View allAll Photos Tagged Develop

shot by amanda

contax t2

kentmere 400

self developed

Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.

 

This short series of sketches stars Père Ubu, the hero of Alfred Jarry’s surreal plays at the turn of the last century. In this show, Ubu is constantly dreaming, interacting with archetypal characters from our collective unconscious.

 

This week, we rehearsed a new sketch, Dream #15, featuring a big face, an operatic melody, as well as dancing animals, flowers and musical notes, using wooden shapes made with a laser cutter. We also experimented with bubbles, with great results -- and played with a winged Ubu figure I created last week.

 

We both sat at a high desk behind the screen, holding our puppets on thin vertical sticks, and waving them across the screen, with a wide range of motion. We placed a high-quality projector over our heads, to illuminate the top of the screen, so the show can be seen even in a crowded room where everyone is standing.

 

We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.

 

I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.

 

From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn about ourselves.

 

View more pictures of this Magic Theater project on Flickr:

www.flickr.com/photos/fabola/albums/72157664637863884

 

Learn more about Ubu’s Dreams:

bit.ly/ubu-dreams-page

 

Learn more about the Magic Theater project (originally called Théâtre Mécanique):

fabriceflorin.com/2015/01/10/theatre-mecanique/

 

developed myself in the dark room haha

Watchtower Bay, Barry

Hasselblad 503CX, Distagon CF 40mm, Lee .6 ND grad, Velvia 50

Developed in Tetenal E6 kit

cariadus.com | tumblr | facebook

Leica M3 and Voigtlander Color-Skopar 21mm f/4

 

Arista Premium 100 developed in Xtol (1:3)

I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.

 

CIA developed the highly secret A-12 OXCART as the U-2’s successor, intended to meet the nation’s need for a very fast, very high-flying reconnaissance aircraft that could avoid Soviet air defenses. CIA awarded the OXCART contract to Lockheed (builder of the U-2) in 1959. In 1965, after hundreds of hours flown at high personal risk by the elite team of CIA and Lockheed pilots, the A 12 was declared fully operational, attaining the design specifications of a sustained speed of Mach 3.2 at 90,000 feet altitude. The A-12 on display at CIA Headquarters—number eight in production of the 15 A-12s built—was the first of the operational fleet to be certified for Mach 3. No piloted operational jet aircraft has ever flown faster or higher. To learn more about the CIA, visit www.cia.gov.

Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.

 

With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.

 

Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.

 

Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.

 

HISTORY

ANCIENT

Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.

 

In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.

 

Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.

 

Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.

 

The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.

 

PORTUGUESE CONTACTS

The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.

 

DUTCH EAST INDIA

In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.

 

In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:

 

I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.

 

The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.

 

AFTERWARD THE DUTCH GOVERNORS

exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.

 

n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.

 

Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.

 

During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.

 

INDIPENDENCE FROM THE DUTCH

In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.

 

CONTEMPORARY

The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.

 

The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.

 

As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.

 

GEOGRAPHY

The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.

 

Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.

 

The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.

 

The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.

 

Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.

 

To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.

 

CLIMATE

Being just 8 degrees south of the equator, Bali has a fairly even climate year round.

 

Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.

 

ECOLOGY

Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.

 

Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.

 

Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.

 

Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.

 

The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.

 

A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.

 

Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.

 

ENVIRONMENT

Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.

 

From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).

 

Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.

 

ECONOMY

Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.

 

AGRICULTURE

Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.

 

The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.

 

TOURISM

The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.

 

The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.

 

An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.

 

In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.

 

Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.

 

Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.

 

In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.

 

In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.

 

Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.

 

Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.

 

Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.

 

SEX TOURISM

In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.

 

Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.

 

By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.

 

TRANSPORTATION

The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.

 

A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.

 

In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.

 

A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.

 

On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.

 

In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.

 

On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.

 

To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.

 

DEMOGRAPHICS

The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.

 

ETHNIC ORIGINS

A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.

 

CASTE SYSTEM

Bali has a caste system based on the Indian Hindu model, with four castes:

 

- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.

- Wesia (Vaishyas) – the caste of merchants and administrative officials

- Ksatrias (Kshatriyas) – the kingly and warrior caste

- Brahmana (Bramhin) – holy men and priests

 

RELIGION

Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.

 

Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.

 

Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.

 

Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.

 

LANGUAGE

Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.

 

English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.

 

CULTURE

Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.

 

The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.

 

Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.

 

Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.

 

Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.

 

Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.

 

Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.

