View allAll Photos Tagged Developer
Testing Kodak Tri-X 400 film in Moersch Finol developer.
Love the way Tri-X 400 flares!
Shot with an Olympus 35 SP 35mm film camera.
Exposed EI 240.
Developed in Moersch Finol 1+75, 5.30 minutes at 28°C, first minute constant agitation then 2 inversions every 20 seconds.
Fixed in Moersch ATS alcaline fixer to preserve the stain, 6.30 minutes, first minute constant agitation then 10 seconds inversions at beginning of each minute
Washed in flowing tap water for 8 minutes.
Scanned to true optical 2900dpi with a custom macro setup, then resized.
No sharpening or noise reduction applied.
Original file available.
High developer temperature takes a toll on grain size here, but decent performance nevertheless.
Decent performance in Finol, but for Tri-X at EI 240 I definitely prefer CG 512 / Rollei RLS.
Louisville, Colorado I'm sure various developers are trying to tear this farm away and replace it with homes or stores. Shame.
1060 Wien, Gumpendorfer Straße
Asahi Pentax SP 500, Vivitar 100mm 1:2.8 Auto
Ilford HP5 film/ Microphen developer
Roma
Agfa Optima III w/ Apotar lens 45mm f2.8 - Ilford FP4 Plus - Foma Universal developer diluted one shot 1+4, 8'
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
Since 2019, FPP has been releasing a series of B&W Monster films. To date they have: Dracula (64 ISO), Wolfman (100 ISO), Frankenstein (200 ISO), and TODAY they're adding one more. Introducing the Mummy, a 400 ISO B&W panchromatic film.
To make this announcement even more exciting, FPP is offering this film in: 8mm, 16mm (double perf), 35mm, 120, 620, 4x5", AND 8x10" sizes. As an 8x10 shooter, I'm incredibly excited to be a part of this launch and share with you some of my initial test results.
My video review can be watched here: youtu.be/TUYA7YBlM9c
Tachihara 8x10 Double Extension
Fujinon-W 250mm f/6.7
1 sec. @ f/11 + front rise
FPP Mummy 400 @ ISO 200
Pyrocat HD 1:1:100
Event: Foxfield General Classics
Location: Foxfield Railway, Blythe Bridge, Stoke-on-Trent
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor-C 90mm f/3.8
Film: Kodak Plus-X (expired 2004)
Shot ISO: 50
Light Meter: Weston Master II
Lighting: Overcast
Mounting: Manfrotto Tripod
Firing: Cable Release / Shutter Button
Developer: Ilford Ilfotec HC (1+31) - 5m 45s
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Taken on Mamiya 7 II and Kentmere 100 film on 5 January 2025. The sun was very low, just a few degrees above the horizon. The film was developed in the new SPUR Omega developer (1+18, 12 min) and printed on Ilford MGRC deLuxe in Moersch SE4 developer.
Nikon F100, expired Fuji Neopan 400 shot @400.
Self developed in Barry Thornton's 2 bath developer (Bath A: 4mn30, Bath B: 4mn30, 20C).
The recipe is here: www.barrythornton.com/
Seneca Improved View 5x7 + 4x5 reducing back, Bausch & Lomb 5x7 Tessar 1c f/4.5, New Guy Positive collodion (fresh)
f/4.5, 10 seconds
Concerned that this was my first plate after heavy silver bath maintenance. Sure no pinholes but despite a ton of filtering there are small specs all over if you look close on the scan.
Also concerned about the solvent streaks. I bet it was just too cold for any of the alcohol in the bath to actually evaporate. I even added less alcohol and acid to my developer than usual.
Nikon FM2, FP4+, Beutler developer. Wet printed on Ilford MGRC IV paper and scanned from the print. October 22, 2020
Mixed up a fresh batch of C-41 chemistry yesterday. This is an Argentix.ca kit, but it's the same as the Unicolor one, with developer, blix and stabilizer. I buy the 2 litre kit, but only mix 1 litre at a time, using a scale to weigh and divide the powders, before mixing them with water. A 2 litre kit is rated for 16 rolls, but I do about 40-50 rolls!
