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FP4 35mm in Finol,

Kallitype, HPR, Sodium acetate developer,

MT10 Gold toner 8 mins prior to fixing

Kodak TMY in Pyro48,

Kallitype onto Hahnemühle Platinum Rag,

Sodium acetate developer, MT3 Vario toner

Holga 120N, Efke IR820, efd,

Platinum/Palladium 20x20cm on Arches Platine, warm tone developer oxalate/phosphate 1:1 at 45°C

Photo information:

ISO: 200

Film type: 135

Film name: Rollei RPX 100

Developer: Kodak D-76

Process: 20°C.

Developer dilution: 1+1

Developing time: 15'

Agitation: in 20 sec every 1 min.

Camera: Nikon F4.

Lens: AF-S Nikkor 28-70mm 1:2.8 D

Filter(s) used: no

Aperture: 8

Exposure time: 1/10

Focal length: 28

Scanner manufacturer: Epson Perfection V550 Photo.

Excerpt from www.cambridge.ca/en/learn-about/resources/Dickson-Hill-HC...:

 

Dickson Hill is one of the most unique communities in the City of Cambridge. Dickson Hill is named for the Honourable William Dickson, a prominent Galt settler who arrived to the area in 1816. Dickson is credited with founding the Village of Galt due to his considerable land holdings and was responsible for much of the commercial development on the west bank of the Grand River.

 

His son, William Dickson Jr., acquired most of the lands that currently make up the residential area of Dickson Hill. His own residence, located at 16 Byng Avenue was constructed in 1832. The development of the residential component occurred over several decades and by a series of developers. Florence Dickson, niece to William Dickson Jr., and his heir, controlled the development of this area until the 1890’s.

 

Dickson Hill features an extremely high concentration of significant buildings of various types: residential, institutional, commercial and manufacturing. In addition to the buildings, key elements that define the character of Dickson Hill are:

• Tree-lined streets;

• Distinctive globe street lights; and

• Prominent urban public spaces and landscape features.

Small waterfall below Secret Falls, Nantahala National Forest.

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

Queen Branch, Mainspring Conservation Trust, Macon County NC

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Autumn comes to the salt marsh, Bald Head Island, North Carolina

 

Minimal post-processing, thanks to the use of a 2-stop GND filter (and a polarizer)

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

www.altviewphoto.com

 

Soon forgotten because I spoke with the guy that owns the land who pulled up to me on his ATV to find out what I was doing. A nice guy with his wife who saw i wasn't trying to break in or dump trash and after a fairly nice conversation, he explained he had sold the land to a developer, and they would be tearing down the house in a couple of weeks.

A hasty three shot panorama taken from the traffic island in the middle of Regent Street while competing for space with tourists snapping the view of the Christmas lights down the street to the right..

 

From Wikipedia:

Hamleys of London Limited, trading as Hamleys, is a British multinational toy retailer, owned by Reliance Retail. Listed in the Guinness Book of Records as the world's oldest toy store, it was founded by William Hamley as "Noah's Ark" in High Holborn, London, in 1760. It moved to its current site on Regent Street in London's West End in 1881. This flagship store is set over seven floors, with more than 50,000 lines of toys on sale. It receives around five million visitors each year, and in 1994 was the largest toy shop in the world.

en.wikipedia.org/wiki/Hamleys

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100x: The 2024 Edition

 

100/100 London landmarks by night

 

It seems I must have misnumbered my entries to the 100x group, and have reached the group's limit. So I am renumbering this to 100 and calling it a night. It has been a fun and rewarding challenge and I thank everyone who faved, commented and viewed these images.

Cisternino - Puglia, southern Italy

 

Nikon F801S

Voigtländer Ultron 40mm f/2 SL-II

Fomapan 400

D23 1+1 @20°C

Detail of a wooden hull.

Hasselblad Planar, TMY in Tanol,

Kallitype on Hahnemühle Platinum Rag,

Oxalate/Acetate developer, ATS alkaline fixer,

MT3 Vario toner: bleach 1+50 30secs, toner setting e

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

Park Boulevard, Joshua Tree National Park. A snowy San Gorgonio Mountain (“Old Grayback”) framed by the park's namesake plants, Yucca brevifolia.

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

"An early-morning walk is a blessing for the whole day."

Henry David Thoreau

 

“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”

E. M. Forster

 

“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown

 

(Crop from 4x5 negative shot with a Linhof Kardon Color and Fujinon T 400 f/8 lens on Fomapan 100; developed in Moersch Eco Film Developer; digitized with DSLR; edited with GIMP)

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.

 

I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.

 

Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.

 

-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg

-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography

Rolleiflex SL66, Carl Zeiss Sonnar 4/150 short tele, Kodak Tmax 400 film, Romek PQ7 1+3 developer.

