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As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Project 365 (one photo per day for 2022 taken on 5x4 large format film)
Event: Project 365
Location: Bedroom at home
Camera: Wista 45VX
Lens(s): Schneider-Kreuznach Apo-Symmar 210mm f/5.6
Film: Ilford Delta 100
Shot ISO: 80
Light Meter: Minolta Spot Meter F
Movements: Front tilt forwards, front rise
Bellows: 260mm (+0.5)
Exposure: 1/4 @ f/22
Lighting: Vivanco VL300 - 6:40am
Mounting: Tripod - Manfrotto
Firing: Cable release
Developer: Ilford DD-X(1+4)
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
The Biltmore Hotel in Coral Gables wasn't always a hotel.
It was built in 1926 by a young developer named George Merrick, who's known as the founder of Coral Gables.
The hotel became a place to host glamorous fashion shows, galas, golf tournaments and water shows in what was then the largest pool in the world.
At a loud party on the 13th floor of the hotel, a gangster named Thomas "Fatty" Walsh was shot and killed by another gangster. That murder yielded a lot of ghost rumors over the years.
Then World War II happened and the federal government transformed the Biltmore into a military hospital. Once the war was over, it continued being a hospital for veterans. In 1952, the University of Miami made the Biltmore its first home.
When the hospital closed in 1968, the Biltmore became an abandoned shell. That's when neighborhood kids started sneaking in.
"All the kids would always talk about how there must be ghosts in there," says Betsy Skipp, who grew up in Coral Gables and would sneak into the Biltmore with her friends. "You'd sneak out of the house and we all had flashlights."
Betsy Skipp in her Coral Gables home. When Skipp was growing up, she and her friends would sneak into the abandoned Biltmore Hotel.
So many kids were sneaking into the shuttered building, that the City of Coral Gables decided to hire a security guard.
Kim Dunn-Zocco also grew up in Coral Gables and would sneak into the shuttered building. Sneaking past the guard, whom they nicknamed "The Greenie" after the guard's green golf-cart, was part of the fun, she says.
"Once you got in, that's when it started to get a little creepy and quiet and creaky," says Zocco.
Because the Biltmore had been a veteran's hospital and a medical school, Zocco says her friends' worst fear was the possibility of seeing a dead body inside the building. One time, her friend swore he saw a severed limb.
Check out this 1988 student documentary called "The Biltmore's Strange Guest List" produced by Kathy Bolduc as a final project for a University of Miami class.
"I remember we just ripped it out of there and hauled ourselves all the way home."
In 1983, Coral Gables put $55 million into renovating the Biltmore. The hotel reopened in 1987 and was restored to glory. Ten years later, the Biltmore was added to the National Registry of Historic Places.
Still, the ghost stories kept swirling. Starting in 1994, Linda Spitzer told ghost stories every Thursday night in the Biltmore's lobby. She was a staple for 10 years, before she moved to Lake Worth.
Linda Spitzer shares a photo of herself telling ghost stories in the Biltmore Hotel lobby.
"The guests loved it," says Spitzer, who would wear sun hats reminiscent of The Roaring Twenties. "I would tell them I'm here from 7 p.m. until 7:30 p.m. and it would drag on until 8 p.m."
She did her research before telling her stories, but she says her best material came from the hotel guests themselves. Listen to some of the stories Spitzer heard about happenings in the Biltmore below.
Today the Biltmore is far from the creepy place that once terrified the children of Coral Gables.
Zocco was 17 years old when she worked at the Biltmore's banquet.
For Zocco, it's been an inescapable part of life. Her husband's uncle was a veteran patient when it was a hospital, her father went to medical school as a University of Miami student, she and her sister both had jobs at the hotel. And now she takes her family there for brunch.
"It's such a beautiful building with so much history and so much mystery that you can't help but be drawn to it whether it's empty or living and breathing."
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
The Itinerant Locals are modern day traveling minstrels, parents, real estate developers and all around fine folks. Their latest album, Songs We Play, has hit Earl's Top 100 in Manigotapi Mississippi. Listen to their rendition of Chicken Dance at the end of this video. Folk polka slam grass punk pop chamber music. A truely unique duo, and two of my favorite musicians to work with. Take a look at Cheryl and Zac's website. Polka Your Eye Out. Their children, Eureka and Zephyr joined us for a Facedown Tuesday shot.
Strobist: AB1600 with gridded 60X30 softbox camera left. AB800 with Softlighter II camera right. Triggered by Cybersync.
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
For Processing BW Film - Not For Drinking!
