View allAll Photos Tagged Exploit
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***** Selected for sale in the GETTY IMAGES COLLECTION on April 11th 2015
CREATIVE RF gty.im/547669387 MOMENT OPEN COLLECTION**
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Photograph taken at an altitude of Seven metres, prior to the magic prior to the Golden hour around sunrise at 05:09am, (sunrise was at precisely 06.15am) on Saturday 6th September 2014 off the Patricia Bay Highway 17, on Lochside Drive close to Frost Avenue and the Lochside Waterfront Park, in beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada.
Here, I am standing beside the wooden decked viewing platform, looking over from beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada.
The Great Blue Heron (Ardea Herodias) is a wading bird in the Heron family Ardeidae and found in North America, Central Ameria, the Caribean and Galapagos Islands. One of the largest of Herons, it has a head to tail length of 01-137 centimtres (36-54 inches) and a wingspan of 187-201 centimtres (66-79 inches). They are found where my family live, and naturally very wary of mankind, flying off as soon as you are within fifty to one hundred yards of them.
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Nikon D800 200mm 1/15s f/2.8 iso100 RAW (14 bit) Manual focus. Manual exposure. Matrix metering. Auto white balance.
Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 48d 38m 16.26s
LONGITUDE: W 123d 24m 12.34s
ALTITUDE: 7.0m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 12.75MB
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PROCESSING POWER:
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon VIEWNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
Exploitant : Cars Lacroix
Réseau : ValParisis
Ligne : 30-05
Lieu : MJC (Sartrouville, F-78)
Lien TC Infos : tc-infos.fr/id/30655
My old 1984 Alembic Series II "Exploiter" bass. The bridge and tailpiece. Note the brass block that the bridge is mounted on.
I had this bass built in the summer of 1984. The only options (besides the walnut/maple/purple heart construction) were graphite rods in the neck and a neck shaped like a Rickenbacker 4001 that I'd been very comfortable playing. This is still the most musical bass I've ever owned, but it also weighs so much that it's seen relatively little use.
Sometimes you have to look past all the car show vehicles to see beauty.
For additional information, visit my web site at:
These photos are copyrighted and owned by TeeMack Photography. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from TeeMack photography is prohibited and protected by U.S. Copyright Laws. All rights reserved.
Dr. Charlatans Kwalycke Zaken 27/01/2025 13h12
Some special souvernirs and gifts on display here. For sale in the shop Dr. Charlatans Kwalycke Zaken. From Elixer to make anise liqueur to moonlight mixture.
Dr. Charlatans Kwalycke Zaken
A detailed shot in the souvenir shop Dr. Charlatans Kwalycke Zaken located in the abbey of the attraction Danse Macabre. We know the hand from which the chandelier dangles precariously from Spookslot (1978 - 2022). Now part of a display in the middle of the store. In short, an elaborately decorated souvenir shop full of dark props and nods to Spookslot (the Haunted Castle).
There are no general Efteling products available: the entire range is tailored to Danse Macabre.
In the background, a specially composed soundtrack by René Merkelbach plays. You can pay at a regular checkout or a self-service checkout. According to the story, the store is run by Virginie and Otto Charlatan: con artists who gratefully exploit the public's fears by selling them all kinds of remedies.
[ Looopings 10/2024 ]
Two days after sister ships HMS Trumpeter and HMS Puncher went up to Manchester, two more, HMS Ranger and HMS Exploit, viewed at Irlam Lock on their way to Manchester
Entre BERRY, TOURAINE et SOLOGNE, notre exploitation familiale produit et propose à la vente plus de 6 variétés de fromages de chèvre, aux affinages goûteux et variés. Notre production s'organise dans le respect d'une agriculture durable et la conservation des méthodes traditionnelles de fabrication. Nous cultivons et récoltons nos foins et céréales, qui sont utilisés pour alimenter notre troupeau.
Nous vous attendons sur nos marchés parisiens, trois jours par semaine.
:: La Ferme de la Prairie, S.C.E.A. ::
Polyculture-élevage caprin et porcin, transformation fromagère et bouchère, vente directe
A.O.P. "Valençay" & "Selles-sur-Cher"
Siège social : La Jarrerie, CHABRIS (F-36 210) - Tél. / Fax : +33 (0)2.54.40.15.50
Mél : contact@lafermedelaprairie.fr
FaceBook : www.lafermedelaprairie.fr/facebook
Public reenactment of a speech given by Coretta Scott King at a peace march in Central Park on April 27, 1968, three weeks after her husband, Dr. Martin Luther King, Jr., was assassinated. In this speech, which was based on notes found in the late Dr. King's pockets, King addresses the war in Vietnam, domestic poverty, and the power of women to effect social change. Gina Brown, a New York-based actor and former welfare mother, delivered the speech on location in Central Park on September 16, 2006.
