Ilford ID-11
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Leica MP
Leica 35mm F2.0
Fuji RDP III 100
CineStill D9 First Developer Bath 1+1 9mins 30 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
© All Rights Reserved
A year ago today, we had first snow in our then neighbourhood. It was a bit of winter wonderland. I wonder how much land developers of suburban neighbourhoods take winter landscaping into consideration.
Camera: Graflex Century Graphic
Film: Kodak T-Max 400
Developer: Ars Imago Monobath
Scanner: Epson V850 Pro
Scannersoftware: SilverFast
Rolleiflex T, Delta 400 @ISO800 in Finol,
Kallitype onto Hahnemühle Platinum Rag,
developer Rochelle salt, MT10 Gold Toner 2 minutes after fixing.
Delta 100 4x5 in MZB,
Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.
Platinum toner (6th print in 250ml) 70 seconds.
The mini-park (half of it in view here) was supposed to be built more than a decade ago. A Berlin developer made plans with Bamberg city and the Bavarian state that envisioned the six-storey condominium apartment buildings on the perimeter of Erba Park (then a state horticultural fair). And the mini-park would be in the middle of the condominiums. Things did not go as planned. Some of the construction firms went broke, the developer died, a huge mound of construction-related earth in the mini-park area was fenced off for years. Funds were tied up in negotiations with the city and then in court proceedings. A decade later, they have finally sorted it all out. The little park is being built. [DSC04760_lr_3000]
Thank you all for your clicks, comments and faves.
Kallitype on HPR.
Dig neg.
Henry Hall's developer from 1903 (sodium acetate + tartaric acid).
Toned in used Thiourea-Gold.
Midsummer 2014.
The southwestern point of Bald Head Island, where the Cape Fear River meets the Atlantic
Pentax K-1
SMC Pentax 1:3.5 28mm
Iridient Developer
Das Record Rapid ist eines der Papiere, die keinen, oder nur wenig Verzögerer im Lithentwickler benötigen. Easy Lith FT Special enthält jedoch eine größere Menge Kaliumbromid. Dennoch kann dieser Entwickler verwendet werden, das Papier benötigt dann jedoch eine erheblich längere Belichtungszeit. Unabhängig von der Entwicklerabstimmung liegt der Snatch-Point normalerweise bei etwa 10 Minuten. Auch bei einer längeren Belichtungszeit kommen dann die Lichter nicht wesentlich farbiger, es sei denn, es wird ein zweiter Entwickler für die Lichter eingesetzt. Nach der üblichen langen Entwicklungszeit im Lith, bringt der zweite Entwickler allerdings nur wenig Effekt, weil die Lichter schon ausentwickelt sind. Soll ein anderer Ton für die Lichter erzeugt werden, muß die Entwicklungszeit im Lith verkürzt werden, damit der zweite Entwickler noch ausreichend unentwickeltes Silbersalz vorfindet. Allerdings würde dann das, für dieses Papier übliche tiefe Schwarz fehlen. Deshalb braucht es eine kurze Behandlung mit einem Nachbrenner (mit B oder Omega) nach dem Lith. Sobald sich ein tiefes Schwarz in den Schatten zeigt, wird zweimal kurz gespült, bevor im Siena die noch fehlenden Lichter entwickelt werden. Das mag kompliziert klingen, doch erfahrene Lithprinter werden dies nachvollziehen können.
Record Rapid is one of the papers that require little or no restrainer in the lith developer. Easy Lith FT Special, however, contains a larger amount of potassium bromide. Nevertheless, this developer can be used, but the paper then needs a considerably longer exposure time. Regardless of the developer adjustment, the snatch point is usually around 10 minutes. Even with a longer exposure time, the highlights then do not come out much more coloured, unless a second developer is used for the highlights. After the usual long development time in the lith, however, the second developer brings little effect because the highlights are already developed out. If a different tone is to be produced for the highlights, the development time in the lith must be shortened so that the second developer still finds sufficient undeveloped silver salt. However, the deep black that is usual for this paper would then be missing. Therefore, it needs a short treatment with an afterburner (with B or Omega) after the lith. As soon as a deep black appears in the shadows, a short rinse is done twice before the still missing highlights are developed in the Siena developer. This may sound complicated, but experienced lith printers will be able to follow this.
Delta 100 4x5 in MZB,
Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.
MT3 Vario toner: bleach 1+50 30 secs, toner setting A50+40+900ml 30 secs.
Hasselblad 501CM, Planar 80mm,
PXP @400ASA in eco film developer.