 

WIKIPEDIA

developed with Compard Digibase C-41 Kit, DLRS Scan

Deb shows some of the botanical illustration skills she learned at the Denver Botanic Gardens a few years ago.

 

When she took ink drawing, one time the instructor asked to see her preliminary pencil sketch. She asked "My what?" She had been doing ink direct to paper with no preliminary pencil drawing, as she still mostly does. The watercolor follows after the ink is totally dry.

Developed in Raw Photo Processor with P160NC output profile

Virtually "printed" with "Kodak Endura Glossy Paper" profile and grain effect applied in Dehancer plugin for Adobe Photoshop

Final color tweaks made in Adobe Photoshop

Fuji Klasse, Expired Lucky SHD ISO 100

Self Developed, D76 1:1, 14 Minutes

Canoscan 9000f, 4800dpi

Developed using darktable 3.0.0

Mikasa, Hokkaido.

Canon AV-1, FD 135mm F2.5, negative for recording ISO 100 from Fujifilm, exposed as ISO 400, developed with C-41 based reversal process by Michitaro Kohno as described previously.

This method makes wide dynamic range, describes both dark parts and bright parts equally well. On the other hand, film grain is small, especially in dark parts.

Developed an obsession with the Ladas in Baku. A relic of the old Soviet era, they are so endearing and many people still use them daily!

Assassin's Creed Origins is an action-adventure video game developed by Ubisoft Montreal and published by Ubisoft. It is the tenth major installment in the Assassin's Creed series and the successor to 2015's Assassin's Creed Syndicate. It was released worldwide for Microsoft Windows, PlayStation 4, and Xbox One on October 27, 2017. The game is set in Ancient Egypt during the Ptolemaic period and recounts the secret fictional history of real-world events. The story explores the origins of the centuries-long conflict between the Brotherhood of Assassins, who fight for peace by promoting liberty and The Order of the Ancients—forerunners to the Templar Order—who desire peace through the forceful imposition of order. Origins received positive reviews from critics, who praised the story, voice acting, immersive world of Egypt and visuals, while criticizing some of the pacing and technical issues. Despite this, some critics called it the best installment of the series since 2013's Assassin's Creed IV: Black Flag.

 

Develop: Metol

Rollfilm: Fuji HR-U (x-ray) w/g 400 ASA

camera: Rolleicord III 6x6

Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. Its production was preceded by an aerodynamic proving version of its airframe, the VF-X. Unlike all later VF vehicles, the VF-X was strictly a jet aircraft, built to demonstrate that a jet fighter with the features necessary to convert to Battroid mode was aerodynamically feasible. After the VF-X's testing was finished, an advanced concept atmospheric-only prototype, the VF-0 Phoenix, was flight-tested from 2005 to 2007 and briefly served as an active-duty fighter from 2007 to the VF-1's rollout in late 2008, while the bugs were being worked out of the full-up VF-1 prototype (VF-X-1).

 

The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later, though.

 

The VF-1 proved to be an extremely capable craft, successfully combating a variety of Zentraedi mecha even in most sorties which saw UN Spacy forces significantly outnumbered. The versatility of the Valkyrie design enabled the variable fighter to act as both large-scale infantry and as air/space superiority fighter. The signature skills of U.N. Spacy ace pilot Maximilian Jenius exemplified the effectiveness of the variable systems as he near-constantly transformed the Valkyrie in battle to seize advantages of each mode as combat conditions changed from moment to moment.

 

The basic VF-1 was deployed in four minor variants (designated A, D, J, and S) and its success was increased by continued development of various enhancements including the GBP-1S "Armored" Valkyrie, FAST Pack "Super" Valkyrie and the additional RÖ-X2 heavy cannon pack weapon system for the VF-1S for additional firepower.

The FAST Pack system was designed to enhance the VF-1 Valkyrie variable fighter, and the initial V1.0 came in the form of conformal pallets that could be attached to the fighter’s leg flanks for additional fuel – primarily for Long Range Interdiction tasks in atmospheric environment. Later FAST Packs were designed for space operations.

 

After the end of Space War I, the VF-1 continued to be manufactured both in the Sol system and throughout the UNG space colonies. Although the VF-1 would be replaced in 2020 as the primary Variable Fighter of the U.N. Spacy by the more capable, but also much bigger, VF-4 Lightning III, a long service record and continued production after the war proved the lasting worth of the design.