Quotes:
"It is very clear that our policy at home is to try to solve social problems through military means, just as we have done abroad. The interrelatedness of domestic and foreign affairs is no longer questioned. The bombs we drop on the people of Vietnam continue to explode at home with all of their devastating potential."
"There is no reason why a nation as rich as ours should be blighted by poverty, disease and illiteracy. It is plain that we don’t care about our poor people, except to exploit them as cheap labor and victimize them through excessive rents and consumer prices."
FORT ROYAL - 1979-2003
Cie Générale Maritimes C.G.M.
Navires conçus pour être exploités sur la ligne des Antilles en remplacement des anciens navires polythermes de la Compagnie Générale Transatlantique. Les commandes de ces navires ont été confirmées aux Chantiers de France Dunkerque. Le FORT ROYAL est le premier des deux PCRP.
1978 le 20 avril : mise sur cale
1978 le 2 décembre : Lancement
1979 du 5 au 9 juin : Essais en mer.
1979 le 15 juin : Navire recetté et pris en charge.
CARACTÉRISTIQUES :
Navire à long gaillard avant s'étendant au-dessus des cales 1 et 2. Ils possèdent une double coque qui s'étend de chaque bord, du peak avant et s'élevant du double fond au pont supérieur. La partie supérieure de chacune de ses doubles coques constitue une galerie technique.
Toutes les cales sont équipées de glissières à conteneurs. Le nombre total de conteneurs en cales est de 616 EVP (cales 1 à 6 contiennent chacune 2 travées pour conteneurs 20 pieds. Les cales 7 à 9 une travée pour conteneurs 40 pieds) Tous les conteneurs peuvent être réfrigérés à partir de gaines de réfrigération)
Longueur hors-tout : 210 m Overall lengh
Longueur entre perpendiculaires : 198 m Lengh between perpendiculars
Longueur pour la classification : 198,630 m Classification length
Largeur hors membres : 32,20 m Moulded width
Creux sur quille au pont supérieur : 18,800 m Moulded depth
Tirant d'eau au franc-bord d'été : 11,020 m Draft at summer waterline
Port en lourd correspondant : 20.508 tonnes Correponding deadwight capacity
Tirant d'eau d'exploitation : 9 m Operaying draft
Vitesse au tirant d'eau d'exploitation : 22,27 noeuds Speed at operating draft
Puissance correspondante : 30.600 cv Corresponding power
Vitesse maxi aux essais sur ballast à 36.000 cv 23,90 noeuds Max speed during tests on ballast at 36,000 h.p.
Rayon d'action : 9.500 milles Range
Jauge brute internationale : 32.184 tonneaux GRT
Jauge nette internationale : 16.238 tonneaux NRT
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PROPULSION :
2 appareils propulsifs entièrement indépendants entrainant deux hélices monoblocs 4 pales Diamètre 6 m
2 moteurs semi-rapides de marque STEM PIELSTICK type 12 PC4 V 570 – 4 temps simple effet réversibles, suralimentés.
Puissance maximale continue par moteur : 18.000 cv
Puissance en service par moteur : 15.300 cv
Vitesse maximale de rotation des moteurs : 400 t/mn
Vitesse de rotation des lignes d'arbres : 122 t/mn
Moteur alimentés en F.O. lourd viscosité 3.500 s/Redwood
Transmission puissance du moteur à la ligne d'arbre par amortisseur de vibration (Damper), et par un G.F.L. destiné à diminuer les efforts en cas de délignage.
Réducteur épicycloïdal à trois satellites MPU70W avec butée incorporée.
Frein à air comprimé de type UNICUM 60 VC 1600
Afin de permettre la marche sur une ligne d'arbre à faible allure, une butée auxiliaire et un tourteau d'accouplement avec un frein manuel.
Production de vapeur par 2 chaudières de récupération 7 bars et 3,5 tonnes de production
1 chaudière de mouillage à 7 bars et 5 tonnes de production
6 diesels alternateurs de 1420 kW - Alternateurs 1.420 kW 440 volts 60 Hz triphasé
Marque AUT du Bureau Veritas
PRODUCTION FROID :
Descente et maintien en froid commandé à la COGER pour 138 conteneurs de 40 pieds et 616 de 20 pieds isolés thermiquement Produits congelés à -25°c – Produits réfrigérés -2° et + 8° Bananes à +12°c
126 gaines associées aux piles de conteneurs alimentent et reprennent l'air de chaque conteneur.
