Painting with Developer
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TD: Ilford HP5 35mm film, developer ID-11 7'30" 20°C. Exposure ISO 400 @35mm lens, natural daylight. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Efke IR820 in Eco film developer,
Kallitype onto HPR,
Ammonium citrate developer,
MT10 Gold toner after fixing.
Holga 120N, Efke IR820, eco film developer,
Kallitype.
Directly used MT17 Selenium toner decreases the saturation. After a pre-toning with Lead, the opposite happens.
TD: Kodak Tri-X 35mm film, developer D76 1+1 8'20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
I'm evaluating an old Bessa (Skopar f3.5, used wide open) to see how it performs in this context. Also evaluating my current batch of Bergger Pancro 400, which has misbehaved badly any time I have run it through any of the Pyro developers (totally unusable negs). I made up fresh D-76 last night and ran this test roll through it (1:1, 17 min) and its OK. I get the impression that there's something not quite right with the current Pancro 400 (120 roll) so I will likely avoid it for the foreseeable future.
Hasselblad 501CM, Planar 100 with extension tube, FP4 in Pyro 48.
Kallitype onto HPR, developer ochre 3,
MT3 Vario Toner - short bleach, toner setting A.
Holga 120N, Efke IR820 in eco film developer.
Mike Ware´s New Cyanotype on Hahnemühle Platinum Rag.
Lead acetate toner 1,75% 2:45 minutes.
Coastal oak forest with an understory of Saw Palmetto (Serenoa repens), Big Talbot Island State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Camera: Rolleiflex 3.5F Modell 3 (1964)
Lens: Carl Zeiss Planar 3.5/75mm
Film: Bergger Panchro 400
Developer: Bergger PKM
Location: Piazza Adriana, Roma, Italia
Kallitype on HPR.
The print negative was made from a lith print, of a directly enlarged rose branch.
Sodium acetate developer, clearing bath Citric acid, ATS acidic fixer.
After wash bleached and redeveloped with SE6 Blue, to achieve a deeper black for the following toning process
Alkalien copper toner followed by MT3 Vario toner 50+10+900ml.
Meaning is Context sensitive.
Lately the techies I spend time with have been talking about FullStack Developers as an experience class. I used this picture to make a point in that context.
A Prior use of this image was in my 'fall season' photography album.
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Explore: Highest position: 340 on Tuesday, October 21, 2014
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Prior use as: "Fall fungus":
Another find on one the Fall walks of this year through the local Conservation area.
Efke IR820 with yellow filter,
eco film developer.
Kallitype onto Hahnemühle Platinum Rag.
Ich experimentiere immer noch mit dem Mischungsverhältnis von Kalium-Natriumtartrat und Natriumwolframat. Der Vorteil einer wärmeren Farbe durch den Zusatz von Wolframat wird erkauft durch die Notwendigkeit einer erheblich längeren Belichtungszeit, denn im Fixierbad hellt der Print ungewöhnlich stark auf. Ein lösbares Problem, sollte man meinen. Wenn aber ein Entwickler im Ergebnis derart stark von allen anderen abweicht, wird die Sache komplizierter, besonders für Anwender, die mit solchen Problemen überhaupt nicht rechnen, wenn sie von den bisher verwendeten Entwicklern auf diese Mischung umsteigen.
I am still experimenting with the mixing ratio of potassium sodium tartrate and sodium tungstate. The advantage of a warmer colour due to the addition of tungstate comes at the cost of a considerably longer exposure time, because the print brightens unusually strongly in the fixing bath. A solvable problem, one would think. But when the result of one developer differs so much from all the others, things become more complicated, especially for users who are not expecting such problems when they switch from the developers they have been using to this mixture.
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Bridal Veil Falls at high flow, Cullasaja Gorge, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
A high green and a low red on the Burlington Northern Santa Fe track across the high plains of northern Wyoming. Caught on film, Kodak Retina Ib camera, Fomapan 400 film, caffenol developer.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Filter: None
Film: HP5 400 @ 200 ISO
Developer: Pyrocat HD 1+1+100 7.5 min. 70°
Scanned from lith print on Slavich Unibrom 160 FB SW.
