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Douglas DC-3, C-47, Dakota, a flying legend.
The Douglas DC-3 is a propeller-driven airliner which had a lasting effect on the airline industry in the 1930s/1940s and World War II. It was developed as a larger, improved 14-bed sleeper version of the Douglas DC-2. It is a low-wing metal monoplane with conventional landing gear, powered by two radial piston engines of 1,000–1,200 hp (750–890 kW). (Although most DC-3s flying today use Pratt & Whitney R-1830 Twin Wasp engines, many DC-3s built for civil service originally had the Wright R-1820 Cyclone. The DC-3 has a cruise speed of 207 mph (333 km/h), a capacity of 21 to 32 passengers or 6,000 lbs (2,700 kg) of cargo, and a range of 1,500 mi (2,400 km), and can operate from short runways.
From Wikipedia, the free encylopedia
About the model:
Following my Catalina model it came natural to build my DC-3 to the same scale, 1:72.
The model is my LEGO representation of the last airworthy DC-3 / C-47 in Denmark, belonging to the non-profit association DC-3 Vennerne (Danish Dakota Friends).
It wasn't particular difficult to build, but still had a few challenges, and it follows many of the same techniques used for my other models, e.g. the wing dihedral is made in the same way as my N.A.Harvard, with a basic hinge on top of the wing-panel, and a finger hinge on the lower side, that isn't fully interlocked and prevent the outer wing-panels from ”falling” down. For the leading edge de-icer panels, the new curved 1x1 brick came in very handy. The most difficult part was getting the nose-profile right, but I'm very happy how it came out!
As always, comments and critisism are more than welcome!
OLYMPUS OM-D E-M5 Mark II + OLYMPUS M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO + MC-14
Developed by Adobe Photoshop Lightroom CC 2015.8
Shot with a Minox 35 GT-E
Minox Color-Minotar 35mm f/2.8 lens
Ilford HP5+ 400 film
Shot at EI 400
Developed in the Ego Lab using Rodinal (1:25, 3:03min at 83F, agitating first and each minute)
Scanned with a Coolscan 9000ED
New connections are being developed – families and communities – everything must be started from scratch – there are no easy shortcuts – we have decided
bower empowered . June2026. An old shack is protected from falling by nature. Arkansas city Arkansas USA. HarmanKentmere200. PentaxPZ1. SMCPentax40mmLTD. PolarizingFilter. DiafineDeveloper5+5m. WaterStop-1m. IlfordRapidFix-5m. Washed:AGOFilmProcessor-10m. FinalRinse:KodakPhotoFlo-1m. CameraScan:FujifilmXH1.
Developed for BlueBrixx | YouTube Video
BlueBrixx set modified with printed Lego parts for the computers, and BrickArms M41A Pulse Rifles in the weapons rack.
Skyscrapers after skyscrapers, each taller than the other, developing countries like Malaysia might not compare to those instant metropolises of China, but optimisms are ahead!
Taken with Mamiya 645 1000s
Kodak Portra 160
Negative digitized with Canon 5dmkii
Photo was taken 2-3 years ago, developed over a year ago, digitized 8 months ago.
Cairns (/ˈkænz/), is a major city on the east coast of Far North Queensland in Australia. The city is the 5th most populous in Queensland and 14th overall in Australia.
Cairns was founded in 1876 and named after William Wellington Cairns, Governor of Queensland from 1875-1877. It was formed to serve miners heading for the Hodgkinson River goldfield, but declined when an easier route was discovered from Port Douglas. It later developed into a railhead and major port for exporting sugar cane, gold and other metals, minerals and agricultural products from surrounding coastal areas and the Atherton Tableland region.
The estimated residential population of the Cairns urban area in 2015 was 147,993. Based on 2015 data, the associated local government area has experienced an average annual growth rate of 2.3% over the last 10 years. Cairns is a popular tourist destination because of its tropical climate and access to the Great Barrier Reef, one of the seven natural wonders of the world.
Cairns experiences a tropical climate, specifically a tropical monsoon climate (Am) under the Köppen climate classification.
A wet season with heavy monsoonal downpours runs from November to May, with a relatively dry season from June to October, though light showers can occur during this period. Cairns' mean annual rainfall is just over 2,000 millimetres (79 in), although monthly totals in the wet season (Dec-Mar) can exceed 1,000 mm (39 in), with the highest rainfall being recorded in any month in January 1981, where over 1,417.4 mm (55.80 in) of rain fell. Babinda, a town to the south of the city, is one of Australia's wettest towns, recording an annual rainfall of over 4,200 mm (170 in). Cairns has hot, humid summers and milder temperatures in winter.] Mean maximum temperatures vary from 25.7 °C (78.3 °F) in July to 31.5 °C (88.7 °F) in January. Monsoonal activity during the wet season occasionally causes major flooding of the Barron and Mulgrave Rivers, cutting off road and rail access to the city. Cairns has 89.7 clear days, annually. Dewpoint in the wet season (summer) averages at 23 °C (73 °F).
