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Seagull 4a, Ilford FP4+, 8 minutes in Tmax developer
During a photo walk I met this guy playing his Swedish style bagpipe. We talked for a bit about our analogue hobbies and I asked if I could take his portrait playing his bagpipe with the Old town in the background. I quite like how it turned out.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Weeping rock at Wentworth Falls in the Blue Mountains, Sydney.
I'm not entirely happy with this shot. The original image is soft resulting in lots of sharpening artefacts. I'm not sure whether that's due miss-focus, the Nikkor 50mm lens on the Bronica, diffraction from shooting at f/16 or problems with digitising the film.
Film stock: Lomo Color Negative 800
ISO: 800 (shot at iso400)
Format: 120
Camera: Zenza Bronica EC-TL
Lens: Nikkor-O 50mm 1:2.8
Digitised: camera scan
Developer: C41 @ Sydney Super8 Photo Lab
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Sabal palmetto, Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
A pair of small waterfalls marks the beginning of an area of significant rock outcrops along the Eno River.
Pentax K-5
SMC Pentax 1:1.8 55mm
Iridient Developer
Taken with a Contessa Nettel (later Zeiss Ikon) Ideal 9x12 cm large format camera (handheld, focus by guesstimate) with a 15 cm Carl Zeiss Tessar lens on Ilford FP4+ film. Self developed in Kodak T-Max developer.
april 3, went with some friends to the Dublin Literary Pub Crawl. Two actors gab a bit, act a bit, sing, and take you to pubs. The pubs themselves are unremarkable*, but everything else is informative and/or good fun.
Agfa Isolette II, Rollei Retro 400S shot at 800
scanned from negative with epson v750
Rodinal 1:25, 11m20s -- Development details on FilmDev
f4.5, 1/25, 1m
(catching up, photo for may 10)
*ok i may be jaded from too much irish pub exposure :-)
©2023 Gary L. Quay
We were out to the Oregon Coast with some cameras, and stopped at Garibaldi for supper, and got a few pictures of the marina while we were there. I had a bunch of film backs for the Hasselblad that needed emptying, so I finished off a few at this spot.
I used PMK Pyro as the developer for the first time in almost 10 years. I decided to try it again after I developed a really grainy roll of HP5 in Rodinal. I know that punchy grain is Rodinal's trademark, but I really did not want it for those pictures, so I am trying Pyro again to see if the grain situation can be improved.
I am trying to get down to one or two developers, and a handful of films. One of the films will be Ilford Ortho Plus. I didn't get much pyro stain with this roll, though. I used an acid stop, just like I did with the Rollei film the day before. The Rollei film has pyro stain, and the Ilford did not. I decided to use a fresh water bath next, and I did that today. I got lots of pyro stain. I may post that image soon.
Camera: Hasselblad 500CM
Lens: 40mm Zeiss Distagon
Film: Ilford Ortho Plus developed in PMK Pyro.
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en.wikipedia.org/wiki/ZSD_Nysa
Mamiya C220
Mamiya-Sekor D8 1:3.5/105mm
1992 expired ORWO NP-20 @50 ISO + Fomadon Excel (stock, ~20C, for 7min)
Scanned on Epson Perfection V550 Photo, with SilverFast SE
Canon T90 : 35-70mm Tamron Adaptall II SP f/2.8-3.8 (Model 01A) : Arista EDU Ultra 100 : Pyrocat HD
First frames from a film through Pyrocat HD developer, instead of my usual PMK Pyro. The Pyrocat HD used to be my standard developer and I can't remember why I changed, though I seem to recall it was due to supply issues. It definitely produces higher acutance than the PMK Pyro, which also tends to accentuate film grain, but I feel the images have much more "bite' and a 3D quality that was lacking with the PMK Pyro. The experimentation shall continue...
Louisville, Colorado I'm sure various developers are trying to tear this farm away and replace it with homes or stores. Shame.
These arrived today and I'm excited!
Found a new "local" place for film goodies; it's on Vancouver Island, but one-day delivery to Metro Vancouver. I ordered some Blazinal, my go to developer for B&W; a new B&W developer called Black/White & Green; and some iso 100 Lomography in 120 format.
Blazinal is used exactly the same as Rodinal. I don't know if it's the same formula, just re-packaged, but it's very easy to use and reliable, and the bottle I'm still using was opened June 6, 2021, so it has good shelf life.
I'm very interested to use this Black/White & Green developer. It's made in Canada by Flic Film, and described as having long shelf-life and to give sharp negatives with fine grain. Apparently, it's not as sharp as Rodinal and it gives a less contrasty negative. For me however, the only downside, from what I've read, is that it takes longer to work its magic; Ilford HP5+ for example, takes 15.25 minutes at the 1:49 instructed dilution at 20°C. In Blazinal (Rodinal), it takes 6 minutes in 1:25 dilution at 20°C. I'll try B/W&G this weekend and see!
Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.
Camera: Canon A-1, 50mm f1-4.
Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.
Shot of a Tulip, developed with leafes of the same tulip (and others); shot on Ilford FP4 with a Hasselblad 500
@ kujyu-kuri hama, chiba, apr/2011
Hasselblad 503cx
Carl Zeiss CF T* Planar 80mm F2.8
Kodak 400TX (Kodak TMAX Developer 1:4 )
--
"悲惨な現実を前にしても云おう。
波の音は、さざ波のような調べでないかもしれない。荒れ狂う鉛色の波の音かもしれない。
時に、孤独を直視せよ。
海原の前に一人立て。自分の夢が何であるか。海に向かって問え。
青春とは、孤独を直視することなのだ。直視の自由を得ることなのだ。大学に行くということの豊潤さを、自由の時に変えるのだ。自己が管理する時間を、ダイナミックに手中におさめよ。流れに任せて、時間の空費にうつつを抜かすな。
いかなる困難に出会おうとも、自己を直視すること以外に道はない。
いかに悲しみの涙の淵に沈もうとも、それを直視することの他に我々にすべはない。
海を見つめ、大海に出よ。
嵐にたけり狂っていても海に出よ。"
--卒業式を中止した立教新座高校3年生諸君へ。（校長メッセージ）
niiza.rikkyo.ac.jp/news/2011/03/8549/
This photo is the end of the series.
