: aksioma.org/exploitation.forensics

Live @Man's ruin, cacilhas, 13.11.2008

Charla el 9 de febrero, dada por diego, donde hablara sobre metasploit, milw0rm, y shells remotas

Transport de poussins vivants. 4 mars 2008, Transports Florkzak a Gimont, Gers. Messagerie generale et express pour le compte de France Express, Graveleau, Sernam, Mory, etc.

Live @Man's ruin, cacilhas, 13.11.2008

The inner truths of America using energy to exploit the human race. 3 of 5 shorts compiled for an exhibition examining the in's & out's of social equity using all found footage.

Music By : Ricci Rucker // Yurp

skysfallingartkult@gmail.com

THE STOPDOWN // f-22.tumblr.com

thesoftspot.org

  

Watch this video on Vimeo. Video created by Josh Couto aka F/22.

The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Reginald Saunders /NCMEC

Live @Man's ruin, cacilhas, 13.11.2008

Exploitant : VFD

Réseau Région AURA

"Le contrôle budgétaire", du 25 au 26 juillet 2017 à l'ARRUPE Faravohitra

Le contrôle budgétaire est un outil du contrôle de gestion très utilisé par les entreprises. Il assure de multiples fonctions. Il se réalise par l’exploitation du budget dans le but de planifier et contrôler les performances des managers et plus globalement de l’entreprise.

 

"Le contenu de la formation est très intéressant, et coïncide bien à la période de clôture, cela nous permet d’éclaircir les zones d’ombre sur le montage d’état financier"

Madame MAMIARIVELO Sarah, Directeur Administratif et Financier, VALUE DATA SERVICES au séminaire de formation « Montage des états financiers : les règles d’or » du 17 février 2017

  

Ainsi, cette formation vous indique les démarches à suivre pour établir la comptabilité qui consiste à suivre les projections et l’utilisation du budget. Aussi, elle permet de mettre en œuvre des procédures optimisées afin de trouver les erreurs et créer des réajustements en fonction.

 

"La formation est intéressante surtout pour les comptables et les aides comptables"

Madame RAKOTOMAHANDRY Eva, Chef comptable, SMARTONE au séminaire de formation « Montage des états financiers : les règles d’or » du 17 février 2017

  

Objectifs

- Maîtriser les principes du contrôle budgétaire,

- Fournir des outils de base pour réaliser un contrôle budgétaire,

- Apprécier les différents écarts pour mener des actions correctives nécessaires.

  

Public visé

 

Les dirigeants d’entreprise, les responsables financiers, les Chefs comptables et Chefs de groupe, les comptables, les employés du service comptabilité.

 

Durée et lieu

 

Deux jours : 25 au 26 juillet 2017 à l’ARRUPE Faravohitra

 

Horaire

 

8h30 - 12h30/ 13h30 - 16h30 (7h/ jour)

Intervenante :

 

Nivomboahangy RATEFINJATOVO

Coach formateur

Titulaire d’un Diplôme d’Etude Approfondie en Sciences de Gestion (DEA) de l’INSCAE

Expert Comptable et financier en exercice avec 17 années d'expérience dans les domaines comptable, finance et audit

 

Nos offres de séminaires de formation sont assurées par des formateurs professionnels, qui ont à la fois une solide connaissance théorique en la matière, au minimum un master professionnel/ recherche d'un(e) institut/ université international(e) et/ ou reconnu(e) ET des expériences probantes d'au moins 10 ans, dans le domaine financier. Nos intervenants reçoivent des formations de formateurs (ingénierie de formation) avant d'exercer. Ces intervenants, spécialistes de leurs domaines respectifs permettent une meilleure expérience de développement de compétences à nos clients.

 

Droits d’inscription

375.000 Ar (Trois cent soixante quinze mille Ariary) - La formation, les supports, les pauses-café et les déjeuners et le certificat sont inclus.