Arista Liquid Lith
SEE THE CAMERA HERE:
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
2012. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
Double Crossed September2024. Double exposure. Two tracks crossing near the Little Rock Riverport in Little Rock, Arkansas USA.RolleiRetro400. CanonSureShotTele 40/70-f2.8/4.9Lenses YellowFilter Developer:Diafine5+5 Washed:AGOFilmProcessor CameraScan:FujifilmXH1
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Transitional woods in James River Park, Richmond, Virginia
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Minolta Autocord, Kentmere 100 @ISO100, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix. 1/8 strength K&F black mist filter used during scanning.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Asahi Pentax MX
SMC Pentax, 1.7-50mm
Fomapan 100@100 ISO
Moersch Eco Developer
Semi-stand developing 45 min.
DSLR scan
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Kamera: Rolleiflex 3.5C (1958)
Lens: Schneider-Kreuznach Xenotar 3.5/75mm
Film: Fomapan 200
Developer: Rodinal 1:50
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it. Sometimes i make notes on the pictures i took and try to imagine how the photograph would look when reading them before developing the film, sometimes i do not take any notes, forget what i took the pictures of and treat myself to a surprise ...
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Little Blue Heron (Egretta caerulea) at Green Cay Wetlands, Boynton Beach, Florida
Pentax K-1
SMC Pentax-DA* 1:4 300mm
HD Pentax-DA AF Rear Converter 1.4x AW
Iridient Developer
Konica Auto-Reflex 60's SLR camera
Hexanon lens 57mm 1:1.4
Ilford Fp4+ Film
f 4 at 1/125
Home Developed by www.flickr.com/photos/ukke_photo/
Rodinal Developer 1+25
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Perschenegg, Gemeinde Pyhra
Pentax Z-1p, Voigtländer Nokton 58mm F 1.4 SL II, f/8, 1/45, Marumi MC-YA2 orange filter
Rollei RPX 25 film/Adox FX-39 II 1+9 developer
The current century old Miami-Dade County Courthouse at 73 Flagler Street will see a new neighbor rise across the street; the new 474-foot-tall, 25-story Miami-Dade County Civil and Probate Courthouse was approved by the Miami-Dade Rapid Transit Developmental Impact Committee back in February of 2021. Designed by HOK, the 537,968-square-foot courthouse building is anticipated to become one of the tallest governmental-use towers in Miami.
Plenary Group, an Australian infrastructure investment firm, is the developer behind the proposals for the new courthouse under Plenary Justice Miami, LLC. The narrow piece of property is located within the western portion of Downtown Miami, also recognized as a part of the Central Business District, and in close proximity to the Government Center Metromover Station and the Interstate 95; bounded by Northwest 1st Avenue to the west, West Flagler Street to the south, Northwest 1st Street to the north and the HistroyMiami Museum to the south. Being that the property is owned by Miami-Dade County, developers had to submit a bid to be selected, where Plenary Group’s proposal was picked as the winner, likely due to the lower construction costs for the project. Other competing proposals were submitted by M-S-E Judicial Partners LLC and Sacyr Infrastructure USA.
Renderings from HOK reveal several elevations with offset window forms, creating a jagged-like texture from afar. The structure will be made of reinforced concrete and clad in what appears to be light-grey masonry with hints of metal trims scattered throughout the building and large floor-to-ceiling glazed windows. The eastern elevation facing the old courthouse features a slightly protruding volume enclosed in glass as well.
Likely due to minimizing construction costs, Miami-Dade County is permitting the project to proceed overriding several regulations. The parking garage will not require screening, and only 11% of the site will be open space whereas the requirement is typically 15%. A building’s facade normally requires 40% glazing, but in this case it will be at 27%. The proposed development can have blank walls facing the public without an artistic expressions such as mosaics or murals, and 0 site trees will be planted, whereas the required amount is 30.
Credit for the data above is given to the following websites:
rel="noreferrer nofollow">www.hok.com/news/2022-11/construction-continues-on-new-mi...
skyscraperpage.com/forum/showthread.php?t=232269
www.thenextmiami.com/vertical-construction-underway-at-do...
floridayimby.com/2021/04/the-474-foot-civil-courthouse-se...
www.tutorperini.com/projects/justice/miami-dade-county-ci...
www.hok.com/news/2022-11/construction-continues-on-new-mi...
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