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Taken in the Georgetown neighborhood of Seattle
Pentax PC550 28mm
Kodak Portra 400VC
Lab C41
Epson 4490
Palazzo Orengo developed around an ancient tower between the 17th and 18th centuries; when Sir Thomas Hanbury purchased the property in the second half of the 19th century, it needed major restructuring. The renovations maintained the role of the villa's emerging structure, increasing its visibility and panoramic views. In the past, the palazzo had played a defensive and strategic role. The renovations kept the ancient tower and the mighty walls.
At the time of Sir Thomas' death in 1907, the garden stocked at least 5,800 different species, but after the First World War, the garden went into a state of decline. His son Sir Cecil Hanbury and daughter-in-law Lady Dorothy Hanbury (1890-1972), decided in 1925 to start replanting and developing the garden to perpetuate the family legacy. Dorothy continued to live at La Mortola after Cecil died in 1937.
During the Second World War, the Gardens were confiscated, occupied first by Italian troops and then by German troops, and suffered severe damage. 1944 was the black year of the property which was bombed, looted and, of course, abandoned. In 1945 Dorothy managed to return and with just twenty gardeners she began the rebuilding work, supported by her second husband the Reverend Rutven Forbes.
The Hanbury Gardens were purchased by the Italian State in 1960 and committed to the Istituto Internazionale di Studi Liguri [International Institute of Ligurian Studies]; as of 1983, they have been managed by the University of Genoa in cooperation with the Ministry for Cultural Heritage and Activities regarding the protection of architectural components. Visitors have been admitted to the gardens since 1872.
Canon AE-1
Tokina 28mm f/2.8
Ilford HP5 Plus B/W 400
Yellow Filter & Polarizer
Rowe Photo Developed
and Printed
Epson V500 Scanned
Developed by SwissPL, customized in Oceanside, CA. The watch case is available in stainless steel or pvd (all-black) edition with a gorgeous exhibition (see-thru) caseback displaying the world-famous Swiss Unitas (hand-wind) movement. Your dial color choices are Black, White, Blue and (coming soon) ORANGE. Then you pick from the following second hand colors: White, Black or Red. And to top it off, you get to choose either a rubber or leather strap with the stainless buckle. Oh, and did we mention, we can customize the dial with your design (e.g. YOUR name; plane; helicopter; call-sign; squadron; unit; company; etc). As unique as the stories you tell; SwissPL, Truly Your Watch. Call for details 800-774-4980, visit www.swiss.com
Some developed photos from the pendle witch shoot. Models, Madeline Parnell, Charlotte Burton and Racheal Browne
This is Caitlyn Odette. Now *nervous cough* at this point in the left of the picture she is "giving into her addiction to majuana" - KIDS!! SMOKING IS NOT COOL!!! - and yeah in the right of the picture she is scratching her head lol and pretty much high. This is sometimes how her power to control the elements can be activated. And with all the "abiltated" characters in my comic their eyes turn white when they are in control of their powers or have activated their powers - I showed this to a classmate and he thought she was posing in an "erotic way"...she isn't! *smiles*
Inside St Edmundsbury Cathedral Minolta Dynax 7000i Sigma 28-70mm F3.5-4.5 Ilford Delta 3200 Shot At 1600 ISO Developed In Ilford Ilfosol 3 (1+9) 14-2-2023
The last few times I have developed Sahnaghai GP3 film in Rodinal 1:200 stand development for 2 hours, I have noticed a recurring problem.
You can see in the top right hand corners of the image, the blotches that are throughout the image.
Perhaps not enough developer is getting to the film throughout the stand development process?
I thought my Fixer may be exhausted but I have developed other films without this problem.
This problem seems to be consistent with the Shanghai GP3 .... Any thoughts on why this may be happening ?????