Tourism plays a major part in the Cairns economy. According to Tourism Australia, the Cairns region is the fourth-most popular destination for international tourists in Australia after Sydney, Melbourne and Brisbane. While the city does not rank amongst Australia's top 10 destinations for domestic tourism, it attracts a significant number of Australian holiday makers despite its distance from major capitals. There is also a growing interest in Cairns from the Chinese leisure market with occasional direct flights from Chinese cities such as Shanghai and Guangzhou. During the 2013 Chinese Lunar New Year period alone, Cairns saw 20,000 Chinese holidaymakers flying in on chartered flights.
The city is near the Great Barrier Reef, the Wet Tropics of Queensland, and the Atherton Tableland.
The Cairns esplanade includes a swimming lagoon with adjoining barbecue areas. In May 2003, the then Cairns Mayor Kevin Byrne declared that topless sunbathing is permitted here, as the area is a gathering point for people from around the world who may wish to do so.
Developed in ACR with "Nikon D200 Mode Ia" custom DCP profile.
Color graded in Dehancer Photoshop plugin with "Kodak Vision 3 50D" film profile, "Kodak Endura Glossy" paper profile and film simulation effects.
Mikasa, Hokkaido.
Canon AV-1, Tamron Macro 90mm F2.5, negative ISO 100 from Fuji exposed as ISO 100, developed with reversal processing as described before , scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP. Next time I will shorten time. Bigger sizes: www.flickr.com/photos/threepinner/51190973039/sizes/ up to 7455 × 4911 pixels compatible. Learn DIY development and upgrade to film !
Film: 35mm Film - Cinestill 400D
Camera: Nikon F90X
Lens: Nokkor 85mm
Developed in C41
Scanned with Epson v600
patrickjoust | flickr | tumblr | facebook | books
...
Konica Hexar RF and Voigtlander Color-Skopar 21mm f/4
Arista Premium 400 developed at 1600 in Xtol (1:1)
Developed in ACR with custom made "Fujifilm FinePix S5 pro" DCP profile.
Color graded in Dehancer Photoshop plugin with "Kodak Ektar 100" film profile, "Kodak Endura Glossy" paper profile and film simulation effects.
Additional color corrections in PS to match real Kodak Ektar 100 colors.
then froze
They watched every move I made in that position until I left the scene.
" Most art is fragile and some should be placed and never moved away. "
--- Donald Judd
In 1979, with help from the Dia Art Foundation, Judd purchased a 340 acre (1.4 km²) tract of desert land near Marfa, Texas which included the abandoned buildings of the former U.S. Army Fort D. A. Russell.
The Chinati Foundation opened on the site in 1986 as a non-profit art foundation, dedicated to Judd and his contemporaries.
Shinshinotsu, Hokkaido.
Canon AV-1, Tokina RMC 200mm F3.5, negative ISO 100 exposed as ISO 100, developed with reversal processing as described before, scanned with Plustek OpticFilm 120.
Chillida-Leku, Guipúzcoa, País Vasco, España.
El Museo de Chillida-Leku es un gran espacio de jardines y bosques y un caserío (Zabalaga) remodelado, donde el escultor Eduardo Chillida Juantegui distribuyó una gran muestra de su obra. Está situado en las inmediaciones de Hernani, provincia de Guipúzcoa. Inaugurado el 16 de septiembre de 2000, tras 10 años de actividad, el 31 de diciembre de 2010 cerró sus puertas debido a la crisis económica.
El 30 de noviembre de 2017 se dio a conocer que Chillida-Leku reabriría en 2018, siendo la galería suiza Hauser & Wirth la representante exclusiva de la obra de Eduardo Chillida. Sin embargo, la reapertura se pospuso para el 17 de abril de 2019.
El 23 de agosto de 2019, el museo fue seleccionado por la revista estadounidense Time en su lista World’s Greatest Places 2019 como uno de los mejores lugares del mundo para visitar, tratándose de la única representación española.
El museo se distribuye a lo largo de una parcela de 13 hectáreas.8 En el exterior se muestran 40 esculturas de muy diferentes tamaños. Las más grandes son Buscando la luz de 27 toneladas y 9 metros de alto y Lotura XXXII de 60 toneladas, y otras como Estela V no miden más de un metro. Los materiales de las esculturas del exterior son el acero y la piedra, predominantemente granito rosa. Las esculturas de los jardines se pueden tocar, por lo que el visitante siente la fuerza de los materiales.
