Ilford ID-11
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Hasselblad 501CM Distagon 50mm, Efke IR 820 in eco film developer,
Kallitype on Hahnemühle Platinum Rag,
Sodium acetate developer 3 mins,
Citric acid 1% 4 mins,
ATS acidic fixer 1+10 4 mins,
MT3 Vario Toner, bleach 1+75 1:30 mins, toner setting D.
White Sunday in Hürth
Rolleiflex T, Delta 400 @ ISO 800 in Finol,
Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: Adobe Camera Raw & Silver Efex Pro 2
(Location: Lake Louisa State Park, Clermont, Florida).
Thanks for your comments, faves and views, really appreciated!
Zwischendurch mal etwas zum Aufwärmen.
Linhof Technika Tmax 100 in Tanol,
Kallitype onto HPR,
developer Rochelle salt and Sodium tungstate mixture.
New Hope Creek, Korstian Division of Duke Forest, Orange County NC
590nm IR-converted Pentax K-5
Laowa 20mm f/4 Zero-D Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Olympus OM2, red filter, Kodak High-Speed Infra-Red film developed in Kodak D76, negative scanned, digital processing in Lightroom.
The geotag is accurate to a few hundred metres only.
Joshua Tree National Park's namesake plant, Yucca brevifolia, post bloom
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Holga 120N, HP5 in Tanol,
Kallitype on HPR,
Sodium acetate developer,
MT3 Vario Toner: bleach 1+100 1:20 mins, toner setting C.
Another bird shot from my trusty balcony. It was a very warm day and these Pigeons were busy.
Hope everyone has a great weekend.
Thanks for all the comments and support :)
Scadin Falls, Cullasaja Gorge, Nantahala National Forest.
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Affinity Photo
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Morning, salt marsh, Bald Head Island
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Affinity Photo
Cataloochee, Great Smoky Mountains National Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Korstian Division, Duke Forest.
With widespread park closures due to Covid-19, I'm grateful that Duke Forest remains open. Its wider roadways, which are the main walking and cycling routes through the Forest, make “social distancing” manageable.
590nm IR-converted Pentax K-5
Lensbaby Velvet 56/1.6
Iridient Developer
Dead developer browns - the death of me. Only two images in this whole pack weren't completely dead! Arghhh.
Signs that the developers are moving in.
One of several projects, that explore photography as evidence amongst other ideas.
Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | Dpreview albums | my work archived on trove at the National Library of Australia.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Strand Arcade in Sydney. I've shot this iconic shopping arcade many times. It has a vibrant colour decor so I've never shot it in B&W. Since that colour info is lost on HP5+, I decided to digitally dodge and burn to brighten the center of the image so that it looks like a light at the end of a long tunnel. Let me know if you think it worked.
Film stock: Ilford HP5 Plus
ISO: 400
Format: 135
Camera: Pentax17
Lens: 25mm F3.5
Digitised: Plustek 8100
Developer: 510-Pyro @20degC 1:500
Time: semi-stand 60min
Eno River State Park
Six-frame “Brenizer method” stitch
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Affinity Photo
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Camera: Shen Hao 5 x 7
Lens: Fujinon 210 mm f 5.6
Film: Ilford FP4
Developer: Pyrocat-MC
Print Type: Contact
Print Paper: Adox Lupex
Paper Developer: PF130
continuing to become better acquainted with this new-to-me Graflex Crown Graphic 2x3 and with working with sheet film generally. I like much about this image. Am puzzled though by thebreakdown of the surface into abstracted little tonal blocks (hinting at a Cezanne-like compartmentalization). Developer, fixer, developing process in general (temps, time, so on). The film? Ah, the many mysterious variables...
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P33
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
A couple of frames to illustrate the point of the Divided D76H, highlight preservation. The Courtyard has lovely shiny tiles so reflects the light beautifully and it was kind when I walked past. The stairs were a sunny sixteen challenge as well. There the lamp isn't blown out yet there is great shadow detail.
The developer is actually a variant on the Vestal divided D76. He couldn't remember on mixing if the sulphite went in A or B bath so split between them. The H is added as this formula looses the Hydroquinone but boosts the metol and borax, I ran 5mins in both baths with continuous gentle agitation.
For developer detaiols ee The Film Developing Cookbook Pg 85
Film is the ORWO N74 movie film in IXMOO home loaded with yellow filter on the f2 ZM Biogon 35mm.
Mamiya 645 Super, 80/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200