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Brunswick Town State Historic Site
590nm IR-converted Pentax K-5
Laowa D-Dreamer 1:2.8 12mm
Iridient Developer
en.wikipedia.org/wiki/Hala_Arena
Pentacon Six TL (S/N 51715)
Carl Zeiss Jena DDR Flektogon 4/50 (S/N 9128574) + Panchromar gelbhell
Foma Fomapan 400 Action at 400ISO
Foma Fomadon Excel 1+1 for 12 min. (20C)
Profession: Software developer and model., Gomathy Reddy at Asia Wedding and Jewellery Show 2024 held in the Hotel Shangri-La in Bengaluru.
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Developer Console (Free camera) | Hud Toggle
Original Photo 5k (15Mp)
Reshade
Photoshop Edit
The legal industry is widely accepting the Legal Custom Software Development, to ease their work and maintain the quality of work with time. All you need to take care is that look for a Legal Custom Software Developer for your legal software.
Source: customsoftware-development-services.blogspot.com/2019/01/...
Fujifilm X-T1, Iridient Developer & Aperture
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps
The Mayflower was built by Allen E. Walker, the land developer behind Brookland and other residential neighborhoods of Washington. Nicknamed the "Grande Dame of Washington", at its opening on February 18, 1925, the hotel was said to contain more gold trim than any other building except the Library of Congress. The original interior design included four over life-sized portraits of the first four presidents by painter and muralist Louis Grell of Chicago.
After World War II, it was sold to Hilton Hotels. Hilton, in turn, sold the hotel in 1956 to Hotel Corporation of America, to settle an anti-trust suit. HCA sold the hotel to local investors, May-Wash Associates, in 1966. They brought in Western International Hotels to manage the hotel. In 1973, the hotel served as the temporary Chinese Embassy for a time while their new embassy building was being renovated following the re-establishment of diplomatic relations between the United States and the People's Republic of China.
In 1977, the hotel was sold to Stouffer Hotels and renamed the Stouffer Mayflower Hotel. It remained open while it was completely renovated and restored between 1981-1984, at a cost of $65 million.[6] The renovation uncovered many historic decorative elements, including a skylight in the main lobby which had been covered up due to blackout regulations during World War II. Stouffer Hotels was bought by Renaissance Hotels in 1993 and the hotel became the Renaissance Mayflower Hotel.
Italian postcard by B.F.F. Edit. (Casa Editrice Ballerini & Fratini, Firenze), no. 2638. Photo: Paramount Films. John Payne in The Eagle and the Hawk/Spread Eagle (Lewis R. Foster, 1950).
American film actor John Payne (1912-1989) is mainly remembered for Film Noirs and 20th Century Fox musicals films. He also starred in Miracle on 34th Street (1947) and the Western TV series The Restless Gun (1957-1959).
John Howard Payne was born in Roanoke, Virginia. His parents were Ida Hope (née Schaeffer), a singer, and George Washington Payne, a developer in Roanoke. They lived at Fort Lewis, an antebellum mansion that became a state historic property but was destroyed by fire in the late 1940s. Payne attended prep school at Mercersburg Academy in Mercersburg, Pennsylvania, and then went to Roanoke College in Salem, Virginia. He then transferred to Columbia University in New York City in the fall of 1930. He studied drama at Columbia and voice at the Juilliard School. To support himself, he took on a variety of odd jobs, including wrestling as 'Alexei Petroff, the Savage of the Steppes' and boxing as 'Tiger Jack Payne'. In 1942, while visiting his family in Roanoke, Virginia, he agreed to take a small role in a community theatre production of 'The Man Who Came to Dinner', at the Academy of Music on Salem Avenue. In 1934, a talent scout for the Shubert theaters spotted Payne and gave him a job as a stock player. He appeared in road company productions of 'Rose Marie' and 'The Student Prince'. Payne toured with several Shubert Brothers shows, and frequently sang on New York City-based radio programs. On Broadway, he appeared in the revue 'At Home Abroad' (1935–1936) alongside Eleanor Powell and Beatrice Lillie. He understudied for Reginald Gardiner and took over one night. He was seen by Fred Kohlmar of Sam Goldwyn's company and was offered a movie contract. In 1936, he left New York for Hollywood. He tested for a role in Goldwyn's Come and Get It but lost out to Frank Shields. His first role in Goldwyn's Dodsworth (1936) presented him as an affable, handsome character actor. He had the male lead in Hats Off (1936), an independent B-film. Payne was third billed in Fair Warning (1937), a B-film at Fox. He was the lead in a low-budget film Love on Toast (1937). Payne was down the cast list for Paramount's College Swing (1938). He then signed a contract with Warner Bros, where he had a notable break replacing Dick Powell, who turned down the role, in Garden of the Moon (1938). Warners used Payne as a sort of "back up Dick Powell". He was in Kid Nightingale (1939) and Wings of the Navy (1939). Payne supported Ann Sheridan in Indianapolis Speedway (1939) and starred in a short The Royal Rodeo (1939) and in Bs King of the Lumberjacks (1940) and Tear Gas Squad (1940). During this time he returned to Broadway to appear in Abe Lincoln in Illinois (1938–1939). Payne was unhappy with his Warner Bros roles and asked for a release.