The versatile aircraft also underwent constant upgrade programs. For instance, about a third of all VF-1 Valkyries were upgraded with Infrared Search and Track (IRST) systems from 2016 onwards, placed in a streamlined fairing on the upper side of the nose, just in front of the cockpit. This system allowed for long-range search and track modes, freeing the pilot from the need to give away his position with active radar emissions, and it could also be used for target illumination and guiding precision weapons.

Many Valkyries also received improved radar warning systems, with receivers, depending on the systems, mounted on the wing-tips, on the fins and/or on the LERXs. Improved ECR measures were also mounted on some machines, typically in conformal fairings on the flanks of the legs/engine pods.

 

The VF-1 was without doubt the most recognizable variable fighter of Space War I and was seen as a vibrant symbol of the U.N. Spacy even into the first year of the New Era 0001 in 2013. At the end of 2015 the final rollout of the VF-1 was celebrated at a special ceremony, commemorating this most famous of variable fighters. The VF-1 Valkryie was built from 2006 to 2013 with a total production of 5,459 VF-1 variable fighters with several variants (VF-1A = 5,093, VF-1D = 85, VF-1J = 49, VF-1S = 30, VF-1G = 12, VE-1 = 122, VT-1 = 68)

 

However, the fighter remained active in many second line units and continued to show its worthiness years later, e. g. through Milia Jenius who would use her old VF-1 fighter in defense of the colonization fleet - 35 years after the type's service introduction!

 

General characteristics:

All-environment variable fighter and tactical combat Battroid,

used by U.N. Spacy, U.N. Navy, U.N. Space Air Force

 

Accommodation:

Pilot only in Marty & Beck Mk-7 zero/zero ejection seat

 

Dimensions:

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

 

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

 

Empty weight: 13.25 metric tons;

Standard T-O mass: 18.5 metric tons;

MTOW: 37.0 metric tons

 

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2)

4x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);

18x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

 

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard T-O 2.49; maximum T-O 1.24

 

Design Features:

3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system

 

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

 

Armament:

2x internal Mauler RÖV-20 anti-aircraft laser cannon, firing 6,000 pulses per minute

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rds/min

4x underwing hard points for a wide variety of ordnance, including

12x AMM-1 hybrid guided multipurpose missiles (3/point), or

12x MK-82 LDGB conventional bombs (3/point), or

6x RMS-1 large anti-ship reaction missiles (2/outboard point, 1/inboard point), or

4x UUM-7 micro-missile pods (1/point) each carrying 15 x Bifors HMM-01 micro-missiles,

or a combination of above load-outs

  

The kit and its assembly:

Well, once in a while I dig one of these vintage ARII kits out of the mecha pile and let the spirits flow. This one was a kind of mental distraction, after putting together eight models for the “RAF Centenary” group build at whatifmodelers.com – and it’s the realization of an idea I had maybe 20 years ago when I worked part-time at a painter. One day I came at a wholesale shop across a rattle can with RAL 1000 (Beigegrün), a kind of yellow-ish RAF Sky and one of the ugliest colors you can imagine beyond RLM02. But I thought “One day I’ll try to paint a VF-1 with THIS, and it will certainly not look bad…”.

 

Said and done, the VF-1J remained basically OOB but received some mods and updates. First of all, the kit was to be displayed in flight, with its wheels tucked up, so I added one of my home-made standard display stands to the gun pod.

Then the kit received, as a standard treatment, some characteristic blade antennae on the back and the nose which the kit simply lacks, due to the small scale and its simplicity.

 

Then came some cosmetic additions – partly canonical, partly fictional. The IRST fairing in front of the cockpit as well as the sensor mounted on the wing roots were inspired by official source material. The fairings on the lower legs are home-made and also inspired by authentic VF-1s, even though their shape is different. The RHAWS antennae at the tips of the fins are a similar case, improvised with styrene sheet and putty. The missile pods were scratched from leftover AMM-1 missile heads and styrene profile, for more ordnance and a more streamlined look than the OOB dozen of AMM-1s on the underwing pylons. Last but not least, the cockpit received an extended dashboard (filling the space between the pilot’s legs) and a pilot figure.

  

Painting and markings:

Green! This became the theme that would make the idea of RAL 1000 as basic color tolerable. I settled for a uniform livery, inspired by a profile found in a source book (even though it was be basically blue). I wanted a somewhat plausible and convincing look.

 

Basic painting was done with brushes and most of the trim in bright green and white was done with generic decal sheet material. A tedious process, but in the end a convenient solution. Some very light post-shading (with Humbrol 90) was done, shifting the overall RAL 1000 into a more greenish direction.