The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.
filmphotographystore.com/products/darkroom-supplies-caffe...
British postcard by Athena International, no. 0334340, BAT, no. 10. Photo: TM / DC Comics Inc. Photo: Michael Keaton and Jack Nicholson in Batman (Tim Burton, 1989).
Jack Nicholson (1937) is an American actor and filmmaker who has performed for over sixty years. His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films. He is now known for playing a wide range of starring or supporting roles, including satirical comedy, romance, and dark portrayals of anti-heroes and villainous characters. In many of his films, he has played someone who rebels against the social structure. Nicholson's 12 Oscar nominations make him the most nominated male actor ever. He won the Oscars for Best Actor twice – for One Flew Over the Cuckoo's Nest (1975), and As Good as It Gets (1997), and the Oscar for Best Supporting Actor for Terms of Endearment (1983).
Jack Nicholson was born in 1937 as John Joseph Nicholson in Neptune City, New Jersey. He was the son of a showgirl, June Frances Nicholson (stage name June Nilson). She married Italian-American showman Donald Furcillo (stage name Donald Rose) in 1936, before realising that he was already married. Biographer Patrick McGilligan stated in his book Jack's Life that Latvian-born Eddie King, June's manager, may have been Nicholson's biological father, rather than Furcillo. Other sources suggest June Nicholson was unsure of who the father was. As June was only seventeen years old and unmarried, her parents agreed to raise Nicholson as their own child without revealing his true parentage, and June would act as his sister. In 1974, Time magazine researchers learned, and informed Nicholson, that his 'sister', June, was actually his mother, and his other 'sister', Lorraine, was really his aunt. By this time, both his mother and grandmother had died (in 1963 and 1970, respectively). On finding out, Nicholson said it was "a pretty dramatic event, but it wasn't what I'd call traumatizing ... I was pretty well psychologically formed". Before starting high school, his family moved to an apartment in Spring Lake, New Jersey. When Jack was ready for high school, the family moved once more, to old-money Spring Lake, New Jersey's so-called Irish Riviera, where Ethel May set up her beauty parlor. 'Nick', as he was known to his high school friends, attended nearby Manasquan High School, where he was voted 'Class Clown' by the Class of 1954. In 1957, Nicholson joined the California Air National Guard. After completing the Air Force's basic training, Nicholson performed weekend drills and two-week annual training as a fire fighter. Nicholson first came to Hollywood in 1954, when he was seventeen, to visit his sister. He took a job as an office worker for animators William Hanna and Joseph Barbera at the MGM cartoon studio. He trained to be an actor with a group called the Players Ring Theater, after which time he found small parts performing on the stage and in TV soap operas. He made his film debut in a low-budget teen drama The Cry Baby Killer (Justus Addiss, 1958), playing the title role. For the following decade, Nicholson was a frequent collaborator with the film's producer, Roger Corman. Corman directed Nicholson on several occasions, most notably in The Little Shop of Horrors (Roger Corman, 1960), as masochistic dental patient and undertaker Wilbur Force, and also in The Raven (Roger Corman, 1963), The Terror (Roger Corman, 1963) as a French officer seduced by an evil ghost, and The St. Valentine's Day Massacre (Roger Corman, 1967). Nicholson also frequently worked with director Monte Hellman on low-budget Westerns, including the cult successes Ride in the Whirlwind (Monte Hellman, 1966) with Cameron Mitchell, and The Shooting (Monte Hellman, 1966) opposite Millie Perkins. Nicholson also appeared in episodes of TV series like Dr. Kildare (1966) and The Andy Griffith Show (1966-1967). However, Nicholson seemed resigned to a career behind the camera as a writer/director. His first real taste of writing success was the screenplay for the counterculture film The Trip (Roger Corman, 1967), which starred Peter Fonda and Dennis Hopper. Nicholson also co-wrote, with Bob Rafelson, Head (Bob Rafelson, 1968), which starred The Monkees. He also arranged the film's soundtrack. Nicholson's first turn in the director's chair was for Drive, He Said (1971).