Le nombre de participants est limité à 20 personnes

 

Références #kitfinancier

A titre d'information, liste non exhaustive :

ACPU- ALLIANZ MADAGASCAR ASSURANCES- ASSOCIATION CEFFEL- AVIATION CIVILE DE MADAGASCAR- CROWN SMEN- GREAT ISLANDS FANTASTIC TRAVEL – FLORAMAD- GSDM- KENTIA-DOMICILATION sarl- KENTIA-FORMATION sarl- KENTIA-HOLDING- NR CONSULTING- PRONOBIS MARIUS MARC- NR CONSULT- ONG SAHA- RATSIMBALISON TOKIMALALA - SMARTELIA- SMARTONE - TNE- VALUE-DATA SERVICES - VETCLINIC 24H- VITOGAZ- VIVO ENERGY S.A …

  

"Montage des états financiers: Les règles d'or", du 17 février 2017 à l'ARRUPE Faravohitra

  

Programme

  

1. Historique du contrôle budgétaire

1.1. Définition

1.2. Place par rapport au contrôle de gestion

2. Utilités du contrôle budgétaire

2.1. Instrument d’optimisation du fonctionnement de l’entreprise

2.2. Outil de légitimation

2.3. Instrument de domination

2.4. Instrument disciplinaire

3. Fonctions du contrôle budgétaire

3.1. Planification

3.2. Motivation

3.3. Evaluation

3.4. Coordination

3.5. Education

4. Critiques et limites du contrôle budgétaire

4.1. Outil peu fiable

4.2. Non intégration de tous les facteurs de performance

4.3. Incapacité à gérer la création de valeur

4.4. Source de démotivation

4.5. Fonctions incompatibles

5. Outils du contrôle budgétaire

5.1. Présentation générale du contrôle budgétaire

5.2. Schéma d’ensemble du contrôle budgétaire

5.3. Les écarts

6. Cas pratiques

 

The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Reginald Saunders /NCMEC

Resnick, Mike EXPLOITS, Wildside, 2/93, one of 326 SIGNED copies, (Chronicles of Lucifer Jones #2: 1926-1931)

Live @Man's ruin, cacilhas, 13.11.2008

We met Wattie and friends in Orel. It was spring 2009. After that we drink and smoke together for many times. Glad to present you some footage from the concert in local russian city.

Also you can watch an interview with frontmen of The Exploited Wattie Buchan!

All of staff here - live-blog.tv

Exploitation de l'or dans le nid du fleuve Niger à Kalaban Coro, derrière Moffou, au niveau des vendeurs de sable.

 

Selon nos sources, l'exploitation est effectuée par la société BMK. Nous n'avons pas pu savoir la signification des initiales.

Spätzle is apparently some sort of German homemade pasta thing. I discovered it some time back when I was having dinner over at the place of a few German course-mates. Far as I'm concerned, 'tis pretty much like mee hoon kueh (面粉馃), only with egg instead of water and served dry instead of wet.

SHARE Lab

Exploitation Forensics

 

Aksioma Project Space

Komenskega 18, Ljubljana

 

29 November - 15 December 2017

 

Production: Aksioma - Institute for Contemporary Art, Ljubljana, 2017

 

Photo: Janez Janša

 

MORE: aksioma.org/exploitation.forensics

The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Reginald Saunders /NCMEC

The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.

Author: Andreas Nierhaus, Curator of Architecture/Wien Museum

Last updated January 2014

Architecture in Vienna

Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.

Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.

Culmination of medieval architecture: the Stephansdom

The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.

The baroque residence

Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.

Upgrading into metropolis: the ring road time (Ringstraßenzeit)

Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.

Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.

Laboratory of modernity: Vienna around 1900

Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made ​​the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.

With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).

Between the Wars: International Modern Age and social housing

After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.

Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.

Expulsion, war and reconstruction

After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made ​​of solid reinforced concrete which today are present as memorials in the cityscape.

The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).

The youngsters come

Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) ​​by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.

MuseumQuarter and Gasometer

Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.