Eno River State Park, Cabelands section

 

Pentax K-1

SMC Pentax 1:1.8 85mm

Iridient Developer

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

Fifeshire Rock, Nelson, New Zealand

 

Pentax K-1

SMC Pentax-FA 1:1.4 50mm

Iridient Developer

Pentax 6x7 MLU + 55mm Lens

Kentmere Pan 400 Film + ADOX Developer.

 

Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.

 

www.paulgreeves.co.uk

 

www.instagram.com/paulgreeves810/

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

Kallitype on Hahnemühle Platinum, Sodiumacetat Developer

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

 

Experimenting further to see what I can use for developer when using an inkjet printer with developer on photo paper. This will also finally allow to print a photo on photo paper without a dark room.

 

Here I brush on Foma Variant 312 paper the retro320 developer. It gives enough time to make some creative decisions. Toning with Ferro Blend (red) and FAC plus Kferro (Blue)

Rollei SL66SE, Carl Zeiss Planar 80mm f/2.8, Lens tilt used. Kodak Technical Pan developed in Technidol, 60mm negative digitised by photographing on a light pad, digital processing in Lightroom.

 

The geotag is approximate.

Website | Twitter | 500px | Facebook | Instagram | Getty

 

They're windows developers, but not the Win32 kind!

The Point, Oak Island

 

Pentax K-1

Lensbaby Velvet 56mm

Iridient Developer

Zenza Bronica ETRS

AGFA APX 100

Moersch ECO developer

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

continuing to become better acquainted with this new-to-me Graflex Crown Graphic 2x3 and with working with sheet film generally. I like much about this image. Am puzzled though by thebreakdown of the surface into abstracted little tonal blocks (hinting at a Cezanne-like compartmentalization). Developer, fixer, developing process in general (temps, time, so on). The film? Ah, the many mysterious variables...

Cullasaja Gorge, Nantahala National Forest

 

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

developer: Kodak T-Max 1+7 16' (16c)

I'd been looking forward to taking a 'flight' on the BA i360. Shortly after arriving in Brighton I got a text to say the trip was postponed due to unforeseen circumstances. Luckily we were able to reschedule for later that afternoon.

 

It was well worth going up as the views were impressive but, like the same designers London Eye, photos aren't easy due to the reflections created by the convex shape of the 'pod'. Here I've enhanced' the curves by using my 8mm Samyang fisheye lens and then 'flipped' the result. The result is somehow quite ominous.......

 

Click here for more of my Brighton photos : www.flickr.com/photos/darrellg/albums/72157711496500242

 

From Wikipedia : "British Airways i360 is a 162 m (531 ft) observation tower on the seafront of Brighton, East Sussex, England at the landward end of the former West Pier. The tower opened on 4 August 2016. From the fully enclosed viewing pod, visitors experience 360-degree views across Brighton, the South Downs, the English Channel and on the clearest days it is possible to see Beachy Head 27 km (17 mi) to the east and the Isle of Wight 66 km (41 mi) to the west.

 

British Airways i360 was designed, engineered, manufactured and promoted by the team responsible for the London Eye. It is estimated by the developers that the i360 will generate more than 440 permanent jobs; 160 posts at the attraction, and additional jobs from the spin-off benefits to other businesses in the city. The attraction cost £46 million, with £36 million being funded by a Public Works Loan Board (PWLB) loan through Brighton and Hove city council.

 

Formerly known as the "Brighton i360", the project aimed to attract 739,000 paying customers every year. The owner of the site, the West Pier Trust, hoped in 2014 that a successful i360 would lead to the rebuilding of the historic West Pier. The i360 carried its 1,000,000th passenger on the 11am flight on 11 March 2019."

 

My Website : Twitter : Facebook : Instagram : Photocrowd

 

© D.Godliman

developer: Fuji Microfine 11' (20c)

Rolleiflex 2,8F; Zeiss Planar 2,8/80; Ildord Delta 100 120 B&W fil; Romek PQ7 developer 1+3.

Leica M2

Leica Summilux 35mm f/1.4 II

Ferrania P30

Adox Silvermax Developer (1+29)

11 min 20°C

Scan from negative film

Si disgrega lo sguardo

in abissi soffusi

  

The gaze unravels

into hushed abysses.

 

Olympus om2

Film: Fomapan 400

Developer: Bellini Hydrofen

Paper: ILFORD MULTIGRADE FB Matt 6x9

Developer: Bellini Eco

Fixer: Bellini Eco

DURST M601

The Hollow Rock, Duke Forest

 

590nm IR-converted Pentax K-5

Lensbaby Sol 45

Iridient Developer

Sabal palmetto, Bald Head Island

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

- Camera: 1940's Japanese half plate with 4x5 adapters

- Lens: 1890's Hermagis Aplanastigmat 1:7 f=310 mm

- Negative: Arista EDU Ultra VC RC Paper

- Set at ISO 6

- Developer: Caffenol C-M.

- Location: Public garden in Bordeaux, France

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