John Payne went over to 20th Century Fox where he appeared in Star Dust (1940). During filming, Darryl F. Zanuck offered him a long-term contract. He supported Walter Brennan in Maryland (1940) and John Barrymore in The Great Profile (1940). Payne was the male lead in the enormously popular Tin Pan Alley (1940) with Alice Faye and Betty Grable. He romanced Faye again in The Great American Broadcast (1940) and Week-End in Havana (1941) and Sonja Henie in Sun Valley Serenade (1941). Fox gave him the chance to do drama in Remember the Day (1941), romancing Claudette Colbert. He was meant to be in Song of the Islands with Grable but when George Raft couldn't get released from Warners Bros to play a marine in the hugely popular To the Shores of Tripoli (1942), Payne stepped in. The film, co-starring Maureen O'Hara and Randolph Scott, was hugely popular. So too was Footlight Serenade (1942) with Grable and Victor Mature, Springtime in the Rockies (1942) with Grable, Iceland (1943) with Henie, and especially Hello, Frisco, Hello (1943) with Faye. During World War II, Payne served as a flight instructor in the United States Army Air Corps. He got his Honorable discharge in September 1944. He returned to work at Fox, who put him in The Dolly Sisters (1945) with Grable and June Haver, playing Harry Fox. It was one of Payne's most successful films. Less popular was Wake Up and Dream (1946) with Haver. Payne was teamed with Maureen O'Hara in Sentimental Journey (1946), a big hit. He was third billed in The Razor's Edge (1946) underneath Tyrone Power and Gene Tierney, Fox's most prestigious film of 1946. Payne's most familiar role may be his final film for Fox, that of attorney Fred Gailey in the classic holiday favorite Miracle on 34th Street (1947) with Natalie Wood, Maureen O'Hara, and Edmund Gwenn. It was another box office success. He was meant to make another with O'Hara, Sitting Pretty (1948). However, in October 1947 he got his release from the studio, despite the contract having another four years to run, which would have brought him $670,000. Payne claimed he was dissatisfied with the roles being offered him. Payne later said he had asked for his release every week for eight months before he got it. Film historian Jeanine Basinger later wrote that "Fox thought of him [Payne] as a secondary Tyrone Power. They didn't know how to use him."
