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Old harbor, Genova, Italy.
September 2012.
Shot on an Arax-modified Kiev 60 6x6 medium format camera, Carl Zeiss Jena 50mm F4, exposure guessed at 1/250s F16 on Fujifilm Provia 400X.
Developed to N in Tetenal E6 3 bath Kit.
Scanned on a Hasseblad Flextight X5 @ 3200dpi.
Very light postprocessing.
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FPP D96 BW Developer (Powder to make 1 Gallon)
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The Film Photography Project brings you FPP D96 BW negative developer powder in handy packages that makes 1 Gallon of developer when mixed with water.
Long considered the go-to BW developer for the motion picture industry, D96 is a highly adaptable lower contrast film developer that enables you to increase the contrast by increasing your developing time or agitation. We’ve tested this developer with cinema films like FPP X2 (Eastman Double-X), FPP Blue Sensitive BW, ORWO Cinema Film and FPP LOW ISO BW and standard BW photography films like Kodak Tri-X, T-Max, Ilford FP4 and HP5 films to stunning results.
Powder Makes 1 Gallon of Developer
Long Shelf Life
Develop up to 50+ rolls
Average development time 7-8.5 minutes
This developer has a very long life, when you mix the gallon, you can store it on a one gallon jug OR store it in 4 one quart bottles. If you store in 4 separate 1 quart bottles, as you use it and the contrast begins to lower, start a second fresh bottle, and save the first one for extremely contrasty lighting or films. We recommend using it as a stock developer, use it without diluting and pour it back into your quart container for re-use.
What about diluting and using as “one-shot”?
You can also dilute it 1:1, but make sure you use fresh, unused stock for this and do not reuse this combination, it is one-shot. This developer will begin to lose contrast with use rather than completely exhaust.
The package makes 1 gallon of developer, which is about a 50% savings over buying it by the litre and if you store it in 4 one quart bottles it’s like getting 3 developers in 1, stock for re-use, stock for dilution for one-shot and a lower contrast bottle of used stock for hard lighting and high contrast films!
We are testing with many films but have found a lot to fall within 7 to 8.5 minutes. Massive Developing chart has a D96 developer option as well. Many report getting at least 50+ rolls from this quantity.
Here are starting times for some of our favorite films.
FILM ISO TEMP TIME
100Tmax 100 68F 7 minutes & 30 seconds
400Tmax 400 68F 8 minutes
TMZ3200 3200 68F 12.5 minutes
FPP Low ISO BW 6 68F 7 minutes
FPP SONIC BW 25 68F 8 minutes
Ferrania P30 80 68F 9 minutes
X2 (Double-X) 200 68F 7 minutes & 30 seconds
400 TX 400 68F 8 minutes
Orwo UN54 100 68F 5 minutes & 30 seconds
Orca B/W Lomo 100 68F 6 minutes
FP4 125 68F 8 minutes
HP5 400 68F 9 minutes
FPP Blue Sensitive 6 68F 7 minutes & 30 seconds
Polypan F 50 68F 9 minutes
Leica-M6 TTL 0.85. Elmarit-M 1:2.8/90mm. FP 4 Plus Ilford.
Developer Ilford ID 11 1+1 20º 11 min.
Nikon Super Coolscan 5000 ED. Film Scanner.
Schoolstraat . Kunsten centrum Venlo. Paard op stella'ge (Horse on scaffolding)
Thank you everyone for your visit, favorites and comments
Merci à tous pour votre visite, favoris et commentaires
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
Interesting softness. Shot in broad daylight with pushed Kodak 2383. Extremely fine grain even though the development was contrasty. Kodak 2383 pushed to ISO 6 (2 Stops) shot with Nikon N90s and Sigma EX 17-35 AF Zoom. Taking advantage of 2383's tendency to go dark when pushed. This was actually shot in broad daylight in the afternoon sun in an open yard. Interesting effects. Developed in FUJI RA-4 paper developer 1 to 14 dilution plus 10ml of 30% hydrogen peroxide to bring the developer to pH 10.59 (ECP 2 levels). Dev for 3 minutes at 100 degrees. Acid stop for 40 seconds. Bleached for 1 minute in potassium ferricyanide bleach, 1 minute wash, 40 second fix in home made ammonium thiosulfate fixer. Difficult to scan because both the scanner and I wanted to make it "daylight" instead of a very dark image as the negative confirms. More to be done here....