Olympus OM2 w/ 28mm f/3.5
Fujicolor Superia X-Tra 400, expired 05/2019
Home Developed in Argentix.ca C-41 kit (Unicolor)
Pakon F135
Camera: Shen Hao 5x7
Lens: Schneider G-Claron 270 mm (Dagor Type)
Film: Kodak TMY (TMax400)
Developer: Pyrocat-MC
Print Type: Contact
Paper: Foma Fomatone MG 542 Chamois
Paper Developer: PF130
Toner: Selenium
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Ayt Ali ou Ikkou, Assif Melloul valley, central High Atlas
Pentax MX, smc Pentax-M 1:4 200mm (most likely), Ilford HP5 film/ID-11 1+3 developer
Negative copied using Pentax K-1 with Schneider-Kreuznach Xenon-Zirconia 2.8/89-0001
petunia the cow at the Humboldt County Fair, aug. 2013
hand held holga in very dark barns. long exposure.
a lighter version below
Future is now.
Carl Zeiss Jena Sonnar 1:2 f=5cm (collapsible)
Kiev 4M
ORWO N75 @ 400ISO
Ilford ID11 Stock (9min 30sec)
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
Leica M2
Leica Summilux 35mm f/1.4 II
Adox CHS 100 Typ II
Adox Silvermax Developer (1+19)
8 min 30 sec 20°C
Scan from negative film
I love this picture. Combination of 1970s film and 1930s developer. Really looks like it a 1950s vintage. Helps to have shitty glass.... lol Helps that the sun was behind me for this shot.
‘Round-about town with the Lomography Diana + 20mm glass lens “fisheye” on a Nikon F4s (think thousand dollar holga with meter and auto film advance) with long expired Kodak Plus X Pan film. Film was shot at ISO 100 and developed one shot in homebrew Edwal 12 developer – 1:10, stand developed for 44 minutes. It was overcast and late in the day, sun was often behind the subjects and interfered with some of the scenes, but that is what you get. The church has been here probably since the 1930s and I only noticed it was being torn down and may be the last shots I could get of it, so I did what I could. I love this developer with this film. It is a fine grain developer and certainly popular with Plus-X over the decades.
Since this if the first time using a strict Edwal 12 formula in dilution and stand developing, I think these shots could have used a bit more development time. Any combination of slightly more light (or proper light), more dev time, or decrease the dilution. We’ll see on round 2.
I know I'm posting these late, but there are certain reasons why that have to do with my own methods of working on reviews. This past fall especially through October was beautiful with amazing days that I couldn't turn down taking out a certain film stock that's up for review next year because I had the developer mixed up. Not wanting to waste it I shot through three rolls for a YouTube Video and Review at the same time. This is from roll number one through the older parts of Kerr Village to the Oakville Harbour.
Canon EOS Elan 7 - Canon Zoom Lens EF 28-105mm 1:3.5-4.5 USM - ORWO UN54+ @ ASA-100
Flic Film B/W Cine Film Developer (Stock) 6:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Developer stamp on back reads "This is a Kodacolor Print. Made by Kodak. July 1963. L.W. Ward, Cedar Rapids, Iowa."
Photo was found on eBay.
Just something from the roll i was scanning today
Film: IDS Just click it
Lens: Cosina 70-210
Developer: Rollei digibase c41
In October 1881, developer John M. Ruck purchased a long parcel of property along West 58th Street that included vacant lots, a wooden stable, and one 25-foot wide "shanty.” Three months later, it was reported that Ruck's architects, Thom & Wilson, had filed plans for six buildings on the site, four of which were five-story brick flats and two private houses. Those would share a 25-foot wide plot, giving each a narrow 12.5 foot frontage. The architects disguised the slender proportions by designing mirror image brownstone-faced residences that appeared nearly as one. The house at 420 was initially operated as a boarding house; it seems to have been damaged when construction began on the apartment building next door to the east in 1928. The Ruck family retained ownership of the skinny house until 1940 when the Jay-Em-Arr Realty Corporation sold it to an unnamed buyer. Renovations included a a two-story extension that brought the entrance to sidewalk level. The original doorway was preserved, serving as an entrance to a sunroom at the former parlor level. Simultaneously the matching house at No. 422 was demolished in 1940 and replaced with an "office and storage" building.