Ventilateurs assurant un taux de brassage de l'air de 80 en grande vitesse (bananes)
Dans un local dédié à la réfrigération des conteneurs:
5 groupes de refroidissement de saumure fonctionnant au fréon R22.
Puissance moteur 750kW 1800 t/mn – 1.750.000 fg/h
5 condenseurs refroidis à l'eau de mer.
5 évaporateurs de saumure.
5 pompes de saumure de chacune 400 m3/heure
5 pompes eau de mer de chacune 272 m3/h
126 régulateurs de température d'air de soufflage avec précision à+ ou – 0,1°c (précision pour transport des bananes)
ITINÉRAIRE:
Le Havre – Montoir- Le Verdon – Fort de France – Le Havre Rotation complète Le Havre – Le Havre 27 à 30 jours
PHOTOS: JOEL C.FILDES
Contact presents
CRYSTAL KISSES
By Avaes Mohammed and Sabrina Mahfouz
Directed by Benji Reid.
‘..in a world where bad things happen – and they do. They always happen to me...’
Toyah — young, vulnerable and in care — protects herself with her spitfire tongue, but her world is rapidly crumbling; Ally is the ‘golden girl’ but behind a perfect façade lies a mess of confusion, sex and loss; young runaway Jay, meanwhile, has finally found the care he craves in the arms of a stranger — but what price will he have to pay?
Stirring movement, music and words combine to confront the difficult and complex realities surrounding child sexual exploitation, exploring the subject with sensitivity, empathy and insight.
Suitable for ages 14+. Contains strong language and mature themes.
Tue 12 October, 7:30pm, £5 Preview
Wed 13 to Sat 16 October, 7:30pm.
Plus Wed 13 & Thu 14, 1:30pm. Tickets: £8/5
(BSL interpreted performance Thu 14 Oct, 7:30pm)
Booking: 0161 274 0600 / www.contact-theatre.org
Contact, Oxford Road, Manchester M15 6JA
Presented in association with:
Partners:
Contact, Barnardos NW, Protect, GMP, Manchester Children’s Services, Brook, NHS FRESH.
Funded by Lankelly Chase, Greater Manchester Sexual Health Network, and Awards for All.
My old 1984 Alembic Series II "Exploiter" bass. The neck/headstock joint and of course the height-adjustable nut can be seen in profile.
I had this bass built in the summer of 1984. The only options (besides the walnut/maple/purple heart construction) were graphite rods in the neck and a neck shaped like a Rickenbacker 4001 that I'd been very comfortable playing. This is still the most musical bass I've ever owned, but it also weighs so much that it's seen relatively little use.
PHOTOS: JOEL C.FILDES
Contact presents
CRYSTAL KISSES
By Avaes Mohammed and Sabrina Mahfouz
Directed by Benji Reid.
‘..in a world where bad things happen – and they do. They always happen to me...’
Toyah — young, vulnerable and in care — protects herself with her spitfire tongue, but her world is rapidly crumbling; Ally is the ‘golden girl’ but behind a perfect façade lies a mess of confusion, sex and loss; young runaway Jay, meanwhile, has finally found the care he craves in the arms of a stranger — but what price will he have to pay?
Stirring movement, music and words combine to confront the difficult and complex realities surrounding child sexual exploitation, exploring the subject with sensitivity, empathy and insight.
Suitable for ages 14+. Contains strong language and mature themes.
Tue 12 October, 7:30pm, £5 Preview
Wed 13 to Sat 16 October, 7:30pm.
Plus Wed 13 & Thu 14, 1:30pm. Tickets: £8/5
(BSL interpreted performance Thu 14 Oct, 7:30pm)
Booking: 0161 274 0600 / www.contact-theatre.org
Contact, Oxford Road, Manchester M15 6JA
Presented in association with:
Partners:
Contact, Barnardos NW, Protect, GMP, Manchester Children’s Services, Brook, NHS FRESH.
Funded by Lankelly Chase, Greater Manchester Sexual Health Network, and Awards for All.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 1
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/19449
Butternut trees (Juglans cinerea) have very unique leaf scars, the location where last summer's leaf was attached to the tree's twigs. It looks to me like a monkey's face with hairy tan eye brows. This year's bud is just above the 'eye brows' of the monkey.
