Rodinal Special / R09 Spezial
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NEMA, (896 ft - 273.1 m, 2017-2019)
(also 1210 South Indiana and formerly 113 East Roosevelt or One Grant Park) is a 76-story residential skyscraper in Chicago, Illinois in the Central Station neighborhood, of the Near South Side. The tower, built by developer Crescent Heights, has 800 apartments and rises 896 feet (273.1 m) making it the city's tallest rental apartment building. NEMA is currently the eighth-tallest building in Chicago and the forty first-tallest building in the United States. It is the tallest all-rental residential building in the city.
en.wikipedia.org/wiki/NEMA_(Chicago)
fr.wikipedia.org/wiki/One_Grant_Park
Sears or Willis Tower (1,451-ft - 442.3 m, 1970-74)
en.wikipedia.org/wiki/Willis_Tower
fr.wikipedia.org/wiki/Willis_Tower
Lake Michigan - 22,404 sq mi (58,030 km²), 307 mi (494 km) x 118 mi (190 km). Lake Michigan is one of the five Great Lakes of North America. It is the second-largest of the Great Lakes by volume (1,180 cu mi (4,900 km3) and the third-largest by surface area.
en.wikipedia.org/wiki/Lake_Michigan
fr.wikipedia.org/wiki/Lac_Michigan
July 2019 - Uploaded 2022/12/16
Bloomington architect George Miller designed this beautiful Queen Anne style house for Edward & Ora Gridley in 1885. Edward Gridley was the son of Asahel Gridley, a local land developer and attorney. The house was preserved by Alice Light McTurnan, whose family lived here from 1904 to 1996.
The Edward & Ora Gridley House is a contributing property in Bloomington's East Grove Street District. This residential historic district includes 43 houses and apartment buildings, 25 of which are considered contributing buildings. The houses in the district were built between 1855 and 1915 for many of Bloomington's upper middle class residents. Due to a building boom between 1880 and 1900, the then-popular Queen Anne style is the most prevalent in the district. Other popular architectural styles in the district include Greek Revival homes from the 1850s, Italianate homes built between 1860 and 1880, and Arts and Crafts homes built in the 1900s. The district was added to the National Register of Historic Places (NRHP) in 1987.
Bloomington is the seat of McLean County. It is adjacent to Normal, and is the more populous of the two principal municipalities of the Bloomington-Normal metropolitan area. Bloomington is 135 miles (217 km) southwest of Chicago, and 162 miles (261 km) northeast of St. Louis. The estimated population of Bloomington in 2019 was 77,330, with a metro population of 191,067.
Hasselblad 501CM 80mm, Efke IR820 in Finol,
Kallitype, COT-320,
Ammonium citrate developer, MT10 Gold toner prior to fixing.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
Zwischendurch mal etwas zum Aufwärmen.
Linhof Technika Tmax 100 in Tanol,
Kallitype onto HPR,
developer Rochelle salt and Sodium tungstate mixture.
Olympus OM2, red filter, Kodak High-Speed Infra-Red film developed in Kodak D76, negative scanned, digital processing in Lightroom.
The geotag is accurate to a few hundred metres only.
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Im Dunkelsteiner Wald bei Gansbach, Niederösterreich
Zenza Bronica EC, Zenzanon MC 1:2.4 f=80mm, Marumi MC-YA2 orange filter, f/8, 1/15
Ilford Delta 100 film/Adox FX-39 II 1+14 developer
Live Oaks (Quercus virginiana), Spring Island, South Carolina
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Nikon N80 (2000)
Nikon ED Nikkor 28-200mm 3.5-5.6G
Ilford SFX 200
Kodak HC-110 Developer
DsLr ScAn
LRC/Negative Pro
An old oak tree in the middle of a meadow near of my home. I walk this meadow very often and the tree has become a friend of mine. Leica M6, Summilux-M 1,4/35mm asph. (ltd. edition), Kodak TriX 400 prozessed with MZB two bath- balanced developer at ISO 250, scanned with Nikon Supercoolscan 8000ED.
ALL RIGHT RESERVED
All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
This is the MacDonald Stump image made on Kodak Tmax 400, rated at 200 ASA and developed in Thornton 2 Bath developer (5 + 5), for comparison with the one made on Ilford FP4+. Both good, both very different in look/feel.
But TMY is remarkable when developed with the Thornton 2 Bath developer. Grain practically vanishes, and the tonality is exceptional.
See the FP4 version here: flic.kr/p/2r2ppjG
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Hiding place...
Camera // Hasselblad 500CM
Film // Kodak Portra 160
Developer // Tetenal C-41
Scanned // Epson V850
Paine’s Bridge, Chatsworth, Derbyshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
º
Nikon F-801s
GN Auto Nikkor 45mm ƒ2.8 - Ai-converted
Kodak Ektachrome 100D_5285 Cine film [exp. 2008]
DIY ECN-2_3:45min
3 x 2-panel stitches
º
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Upper section of Quarry Falls, Cullasaja Gorge, Nantahala National Forest
Pentax K-1
SMC Pentax-A 1:2.8 24mm (4-shot stitch)
Iridient Developer
Affinity Photo
Rollei SL66SE, Carl Zeiss Planar 80mm f/2.8, Lens tilt used. Kodak Technical Pan developed in Technidol, 60mm negative digitised by photographing on a light pad, digital processing in Lightroom.
The geotag is approximate.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
(Mamiya RB67; Sekor C 3.8/90mm; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR+hugin; edited with GIMP)
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
If I was an ant living near Dow's Lake, I sure would be happier if Ottawa's urban development was a little more cohesive and didn't pander so much to the developers. It's too bad Gréber didn't have Haussmann's or L'Enfant's vision, cojones or clout...
Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Leica M2
Leica Summilux 35mm f/1.4 II
Adox Silvermax
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Part of the album:
www.flickr.com/photos/fransvanhoogstraten/albums/72177720...
Rolleiflex f/2.8. Film: Tri-X @400
Developer: DD-X 1:4 for 8 minutes, 20 °C.
Nikon Coolscan 9000 ED, Silverfast 9 Ai, Lightroom.
A couple of frames to illustrate the point of the Divided D76H, highlight preservation. The Courtyard has lovely shiny tiles so reflects the light beautifully and it was kind when I walked past. The stairs were a sunny sixteen challenge as well. There the lamp isn't blown out yet there is great shadow detail.
The developer is actually a variant on the Vestal divided D76. He couldn't remember on mixing if the sulphite went in A or B bath so split between them. The H is added as this formula looses the Hydroquinone but boosts the metol and borax, I ran 5mins in both baths with continuous gentle agitation.
For developer detaiols ee The Film Developing Cookbook Pg 85
Film is the ORWO N74 movie film in IXMOO home loaded with yellow filter on the f2 ZM Biogon 35mm.
Joshua Tree (Yucca brevifolia), down but not out. This higher-elevation section of the park is remarkably lush, from the abundance of flowers in this “superbloom” year as well as the pinyon-juniper forest intermixed with Joshua Trees.
Pentax K-1
Mirex tilt/shift adapater
SMC Pentax-A 645 1:3.5 150mm
Iridient Developer