En el interior del caserío se muestran las obras más delicadas del artista. Muchas de ellas están fabricadas en materiales que no podrían soportar las inclemencias meteorológicas, como son la madera, el alabastro o la lana. Además, hay un exposición de estudios del cuerpo humano en pintura y escultura. Por último hay una pequeña exposición de fotografías del Peine de los vientos, famosa obra de Chillida que se encuentra en un extremo de La Concha de San Sebastián.
El caserío data del siglo XVI y tiene el nombre de Zabalaga. Chillida buscaba un edificio en el que mostrar su obra, y cuando lo descubrió se encontró con este caserío de 1543 en estado de ruinas. Con la ayuda del arquitecto Joaquín Montero desarrolló un proyecto de restauración y creó un gran espacio interior, dividido en dos plantas. La planta baja abarca toda la superficie, mientras que la alta cubre solo una parte de ésta.
The Chillida-Leku Museum is a large space of gardens and forests and a remodeled farmhouse (Zabalaga), where the sculptor Eduardo Chillida Juantegui distributed a large sample of his work. It is located in the vicinity of Hernani, Guipúzcoa province. Inaugurated on September 16, 2000, after 10 years of activity, on December 31, 2010 it closed its doors due to the economic crisis.
It was announced on November 30, 2017 that Chillida-Leku would reopen in 2018, with the Swiss gallery Hauser & Wirth being the exclusive representative of Eduardo Chillida's work.However, the reopening was postponed to April 17, 2019. .
On August 23, 2019, the museum was selected by the American magazine Time in its World’s Greatest Places 2019 list as one of the best places in the world to visit, being the only Spanish representation.
The museum is distributed along a 13-hectare plot.8 Outside, 40 sculptures of very different sizes are displayed. The largest are Looking for light 27 tons and 9 meters high and Lotura XXXII 60 tons, and others such as Stela V are no more than one meter. The materials for the exterior sculptures are steel and stone, predominantly pink granite. The sculptures in the gardens can be touched, so the visitor feels the strength of the materials.
The artist's most delicate works are displayed inside the farmhouse. Many of them are made of materials that could not withstand inclement weather, such as wood, alabaster or wool. In addition, there is an exhibition of studies of the human body in painting and sculpture. Finally, there is a small exhibition of photographs of the Peine de los vientos, a famous work by Chillida that is located at one end of La Concha de San Sebastián.
The farmhouse dates from the 16th century and has the name of Zabalaga. Chillida was looking for a building in which to show his work, and when he discovered it he found this farmhouse from 1543 in a state of ruins. With the help of the architect Joaquín Montero, he developed a restoration project and created a large interior space, divided into two floors. The ground floor covers the entire surface, while the upper floor covers only part of it.
My graphic design in 1969. An independent study bulletin for the University of Iowa.
I followed the rural mailman in my volkswagen beetle taking photographs of him delivering mail. He finally stopped and asked what I was doing and I explained that I was taking pictures to use at the university. That cleared things up as Iowans have a deep respect for their universities.
At least I didn't have to develop and print my shots as the university handled that through their photo lab and it was just as well. I had very little spare time because my youngest daughter played in the Iowa City high school marching band. If you've ever lived in the mid-west you would understand. I knew every high school football field from Keokuk to What Cheer. And I never realized how many kids and musical instruments could fit into a volkswagen!
Holga 120N
Fomapan 400
Rodinal 1+100. 1 hour semi-stand development.
I've no idea why these turned out quite so grungy. It's a dodgy batch of Fomapan 400 that leaves white speckles, but even so the other rolls I developed in the same way didn't look like this.
Developed in Spring 2012, BATTLEWAR is a series of professional wrestling events focused on delivering an exciting brand of live action to the ticket holders. With a variety of talent, styles and characters, BATTLEWAR is a unique concept pitting only the best against the best in the squared circle. The only venue fitting enough for such an event is the famous Foufounes Électriques, located in downtown Montreal.
Ashibetsu, Hokkaido.
Fujica AZ-1 set on a monopod, EBC Fujinon 55mm F1.8, Kodak Microfilm Imagelink HQ exposed as ISO 64, developed with H&W control ( phenidone 2x ) 18min. at 18deg C., scanned with Plustek OpticFilm 120, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/51674408392/sizes/up to 10000 × 6604 pixels compatible. Learn DIY development and upgrade to film !