Butternut grows best on deep, rich, limestone based soils like we have in a few spots here at Distant Hill Gardens. However, this native tree is becoming quite rare due to the Butternut Canker fungus (Sirococcus clavigignenti-juglandacearum). It can infect and kill healthy trees of any age and size.
The species is not listed as threatened federally in the US, but is listed as "Special Concern" in Kentucky, "Exploitably Vulnerable" in New York State, and "Threatened" in Tennessee. Canada placed the butternut on their endangered species list in 2005.
Entre BERRY, TOURAINE et SOLOGNE, notre exploitation familiale produit et propose à la vente plus de 6 variétés de fromages de chèvre, aux affinages goûteux et variés. Notre production s'organise dans le respect d'une agriculture durable et la conservation des méthodes traditionnelles de fabrication. Nous cultivons et récoltons nos foins et céréales, qui sont utilisés pour alimenter notre troupeau.
Nous vous attendons sur nos marchés parisiens, trois jours par semaine.
:: La Ferme de la Prairie, S.C.E.A. ::
Polyculture-élevage caprin et porcin, transformation fromagère et bouchère, vente directe
A.O.P. "Valençay" & "Selles-sur-Cher"
Siège social : La Jarrerie, CHABRIS (F-36 210) - Tél. / Fax : +33 (0)2.54.40.15.50
Mél : contact@lafermedelaprairie.fr
FaceBook : www.lafermedelaprairie.fr/facebook
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 2
Lieu : Pyrénées (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/vehicule/53419
_MX11650e
All Rights Reserved © 2021 Frederick Roll
Please do not use this image without prior permission
WASHINGTON, DC: National Center for Missing & Exploited (NCMEC) 2022 Hope Gala, Oct. 20, 2022
The National Center for Missing & Exploited Children’s (NCMEC) Hope Gala held on Oct. 20, 2022 at the District Pier at The Wharf, Washington, D.C. The event is a celebration of the inspiring work being done globally to protect children. We recognized leaders in child safety, honor survivors, and remember the families and victims who are still seeking justice and safety. Sarah Baker/NCMEC
Entre BERRY, TOURAINE et SOLOGNE, notre exploitation familiale produit et propose à la vente plus de 6 variétés de fromages de chèvre, aux affinages goûteux et variés. Notre production s'organise dans le respect d'une agriculture durable et la conservation des méthodes traditionnelles de fabrication. Nous cultivons et récoltons nos foins et céréales, qui sont utilisés pour alimenter notre troupeau.
Nous vous attendons sur nos marchés parisiens, trois jours par semaine.
:: La Ferme de la Prairie, S.C.E.A. ::
Polyculture-élevage caprin et porcin, transformation fromagère et bouchère, vente directe
A.O.P. "Valençay" & "Selles-sur-Cher"
Siège social : La Jarrerie, CHABRIS (F-36 210) - Tél. / Fax : +33 (0)2.54.40.15.50
Mél : contact@lafermedelaprairie.fr
FaceBook : www.lafermedelaprairie.fr/facebook
Animation de la table ronde sur "L’état de l’opinion publique face à l’extension de la durée d’exploitation"
These photos are copyrighted and owned by TeeMack Photography. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from TeeMack photography is prohibited. All rights reserved.
This vehicle or vehicles were on display at the 15th Annual Midwest All Truck Nationals in Riverside, Mo. Sept. 5-7, 2014.
For additional information, visit my web site at:
This photo is copyrighted and owned by TeeMack Photography. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from TeeMack photography is prohibited. All rights reserved.
"Happy eggs": Helping non-vegans feel better about exploiting animals.
The males aren't happy to be killed at the hatchery.
The females are not happy to be enslaved.
They are not happy to be confined.
They are not happy to have their eggs taken from them.
They are not happy to be killed when production declines.
They are not happy to serve you.
Behind the Myth: Cage-Free Eggs
www.humanemyth.org/cagefree.htm
The "Free-Range" Myth
www.peacefulprairie.org/freerange1.html
Go Vegan!
MSIE allows some "cross site scripting" (XSS) which is normally unallowed remote code execution.