Hasseblad + 80 mm + Shanghai GP3 + Rodinal 1:200 Stand Developed @ 2hours
Andrés Rodriguez, Agricultural Attaché at the Embassy of Chile, delivers closing remarks during the 2023 DEVELOP Day, Wednesday, Aug. 9, 2023, at the Mary W. Jackson NASA Headquarters building in Washington. Every summer students and young professionals from NASA’s Applied Sciences’ DEVELOP National Program come to NASA Headquarters to present their research. This year marks the 25th year of DEVELOP, a training and development program where students work on Earth science research projects, mentored by science advisors from NASA and partner agencies, and extend research results to local communities. Photo Credit: (NASA/Joel Kowsky)
Together with Karel and neighbor boy Afra we made a new board game and tested it - the boys' sisters played along, too. Most of the rules were my idea, but they're subject to change as we test the game.
Everybody rolls 2 dice at every turn. One special die (made with the Lego die) and one regular one.
The special die has the following sides:
CLOSE - close the gates on the board
OPEN - open the gates
MONEY - get a chip
PURPLE - pay a chip
The regular die is for walking, of course. The figures can pick their route on crossings, but cannot go backwards.
Every player gets a 4x10 plate to put the chips (round 2x2 tiles) on; objective of the game is to collect 10 chips so that the plate is full.
There are the following special fields:
- White jumper plate = sing a song and earn a chip
- Brown jumper plate = do a dance and earn a chip
- Red jumper plate = make a drawing and earn a chip
- Tan jumpuer plate = go two steps forward and earn a chip
- Field with a gold or silver ball = earn a chip and put the ball in the bucket. When the fourth ball goes in the buckets, all balls come back in the game at random
- Golden gate: must be open to pass. Earn a chip
- Start gate: must be open to pass
- 'Hit the wall': if you land on the field adjacent to the outer wall with the castle windows, you skip two turns
- Shelter: skip one turn
- Stop sign: skip one turn
- Arrow tile: roll again
- Field with soccer ball: go to the field before the golden gate and put the soccer ball somewhere else
- Antenna: go to the field before the golden gate
Things that need to change:
- Maybe the routing isn't clear enough. Madelief insisted on turning left where she couldn't (hence the pout), maybe I should add an arrow sign. (The way she went about, she'd skip the bit with the gate)
- I designed the game with just one OPEN and two CLOSE sides on the special die, but kids are waiting behind closed gates too much.
- That START gate was annoying. Everybody was waiting for the gate to open and got fed up. It should go.
-Reaching 10 chips may take too long. Maybe I should use smaller plates or let the game end when the first player reaches the slide.
First pictures developed from my "new" (expired 1993) 9x12 Fuji 160 NSP film.
9x12 is the european equivalent of 4x5. Film holders have the same external dimensions, but film area and dark slides are different.
I shot the film at ISO 100 with my Crown Graphic. Developed in Tetenal Colortek C41.
Although a 19 year old film, I am pleased with the results - colours are good, film is a bit grainy, but acceptable.
A new trusty 35mm film camera. 5 rolls of Superia 200 shot and in need of developing. Cant wait to see the outcome.
A local Afghan offers a French soldier tea in eastern Afghanistan. (Photo Courtesy of Task Force Lafayette/French)
During the works to develop the former Yellow Buses depot in Mallard Rd into a retail park the corner of Castle Lane West and Mallard Rd was remodelled which included the demolition of approximately eight properties.
Two were demolished back in May 2002 and the site remained vacant until the works began in 2006. The site was eventually where the new council homes on the redesigned corner of Castle Lane West and Mallard Rd were built.
Another two were demolished in March 2005 to create the new Castle Way where new homes were built on the site of the former bus depot staff car park, although the right hand property was eventually replaced by council homes.
One older detached house initially survived the works but was itself demolished in December 2011 with new homes planned for the site, as seen above.
When the stretch of Castle Lane West between Cattistock Rd and Mallard Rd was widened during the works to construct the Castlepoint shopping centre in 2001 / 2003 six mature oak trees that lined both sides of the road were cut down.
During the works to develop the bus depot into the retail park another mature oak was also cut down.
Strouden Park has a number of fine mature oaks but to lose seven was undoubtedly a blow to the area and this doesn't include any lost since the late 1920s/early 30s when the area began to be extensively built upon.
nwboatschool.org
The Batela is a traditional Venetian boat, that is, developed in the Italian city of Venice. It is a flat-bottomed boat with a slight degree of rocker (meaning, the bottom is curved from bow to stern) to make it easier to row and control. Rowed standing up, it is essentially a cargo carrier or ferry.