 

The decals and stencils come mostly from the OOB sheet, but some individual markings were gathered from the scrap box. For instance, the green clovers on the fins’ outsides come from a Hasegawa Ki-61, while the USN-style code “ET” on the fins’ insides are tactical letter codes from an RAF SEPECAT Jaguar.

  

A small and quick interim project – and the RAL 1000-based livery does actually not look as bad as (secretly) expected. In fact, the green livery is a nice contrast to the red roundels – a bit unusual in the Macross universe, but the Valkyrie looks good!

Collection:

Images from the History of Medicine (IHM)

 

Publication:

Produced: 1918

 

Language(s):

English

 

Format:

Still image

 

Subject(s):

Hospitals, Military,

Military Personnel,

Nurses, Canada,

Leek Island Military Hospital.

 

Genre(s):

Photograph

 

Abstract:

Black and white photograph of a uniformed soldier lying in a chair outside, with a blanket over him, developing film. Standing around him are 2 uniformed soldiers, 2 nurses, and 2 orderlies.

 

Related Title(s):

Is part of: Leek Island Military Hospital.; See related catalog record: 101744383

 

Extent:

1 photograph : 11 x 7 cm

 

Technique:

silver gelatin DOP, black and white

 

NLM Unique ID:

101766712

 

Permanent Link:

resource.nlm.nih.gov/101766712

Developed outlines

40 x 40 cm

Acrylic and spray paint on wood

Finished in a satin varnish

2013

SONY a7II + SIGMA 16mm F1.4 DC DN C017

 

Developed by Adobe Lightroom Classic 7.0.1

 

foxfoto.exblog.jp/27751138/

A full container vessel operated by the Evergreen Line sails under the Golden Gate Bridge, near Fort Point, in San Francisco Bay, California. Evergreen operates the fourth largest container fleet in the world with over 150 ships.

 

This particular vessel is the "Ever Develop". There are two 'Develop's' in the Evergreen fleet, 'Develop 1' and 'Develop 2'. I could not determine which of the two is pictured in this photo. This is a Panamanian-flagged vessel launched in 1998 with a maximum TEU capacity of 4211 tons. The ship was built by Mitsubishi Heavy Industries Ltd. in Shimonoseki, Japan and can carry up to 476 reefer containers.

 

Fort Point, at the bottom-right of this photograph, is located on the southern side of the Golden Gate at the entrance to San Francisco Bay. It was built just prior to the Civil War by the US Army Corps of Engineers in order to protect and defend the Bay against hostile warships. Today, it is a National Historic Site administered by the National Park Service.

 

If you look closely, you can just make out the diminutive 'Fort Point Lighthouse' on the roof of Fort Point. This is actually the third lighthouse to stand at this location. The first was built in 1853 and torn down a year later to make room for the fort. The second was built on a narrow ledge between the fort and the water in 1855 but strong tidal currents eventually undermined the shore and the lighthouse had to be removed. The tower was replaced with the third and final light placed in its present position atop the fort.

Watch the full 5 minute movie on YouTube

Ski road trip in March 2013 to Fernie, British Columbia, Canada, film run time 5:00 minutes

Hand developed Kodak Ektachrome 100D 16mm film, hand split into D8

Bolex P1 D8 Reflex Zoom Dual 8mm motion film camera

Som Berthiot Pan-Cinor f1.9 8-42mm zoom lens

Developed in Tetenal E-6 Kit, hand split with scissors from 16mm

Telecine off Majestic D8 3 Blade Projector @ 18fps

1080p HD 30fps video recording with Olympus PEN E-PM1

Leica Summicron M DR f2 50mm lens and Lumix M / MFT adapter

----

"Ghettocine Road Trip - The Movie" coming soon - stay tuned!

In the middle part of our country, it is common practice to put fruit-flavored gelatin into an ornamental bowl with a variety of disparate substances: cottage cheese, crushed pineapple, shredded vegetables, olives, nuts, grass clippings, coffee grounds, what have you. Then, just before dinner, the skillful chef unmolds the jello. It jiggles and shimmers and strikes fear into the hearts of lesser cooks.

 

In the northern plain states, this dish is euphemistically called, "salad." No kidding. Sometimes, with a dab of mayonnaise on top, for verisimilitude.

 

That said, I make a mean one, myself.

 

This fold reminds me of the ornamental bowl used to mold the jello. Unimproved Crease Pattern. Also in Encapsulated Postscript.