Here is a screenshot of my Profile page as viewed in MSIE before the admins fixed this issue (only worked in MSIE, maybe Opera, but not Firefox)
This was done by embedding another style sheet, "hidden" in an image
tag. The external stylesheet used only text and div styles with no use
of image except for the Flickr logo. Ok, it's rather ugly, but I was more on the "proof of concept" than on a design contest :)
I've explained the whole trick on my blog : Cross Site Scripting, Skinning Flickr with MSIE
Protests against Nordkalk's exploitation of Ojanreskogen in Gotland. The man is on his way to the Stockholm Water Prize celebration. They are not protesting against him!
"The Stockholm Water Prize is the world's most prestigious prize for outstanding achievements in water-related activities. It honours individuals, institutions or organisations whose work contributes broadly to the conservation and protection of water resources and to improved health of the planet's inhabitants and ecosystems. Indeed, any water related activity is eligible because the award’s purpose is to recognise the most extraordinary body of accomplishments with great potential or proven impact."
The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Reginald Saunders /NCMEC
Turning the tables on and protesting against the use of animals in cosmetic experiments...
Dr.Katz, has placed Shelly in a metal vice, her face and torso is scarred by burns from the chemicals housed in the cannisters on the right.
An electrode has been placed in her brain and can be seen on the outside of her head.
Blood from countless experiments seeps through the cracks in the paintwork.
Dr. Katz's work is observed by a rat, ladybird and a spider-cow.
A human skull lies discarded in the left corner of the room, it glows in the dark due to the radiation, it was subjected to when once a living being.
The work is housed in an MDF box.
The vice is made out of a rescued piece of metal and ceramic work, thrown away by one of my college classmates.
The ladybird and spider-cow (possibily a cake-decoration) were found in the street!
The ceramic cat I used for this piece, was found in the garden of an empty house, and as it had childhood memories for me, was quickly pocketed, taken home, cleaned up and kept safe until I could think of something to use it for.
The ceramic cat, was once part of a kitsch glass bowl ornament, (My Great-Uncle had one of these, which as a child I loved; the bowl was red and had a little ceramic mouse inside, which looked up at 2 ceramic cats, which were perched on either side of the exterior of the bowl -looking in at it.)
Sandford Quarry
This quarry occupies a prominent site at the western end of the pronounced limestone ridge running eastwards to Burrington and beyond and is also located midway between Sandford and Winscombe villages. Like Callow Hill and Batts Coombe, it exploited the very pure Burrington Oolite.
Commercial quarrying began on Sandford Hill in the mid 19th century, and was given a particular boost when the branch line to the mainline at Yatton reached here in 1869. Sandford stone was reputed to have been used in the construction of Avonmouth Docks opened in 1877 and in the expansion of Temple Meads Station, Bristol, in the same period (although the main walling stone was from Draycott near Cheddar). However, even in 1885, the quarry appears to have had no direct rail connection to the branch line, only 300m away. At least two banks of lime kilns were then located here. Although those along Quarry Lane are the most evident, they were only some of many in the parish. By 1895, Alfred Weeks was running Sandford Hill Quarry with five men.
In 1910, the Winscombe Stone and Lime Co. Ltd. was registered as a private company with a capital of £2 000 to carry on the quarry businesses of A G Weeks at Winscombe and Sandford Hill quarries as 'quarry master', stone and lime merchant haulier. By 1920 the company had been reformed as Sandford and Conygar Quarries Co., taking in Conygar sandstone quarry near Portishead.
In 1922 there was a debate over the boundary between this quarry holding and that known as the 'Award land', owned by the ecclesiastical parish, where from 1798, parishioners had a right to obtain stone to meet their duty to repair local roads. The matter was resolved by the company agreeing to pay £8 a year for the privilege of working the site. A steam driven processing plant was introduced.
Soon after it became one of the first Somerset quarries to be absorbed by Roads Reconstruction Ltd. During World War II, Italian prisoners of war worked in the quarries and kilns with local men, with production rising to 50 000 tonnes in 1951. By the time the rail link closed in 1964, the working area had extended eastward creating 'a hollow tooth' feature. In the 1970s a medium sized aggregates plant served an asphalt unit and a concrete works, the latter consuming about half the output, roadstone making up about 25%. In 1972, like Batts Coombe and Callow Rock, the site fell within the area designated nationally as an Area of Outstanding Natural Beauty and the next year it also came within the newly created County of Avon (now North Somerset).
In 1993 Sandford Hill Quarry ceased working on the parish land, and in the mid 1990s, the quarry closed as part of an arrangement to extend Whatley Quarry. The 'award land' reverted to the parish and was converted to a nature reserve. Parts of the site are now used by the local activity centre 'The Action Centre' for training in climbing and abseiling.