Beta test for new app "Tangent" (from the developer of Deco Sketch).
Apps: Tangent, Hipstamatic, DistressedFX, LiveDOF, Picfx
381 East 165th Street, aka 1038 Clay Avenue, is a unusual and notable house in several respects. Located on the western edge of the Morrisania neighborhood in the South Bronx, New York City, it is heavily covered in ivy, which although not unique in New York City, is certainly rare, especially in such a highly urbanized area. This photo shows the East 165th Street facade during winter. In other times of year, when the ivy is in bloom, the facade of the building is almost completely covered. Only at this time can one see the details of the building's exterior.
The house was built in 1906 for hardware store manufacturer Francis Keil and was designed by architect Charles S. Clark. Before moving to this house, Keil and his family lived in one of the rowhouses on Clay Avenue within what is now the Clay Avenue Historic District. Keil's attraction to the area was likely due to the fact his business was located only a few blocks away. As for Clark, among his other work he also designed a row of Queen Anne stye rowhouses in the Perry Avenue Historic District, located in the northern Bronx.
381 East 165th Street is the odd duck within the City-designated Clay Avenue Historic District. The historic district, which encompasses the facing blockfronts of Clay Avenue between East 165th Street and East 166th Street, consists primarily of 2-family rowhouses. The district also includes three apartment buildings, but no other single family homes. This is also the only building in the district designed by Clark and the only one not built by developer Ernest Wenigmann. Wenigmann had owned this property, but sold it to Keil in 1906.
The historic district report refers to this area as "a distinctive enclave dating from the early period of urban development in the Bronx." The house at 381 East 165th Street is an exception inside an enclave, a truly one of a kind building. It is a good example of how New York often provides the unexpected and the beautiful, ready to be found if one keeps a lookout for it.
1920s box camera manufactured by W. Butcher & Sons, London. Meniscus lens, 3 sliding stops. Takes 120 film.
I'm already using coffee (caffenol c) as a developer for my bw films. Today I want to try to cross process a fuji nph 400 color negativ film. Took a few pictures this morning. On some blogs about caffenol there was mentioned that coffee is also able to develop these color films and is even used for paper prints. The color is almost 'washed' away but the film then is some kind of toned. I'm looking forward for the results.
Things needed are:
* instant coffee
* soda
* vitamin c
* potassium bromid
* citric acid
* fixing liquid
* a tank for the film
The film stays in the soup for about 15 minutes. The tank should be carefully agitated for the whole first minute and then three times every minute. After flushing with water the process is stopped by citric acid. The citric acid solution stays in the tank for 1-2 minutes. Then after another flushing with water fill in the fixer (e.g. Ilford Rapid Fixer or any other available for b&w films). Fixer stays for 8-12 minutes. Then wash the film following the Ilford scheme (3-6-12-24 agitations or 5-10-15-25). Last step is flushing with distilled water.
Industrial landscape...
March of the 2015. Sevastopol, Crimea, Russia.
Pentax Spotmatic - the first naitive one / Super-Takumar 55:1.8 / The genuine AGFA APX-100
Developed by selfmade deluted D-23 developer
Camera: Canon Nikon FM2n
Lens: Nikkor 50/1.8
Film: Ilford HP5+ @800
Developer: Ilfotec DD-X 10:00 @20°C
Wandering around campus after a bit of a significant rain fall makes excellent use of HP5+!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 - Ilford HP5+ @ ASA-400
Adox Scala Developer (1+1) 10:15 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Minolta Dynax 7xi
Minolta Maxxum AF 50mm/f1.7
Ilford HP5+ @ 800ISO
Foma Fomadon Excel stock for 12min. (19°C)
Leslie Lazenby is joined by Mat Marrash and Michael Raso for a thorough overview of Black and White Film Developers.
