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HP5 in Finol,
Kallitype, Sodium acetate developer,
1st MT12 Cobalt toner 12+9+7+4+450ml 1:30 mins
2nd MT7 Iron Blue 4+2+4+3+400ml 2 mins
3rd Lead acetate 3% 1 min.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon Macro EF 100mm f2.8 USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11
Thanks for your comments, faves and views, really appreciated!
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
Rolleiflex T, Trix in Pyro48,
Kallitype onto Hahnemühle Platinum Rag,
Sodium acetate developer, MT3 Vario toner
Typical Appalachian cove forest with Rhododendron maximum in bloom, Chinquapin Mountain Trail, Nantahala National Forest.
Name suggested by a comment from Cadeyrn Drust: these cove forests can be heavenly, until you have to bushwhack through the Rhododendron understory (whence the name "Rhododendron hell" to describe an Appalachian heath bald).
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Zeiss Ikon Super Ikonta A 530 4,5 x 6 cm, 1937
Fomapan 100@100 ISO
Yellow filter
Moersch Eco Developer
DSLR scan
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
American Beech (Fagus grandifolia) in late winter garb.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Fiordland National Park
Revisiting some unusued photos from 2013/2014
Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
(Shot with an Agfa Isolette III on Ilford FP4+; developed in Moersch Eco Film Developer; digitized with DSLR + hugin; edited with the GIMP)
Reflections in a quiet stretch of the river, Eno River State Park
590nm IR-converted Pentax K-5
SMC Pentax 1:1.8 55mm
Iridient Developer
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
One of the developers close by was clearing some land to start the building of a new house, and I asked if they would save me some of the trees he was taking down. He assumed that I wanted them for firewood, but when I told him I wanted them for a project in my forest he was intrigued.
I explained I was going to make a path out of slices of trees through my forest and as part of my landscaping plan. He thought this was such a cool idea that he pulled and stacked them on my property free of charge (and it was probably easier than hauling them away).
I call that a win-win!
Theme: Devoid of Color
Year Sixteen Of My 365 Project
Soft drink can pinhole camera, focal length=65 mm, f=217.
Exposure: 1 min.
Ilford RC glossy paper.
Old Ilford paper developer
Scanner: Epson V370
Eno River State Park, October 30 2019
Pentax K-1
SMC Pentax 1:1.8 85mm
Panorama crop
Iridient Developer
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
It was early autumn but the weather was more like late summer on Dee Why beach, Sydney, March 2019.
Camera: Yashica 635 twin lens reflex
Lens: Yashinon 80mm f/3.5
Film: Kodak TMAX100
Developer: Kodak TMAX dilution 1+4.
Filtration: Yellow filter
Scan: Epson V700.
Post processing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
Olympus 35 SP | Zuiko 42mm f1.7 | Ilford HP5+ 400 (@1600)
Dev: Ilfosol 3 (1+14) 24 min 20°C
Development details on FilmDev
Portfolio & LR Presets on www.emrecift.com/