In response to safeguarding concerns identified by our Rochdale organised crime team, we’ve executed eight warrants this morning and locked up six suspected gang members.
We identified a teenage boy who was being exploited and coerced into drug dealing by a suspected local gang.
With immediate safeguarding measures put in place, we were able to pursue those responsible
As the investigation developed, we identified further victims, including a vulnerable adult whose house was being cuckooed and used as a stash house for the gang.
This morning, we’ve arrested six men aged 18 - 26 on suspicion of conspiracy to supply class A and B drugs and modern slavery offences.
£30,000 cash has been seized along with cannabis and drugs paraphernalia.
Today’s activity is a key example of partnership work and effective information sharing. It’s enabled us to identify crucial members of a suspected organised crime group, but most importantly, we’ve been able to safeguard several children and vulnerable adults.
Sergeant Mark Lutkevitch from our Rochdale Challenger team said: “Exploitation, coercion, and violence are the foundations of modern slavery and drugs trafficking, and gangs will often exploit the vulnerable to further their profits. Our arrests this morning are part of a longstanding investigation into several organised crime groups operating across Rochdale that we strongly believe are involved in the exploitation of young people.
“Young people and vulnerable adults will be threatened as the criminals exert control, which is why tackling exploitation is a high priority for us. We have specialist officers working with young people in our communities to tackle the vicious cycle of gang recruitment, and teams of officers on the frontline pursuing offenders.
“Our communities are key in helping us be one step ahead of the criminals. By being our eyes and our ears and finding the courage to report what is taking place in your area only strengthens our relentless pursuit of organised crime and could make a real difference for a child.
“I want to encourage communities to trust their instinct. If something doesn’t feel right; report it. If you think somebody is being exploited, or you think a house might have been taken over by drug dealers, feed that information to us. If you want to remain anonymous, report it through Crimestoppers, and we will act.”
nformation can be shared by calling 101. If you would prefer to remain anonymous, call the independent charity Crimestoppers on 0800 555 111.
Always call 999 in an emergency.
Chiloglottis seminuda. A sexually-deceptive orchid.
The flower emits a chemical mimicking wasp sex pheromones. Duped into attempting to mate with the flower, the wasp is exploited to transfer pollen between plants.
Exploitant : RATP Cap Bièvre
Réseau : IDF Mobilités – Bièvre
Ligne : 9
Lieu : Gare d'Antony (Antony, F-92)
Lien TC Infos : tc-infos.fr/vehicule/28350
Exploitant : Augereau Autocars
Réseau Tourisme
Substitution SNCF en raison de travaux pendant le week-end du 11 novembre 2022.
U.S. Senator Claire McCaskill, the top Democrat on the Senate Aging Committee, used a hearing today to examine the financial exploitation of seniors and the difficulty of prosecuting family members who exploit and defraud their elderly family members.
Marta Santos Pais, Special Representative of Secretary- General of the United Nations on Violence against Chrildren on the Annual full-day meeting on the rights of the child on combating and preventing child sexual exploitation through ICTs at the 31st regular session of the Human Rights Council. 7 March 2016. UN Photo / Jean Marc Ferré
Enrico Caruso’s ascendancy coincided with the dawn of the twentieth century, when the world of opera was moving away from the contrived bel canto (“beautiful singing”) style, with its emphasis on artifice and vibrato, to a verismo (“realism”) approach. The warmth and sincerity of his voice—and personality— shone in this more natural style and set the standard for contemporary greats like Luciano Pavarotti, Placido Domingo, and José Carreras. Through his exploitation of the nascent phonograph industry, Caruso is also largely responsible for the sweeping interest in opera of the 1910s and ’20s. And for this, Stanley Jackson wrote in his book Caruso, he may never be rivaled, for later tenors could not hope to find themselves in a similarly fortuitous position and thus would most certainly “find it more difficult to win such universal affection as the bubbly, warm-hearted little Neapolitan whose voice soared and sobbed from the first wheezy phonographs to bring a new magic into countless lives.”
Born in Naples, Italy, in 1873, the third of seven children (early sources erroneously state that he was the 18th of 21), Caruso was raised in squalor. His birthplace, according to Jackson, was a “two-storeyed house, flaky with peeling stucco, [accommodating] several families, who shared a solitary cold-water tap on the landing, and like every other dwelling in that locality it lacked indoor sanitation.” As a boy, Caruso received very little formal education; his only training in a social setting came from his church choir, where he displayed a pure voice and a keen memory for songs. More often than not, however, he skipped choir practice to sing with street minstrels for café patrons.