--
My comments will delay..
Trying manual lens without much light. Film was under developed by many minutes as the compensation developer time suggested sounded high @ 24 min. I did @ 19 min. FAIL. But at least I was in the ball park. Next time....
2/6
Macro Zoomatar 2.8/40mm
This lens were made in 1970 or so. It is one of the last made.
A very good Tessar design, highly coated and made with rare earth glass.
Ilford HP5+
Wehner Developer
Nikon F4
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
The Biltmore Hotel in Coral Gables wasn't always a hotel.
It was built in 1926 by a young developer named George Merrick, who's known as the founder of Coral Gables.
The hotel became a place to host glamorous fashion shows, galas, golf tournaments and water shows in what was then the largest pool in the world.
At a loud party on the 13th floor of the hotel, a gangster named Thomas "Fatty" Walsh was shot and killed by another gangster. That murder yielded a lot of ghost rumors over the years.
Then World War II happened and the federal government transformed the Biltmore into a military hospital. Once the war was over, it continued being a hospital for veterans. In 1952, the University of Miami made the Biltmore its first home.
When the hospital closed in 1968, the Biltmore became an abandoned shell. That's when neighborhood kids started sneaking in.
"All the kids would always talk about how there must be ghosts in there," says Betsy Skipp, who grew up in Coral Gables and would sneak into the Biltmore with her friends. "You'd sneak out of the house and we all had flashlights."
Betsy Skipp in her Coral Gables home. When Skipp was growing up, she and her friends would sneak into the abandoned Biltmore Hotel.
So many kids were sneaking into the shuttered building, that the City of Coral Gables decided to hire a security guard.
Kim Dunn-Zocco also grew up in Coral Gables and would sneak into the shuttered building. Sneaking past the guard, whom they nicknamed "The Greenie" after the guard's green golf-cart, was part of the fun, she says.
"Once you got in, that's when it started to get a little creepy and quiet and creaky," says Zocco.
Because the Biltmore had been a veteran's hospital and a medical school, Zocco says her friends' worst fear was the possibility of seeing a dead body inside the building. One time, her friend swore he saw a severed limb.
Check out this 1988 student documentary called "The Biltmore's Strange Guest List" produced by Kathy Bolduc as a final project for a University of Miami class.
"I remember we just ripped it out of there and hauled ourselves all the way home."
In 1983, Coral Gables put $55 million into renovating the Biltmore. The hotel reopened in 1987 and was restored to glory. Ten years later, the Biltmore was added to the National Registry of Historic Places.
Still, the ghost stories kept swirling. Starting in 1994, Linda Spitzer told ghost stories every Thursday night in the Biltmore's lobby. She was a staple for 10 years, before she moved to Lake Worth.
Linda Spitzer shares a photo of herself telling ghost stories in the Biltmore Hotel lobby.
"The guests loved it," says Spitzer, who would wear sun hats reminiscent of The Roaring Twenties. "I would tell them I'm here from 7 p.m. until 7:30 p.m. and it would drag on until 8 p.m."
She did her research before telling her stories, but she says her best material came from the hotel guests themselves. Listen to some of the stories Spitzer heard about happenings in the Biltmore below.
Today the Biltmore is far from the creepy place that once terrified the children of Coral Gables.
Zocco was 17 years old when she worked at the Biltmore's banquet.
For Zocco, it's been an inescapable part of life. Her husband's uncle was a veteran patient when it was a hospital, her father went to medical school as a University of Miami student, she and her sister both had jobs at the hotel. And now she takes her family there for brunch.
"It's such a beautiful building with so much history and so much mystery that you can't help but be drawn to it whether it's empty or living and breathing."
An early May morning in 2017 finds the Phillip R. Clarke entering Huron Harbor with a load of stone for the lime plant. In the first quarter of 2018, it was announced that the lime plant here would be closing once processing was finished with the stone already on hand, meaning views like this will be no more. Also announced early this year was the sale of the former ore dock property by Norfolk Southern to developers, so with the recent departure of the long layed up Algoma Compass (Adam E. Cornelius), Huron, OH, has ceased to be an active great lakes shipping port.
Vizcayne (formerly known as "Everglades on the Bay") is an urban development in the City of Miami, Florida, United States. It is located in northeastern Downtown. It consists of two residential skyscrapers, North Tower and the South Tower as well as a retail center. The buildings were topped out (reached full height) in 2007 and were completed in early 2008. They are located on Biscayne Boulevard between Northeast 2nd and 3rd Streets. The complex consists of two twin towers and the Everglades Plaza. Both towers are 538 ft (164 m) tall, and each has 49 floors. The Everglades Plaza is a retail and community center at the base of both towers, connecting both and occupying the entire city block. The main entrance to the plaza is on Biscayne Boulevard. The towers provide retail on the street level and the rest of the floors are used for residential units. Specifically, floors 2-7 are flats and lofts, and floors 8-49 are condo units. The architect of these buildings is Fullerton-Diaz Architects, Inc. The developer is Cabi Developers, a division of GICSA. The complex is located at the site of the former Everglades Hotel, which was closed in 2003 and imploded on January 23, 2005 to make room for the new towers.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/Vizcayne
www.loopnet.com/Listing/244-Biscayne-Blvd-Miami-FL/31195559/
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