Leica M6 'Wetzlar'
50mm Summicron ver. IV
Eastman 5222 (Double-X)
EI 320
Pyrocat-HD (1:1:100) @ 20° @ 18 min. w/ gentle inversions every 3 min.
Not sharpened
This is the refrigerator where I store my homemade wine. I keep it at 55 degrees. This was shot with my little Hello Kitty 35mm APS camera, a Jazz 206 clone, and using the tiny flash on the camera to light the subject with. It shows a lot of curvy distortion because it's a cheap camera.
I used some cut down Fuji Neopan Acros 100 film in it and then developed the resulting image in a new film developing recipe I created using my homemade blackberry wine. I first concocted it tonight and got super results the first time out. This is the recipe:
450 ml. Blackberry Wine (my own homemade vintage)
45 g. Washing Soda
2 g. Vitamin C Powder
1 g. Potassium Bromide
1/2 tsp. of salt
The bottom layer of the middle shelf is some more of the same blackberry wine I developed this shot with.
Camera: Hello Kitty 35mm APS camera (Jazz 206 clone)
Lens: 27mm Optical Lens
Film: Fuji Film Neopan Acros 100 B&W (expired 10/2019)
Date: January 17th, 2022, 2.39 a.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals at 68 degrees F
Presoak: 5 minutes
Developer: Blackberry Wine developer, 60 mins. 5 sec. swirls every minute
Water Rinse: 1 minute
Ilford Ilfostop Stopbath: 1 minute, 30 seconds swirl, 30 seconds stand
Water Rinse: 1 minute
Kodak Kodafix Fixer: 9 minutes, 4 wine glass swirls every minute
Water Rinse: 1 minute
Hello Kitty Fuji Acros 100 Blackberry Wine Developer 2022 01ef
Hasselblad 503CX
Kodak TMX 100
Kodak T-max film developer
Ilford Multigrade FB 1K
Ilford Multigrade paper developer + Hypam fix
Since my new darkroom is still not finished, and I will have to wait a few more weeks (gahhh. ..), and I have nowhere to hang film, so I can not even develop more film so far because of it, I thought that I should scan a few old copies from back in the time when I had a working darkroom.
These two are on a hunters hiding place that has passed its best before date some time ago, deep inside a forest which I and my family often visited.
Homemade coffee based film developer.
My formula:
Dissolve 5tbs instant coffee in 6oz water.
Dissolve 4tbs washing soda in 2oz of water. Stir until uniform.
Add soda solution to coffee.
Dissolve 1000mg Vitamin C in 2oz water. Dissolves fast.
Add Vitamin C solution to coffee/washing soda mixture.
Put in freezer until temp lowers to 20C.
I developed for 15 minutes, agitating 15 seconds for every minute of development.
Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture
Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.
Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):
English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)
German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)
Leica-M6 TTL 0.85. Elmarit-M 1:2.8/90mm. FP 4 Plus Ilford.
Developer Ilford ID 11 1+1 20º 11 min.
Nikon Super Coolscan 5000 ED. Film Scanner.
Beelden tuin, Depot Arboretum Wageningen.
Statue art.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
Fujifilm X-T1, Iridient Developer & Aperture
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps
I was looking at a sunset on the other side, then I turned around and saw these clouds.
I am using Canon 60D with Canon 24-105mm f/4L IS USM and Canon 50mm f/1.4 USM lenses.
I am a freelance web designer and developer in Ottawa.
VSCC Loton Park 2019
Camera // Hasselblad 500CM
Film // Kodak Portra 160
Developer // Tetenal C-41
Scanned // Epson V850