At the age of ten Caruso began working a variety of menial jobs—mechanic, jute weaver—but his passion for singing often led him back to the streets. Eight years later, an aspiring baritone named Eduardo Missiano heard Caruso singing by a local swimming pool. Impressed, Missiano took Caruso to his voice teacher, Guglielmo Vergine. Vergine on hearing Caruso, compared the tenor’s voice to “the wind whistling through the chimney,” Michael Scott recounted in The Great Caruso. Although he disliked Caruso’s Neapolitan café style, flashy gestures, and unrefined and unrestrained vocalizing, Vergine finally agreed to accept Caruso as his student. But “the lessons ended after three years,” John Kobler wrote in American Heritage, “and Caruso’s formal musical training thereafter remained almost as meager as his scholastic education. He could read a score only with difficulty. He played no musical instrument. He sang largely by ear.”
On March 15, 1895, Caruso made his professional debut in L’Amico Francesco, a now-forgotten opera by an amateur composer. He was not an immediate sensation.
For the Record…
Bom Errico Caruso (adopted more formal Enrico for stage), February 27 (some sources say 25), 1873, in Naples, Italy; died of pneumonia and peritonitis in 1921 in Naples; son of Marcellino (a mechanic) and Anna (Baldini) Caruso; married Dorothy Park Benjamin, 1918; children: Gloria; (with Ada Giachetti) Rodolfo, Enrico Jr. Education: Studied voice with Guglielmo Vergine, 1891-94, and Vincenzo Lombardi, 1896-97.
Worked as laborer, including jobs as mechanic and jute weaver, beginning c. 1883; debuted in L’Amico Francesco at Teatro Nuovo, Naples, 1894; expanded repertoire to include La Traviata, Rigoletto, Aida, and Faust, among others; first sang Canio in I Pagliacci, 1896, and Rodolfo in La Bohème, 1897; debuted in La Bohème at La Scala, Milan, 1899; performed internationally, including appearances in Moscow, Buenos Aries, Monte Carlo, and London, beginning in 1899; made first recordings, 1902; debuted in U.S. at Metropolitan Opera, New York City, 1903. Appeared in silent films My Cousin and A Splendid Romance, 1918; subject of fictional film biography The Great Caruso, 1950.
Awards: Order of the Commendatore of the Crown of Italy; Grand Officer of the French Legion of Honor; Order of the Crown Eagle of Prussia; honorary captain of the New York City Police Department.
His vocal range was limited; he often had to transpose the musical score down a halftone since he had trouble in the upper register, especially hitting high C. But impresarios who heard Caruso recognized his innate gift and cast him in significant productions such as Faust, Rigoletto, and La Traviata. With stage experience and brief training with another vocal teacher, Vincenzo Lombardo, the singer made steady progress, refining the natural beauty of his voice.
“Who Has Sent You to Me? God?”
In 1897, studying for the part of Rodolpho in Giacomo Puccini’s La Bohème, Caruso went to the composer’s villa to secure Puccini’s consent of his interpretation. As told by author Jackson, after Caruso sang a few measures of the first-act aria, “Che gelida manima,” Puccini “swivelled in his chair and murmured in amazement, ’Who has sent you to me? God?’”
Caruso’s instrument was “a voice of the South, full of warmth, charm, and lusciousness,” described a commentator of the era who was quoted in Howard Greenfeld’s book Caruso. But what truly set Caruso apart—from his predecessors, contemporaries, and successors—was his ability to eliminate the space between singer and listener, to intensify “the emotional effects upon his audience,” testified American Heritage contributor Kobler. “His vocalized feelings, variously spiritual, earthy, carnal, seemed to resonate within the hearer’s body. Rosa Ponselle, the American soprano who made her debut opposite Caruso, called it “a voice that loves you.’”
And his timbre was matched by sheer power; at the height of his career, Caruso gave concerts in venues as large as New York City’s Yankee Stadium without microphones and was clearly heard by all. Still, he reached his greatest audience, across both distance and time, through the small, recorded medium of the phonograph. “Few performers deserve . . . recognition more than Caruso,” David Hamilton proclaimed in the New York Times. “[His] records made him the universal model for later generations of tenors, while his reputation played a major role in establishing the phonograph socially and economically.”