Jack Nicholson had his acting break when a spot opened up in Easy Rider (Dennis Hopper, 1969). Nicholson played liquor-soaked lawyer George Hanson, for which he received his first Oscar nomination. The film cost only $400,000 to make, and became a blockbuster, grossing $40 million. Overnight, Nicholson became a hero of the counter-culture movement. Nicholson was cast by Stanley Kubrick, who was impressed with his role in Easy Rider, in the part of Napoleon in a film about his life, and although production on the film commenced, the project fizzled out, partly due to a change in ownership at MGM. Nicholson starred in Five Easy Pieces (Bob Rafelson, 1970) alongside Karen Black. Bobby Dupea, an oil rig worker, became his persona-defining role. Nicholson and Black were nominated for Academy Awards for their performances. Critics began speculating whether he might become another Marlon Brando or James Dean. His career and income skyrocketed. Nicholson starred in Carnal Knowledge (Mike Nichols, 1971), which co-starred Art Garfunkel, Ann-Margret, and Candice Bergen. Other roles included Billy "Bad Ass" Buddusky in The Last Detail (Hal Ashby, 1973). For his role, Nicholson won the Best Actor award at the Cannes Film Festival, and he was nominated for his third Oscar and a Golden Globe. In 1974, Nicholson starred in Roman Polanski's majestic Film Noir Chinatown, opposite Faye Dunaway. For his role as private detective Jake Gittes, he was again nominated for Academy Award for Best Actor. The role was a major transition from the exploitation films of the previous decade. One of Nicholson's greatest successes came with his role as Randle P. McMurphy in One Flew Over the Cuckoo's Nest (Miloš Forman, 1975). It was an adaptation of Ken Kesey's novel and co-produced by Michael Douglas. Nicholson plays an anti-authoritarian patient at a mental hospital where he becomes an inspiring leader for the other patients. The film swept the Academy Awards with nine nominations, and won the top five, including Nicholson's first for Best Actor. Also that year, Nicholson starred in Michelangelo Antonioni's The Passenger (1975), which co-starred Maria Schneider. The film received good reviews and revived Antonioni's reputation as one of the cinema's great directors. He took a small role in The Last Tycoon (Elia Kazan, 1976), opposite Robert De Niro. He took a less sympathetic role in Arthur Penn's Western The Missouri Breaks (1976), specifically to work with Marlon Brando.
Although Jack Nicholson did not win an Oscar for Stanley Kubrick's adaptation of Stephen King's The Shining (1980), it remains one of his more significant roles. Nicholson improvised his now-famous "Here's Johnny!" line, along with the scene in which he's sitting at the typewriter and unleashes his anger upon his wife after she discovers he has gone insane when she looks at his writing ("all work and no play makes Jack a dull boy" typed endlessly). In 1982, he starred as an immigration enforcement agent in The Border (Tony Richardson, 1982, co-starring Warren Oates. Nicholson won his second Oscar, an Academy Award for Best Supporting Actor, for his role of retired astronaut Garrett Breedlove in Terms of Endearment (James L. Brooks, 1983), starring Shirley MacLaine and Debra Winger. He and MacLaine played many of their scenes in different ways, constantly testing and making adjustments. Nicholson continued to work prolifically in the 1980s, starring in such films as The Postman Always Rings Twice (Bob Rafelson, 1981), Reds (Warren Beatty, 1981), where Nicholson portrays the writer Eugene O'Neill with a quiet intensity, Prizzi's Honor (John Huston, 1985), The Witches of Eastwick (George Miller, 1987), Broadcast News (James L. Brooks, 1987), and Ironweed (Hector Babenco, 1987) with Meryl Streep. Three Oscar nominations also followed, for Reds, Prizzi's Honor, and Ironweed. In Batman (Tim Burton, 1989), Nicholson played the psychotic murderer and villain, the Joker. Batman creator Bob Kane personally recommended him for the role. The film was an international smash hit, and a lucrative percentage deal earned him a percentage of the box office gross estimated at $60 million to $90 million. For his role as hot-headed Col. Nathan R. Jessup in A Few Good Men (Rob Reiner, 1992), a film about a murder in a U.S. Marine Corps unit, Nicholson received yet another Oscar nomination for Best Supporting Actor. In 1996, Nicholson collaborated once more with Batman director Tim Burton on Mars Attacks!, pulling double duty as two contrasting characters, President James Dale and Las Vegas property developer Art Land. At first, studio executives at Warner Bros. disliked the idea of killing off Nicholson's character, so Burton created two characters and killed them both off. Not all of Nicholson's performances have been well received. He was nominated for Razzie Awards as worst actor for Man Trouble (Bob Rafelson, 1992) and Hoffa (Danny DeVito, 1992). However, Nicholson's performance in Hoffa also earned him a Golden Globe nomination. Nicholson went on to win his next Academy Award for Best Actor in the romantic comedy, As Good as It Gets (1997), his third film directed by James L. Brooks. He played Melvin Udall, a "wickedly funny", mean-spirited, obsessive-compulsive novelist. His Oscar was matched with the Academy Award for Best Actress for Helen Hunt, who played a Manhattan wisecracking, single-mother waitress drawn into a love/hate friendship with Udall, a frequent diner in the restaurant. The film was a tremendous box office success, grossing $314 million, which made it Nicholson's second-best-grossing film of his career, after Batman.