Leeds Trinity, sculpture by Andy Scott
Nikon F2
Vivitar Series 1 35-85mm
Agfa Retro 400S
Home developed with Ilford id11
As shot / developed, no post.
Another re-developed oldie.
The local community theater where I shoot isn't starting up again until the autumn. Plague-willing. I can't wait to get back to shooting there again.
x100_2012-1121-A5
Developed by the Union States and adapted from the mechanized prairie schooners that carried settlers across the vast western frontier, the Light Steam Transport Vehicle is highly versatile and exceptionally reliable; easily receptive of improvised repairs. This vehicle is extremely lightweight and sports wide treads to navigate sand, swamps, etc. It is relativity unarmored vehicle and is designed to operate within occupied territory or in areas without expected resistance. This simple, yet robust vehicle was adopted by several other nations following its success in the Great Steam War. Crew consists of driver, stoker, and up to five passengers.
Beaching an outrigger at the Lahaina Canoe Club at Hanakaoʻo Park, Lahaina, Maui, Hawaii. This was during a ceremony for the Lahaina fire.
Photographed with a Leica IIIc using a Leitz Summaron 3.5cm f/3.5 lens. The film is Kodak Panatomic-X expired 3/1963, developed in Beerenol (Rainier Beer).
developed from a Mandelbrot fractal created using Mandelview4, with a bit of later assistance from Gimp.
For those who like to keep up with the Parliament, the good news is that it is now easier than ever following the launch of the new mobile website. Bringing together news and details of meetings, plenary sessions and committees, the mobile site provides the same distinctive content already available on the europarl website for those on the move.
The site has been developed to meet the needs of the ever-increasing number of people using smart phones and is adapted to use by mobile devices including iPhones, Blackberries and android mobiles. The new site is easy to use with user-friendly access to reports, news and MEPs. Click below to check it out.
m.europarl.europa.eu/EPMobile/home.htm
A woman is reading the EP front page news on her ipad at "food to go" cafeteria in Brussels.
© European Union 2011 PE-EP/Pietro Naj-Oleari
Nikon F100, Tri-X Pan 400, @iso 400, expired 2003.
Self developed in Barry Thornton's 2 bath developer (Bath A: 4mn, Bath B: 4mn, 20C).
The recipe is here: www.barrythornton.com/
Hasselblad SWC Ortho 80, developed in ID11 (Stock)
Scanned with Nikon LS9000 + vuescan(linux) + darktable(linux)
Another from my first home developed colour film. This is Winchester Cathedral, during "lockdown". Taken with my Soviet Era Zenit camera on Kodak ColorPLus 200 film.
#zenit #film #lovefilm #winchester #cathedral #kodak #photography
Iron Dome (Hebrew: כִּפַּת בַּרְזֶל, romanized: Kippat Barzel) is a mobile all-weather air defense system[8] developed by Rafael Advanced Defense Systems and Israel Aerospace Industries.[7] The system is designed to intercept and destroy short-range rockets and artillery shells fired from distances of 4 kilometres (2.5 mi) to 70 kilometres (43 mi) away and whose trajectory would take them to an Israeli populated area.[9][10] From 2011 to 2021, the United States contributed a total of US$1.6 billion to the Iron Dome defense system,[11] with another US$1 billion approved by the US Congress in 2022.[12][needs update]
Iron Dome
IDF Iron Dome 2021.jpg
Iron Dome launches interceptor, 2021
Type
C-RAM and short range air defence system[1]
Place of origin
Israel
Service history
In service
2011–present
Used by
Israel Defense Forces
Wars
Gaza–Israel conflict (2011, 2012, 2021)
Operation Pillar of Defense
Operation Protective Edge
Sinai insurgency
2021 Israel–Palestine crisis
Operation Breaking Dawn
Production history
Designer
Rafael Advanced Defense Systems
Israel Aerospace Industries
Designed
2005
Manufacturer
Rafael Advanced Defense Systems
Israel Aerospace Industries
Unit cost
$50 million per battery[2]
$100,000–150,000 per interception[3]
Produced
2011–present
No. built
10 batteries deployed[4] (planned deployment is 15)[5][6]
Specifications
Mass
90 kg (200 lb)[7]
Length
3 m (9.8 ft)[7]
Diameter
160 mm (6.3 in)[7]
Detonation
mechanism
Proximity fuze[8]
Maximum speed
Mach 2.2
Launch
platform
Three/four launchers, each carrying 20 interceptors.