Karate For Kids

 

Karate for kids classes in Cave Creek, Chandler, Mesa, Glendale, Arizona are taught in a method to develop life skills such as respects, enhanced self-discipline, greater confidence and respect in children. The karate for kids programs with the local ATA martial arts schools doesn’t only teach how to kick and punch. The karate classes will teach kids the valuable life lessons of self-control and the ability to defend themselves. All of the Karate Kids classes teach the attributes necessary to be a confident individual within our community.

 

Our Local ATA Martial Art schools in Cave Creek, Chandler, Mesa, Glendale, Arizona have carefully designed the karate programs for the youth within the community- age appropriate programs that are specifically aimed at the child’s development both physically and mentally. These karate lessons are taught through a top ranked and nationally recognized “Karate For Kids” program, that has a well established training curriculum designed school aged students.

 

bullying seminars, martial arts business coaching mesa karate, chandler karate, cave creek karate,

 

#1 with parents in the ATA Karate Schools in Cave Creek, Chandler, Mesa, Glendale, Arizona is the renowned Karate for Kids character development “ATA Life Skills” program designed for personal Victory in Martial Arts with skills such as perseverance, integrity, courtesy, self-esteem and the respect for others while incorporating social life skills that develops naturally within the group.

 

It is always a good time to start a program at one our three locations as the #1 Karate For Kids schools in Las Vegas and Henderson. Together with kids their own age, every youngster can mature and grow with the self confidence that a karate kids program develops within them.

  

Martial Arts Classes For Women

 

In today’s world of fitness, women are looking for a structured and interesting workout in a manner to stay fit that breaks away from their traditional daily routine. Repeating the same exercise every day can be draining and break ones motivation and is rarely goal oriented. It isn’t the normal daily gym workout. ATA Martial Arts of Cave Creek, Chandler, Mesa, Glendale, Arizona is a training facility that women are finding the variety of goal oriented conditioning that is exciting. While the physical nature of martial arts is rewarding and a personal martial arts victory, it also teaches the self defense and survival tactics that is needed in todays ever changing world.

 

There are many important mental and physical health benefits in our women’s martial art classes in Las Vegas and Henderson. While toning vital muscles and building coordination will enhance self-confidence, awareness and increase cardiovascular is health. Women who Attend ATA karate classes will improve balance, flexibility, increase exercise stamina levels while developing a greater sense of self-esteem, hence the term… “Victory” in Martial Arts.

Martial Arts have been known to provide much needed stress relief, promote self-control, concentration, and boost the ability to remain calm under stress. ATA Martial Arts routines are even helping women keep their memory sharp on a day-to-day basis!

 

Cave Creek, Chandler, Mesa, Glendale, Arizona ATA Martial Arts facilities are the community martial arts experts that provide rigorous karate classes for women of all ages to develop their strength of body and mind.

 

It’s a fact! Women are breaking away from their traditional exercise routines such as gym workouts and finding balance, freedom and motivation at ATA Martial Arts. It’s time for you to experience the benefits of karate classes designed for women with the community Martial Art experts in Las Vegas and Henderson.

   

Adult Martial Arts Classes for Men

 

Martial Arts classes for men in Cave Creek, Chandler, Mesa, Glendale, Arizona is more then just kicking and punching. ATA Karate Classes create a stronger self awareness, enhanced confidence, greater focus, and a true Victory in Martial Arts for men of all ages.

 

In an adult class a karate student will train will practical concepts in a safe, clean and enjoyable facility, while incorporating life skills to de-stress from life’s everyday challenges. Las Vegas ATA Martial Arts and Henderson ATA Martial arts offers three location to serve our community. Learning a skill set that will stick with you for life, no matter what age, allowing you to gain the self confidence desired so that you can feel comfortable with confrontation in any real life situation.

 

As one of the top martial arts training facilities in the community our Martial Arts programs such as Karate for Kids, Taekwondo and MMA and Fitness is a key method of enhancing the body’s functions, including flexibility, coordination, and balance with strength and endurance. Yes! It relieves stress while having some fun as well as meeting new people. As an adult, you do not need to have prior training before you get into a Martial Arts class. ATA Martial Arts has a defined teaching curriculum designed to take each student to the peak of their performance while greatly enhancing their skills creating a personal “Martial Arts Victory”.

    

KRAV MAGA & MMA FITNESS

Krav Maga and ATA’s MMA and athletic training is combined to provide a diverse full body workout while incorporating real life scenario drills for self defense.