The Traditional Small Craft class of 2014 under the direction of Master Instructor Jeff Hammond will build the boat.
The batela is approximately 30 feet long, and will be built largely of western red cedar over sawn frames.
This is an extremely interesting commission in that the boat was developed using design input provided by the owner in the form of sketches and commentary accompanied by video of Venetian batelae. Jeff drew the boat using that data, and refined it based on additional commentary and guidance to meet the owner's direction.
A good picture of a classic Venetian batela can be seen here: tinyurl.com/kvnnvyj on the webpage of Row Venice. There are more pictures at rowvenice.org/whos-row-venice/
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is an accredited, non-profit vocational school. You can find us on the web at www.nwboatschool.org .
Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.
We build both commissioned and speculative boats while teaching adult students the traditional wood and wood composite boatbuilding skills they will need to work in the marine trades. We sell our boats to help support the School. Please feel free to give us a call should you like to discuss our building a boat for you.
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
The course presents best practices to develop and operate science centres and museums relating to our natural and cultural heritage, and supporting programmes for the public.
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Foto: Lisa Zillio
Developing children’s passion for music
Llanelli Music Hub brought a festive feel with a musical performance at Coleg Sir Gâr where the group has been honing their music skills on a weekly basis.
The hub consists of pupils from Bryngwyn, Coedcae, Glan y Mor and St John Lloyd secondary schools and its aim is to encourage more children to have access to specialised teaching and music facilities to enable a lifelong passion for music.
For decades, developing and emerging economies have relied on traditional financing solutions intermediated by commercial banks with limited capital market activity. A vital challenge for these countries is how to mobilise more finance to help accelerate their development and achieve the Sustainable Development Goals (SDGs). This event comes at a critical juncture as developed economies begin to tighten their monetary policies and geopolitical tensions increase dramatically, raising new questions on how sustainable capital market ambitions could be achieved going forward.
The current turbulent environment in Europe has also highlighted the importance of energy security and the pressing need to fast-track decarbonisation efforts. This panel explored how emerging economies can achieve significant breakthroughs by mobilising cross-border finance focused on sustainable and inclusive solutions. In particular discussing the growth of blended finance and impact investment flows and their role in building up the stock of assets in emerging market economies with the aim of achieving sustainable development impact.
At the heart of the EBRD’s mandate lies a focus on environmentally sound investment and sustainable development, and the Bank is determined to promote Environmental, Social, and Governance (ESG) through a unique combination of policy dialogue, investments, and private sector focus. The panel also explored how various parties -- the emerging countries’ authorities, advanced economies’ governments interested in supporting sustainable development, impact investors and IFIs - could work together to support the much-needed quantum leap in finance.
Featuring:
Andre Kuusvek
President & CEO
Nordic Investment Bank
Alex Pivovarsky - Speaker
Director, Capital Markets Development
EBRD
In today’s world, it is more important than ever to ensure that children in developing countries have access to a good quality education system. There are almost 35 million children that are unable to attend schools in Africa, compared to over 28 million children in Asia and rest of the world standing at 12 million. Therefore, in the third world and developing countries, education could be the key tool to break the vicious poverty cycle. Education allows people to develop the technical and leadership skills which help the poor to come out of the poverty trap.
Every child has the right to education, but many children are excluded because of high costs, language and cultural barriers, geographical remoteness, or special needs.
Al Mustafa Welfare Trust® works to ensure free and equal access to quality education at all times, including in emergencies, as well as access to learning for young people so they can reach their full potential.
In 2013, we supported 10,000 children to equip them with an education and ensure a brighter future for all.
Camden, London.
26th August 2008. Olympus 35DC and expired Ilford FP4+ film, developed by me in Ilfosol-3 for 9.5 minutes in December 2014. Cropped and tweaked in Picasa.
Photos by Philipp Geist ©2013 / VG BildKunst
WAGNR RMX - Philipp Geist
WGNR rmx 2013 - PHILIPP GEIST
Light Installation / Video Mapping Installation
New City Hall Bayreuth from July 7th to August 28th On the occasion of Richard Wagner’s 200th birthday the Berlin artist Philipp Geist (1976) develops a comprehensive light and video mapping installation on the external walls of the New City Hall in Bayreuth over a period of 40 nights. The artist dismisses the use of screens and projects his artistic image and light projections directly onto the facade. The projection merges with the location and invites visitors to linger around the New City Hall. The art installation is going to be further developed and enhanced during the mentioned period.
The subject of the artistic installation is Richard Wagner and his works; images, words, quotes, and associations from his operas are artistically interpreted and incorporated into the installation. These terms and quotations from Wagner's operas are projected in a "carpet of words" and abstract verbal images on the facade. With his pictorial language the artist Philipp Geist develops his own artistic interpretation of Wagner's themes. Geist creates a dialog between the location, i.e. the New City Hall, the visitors, and the artistic works of Richard Wagner. In the process, the access to the "Wagner" topic is complex: On a first direct level, concepts and images of his major works will be displayed on the facade by means of the visual language of Philipp Geist. Visitors will be inspired by individual characters and scenes from the rich repertoire of fine arts, from paintings and illustrations, especially from the 19th century. However, the characters and scenes will be alienated and integrated into the abstract structures of Philipp Geist’s worlds of images. Known Wagner themes, such as fire, natural phenomenons, and symbols like the ring, the sword, and the storm as a mirror for the inner turmoil, can be re-experienced and emerge as quotes in the form of images. In this way the installation demonstrates connections in a non-narrative manner and thus admits a different modern and contemporary access to Wagner’s works.
In this manner the radiant face of the hero appears in order to darken and vanish in the next moment. The great void comes into sight through the building bathed in darkness symbolizing the fraud, the vile and the dark side existing in men.
A scenery appears for an instant to dissolve in a flash into a graphic pattern again. Pristine landscapes turn into pixels and remind the viewer of the actual romantic ideal.
The Rheingold shines and sparkles through a hinted blue surface of water to crumble to dust a moment later. Gray and white particles float over the facade; the material transience is almost palpable.
The symbolism of the colors is adopted from the works: white sails become black, and vice versa; for the contemporary video projection technology it is easy to decide instantly on fateful questions. The sails may also turn into colorful triangles and fly away over the facade as a graphic pattern. At the same time, it is the random and ludic character of the installation that lures out the tragic and borne nature of the Wagner pathos and allows viewers of any age to envision uncountable points of contact. The installation celebrates Wagner, but it also uncovers critical voices: polarizations like genius and kitsch clash together and cover the building as one, quotes as Wagner’s "Aber, aber, was sollen die Sentimentalitäten" [But for all that, what’s the point of all these sentimentalities] wander along the facade.
On another level the approaches followed by Wagner matter for Geist’s installation: Wagner crossed the boundaries between the different arts and contents. He allied image and sound, music and stories, symphony and legends. Also Geist’s installation is influenced by Crossover: the multimedia artist creates a synergetic work on the City Hall giving rise to images from texts and mixing the analog with the digital by painting with light and his computer
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
WAGNR RMX - Philipp Geist
Lichtinstallation / Video-Mapping-Installation
Bayreuth Neues Rathaus 20.07.2013 bis 28.08.2013
KONZEPT PHILIPP GEIST
Anlässlich des 200. Geburtstags von Richard Wagner entwickelt der Berliner Künstler Philipp Geist (1976) über den Zeitraum von 40 Abenden eine flächendeckende Licht- und Video-Mapping-Installation auf das Neue Rathaus in Bayreuth. Dabei verzichtet der Künstler auf den Einsatz von Leinwänden und projiziert seine künstlerischen Bild- und Lichtprojektionen direkt auf die Fassade. Die Projektion verschmilzt mit dem Ort und lädt Besucher zum Verweilen am Neuen Rathaus ein. Über den Zeitraum der Installation wird die künstlerische Installation weiterentwickelt und ergänzt. Inhalt der künstlerischen Installation ist Richard Wagner und sein Werk; Bilder, Begriffe, Zitate und Assoziationen aus seinen Opern werden künstlerisch interpretiert und in die Installation eingebaut. Dabei werden Begriffe und Zitate aus Wagners Opern als Wörterteppich und abstrakten Wort-Bilder auf die Fassade projiziert. Der Künstler Philipp Geist entwickelt mit seiner Bildsprache seine eigene künstlerische Interpretation der Wagner-Themen. Geist entwickelt einen Dialog zwischen dem Ort, also dem Neuen Rathaus, den Besuchern und dem künstlerischen Werk von Richard Wagner. Der Zugang zum Thema „Wagner“ ist dabei vielschichtig. Zum Einen auf einer ersten, direkten Ebene, werden Begriffe und Bilder seiner Hauptwerke in der Bildsprache von Philipp Geist auf der Fassade zu sehen sein. Einzelne Figuren und Szenen aus dem reichen Repertoire der Bildenden Kunst, aus Gemälden und Illustrationen v.a. aus dem 19. Jahrhundert werden dem Besucher begegnen. Sie werden jedoch verfremdet und in die abstrakten Strukturen von Philipp Geists Bilderwelten integriert. Bekannte Wagner-Themen wie das Feuer, Naturereignisse und Symbole wie der Ring, das Schwert, und den Sturm als Spiegel für die innere
Aufruhr werden neu erfahrbar gemacht und tauchen als Bildzitate in der Installation auf. Die Installation zeigt so in nicht narrativer Art Zusammenhänge auf und lässt somit einen anderen modernen und zeitgenössichen Zugang zu dem Werk Wagners zu. So erscheint das strahlende Gesicht des Helden, um sich im nächsten Moment zu verdüstern und zu verschwinden. Die große Leere erscheint durch das in Dunkel getauchte Gebäude und symbol- isiert den Betrug, das Niederträchtige und Düstere im Menschen. Eine Szenerie taucht auf, um gleich wieder in ein grafisches Muster zu zerfließen. Unberührte Landschaften werden zu Pixeln und führen dem Betrachter vor Augen, dass es sich um ein romantisches Ideal handelt. Das Rheingold strahlt und funkelt durch die blaue angedeutete Wasseroberfläche hindurch, um im nächsten Moment zu Staub zu zerfallen. Graue und weiße Partikel schweben über die Fassade, die materielle Vergänglichkeit wird geradezu greifbar. Die Symbolik der Farben wird aus dem Werk übernommen, weiße Segel werden zu schwarzen und umgekehrt, es ist der zeitgenössichen Videoprojektionstechnik ein Leichtes, ganze Schicksalsfragen zu entscheiden. Vielleicht werden die Segel auch zu bunten Dreiecken und fliegen als grafisches Muster über die Fassade davon. So ist auch das Zufällige und Spielerische Merkmal der Installation, die das Tragische und Getragene des Wagner-Pathos herausfordert und eine Vielzahl von Anknüpfungspunkten für das Publikum jeden Alters ermöglicht. Die Installation feiert Wagner, macht aber auch kritische Stimmen sichtbar: Polarisierungen wie „Genie“ und „Kitsch“ treffenen aufeinander und ziehen sich gemeinsam über das Gebäude, Zitate wie Wagners: „Aber, aber, was sollen die Sentimentalitäten“wandern die Fassade entlang. Auf einer weiteren Ebene werden die Ansätze, welche Wagner verfolgte, auch für Geists Installation von Bedeutung sein: Wagner überschritt die Grenzen der verschiedenen Künste und Inhalte. Er brachte Bild und Ton, Musik und Geschichten, Symphonie und Sagen zusammen. Auch die Installation von Geist ist geprägt vom Crossover: Der Multimedia-Künstler erschafft ein synergetisches Werk auf dem Rathaus, lässt aus Texten Bilder entstehen und mischt Analoges mit Digitalem, indem er mit Licht und dem Computer malt.