After leaving Fox, John Payne attempted to change his image and began playing tough-guy roles in Film Noirs. He did two Film Noirs at Universal, Larceny (1948), where he played the lead role and The Saxon Charm (1948) with Robert Montgomery and Susan Hayward. He had the lead in The Crooked Way (1949) for United Artists. Payne received an offer to star in a Western for Pine-Thomas Productions, a unit that operated out of Paramount Studios. El Paso (1949) was a box office success and Payne went on to make other films for the company including Captain China (1950), an adventure film; Tripoli (1950) set during the Barbary War; and The Eagle and the Hawk (1950), a Western. He signed a contract to make three more films for Pine Thomas. He did Passage West (1951), another Western; and Crosswinds (1951), an adventure film; Caribbean Gold (1952), a pirate film; The Blazing Forest (1952), an adventure story; The Vanquished (1952), a Western. Payne shrewdly insisted that the films he appeared in to be filmed in color and that the rights to the films revert to him after several years, making him wealthy when he rented them to television. In 1952 he said he got four times the fan mail he did at Fox. "I make fewer pictures now but I make the kind I want to make." For Edward Small, he starred in Kansas City Confidential (1952), a Film Noir; Payne owned 25% of the film. He later worked with Small on the pirate movie Raiders of the Seven Seas (1953), and the Film Noir 99 River Street (1953). Payne did a series of Westerns: Silver Lode (1954), for Benedict Bogeaus; Rails Into Laramie (1955), for Universal; Santa Fe Passage (1955) and The Road to Denver (1955) at Republic, and Tennessee's Partner (1955) for Bogeaus. He returned to Pine Thomas for a noir, Hell's Island (1956), then did Slightly Scarlet (1956) for Bogeaus. He made Hold Back the Night (1956) for Allied Artists and The Boss (1956) for United Artists, co-producing the latter. He did Rebel in Town (1956) and Hidden Fear (1957) for United Artists. He made one more Pine Thomas, Bailout at 43,000 (1957). In 1957 he optioned the rights for For the Life of Me, the memoir of a newspaper editor,[20] but it was not made. Payne also starred as Vint Bonner, an educated, commonsense gunfighter, in The Restless Gun which aired on NBC from 1957 to 1959, prior to Dale Robertson's Western series Tales of Wells Fargo. Dan Blocker, James Coburn, and Don Grady made their first substantive acting forays with Payne on The Restless Gun.
In March 1961, John Payne suffered extensive, life-threatening injuries when struck by a car in New York City. His recovery took two years. In his later roles, facial scars from the accident can be detected in close-ups; he chose not to have them removed. Payne directed one of his last films, They Ran for Their Lives (1968), and again teamed up with Alice Faye in a 1974 revival of the musical Good News. He also starred in the Gunsmoke episode of "Gentry's Law" in 1970. His final role was on TV in the Columbo episode Forgotten Lady (1975), co-starring with Peter Falk and Janet Leigh. Later in life Payne, like former Daniel Boone-Davy Crockett series star Fess Parker, became wealthy through real estate investments in southern California. Payne was married to actress Anne Shirley from 1937 to 1942; they had a daughter, Julie Anne Payne. After their divorce, Payne then married actress Gloria DeHaven in 1944; the union produced two children, Kathleen Hope Payne (1945) and Thomas John Payne, before ending in divorce in 1950. During the filming of Kansas City Confidential (1952) he had a romance with recently divorced co-star Coleen Gray that continued well past filming. Payne then married Alexandra Beryl 'Sandy' Crowell Curtis in 1953 and remained with her until his death. He was the father-in-law of writer-director Robert Towne, who was married to his oldest daughter Julie until their divorce in 1982. John Payne died in Malibu, California, of congestive heart failure in 1989, aged 77. His ashes were scattered into the Pacific Ocean. He has two stars on the Hollywood Walk of Fame, in motion pictures and television.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Olympus OM-1 with OM G. Zuiko Auto-S 1.4, 50 mm
Adox Silvermax in Silvermax-Developer 1+29 (11 min., 20° C)
Negativscan with Plustek OpticFilm 7600i, Silverfast Studio Ai 8.8.0r8
Processed with Photoshop 2017.1.0 and Lightroom 2015.10
20170521_Rendsburg 1 06
I had always wanted to try this homemade developer but didn’t want to waste a roll of something from a trip. So, I took a tool of Kentmere (inexpensive B&W film), went and bought the three ingredients I didn’t have and set out some items to shoot. The ingredients are, Washing Soda Powder (Sodium Carbonate) I bought at Home Depot, Vitamin C Powder I bought at Whole Foods and Instant Caffeinated Coffee that I bought at Trader Joe’s, and the iodized salt I had. For a 1000ml solution use 40 grams of instant coffee, 16 grams of washing soda, 8 grams of vitamin C powder and 1 gram of iodized salt (optional and not needed if using distilled or filtered water). Mix the coffee in 800 grams of water, mix in the washing soda, mix in the vitamin c (there will be a slight reaction because of the washing soda, then add the salt if needed. Bring the temperature of the solution to 68 degrees F or 20 C. For developing time used the Stand Process. The photos lost much of the shadow details and I think this was because I agitated at the beginning and again at the halfway mark of 30 minutes. Next time I will only agitate for 1 minute initially and end the process at 45 minutes.