In About Schmidt (Alexander Payne, 2002), Nicholson portrayed a retired Omaha, Nebraska, actuary who questions his own life following his wife's death. His quietly restrained performance earned him another Oscar Nomination. In Anger Management (Peter Segal, 2003), he played an aggressive therapist assigned to help an over pacifist man (Adam Sandler). In 2003, Nicholson also starred in Something's Gotta Give (Nancy Meyers, 2003), as an aging playboy who falls for the mother (Diane Keaton) of his young girlfriend. In late 2006, Nicholson marked his return to the dark side as Frank Costello, a nefarious Boston Irish Mob boss, based on Whitey Bulger who was still on the run at that time, presiding over Matt Damon and Leonardo DiCaprio in Martin Scorsese's Oscar-winning film The Departed, a remake of Andrew Lau's Infernal Affairs. The role earned Nicholson worldwide critical praise, along with various award wins and nominations, including a Golden Globe nomination. In 2007, Nicholson co-starred with Morgan Freeman in The Bucket List (Rob Reiner, 2007) Nicholson and Freeman portrayed dying men who fulfill their list of goals. Nicholson reunited with James L. Brooks, director of Terms of Endearment, Broadcast News, and As Good as It Gets, for a supporting role as Paul Rudd's character's father in How Do You Know (2012). It had been widely reported in subsequent years that Nicholson had retired from acting because of memory loss, but in a September 2013 Vanity Fair article, Nicholson clarified that he did not consider himself retired, merely that he was now less driven to "be out there any more". In 2015, Nicholson made a special appearance as a presenter on SNL 40, the 40th anniversary special of Saturday Night Live. After the death of boxer Muhammad Ali in 2016, Nicholson appeared on HBO's The Fight Game with Jim Lampley for an exclusive interview about his friendship with Ali. In 2017, it was reported that Nicholson would be starring in an English-language remake of Toni Erdmann opposite Kristen Wiig, but Nicholson dropped out of the project. does not consider himself to be retired. He has also directed three films, including The Two Jakes (1990), the sequel to Chinatown. Nicholson is one of three male actors to win three Academy Awards. He also has won six Golden Globe Awards. He has had a number of high-profile relationships and was married to Sandra Knight from 1962 until their divorce in 1968. Nicholson has five children. His eldest daughter is Jennifer Nicholson (1963), from his marriage to actress Sandra Knight. He has a son, Caleb James Goddard (1970) with Susan Anspach, and a daughter, Honey Hollman (1981) with Danish supermodel, Winnie Hollman. With Rebecca Broussard, he has two children, Lorraine Nicholson (1990) and Ray Nicholson (1992). Nicholson's longest relationship was the 17 years he spent with actress Anjelica Huston; this ended when Broussard become pregnant with his child. Jack Nicholson is the only actor to ever play the Devil, the Joker, and a werewolf.
Sources: Pedro Borges (IMDb), Wikipedia, and IMDb.
Please check out our blog European Film Star Postcards.
Leica-M6 TTL 0.85. Elmarit-M 1:2.8/90mm. FP 4 Plus Ilford.
Developer Ilford ID 11 1+1 20º 11 min.
Nikon Super Coolscan 5000 ED. Film Scanner.
Schoolstraat . Kunsten centrum Venlo. Paard op stella'ge (Horse on scaffolding)
Thank you everyone for your visit, favorites and comments
Merci à tous pour votre visite, favoris et commentaires
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
Photography is Art and Art is Photography. Martin Parr
Bergger Pancro Rollfilm at 400asa
All shots 1 /15sec f8. Dull Rainy day
5 mins Pre Wash
8.30 mins Ilford Microphen Stock. Ilford Agitation Method
1 min wash
6 mins First Call Neutral Fixer
10 mins wash
wash aid
This is probably the only developer out there that enables this film to be exposed at a true box speed other than Berspeed and attain the finer grain that this film can produce. It appears to react nicely even though it is a speed enhancing developer. I have found that this film is slower if intended to be used with standard developers. I will try to push this film upwards with this combination to see what happens. I love Bergger PMK with this film but you can't get near box speed with that combination. I will try Berggers other developer too
ONLY PERSONAL COMMENTS. NO LOGOS. THANK YO FOR YOUR UNDERSTANDING.© RESPECT the copyright.
Leica-M6 TTL 0.72 Serial Number (2466527) Elmarit 1:2.8/21mm ASPH.
Delta 100asa Developer HC 110 1+31 20º 6 1/2 min.
Nikon Coolscan 5000ED.
Photoshop CS 4
Het Kröller-Müller Museum is een museum voor moderne kunst, gelegen in het Nationaal Park De Hoge Veluwe te Otterlo in de Nederlandse provincie Gelderland. Het museum en het aangrenzende beeldenpark, samen ca. 25 ha, genieten internationale bekendheid. Jaarlijks komen er ruim 250.000 bezoekers uit binnen- en buitenland.
The Kröller-Müller Museum is a museum for modern art, located in the National Park De Hoge Veluwe in Otterlo in the Dutch province of Gelderland. The museum and the adjacent sculpture park, together around 25 ha, are internationally renowned. Every year more than 250,000 visitors come from home and abroad.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinde
Interesting softness. Shot in broad daylight with pushed Kodak 2383. Extremely fine grain even though the development was contrasty. Kodak 2383 pushed to ISO 6 (2 Stops) shot with Nikon N90s and Sigma EX 17-35 AF Zoom. Taking advantage of 2383's tendency to go dark when pushed. This was actually shot in broad daylight in the afternoon sun in an open yard. Interesting effects. Developed in FUJI RA-4 paper developer 1 to 14 dilution plus 10ml of 30% hydrogen peroxide to bring the developer to pH 10.59 (ECP 2 levels). Dev for 3 minutes at 100 degrees. Acid stop for 40 seconds. Bleached for 1 minute in potassium ferricyanide bleach, 1 minute wash, 40 second fix in home made ammonium thiosulfate fixer. Difficult to scan because both the scanner and I wanted to make it "daylight" instead of a very dark image as the negative confirms. More to be done here....
This is a experimental piece that i did a few years ago of a photograph that has been manipulated during the processing stage. The darker areas of the image display where the developer has been sprayed or brushed on like a painting as the image is developed over the top.
You can see more of the art work at my website at www.markchadwick.co.uk. Thanks for viewing!
Homemade coffee based film developer.
My formula:
Dissolve 5tbs instant coffee in 6oz water.
Dissolve 4tbs washing soda in 2oz of water. Stir until uniform.
Add soda solution to coffee.
Dissolve 1000mg Vitamin C in 2oz water. Dissolves fast.
Add Vitamin C solution to coffee/washing soda mixture.
Put in freezer until temp lowers to 20C.
I developed for 15 minutes, agitating 15 seconds for every minute of development.
On the way to Presido, had to stop for this. Warning, subject in photo is much farther away appears!
FIU Hollo School Developers Luncheon
Miami, Florida | November 18, 2016
Tibor and Sheila Hollo School of Real Estate: business.fiu.edu/academic-departments/real-estate/
Master of Science in International Real Estate: msire.fiu.edu/
To learn more about the Hollo School Developers Luncheon please visit: biznews.fiu.edu/2016/11/visionary-real-estate-project-tak...
Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture
Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.
Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):
English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)
German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)
My infamous litre of Xtol that has turned into a mirror from all the silver. I developed probably 50 rolls with it over the past 2 years. Still going strong...
Fujifilm X-T1, Iridient Developer & Aperture
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps
Kentmere100 + T-Max developer. I found the liquid contains some sticky substance at development.... I have discarded it and have prepared SPD ( Super prodol ) for substitution.
Event: Capesthorne Hall Classic Car Show
Location: Capesthorne Hall, Macclesfield, Cheshire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Kodak Gold 200
Shot ISO: 200
Light Meter: Camera
Lighting: Mixed weather
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
It's only in uncertainty that we're naked and alive. Peter Gabriel
On the way back Ijora Market.
5 mins Pre Wash
12 mins Bergger PMK - 1+2+100. Agitate 2 times every 15 secs
1 min wash
6 mins First Call Neutral Fixer
10 mins wash
wash aid
Sucessfully developed this UE film in PMK but I tried it in Pyrocat HD but I underdeveloped it by about 4 minutes.
1/5
Brescia Italy
Voigtlander Bessa R2. Voigtlander Nokton 35mm 1.2 iii Asph. Fomapan 100 in Rodinal 1+50 developer.
Erin Russ and William Apriceno got married last night! Congratulations! Still processing and scanning film. Images soon...here's the contact sheet preview!
Canon EOS Rebel X
FPP Beta Test 200 bw film
Home processed in FPP 76 Developer
Epson v700 scan