This class features a structured curriculum that is in continuous motion utilizing all levels of MMA and Krav Maga skills with self defense drills in a manner to enhance cardio-respiratory for your cardiovascular system. Krav Maga students don’t’ just perform blocks, punches, kicks and movements you would find at a gym to music or in the mirror, students train in an environment that is preparing them for real life conditions.

 

The Krav Maga & MMA Fitness in Cave Creek, Chandler, Mesa, Glendale, Arizona is a true Conditioning Program that specializes in a Total Body Workout that doesn’t feel like to boring fitness class you may have taken before. Krav Maga Conditioning Program brings a fresh experience and keeps each and every student motivated in class on a day to day basis.

With a strong dedication and commitment to the Krav Maga and MMA Fitness Training student, Krav Instructors teach a combination of strength training, combatives, flexibility skills, and workouts with our top notch academy training facility. There is a emphasize on muscular strength and cardiovascular endurance for Krav students in Henderson and Las Vegas while instilling the distinctive awareness and self defense techniques needed for street survival in our ever changing world.

Correct body alignment to maximize efficiency can be key, our team of professional instructors will work on refining Krav Maga technique through exciting repetition drills and training.

All levels of Krav Maga, MMA & Fitness from the beginner to the experienced can train at anyone of our three locations. Call today and don’t delay.

 

www.karatebuilt.com

   

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background:

The AH-64 Apache originally started as the Model 77 developed by Hughes Helicopters for the United States Army's Advanced Attack Helicopter program to replace the AH-1 Cobra. The prototype YAH-64 was first flown on 30 September 1975. The U.S. Army selected the YAH-64 over the Bell YAH-63 in 1976, and later approved full production in 1982. After purchasing Hughes Helicopters in 1984, McDonnell Douglas continued AH-64 production and development. The helicopter was introduced to U.S. Army service in April 1986. The first production AH-64D Apache Longbow, an upgraded Apache variant, was delivered to the Army in March 1997. Production has been continued by Boeing Defense, Space & Security, and more than 2,000 AH-64s have been produced to date.

 

The Boeing AH-64 Apache is a four-blade, twin-turboshaft attack helicopter with a tailwheel-type landing gear arrangement and a tandem cockpit for a two-man crew. It features a nose-mounted sensor suite for target acquisition and night vision systems. It is armed with a 30 mm (1.18 in) M230 chain gun carried between the main landing gear, under the aircraft's forward fuselage. It has four hardpoints mounted on stub-wing pylons, typically carrying a mixture of AGM-114 Hellfire missiles and Hydra 70 rocket pods. The AH-64 has a large amount of systems redundancy to improve combat survivability.

 

The U.S. Army is the primary operator of the AH-64; it has also become the primary attack helicopter of multiple nations, including Greece, Japan, Israel, the Netherlands, Singapore, and the United Arab Emirates; as well as being produced under license in the United Kingdom as the AgustaWestland Apache. American AH-64s have served in conflicts in Panama, the Persian Gulf, Kosovo, Afghanistan, and Iraq. Israel used the Apache in its military conflicts in Lebanon and the Gaza Strip; British and Dutch Apaches have seen deployments in Afghanistan and Iraq.

 

Studies for a naval version of the Apache were begun during 1984 and since that time the McDonnell Douglas Helicopter Company has proposed several modified Apaches to both the U.S. Marine Corps and U.S. Navy. The navalized Apache was viewed as a replacement for the aging Bell AH-1 Sea Cobras that are in service with the Navy and Marines. With the introduction of a four-blade rotor system to the then current Marine Sea Cobra, the AH-1W, the Bell Cobra was believed to have reached the limit of its development. While older Sea Cobra airframes could be brought up to AH-1W standards, the Marines saw the need for a replacement for the Sea Cobra with some urgency.

 

The proposed Sea Apache (also known as the ‘Gray Thunder’) was intended for operations from smaller Navy ships such as frigates and cruisers and by the Marines from Amphibious Assault Ships (LHA) and smaller helicopter capable amphibious ships of a Marine Amphibious Ready Group (ARG). These ships would frequently operate outside the air cover of a carrier task group, so that the Sea Apache was also tasked with limited air defense duties and regarded as an offensive surface strike platform, with more capable weapons than the Army's version.

 

Since 1984, several design studies and formal proposals had evolved, with the Navy requesting changes in the Sea Apache configuration as it refined the aircraft's missions and roles. All in all the project went through no less than three stages, and each of these proposed navalized versions of the Apache differed in several ways from the standard Army AH-64A, although all three proposals had the same powerplants in common, two 1,723shp naval standard General Electric T700-GE-401 engines.

Also in common were increased corrosion preventive measures, improved electro-magnetic interference protection, a Doppler navigation system, upgraded brakes, additional tie down points, and a powered automatic rotor blade fold system.

 

Some of the missions envisioned by the Navy for the Sea Apache were:

- Escort for amphibious assault craft

- Anti-shipping strike

- Combat Air Patrol (CAP) with up to six Sidewinders

- Over the Horizon (OTH) targeting for surface ships

- Air support for SEAL special warfare teams

- Standoff surveillance

- Long range coastal patrol

 

Originally (designated “Stage 1”), the Sea Apache was to be a basic AH-64A airframe modified with a folding tail boom, a relocated tail wheel, a mast-mounted radar for surface/air search and attack, and provisions for Harpoon and Sidewinder missiles. Over time, however, the engineering studies and changing roles/missions requirements revealed that the Sea Apache's final configuration would have to be altered drastically.

 

One of the early problems encountered with navalizing the Apache was the narrow wheel base of the main landing gear. Engineering studies found that the standard Apache main wheel track was too narrow, causing the aircraft to be very unstable on the deck of a small ship. The roll of the deck in heavy seas, coupled with the aircraft's narrow wheel base and a relatively high center of gravity, could easily cause the Sea Apache to tip over. To solve this problem, McDonnell Douglas engineers redesigned the main landing gear, relocating it from the fuselage to the tips of the stub wings. The revised main landing gear was also retractable, with the gear retracting into streamlined housings (although the wheel itself remains uncovered) on the end of each reinforced stub wing. These housings also had provisions for mounting Sidewinder missile launcher rails.

 

The revised landing gear configuration was put forward in the second proposal (Stage 2) which also deleted the 30mm Chain Gun and its associated ammunition storage system. Furthermore, the Stage 2 Sea Apache featured a revised nose contour and replaced the TADS/PNVS with a nose mounted radar.

Extended fuselage side sponsons carried additional electronics and fuel cells. The sponsons themselves were smoothly faired into the fuselage to lower drag and extended almost to the tip of the nose. This aircraft was to also have provision for carrying two AIM-9L Sidewinder air-to-air missiles on short racks on the fuselage underside, a folding tail assembly and a retractable tail wheel.

 

This design had been refined still further, and the Stage 3 Sea Apache proposal had the side fuselage sponsons deleted and featured a larger nose radome intended to house an APG-65 Sea Search radar. This radar, developed from the multi-mode radar used on the F/A-18 Hornet fighter/attack aircraft, was compatible for both air-to-surface attack and air-to-air engagements. The forward fuselage was deepened to house additional fuel cells and the relocated avionics bays.

 

Projected armament included both the Harpoon or Penguin air-to-surface missiles (although the number of stations had been reduced to two) as primary weapons against surface targets, plus two Sidewinder air-to-air missiles for self-defense.

Additional weapons included Stinger, Sidearm, AMRAAM, and Hellfire missiles, as well as 127mm Zuni and 70mm FFAR rockets. Performance goals specified for the Sea Apache by the Navy at this stage included a 370km mission radius, and a four hour endurance on station. To extend the Sea Apache's time on station even further, an extendable in-flight refueling probe would be mounted on the starboard fuselage side below the cockpit. Consideration was also being given to installing the Canadian developed Bear Trap automatic haul-down landing system, which allowed operations during heavy sea states.

 

In 1989 the Navy gave serious consideration to the purchase of the Sea Apache once adequate funding was made available to finance prototype construction. The Navy desires the Sea Apache not only for its capabilities, but also because the aircraft would cost far less to acquire than to undertake the design of a totally new aircraft to replace the AH-1W in service.

 

It took until 1992 that the AH-64N, how the Sea Apache was now officially called, was given green lights and a total of seven prototypes were ordered (five for flight tests and in different configurations from Stage 2 and 3, plus two static airframes), and trials took another four years. During this time, one prototype was lost in a fatal crash and the overall budget for the new helicopter was slimmed down, so that the service aircraft became less drastically changed from the Army helicopter, and was eventually designated “Stage 2+”. It carried the Stage 3 avionics suite, but the performance goals became less ambitious, so that the deepened fuselage was not necessary anymore, improving aerodynamics and compensating a little for the reduced internal fuel capacity.

