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As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
The former Gold Leaf Studio near 5th and I Streets in the Mount Vernon Triangle is now the subject of debate regarding the site's future development. While the building itself isn't terribly special, it would be more interesting to include it into whatever condo block the developers have in mind for the site.
dc.curbed.com/archives/2013/09/space-next-to-former-gold-...
Camera:Canon FT
Lens: Canon FL 50mm f1.4
Film: Macophot 64
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Gravestone of two, I guess brothers (at least in arms): older Ivan (Иван Иванович Буртик) and younger Peter (Петр Иванович Буртик)
There is a report which says where Ivan was buried just after battle of Poznań in which he died: pamyat-naroda.ru/heroes/memorial-chelovek_donesenie80909860/
Report says:
Ivan Ivanovitch Burtik
Date of birth: 1915
Place of birth: Byelorussian SSR, Brest region, Brest district, village Kolodno
Place of conscription: 08/06/1944 Brest RVK, Byelorussian SSR, Brest region, Brest district
Last place of service: 236th Infantry Division
Date of leave: 21.02.1945
Reason for leave: killed
Primary burial place: Poland, Poznań Voivodeship, Poznań, Piłsudski str., on the square, between the house and the theater, a mass grave.
Zorki 1D - â„–4830526
Industar-22 1:3,5 f=50mm P N5414989
Fomapan 200
Fomadon Excel Stock (for 6:30min)
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
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Konica Hexar RF + Carl Zeiss Distagon 35/1.4 ZM + Foma Retropan 320 Soft Black&White Film / Developed By Me / Scan By Noritsu HQ-1800 @ Fengyue (The Highest Quality Scan)
Developer: Foma Retro Special (Stock) 5 Min @ 21 Degree
Stopper: Ilford Ilfostop
Fixer: Spur Ultrafix
Wash Aid: Fotospeed WA50
Wetting Agent: Kodak Photo-Flo
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
Paper negative shot with Crown Graphic / 127mm Kodak Ektar lens and developed in LPD paper developer.
unscientific comparision of paper negatives, left Harman Direct Positive Paper - right Imago Direct Positive Paper RC
Both images are metered on a gray card with a spotmeter, for Harman i assumed an ISO of 1.5, Imago is around ISO 12 for me.
Personally, i prefer the RC of the Imago, but i'm having big difficulties getting real blacks. Tried diffferent developers (Adonal, Neutol and Rodinal 1:25) and extended dev time a significant amount, but still no real black.
Please share your experiences with Imago and Harman :)
This is a experimental piece that i did a few years ago of a photograph that has been manipulated during the processing stage. The darker areas of the image display where the developer has been sprayed or brushed on like a painting as the image is developed over the top.
You can see more of the art work at my website at www.markchadwick.co.uk. Thanks for viewing!
I'm already using coffee (caffenol c) as a developer for my bw films. Today I want to try to cross process a fuji nph 400 color negativ film. Took a few pictures this morning. On some blogs about caffenol there was mentioned that coffee is also able to develop these color films and is even used for paper prints. The color is almost 'washed' away but the film then is some kind of toned. I'm looking forward for the results.
Things needed are:
* instant coffee
* soda
* vitamin c
* potassium bromid
* citric acid
* fixing liquid
* a tank for the film
The film stays in the soup for about 15 minutes. The tank should be carefully agitated for the whole first minute and then three times every minute. After flushing with water the process is stopped by citric acid. The citric acid solution stays in the tank for 1-2 minutes. Then after another flushing with water fill in the fixer (e.g. Ilford Rapid Fixer or any other available for b&w films). Fixer stays for 8-12 minutes. Then wash the film following the Ilford scheme (3-6-12-24 agitations or 5-10-15-25). Last step is flushing with distilled water.
Plotting some data from www.hackdiary.com/2010/02/10/algorithmic-recruitment-with... in preparation for Web Directions @media London on Friday.
Shows all developers who identify their location as London on Github, who have 4 or more other Londoners following them. The sizes and colours come from Betweenness Centrailty and In-Degree respectively.
Plotted with Gephi
Homemade coffee based film developer.
My formula:
Dissolve 5tbs instant coffee in 6oz water.
Dissolve 4tbs washing soda in 2oz of water. Stir until uniform.
Add soda solution to coffee.
Dissolve 1000mg Vitamin C in 2oz water. Dissolves fast.
Add Vitamin C solution to coffee/washing soda mixture.
Put in freezer until temp lowers to 20C.
I developed for 15 minutes, agitating 15 seconds for every minute of development.
Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture
Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.
Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):
English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)
German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)
On the way to Presido, had to stop for this. Warning, subject in photo is much farther away appears!
Kentmere100 + T-Max developer. I found the liquid contains some sticky substance at development.... I have discarded it and have prepared SPD ( Super prodol ) for substitution.
Seems like everytime I mix a fresh batch of Pyrocat HD the A mixture I expect it not to work so I only do 1 roll but I guess I was wrong again.
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So ever since I found out what the first camera I ever used to take a photo was, I have wanted to get my hands on one. That camera is the Hanimex 35SE; this is not that camera. But it's still a Hanimex, so I'll count it. Meet the Hanimex 35ES, it's cheap, it's plastic, and it's basically a Halina 160 with a slightly different exterior. But you know, it just might be the cheap camera you're looking for.
You Can Read the Full Review Online:
www.alexluyckx.com/blog/2026/05/19/camera-review-blog-no-...
Hanimex 35ES - Hanimar 33mm 1:5.6 - Ultrafine Extreme 100 @ ASA-100
Flic Film Elementary Developer (Stock) 3:00 + 3:00 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Fujifilm X-T1, Iridient Developer & Aperture
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps