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Nikon F90x

Nikon AF NIKKOR 50mm 1:1.4 D

Ilford HP5 400, expired 1984

Adonal 1:25 6min @ 20℃

Canon CanoScan 9000F Mark II

 

01_20190708_013-2

A less traditional view of Battersea Power Station. It won't look like this for much longer...

yashica fx-103

Film: Fortepan 50 asa

Developer: rodinal 1+50 13min

20c

Camera: PH8 (Pocket Pinhole or PokPin)

Lens: .3mm laser-drilled pinhole

Film: Ultrafine Extreme 100

Developer: Xtol

Scanner: Epson V600

Photoshop: Curves, Healing Brush (spotting)

Cropping: None

 

Camera: Canon FT

Lens: Canon FL 50mm f1.4

Film: Macophot UP64

Developer: Xtol

Scanner: Epson V600

Photoshop: Curves, Healing Brush (spotting)

Cropping: None

Ferrania P30 film

Adox Rodinal developer 25+1

Nikon F

Nikkor-H auto 50mm f2

Nunawadiing Victoria Australia

January 2023

High Park, Toronto,

Fall 2016,

 

Rolleiflex 3.5F, Rolleinar No. 1,

Ilford Delta 100, Barry Thornton Two Bath Developer.

gotta love how long the lc-a can expose for<3

As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....

 

Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!

I took this photo on last year's Easter Friday at St. Patrick's Basilica. I saw this lady about a block away. She was struggling with her walk because of her disability. Every 10 or so paces, she had to stop to rest or to kneel. Passers by offered to help but she refused. She insisted to continue on with her own strength. As she entered the church I hesitated to take a picture but I must capture her dedication and devotion.

 

I decided to process the photo a year later, to look at the photo with a fresh min, to make sure it purely centers on documenting a moment of her life, with dignity and respect.

 

Rolleiflex Automat MX Zeiss Tessar f/3,5

Ilford Delta 400, TMAX Developer 1:4, CanoScan 9000F

Camera: Nikkormat FT2

Lens: Nikkor Micro 55mm 3.5 pre ai

Film: Ilford HP5 Plus 400

 

Lith print

Paper: Fomatone MG Classic 131

Lith Developer: Kodalith

 

Dungeness

March 2018

Old Kodak sign, on top of a shuttered Kodak film dealer, in Atlanta, Georgia.

Leica M2

Leica Summilux 35mm f/1.4 II

Adox HR-50

Adox Silvermax Developer (1+30)

9 min 20°C

Scan from negative film

developer: Kodak T-Max 1+7 (20c) 8'30"

Rolleiflex 3.5 E3 Planar

Fomapan 400@200

Caffenol developer

Taken from the high road along the north side of Miller Canyon.

 

Camera: Kodak Pony IV (1957-1961).

 

Film: 35mm 100 ISO Arista.edu Ultra, developed in Arista Liquid Developer for 6:30 minutes @ 70 degrees, scanned with an Epson V600 scanner.

Camera: Mamiya M645 1000S

Film: Kentmere 100

Developer: Spur Acurol-N 1+70

From thedailylumenbox.com Foma 100 shot with Voigtlander 21mm Color Skopar on Leica Ic. Developed in Kompostinol for 10min. at 86° F.

Holga negative enlarged to 27x30cm on Wephota FO5 Lith Film by reversal development

Kallitype on Bergger Cot-320

UV exposure 130 secs

developer sodium citrate

clearing bath citric acid 4%

fresh Pd-toner (Ammoniumpalladate) 2 mins

alkaline fixer 1+20

 

palladium/iron toning for comparison

 

toned gelatin silver print

  

Scan from darkroom print,

 

Gandolfi, 4x5 back. Fomapan 400 @ 200 in Xtol.

 

Rodenstock Rotelar 1:5,6 f=270mm

 

Ilford MG WT in Ilford WT developer

 

Soft box on camera left

UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale

1/6

Camera: Leica M6

 

Lens: Zeiss Biogon 2,8/25 ZM

 

Film: Kodak T-Max 400 (400-2TMY), Exposure Index 400

 

Developer: Ilfotec DD-X

 

Dilution & Time: 1:4, 8.5 minutes @ 22 Degrees C

1909 Seneca 8 5x7, Seneca Triple Convertible Lens (at 8"), New Guy collodion (1.5 weeks old), Copper Sulfate developer, alumitype

 

f/32, 6 seconds

 

After 2 test plates and still getting ridiculous fog, I figured the copper developer is just too strong so I dumped it and made new stuff from some B&S concentrate I brought with me. Unfortunately that didn't help either...

Serafima in the studio testing OAP+PPD developer

Annually developer cooking session of 5 1/2 liters

Canon Elan 7, 40mm f2.8, Ilford Hp5

Developer stamp on back reads "This is a Kodacolor Print. Made by Kodak. July 1963. L.W. Ward, Cedar Rapids, Iowa."

Photo was found on eBay.

At the naked man festival in Okayama, Japan.

Leica M3, Ilford FP4, Kodak Tmax developer, Ilford Multigrade RC Deluxe satin paper, Silver gelatin print.

kurtkgledhill.myportfolio.com

Leica M2 Super-Angulon F4/21mm - Rollei RPX 100 - Adox Adonal Developer

NB: This is a parallel-view stereoscopic pair.

 

Yellow Lady’s Slipper (Cypripedium pubescens), DuPont State Recreational Forest

 

Always a treat to come across this most elegant and beautiful wildflower, especially here in the southern US, where it is quite rare.

 

Pentax K-1

SMC Pentax-A Macro 1:2.8 50mm

Iridient Developer

Affinity Photo

Darkroom, Film, Warm Tone Paper, Painted on Developer

Serafima wearing a wool sweater and holding a cluster of hydrangeas.

 

Nikon N90S

Nikkor AF DC 105mm f/2

Ilford Pan F Plus

Ichor film developer.

developer:Kodak T-Max 1+7 8'30" (18c)

Wolf's Lair - Adolf Hitler's Eastern Front military headquarters in World War II.

 

Perhaps the last person to take photos at this place with Kodak Retina was SS-Oberscharführer Rochus Misch (he writes in his memoirs that he had such a camera).

 

Kodak Retina I (type 148)

Kodak-Anastigmat Ektar f:3,5 F=5cm №1584503

Fomapan 100

Fomadon P Stock (23.5°C for 6mins)

developer: Fuji SPD super Prodol 1+4 5'30" (20c)

For Processing BW Film - Not For Drinking!

 

The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.

filmphotographystore.com/products/darkroom-supplies-caffe...

Farm. Kennett Square, PA

1938 RolleiCord

The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.

 

D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.

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