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
Studio Philipp Geist
Post Box (Postfach) 080311
10003 Berlin/ Germany
Leipziger Str. 6610117 Berlin Studio PHILIPP GEIST - Leipziger Str. 66 - 10117 Berlin
Nikon F3
Six Gates Films Orwell BW @400 iso
developed in Tmax dev 7''
epson v700
almost all of this picture were taken by Luca (Laszlo K.) while i was developing.
it has been a glorious day. We developed over 23 rolls of color negative cinema film in a vintage Morse G3 tank. We had some major fixing issue but we saved some good frames & had a good time.
Bottom line:
1)ECN2 is totally feasible for home processing
2) Morse G3 tank agitation could not be the best for these films.
3) we took a little step forward for DIY film photography
National Museum of the US Air Force
Developed as a follow-on to the F-86 Sabre used in the Korean War, the F-100 was the world's first production airplane capable of flying faster than the speed of sound in level flight (760 mph). The prototype -- the YF-100A -- made its first flight on May 25, 1953, at Edwards Air Force Base, Calif. Of the 2,294 F-100s built before production ended in 1959, 1,274 were Ds, more than all the other series combined. The D model, which made its first flight on Jan. 24, 1956, was the most advanced production version. Its features included the first autopilot designed for a supersonic jet and a low-altitude bombing system. The Super Sabre had its combat debut in Vietnam where it was used extensively as a fighter-bomber in ground-support missions such as attacking bridges, road junctions and troop concentrations.
The aircraft on display was used by the Thunderbirds, the official USAF Flight Demonstration Team, from 1964 until 1968. During that period, the team toured the Caribbean, Europe, Latin America and nearly every state in the United States.
This F-100D was retired from service with the 114th Tactical Fighter Group, South Dakota Air National Guard, in 1977. It was restored by Thunderbird maintenance personnel at Nellis Air Force Base, Nev., to its original appearance as a team aircraft. It was flown to the museum by the Air National Guard, and the Thunderbirds presented the aircraft to the museum on July 22, 1977.
SPECIFICATIONS:
Span: 38 ft. 10 in.
Length: 54 ft. 2 in.
Height: 16 ft. 2 in.
Weight: 38,048 lbs. loaded
Armament: Four M-39 20mm cannons, two GAM-83A Bulldog missiles, four GAR-8 sidewinder missiles, rockets, special stores and/or a maximum of 7040 lbs. of bombs.
Engine: Pratt & Whitney J57-P-21 (or -P-21A) of 16,000 lbs. thrust with afterburner
Cost: $704,000
49 Ely Cambridgeshire Taken With Minolta Dynax 505si Super With Sigma 24mm F2.8 And Minolta 35-105mm F3.5-4.5 Lenses On Ilford Delta 400 ISO Developed With Ilford Ilfosol 3 1+9 5-5-2024
Developing ferns - Helechos desenrollándose; camino de regreso del mirador; Parque Nacional Omar Torrijos Herrera, El Copé, Coclé, Panamá
This is from my first home-developed roll of color, using the Tetenal Colortec C-41 Rapid Negative Kit. I'm really excited to have decent first results. :-)
Yashica 44 Twin Lens Reflex
Bluefire Murano 160
100529-F-3322D-026 U.S. Army 1st Lt. Christian Way, Provincial Reconstruction Team (PRT) Farah civil affairs team-alpha leader, listens as the head police detective of the Anar Darah district lists development goals during a meeting Saturday in Farah province. Lieutenant Way is from Kittery, Maine. (ISAF Photo by U.S. Air Force 2nd Lt. Christine A. Darius)
C41 film developed in hair dye with rest of process in normal c41 chemicals. Negatives were very thin hence the many defects that show up in the scan.
Developer - 5ml Revlon Black #10 hair colorant diluted in a pint container of warm water (didn't measure). Semi-stand develop for 1 hour.
10 minute rinse
10 minute c41 bleach
5 minute rinse
10 minute c41 fix
10 minute rinse
2 minute final rinse.
Process inspired by and based on information posted by Martie Bell aka (-: Pickles :-) www.flickr.com/photos/27820713@N04/sets/72157623463887609/ and neelin www.flickr.com/photos/neelin/4364726260/.