1:31
Short video about Iron Dome from the Israeli News Company
The EL/M-2084 active electronically scanned array scaled down derivative radar of the Iron Dome
US Ambassador Dan Shapiro visits the Battle Management & Control (BMC) unit of the Iron Dome
Iron Dome was declared operational and initially deployed on 27 March 2011 near Beersheba.[13] On 7 April 2011, the system successfully intercepted a rocket launched from Gaza for the first time.[14] On 10 March 2012, The Jerusalem Post reported that the system shot down 90% of rockets launched from Gaza that would have landed in populated areas.[10] In late 2012 Israel said that it hoped to increase the range of Iron Dome's interceptions, from a maximum of 70 kilometres (43 mi) to 250 kilometres (160 mi) and make it more versatile so that it could intercept rockets coming from two directions simultaneously.[15]
In November 2012, official statements indicated that it had intercepted over 400 rockets.[16][17] By late October 2014, the Iron Dome systems had intercepted over 1,200 rockets.[18]
In addition to their land-based deployment, it was reported in 2017 that Iron Dome batteries would in future be deployed at sea on Sa'ar 6-class corvettes, to protect off-shore gas platforms in conjunction with Israel's Barak 8 missile system.[19]
Background
Name
Specifications
Funding
Plans for co-production with the United States
Development
Deployment
Deployment at sea
Foreign sales
Effectiveness
Criticism
See also
References
External links
Last edited 3 days ago by AnomieBOT
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Our peaceful, Grade 1 registered garden is unlike any other with its romantic design and architecture, combining formality with nature and magnificent rural views across an unspoilt valley, whilst beautifully framed architectural gems and antiquities punctuate your visit throughout. Set on the last hill of the Cotswolds, within the Area of Outstanding Natural Beauty, we hope that all who visit leave here feeling relaxed and inspired.
From its origins in the wool industry, through Georgian gentrification, then Harold Peto’s Edwardian structures, and right up to the present period, the passion of Iford’s inhabitants and its history are inextricably bound up in the beautiful garden’s unique design.
Today, Iford’s story continues to be written in this secluded corner of ‘Olde England’ with a new generation of owners, William and Marianne Cartwright-Hignett, who are taking the garden forward. Their appointment of Troy Scott Smith as Head Gardener (previously Head Gardener at Sissinghurst, Bodnant and The Courts) ensures there is much of horticultural interest throughout the season, as well as architectural and design. The gardens will be expanded yet further over the coming years, whilst refreshing the planting and preserving the heritage within the main garden itself. There will therefore be something new to discover on every visit.
The structural design seen today was largely created by Harold Peto, who lived at Iford from 1899-1933. A man of exquisite taste, with a talent for placing objects sympathetically to their surroundings, he designed gardens for royalty and aristocracy around the world. Trained as an architect, working in partnership with Sir Ernest George, Harold Peto ‘discovered’ a real passion for plants when undertaking work at Gravetye Manor, then home to ‘the father of gardening’ William Robinson.
Learning much about gardening directly from Robinson, Peto subsequently travelled the world, including Japan, Canada, America, Egypt and across Europe, learning about garden design and bringing back plants from all over the world. His skill for garden design, planting and architecture meant that he was in demand, especially on the Cap Ferrat in France where many of the world’s most expensive houses are today. Peto was the architect for several of those villas and gardens, to the extent that the Cap Ferrat was nicknamed ‘Peto Point’ in Edwardian times. Working for royalty, aristocracy and tycoons, his main patrons were the then Countess of Warwick and Isabella Stewart-Gardner.
Influenced mainly by his love of Roman, Italian and Japanese design, he was a promoter of the renaissance period and had a strong influence on the Arts and Crafts period. Striking the balance between formal and informal gardening, between soft planting and hard structure, Harold Peto’s work was appreciated in writings by Gertrude Jeykll and William Robinson.
During the past 55 years, today’s owners, the Cartwright-Hignett family, have lovingly restored the garden (once thought 'lost' after WW2) and continued to develop it, saving the buildings therein, finishing the Oriental Garden area designed by John Hignett and redesigning areas of the garden as they age, 100 years after Peto’s original plantings
Developed in Raw Photo Processor with P160NC output profile
Virtually "printed" with "Kodak Endura Glossy Paper" profile and grain effect applied in Dehancer plugin for Adobe Photoshop
Final color tweaks made in Adobe Photoshop
From Mt.Maruyama,Biei, Hokkaido.
Fuji-Holga 120S ( www.flickr.com/photos/threepinner/22015924430/ ), EBC Fujinon 75mm F3.4, negative ISO 160 expired, developing time shortened. Bigger sizes: www.flickr.com/photos/threepinner/25926637414/sizes/l up to 6886 x 6808.