So, my C41 chemicals were exhausted, haha.
Mamiya C330
Seiko 80mm f/2.8
Kodak Ektar 100
Jobo C41 Press Kit
Completed 1924
Architects: Taylor & Fisher; Smith & May
Developer: J. Henry Miller & Son
en.wikipedia.org/wiki/Bank_of_America_Building_%28Baltimo...
Historical American Buildings Survey report (pdf):
www.cr.nps.gov/hdp/exhibits/baltimore/B2L08.pdf
Now known as the Bank of America Building. Previous names include the Mathieson Building and the O'Sullivan Building.
Old photograph from Maryland Historical Society website:
Transit Wireless personnel demonstrate a beacon-enabled version of MTA Subway Time at event to challenge app developers to build apps than can help transit riders -- particularly the disabled -- better navigate the MTA transit system. Photo: Metropolitan Transportation Authority / Patrick Cashin
Blurry photo taken at Sapo's Codebits 2011 in Lisbon.
The blurred action depicts hardworking developers during coding competition.
The omnipresent green is a Codebits' trademark.
Film: Ilford HP5+, ISO 400,
Developer: Kodak HC-110, dil. H, 1+63, 11 min. 20℃.
Camera: Canon EOS 500
Lens: Nikkor 85/1.8
Experimenting further to see what I can use for developer when using an inkjet printer with developer on photo paper. This will also finally to print a photo on photo paper without a dark room.
Here I brush on Foma 312 paper the retro320 developer. It gives enough time to make some creative decisions. Toning with Ferro Blend (red) and FAC plus Kferro (Blue)
A Sharp developer is not my usual first choice for faster films, in this case it worked will with Retro 400s, but I think the stand developing helped even everything out.
You can read the full review online:
www.alexluyckx.com/blog/index.php/2018/02/28/ccrfrb-revie...
Hasselblad 500c - Carl Zeiss Planar 80mm 1:2.8 - Rollei Retro 400s @ ASA-400
Blazinal (1+100) 60:00 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
Tree growing out of a fence post in Bothell, Washington.
Camera: Leica IIIf
Lens: Leitz Wetzlar Summitar 5cm f/2
Film: Kodak Tri-X 400
Developer: Rodinal 1:50
Hasselblad Planar 80mm, SFX (715) eco film developer
a somewhat different use of lith, soft and warm and fine grained
I call this treatment "hidden lith"
moderately overexposed Fomatone 132with hard grade (magenta) filter
two tray
Easy Lith 1+10 8 mins (until the shades are clearly visable, without considerable density of midtones and lights)
Catechol 1+100 3 mins for full tonal range and warm hue
Villa Babylon,
State of the art luxury
With Feature external glass walls
Amazing panoramic views of the Taurus Mountains in an idyllic setting
Side Development one of the leading developers in the region is proud to bring to you its most exclusive and innovative project.
Villa Babylon sits on a 735 m2 plot nestling in the hillside of the Sarılar District of Side. Our architects have designed a very modern,contemporary development using only 25% of the available land for construction. The remaining 75% will be dedicated to fully landscaped gardens, each villa will have a modern wrap around pool, large sun terraces and many more 5 star facilities. An unobtrusive gated entrance with water features, 24 hour security means that within this corner of paradise your privacy is respected and guaranteed.
The Babylon lifestyle
After extensive research and many years of property sales and development –we are sure that the focus of this project must be to provide the highest standard of villa luxury available in this area. These unique glass villas will incorporate the following features:
VÄ°LLA BABYLON
·Oversized master bedroom suite with dressing room and luxury bathroom
· 2 x twin Bedroom
· 1x Double Bedroom
· 1x Office
· 1 lounge
· 1x Raised Dining room
· 1x Large, open plan designer kitchen
· 1x Gymnasium,Sauna
· 4x Bathroom
· 1 x imposing reception area and hallway
· 1x Basement area –utility room –and wine cellar
· 1x state of the art fireplace
· Spacious parking area
· 1 Swimming pool 60 sqm2
· Large pool facing terrace –with second impressively sized terrace to take in the views of the Taurus mountains
· All floor to ceiling, feature windows are bespoke tinted , double glazed units .