The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.

New Neighborhood

In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of ​​the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.

In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).

Flying high

International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.

Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.

Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.

Live @Man's ruin, cacilhas, 13.11.2008

Nadine Dorries, the Secretary of State for Digital, Culture, Media and Sport visited the National Center for Missing and Exploited Children on 10 December, 2021.

Live @Man's ruin, cacilhas, 13.11.2008

Bakerloo line - Arrêt : Harlesden

Exploitant : Transport for London

Réseau TfL - Londres (Royaume-Uni)

21 mai 2016 : Rugby : au bout de l’effort, les Lilloises deviennent championnes de France !

Les joueuses du LMRCV ont réussi un authentique exploit en finale du championnat de France (18-7). Menées au score en milieu de deuxième période, elles sont allées chercher l’essai salvateur, celui qui a fait basculer la finale de leur côté. Les Nordistes sont championnes de France. Et la fête ne fait que commencer...

 

En finale du championnat de France pour la troisième fois en quatre ans, les « putain de nanas » du LMRCV veulent renverser Montpellier, champion en titre, ce samedi soir à Massy. Les Villeneuvoises ne partent pas favorites. Mais le LMRCV est devenu plus qu’un club… Cinq raisons d’y croire.

Parce que l’équipe a appris. Comme on se retrouve… C’est la troisième fois que le LMRCV retrouve Montpellier, le géant du rugby féminin, en finale du championnat. Les Villeneuvoises se sont inclinées deux fois : en 2013 d’un rien (15-12) ; l’an dernier nettement (17-3), en restant spectatrices. Pas question de reproduire la même erreur : les Nordistes seront ce soir à l’offensive, dans le volume, l’intensité. Cette saison, Montpellier s’est imposé 34-15 chez lui en phase régulière quand le LMRCV a loupé la victoire à la maison (12-12). « C’est donc à notre tour de gagner », clament les sœurs Ménager.

Parce que l’équipe monte en puissance. Montpellier a beau présenter la grosse ossature du XV de France autour de la capitaine Gaëlle Mignot, la formidable impression des demi-finales est venue de Villeneuve-d’Ascq, où le LMRCV a renversé Blagnac-Saint-Orens (34-10) au match retour. Un match d’accomplissement, avec le bon rythme, un rugby complet, libéré, une équipe qui avance et ne s’arrête jamais. C’est forcément revenu aux oreilles des Montpelliéraines.

Parce que les « putain de nanas ».

Autoproclamées les « putain de nanas » grâce aux mots de leurs coaches qu’elles épatent comme au premier jour, les Villeneuvoises ont offert une âme à leur équipe capable de repousser ses limites. Le problème (pour l’adversaire), c’est qu’on ne les connaît pas ces limites.

Parce qu’elles ont faim. Déjà deux échecs en finale, ça suffit. La bande de copines-compétitrices veut un titre, un trophée, une ligne au palmarès.

Parce que Alice. Et puis, il y a Alice Dallery, tombée cet automne, grièvement blessée. Et depuis formidable de courage et de vie. Ses copines ont dit qu’elles se battaient pour elle, qui ne descend plus sur le terrain mais crie plus fort qu’une tribune entière. Alors ce soir, le LMRCV jouera à seize. Et l’arbitre n’y verra que du feu.

 

Le Lille Métropole Rugby Club Villeneuvois est un club de rugby à XV de Villeneuve-d'Ascq dont l'équipe sénior féminine participe au Championnat de France de rugby à XV féminin.

Issu du Rugby Club Villeneuve d'Ascq, dont l'équipe féminine a vu le jour le 11 novembre 1993, le club a été rebaptisé en 2000 lors de la création du Lille Métropole Rugby Club. L'équipe féminine évolue en première division depuis 1999 et en élite depuis sa victoire au Challenge Armelle Auclair en 2006.

Finaliste du Top8 pour la saison 2014/2015.

Championnes de France pour la saison 2015/2016

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