Recording Pioneer
Caruso made his first recording on April 11, 1902, in a hotel suite in Milan, Italy. Over the remaining 19 years of his life he made an additional 488 recordings, almost all for the Victor label. He earned more than two million dollars from recording alone, the company almost twice that. But, most important, his recordings brought grand opera to the uninitiated. Millions cried along with his version of Canio’s sobbing “Vesti la giubba,” from/Pagliacci. The development of the American opera audience from a rarefied community at the turn of the century to a diverse populace in modern times can be directly attributed to Caruso’s recordings.
But Caruso’s allure was not solely the result of his singing. “Quick to laughter and to tears, amorous, buffoonish,... speaking a comically fractured English, round and paunchy, Caruso presented an image that appealed enormously to multitudes of ordinary Americans,” Kobler pointed out. Indeed, his offstage behavior was as interesting to the public as that of his onstage personas. He had numerous affairs with women, which often ended in court. He had an 11-year relationship, beginning in 1897, with soprano Ada Giachetti, who had left her husband and son for the much younger tenor. She bore Caruso two sons, then ran off with the family chauffeur. Three years later, Giachetti sued Caruso for attempting to damage her career and for theft of her jewelry. The suit was eventually dismissed.
Offstage Shenanigans
Caruso was not exonerated, however, in what became known as the “Monkey House Case.” On November 16, 1906, Caruso went to the Monkey House in the Central Park Zoo, one of his favorite retreats in his adopted hometown of New York City. There a young woman accused him of pinching her bottom. A policeman on the scene immediately took Caruso—confused and sobbing—to jail. The woman failed to appear at the consequent trial, and police were unable to produce any witnesses other than the arresting officer, who turned out to have been best man at the accuser’s wedding. The judge found Caruso guilty of disorderly conduct and fined him ten dollars. The public, for its part, though initially unsure of Caruso’s innocence, soon returned to its thunderous approval of his performances.
Despite these episodes, Caruso’s life outside the theater was not entirely tumultuous. His marriage to Dorothy Park Benjamin in 1918 was happy and secure. His celebrated earnings allowed him to collect art, stamps, and coins. His clothing and furnishings were luxurious. He ate with gusto. And he was extremely generous. A gifted caricaturist, Caruso often gave drawings away. He would fill his pockets with gold coins and shower stagehands with them at the end of Christmastime productions. He also supported many family members, gave numerous charity concerts, and helped raise millions of dollars for the Allied cause during World War I. This remarkable man even paid his taxes early. “If I wait, something might happen to me, then it would be hard to collect,” Caruso reasoned, as recounted by Kobler. “Now I pay, then if something happen to me the money belongs to the United States, and that is good.”
Caruso’s expansive approach to life, however, rendered his own short. Constant recording and performance demands and the singer’s unchecked appetites took their toll on his health; he died in Naples, in 1921, from pneumonia and peritonitis. He was 48 years old. “Caruso may have been a greater master of comedy than tragedy,” Great Caruso author Scott wrote, “yet there was no levity in his approach to his art, for as each year passed and he became an ever more celebrated singer, his fame—ably demonstrated by frequent new issues of ever improving records—made increasing demands of him. In those last years he rode a tiger.”
Selected discography
Enrico Caruso: 21 Favorite Arias, RCA, 1987.
Enrico Caruso, Pearl, 1988.
Enrico Caruso in Arias, Duets, and Songs, Supraphon, 1988.
Caruso in Opera, Nimbus, 1989.
Caruso in Song, Nimbus, 1990.
The Compíete Caruso, BMG Classics, 1990.
Enrico Caruso in Opera: Early New York Recordings (1904-06), Conifer, 1990.
The Caruso Edition: Volume 1 (1902-1908), Pearl, 1991.
The Caruso Edition: Volume 2 (1908-1912), Pearl, 1991.
The Caruso Edition: Volume 3 (1912-1916), Pearl, 1991.
The Caruso Edition: Volume 4 (1916-1921),, Pearl, 1991.
Caruso in Ensemble, Nimbus, 1992.
Addio Mia Bella Napoli, Replay/Qualiton, 1993.
Sources
Books
Caruso, Enrico, Jr., and Andrew Farkas, Enrico Caruso: My Father and My Family, Amadeus Press, 1990.
Greenfeld, Howard, Caruso, Putnam, 1983.
Jackson, Stanley, Caruso, Stein & Day, 1972.
Scott, Michael, The Great Caruso, Knopf, 1988.
Periodicals
American Heritage, February/March 1984.
Economist, March 9, 1991.
New Republic, August 8, 1988.
New York Times, January 6, 1991.
—Rob Nagel
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