Lobotype onto HPR
MT7 Iron Blue Toner 5+5+20+5+600ml 1:30 mins, followed by Lead acetate toner 1,25% 30 secs.
I've been trying different developers. And also trying to find a way to like or 'get' Fomapan in general.
I had a pack of Foma Retro Special developer and decided to just go for it. I think I like it better than anything I've used for Foma/Arista.
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.
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'And Yet I Smell No Smoke'
Camera: Mamiya RB67
Lens: Mamiya-Sekor 3.8/90mm
Film: Arista Edu Ultra 100 (Fomapan 100)
Process: Foma Retro Special; 4min
Ancient Lakes, Washington
June 2020
Meaning is Context sensitive.
Lately the techies I spend time with have been talking about FullStack Developers as an experience class. I used this picture to make a point in that context.
A Prior use of this image was in my 'fall season' photography album.
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Explore: Highest position: 340 on Tuesday, October 21, 2014
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Prior use as: "Fall fungus":
Another find on one the Fall walks of this year through the local Conservation area.
Eno River State Park
Playing with my new lens
590nm IR-converted Pentax K-5
Lensbaby Sol 45/3.5
Iridient Developer
Kallitype on Hahnemühle Platinum Rag.
The print negative was made from a scanned Lumen Print.
Sodium acetate developer,
MT3 Vario toner: bleach 1+75 40 seconds, toner setting A (50ml+40ml+900ml), followed by MT10 Gold toner 4 minutes.
Outdoor skate park art on direct positive paper, developed in camera using Eco Pro developer and fixer.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Olympus OM4, Olympus OM Zuiko fisheye 16mm f/3.5, built-in orange filter, Kodak High Speed Infra-red Film developed in Kodak D76, negative scanned, digital processing in Lightroom.
Many of the Fells described in Wainwright's Volume Six are imaged in this shot. Pages High Stile 11-14 of that volume have helped in the labelling of the photo.
en.wikipedia.org/wiki/Alfred_Wainwright
en.wikipedia.org/wiki/List_of_Wainwrights
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
# Camera: Balda CA35
# Film: Ilford XP2
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Edited with Iridient Developer
Camera: Nikon F6
Lens: Zeiss Makro-Planar T* 100mm F/2
Film: Kodak Ultramax 400
Developer: Lab
Scanner: Lab
Software: Camera Raw
a seagull flies against strong wind on the Sydney coast, July 2020. Olympus OM4-Ti OM Zuiko 21mm f/3.5, Ilford HP5+ in Ilfotec HC developer dilution 1+47. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.
Dead developer browns - the death of me. Only two images in this whole pack weren't completely dead! Arghhh.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Eno River State Park, October 30 2019
Pentax K-1
SMC Pentax 1:1.8 85mm
Panorama crop
Iridient Developer
Gigas, old oyster boat in Bay Center, Washington.
Camera: Leica IIIf
Lens: Leitz Summaron 3.5cm f/3.5, Yellow Filter
Film: Ilford FP4+
Developer: Beerenol (Rainier Beer)
Game: The Witcher 3: Wild Hunt.
Developer: CD Projekt Red.
Publisher: CD Projekt.
Engine: REDengine 3.
Genre: Action Role-Playing.
Platform: PC.
Aria on the Bay is a high-rise condominium located in the Omni/Edgewater neighborhood at 1770 North Bayshore Drive, Miami, Florida, USA overlooking Margaret Pace Park and Biscayne Bay in Miami's Arts & Entertainment District, Aria on the Bay location is conveniently located to Downtown Miami, Design District, Wynwood, The Beaches and Brickell. It was approved at a height of 535 feet (163 m) in 2015 after an initial notice of presumed hazard by the FAA, who recommended a height of 460 feet. The 53-story building will have over 648 units ranging from 813-2365 sq ft as well as commercial space. Aria on the Bay is being developed by Melo Group and is designed by Arquitectonica who is handling the architecture, interior design and landscape.
Credit for the data above is given to the following websites:
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Yet another lovely day, for my purposes -- cloudy, with intermittent rain and light winds -- at Eno River State Park. Not certain but I think the trees showing color here are Green Ash.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Leica M2
Leica Summilux 35mm f/1.4 II
Adox Silvermax
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
NB: This is a parallel-view stereoscopic pair.
Showy Orchis (Galearis spectabilis), Cullasaja Gorge, Nantahala National Forest
Having spotted some leaves and seed pods of Galearis last year, I was eager to return in springtime, and I was not disappointed.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Affinity Photo