· Solar linked under floor heating system
· Integral piped music systems
·24/7 Security with CCTV linkage
· Wireless internet
· Smart home system
· Centralised aircondion system
· Chrome and glass rails in all terraces and swimming pool areas
· The Total Size of Villa 412 sqm, Land size 735 sqm
Location
Villa Babylon is located in the Sarılar district of Side, just a 5 minute drive from restaurants, bars and shops of the Side Harbour and historic old town . You can stroll along the beautiful clean and sandy beaches of the Mediterranean, eat in the picturesque harbour and take in all of the culture of the historic antique Side Harbour –which is also a shopper’s paradise...
Stop press……..
The architect on this project submitted the plans and visuals for this project to the Antalya 2009/2010 design award competition and is currently on the finalist shortlist.(as at 05.08.2010)
Technical Specifications
List of Technical Specifications:
Building Exteriors
· The building will be of steel & reinforced concrete
· Interior and Exterior walls will be built from noise reducing bricks
· Exterior walls will be insulated and painted with high quality protective paint
· Building entrance flooring and stair wells will be granit seramic
· All teraceses will be fitted with ceramic tiles with marble skirting. Terace railings will be aluminium with safety perspex panels.
. Underfloor Water heating system with solar panels.
. Starting foundation,all outside walls and roof insulation.
.Special glass walls,double glazing,ınsulating,heat and solar controling,high light transmittance.
· Roof tiles will be fireproof with guttering set in concrete, 3 fold insulation / cladding for hot and cold weather and complete insulation against humidity.
· Drain pipes will be PVC
Villa Interiors:
· Air conditioning units (with 3 years guarantee) will be fitted in each room as standard
· Inner walls will be plastered & painted with satin washable paint, finished off with detailed plaster coving between walls and ceiling.
· High quality marble sills on all windows and teraces.
· High quality American panel interior doors will be used throughout.
Tiles & floor coverings
· First class ceramic tiles will be fitted to all floors.
· Bathrooms are fully tiled from floor to ceiling.
Windows and Terace doors
· All windows and Terace doors are aluminum double glazed for insulation & fitted with integrated shutters & fly screens.
· The front door is an American panel Security door constructed from steel.
Kitchen / Lounge
· The kitchen will be fitted with modern attractive luxury cabinets with granite worktop.
· The splashback between worktop and cupboards will be tiled in ceramic wall tiles.
· White goods fitted as standard are top quality from Siemens with a 3 year guarantee.
· Down lights will be fitted in kitchen and lounge area with dimmers.
Bathrooms
· All bathrooms will have attractive and custom designed fittings and fixtures.
· Bathrooms fitted with manually operated ventilation system.
· Modern vanity units and top quality chrome taps and fittings.
· Wall fitted toilet with hidden cistern.
· Walls and floor will be tiled with top quality ceramics.
· The Villa will have 4 bathrooms (1 of them ensuite).
Bedrooms
· Ensuite bathroom in Master bedroom .
· All bedrooms will have fitted wardrobes.
General
· Energy saver keys are fitted as standard to minimise your expenses.
· Smoke detectors in all properties are fitted in accordance with safety Standards.
· Adequate electrical sockets, satellite TV connections, telephone and PC Connections are fitted as Standard.
Kodak T Max 100asa, developer Ilford ID 11. Nikon Super Coolscan 5000 ED. Leica-M6 TTL 0,72 Rangefinder, Elmarit-M 1:2,8/21mm ASPH.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
This group of Sanderling seem to be symbolic of the battle against the relentless drive of the developers. So much of the Algarve has been destroyed under the turf of golf courses and the concrete of hotels. It is a unique area for wildlife which is rapidly being lost. AROCHA are working hard to protect these vital habitats against massive pressures.
Puncak Jalil
Selangor MY
January 2011
Hasselblad 501C
Carl Zeiss 80mm f2.8 CF T*
Close up filter +1
Fomapan 100 pushed to 800
Sekonic L308s
Rodinal R09 [1+100] for 45min
Rapid Fixer [1+9] for 5min
Epson V700
Help - is this developer re-usable?
The instructions say you make a litre of stock.
This stock is then diluted in 3 parts water to develop film.
But the part i don't understand is the instructions say the litre of stock can develop no more than 3 films.
Does this mean I can re-use the stock three times?
I'm really lost on this one.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film