 

The first production AH-64Ns were delivered in 1998 and entered service on board of US Navy Wasp-class amphibious assault ships, e. g. the newly built USS Bataan (LHD-5), in 1999. Bataan was also one of many vessels in the Middle East region at the beginning of the Iraq war on or about 20 March 2003. After delivering her attack and transport helicopters, troops and vehicles she was employed as a "Harrier Carrier" with primary duties supporting two Marine AV-8B Harrier II squadrons along with USS Bonhomme Richard. USN AH-64Ns of the newly formed HLA-80 light attack helicopter squadron served successfully in the Combat Air Patrol (CAP) role, armed with AIM-120 AMRAAM and AIM-9L Sidewinders, as well as in the escort role for emergency medical care transports in the conflict region.

 

Until 2003, a total of 80 AH-64Ns were built, exclusively for the US Navy. The US Marines showed interest in the new helicopter, but budget restrictions forced the USMC to stay with its AH-1W helicopters and the AV-8B fleet. A proposed Marine Corps variant would retain the TADS/PNVS and Hellfire missile system, for use in the close air support role and for anti-shipping duties while escorting amphibious vessels. This variant would also relocate the radar dome back to the top of the rotor mast. Another option favored by the Marines was the capability to use the four tube TOW missile system as a back-up to the Hellfire missile system. But due to further budget restrictions, this variant that resembled the initial Stage 1 design of the AH-64N, never left the drawing board.

 

Further export ambitions received a blow when the British Army successfully deployed license-built AgustaWestland Apaches in 2003 upon the Royal Navy's HMS Ocean, a Landing Platform Helicopter, demonstrating that the land-based Army helicopter was quite capable of naval operations.

  

General characteristics:

Crew: 2 (pilot, and co-pilot/WSO)

Length: 58.17 ft (17.73 m) (with both rotors turning)

Fuselage length: 49 ft 5 in (15.06 m)

Rotor diameter: 48 ft 0 in (14.63 m)

Height: 12.7 ft (3.87 m)

Disc area: 1,809.5 ft² (168.11 m²)

Empty weight: 11,387 lb (5,165 kg)

Loaded weight: 17,650 lb (8,000 kg)

Max. takeoff weight: 23,000 lb (10,433 kg)

 

Powerplant:

2× General Electric T700-GE-701C turboshaft engines, delivering 1,890 shp (1,409 kW) each,

driving a foldable 4 blade main rotor and a 4 blade tail rotor in non-orthogonal alignment

 

Performance:

Never exceed speed: 197 knots (227 mph, 365 km/h)

Maximum speed in level flight: 165 knots (190 mph, 306 km/h)

Cruise speed: 143 knots (165 mph, 265 km/h)

Range: 290 nmi (332 mi, 535 km) with two AGMs and four AAMs

Combat radius with two hours loitering time: 162 nmi (186 mi, 300 km)

Ferry range: 1,080 nmi (1,242 mi, 2,000 km)

Service ceiling: 21,000 ft (6,400 m) minimum loaded

Rate of climb: 2,500 ft/min (12.7 m/s)

Disc loading: 9.80 lb/ft² (47.9 kg/m²)

Power/mass: 0.18 hp/lb (0.31 kW/kg)

 

Armament:

No internal gun;

Four pylon stations on the stub wings; the inner pair under the wings can carry a wide range of

AGMs and AAMs, including AGM-84 Harpoon and AGM-119 Penguin against surface targets.

Alternatively, up to eight AGM-114 Hellfire missiles or pods with Hydra 70 70 mm, CRV7 70 mm,

and APKWS 70 mm air-to-ground rockets can be carried

Stations on each wingtip and under the fuselage can carry launch rails for up to four

AIM-120 AMRAAM and/or AIM-9 Sidewinder AAMs.

  

The kit and its assembly:

Another entry for the 2016 “In the Navy” group build at whatifmodellers.com, and to my surprise I was so far the only builder of this interesting “real” what-if project – even though the navalized Apache had been tackled by other modelers several times before.

 

The three design stages, plus USMC options, offer a wide range of potential builds – but I did not want to build a 1:1 copy of any of these. I wanted a sleek helicopter, purely armed with guided missiles, so I settled for “something between Stage 2 and 3”, or rather something that combines design elements from these:

- Nose radome (Stage 2)

- Recontoured upper fuselage (Stage 2 onwards)

- Retractable landing gear in wing tip pods & relocated tail wheel (Stage 2 onwards)

- Deleted sponsons (Stage 3), but also no deepened Stage 3 fuselage

 

A nice basis for my plan was Academy’s new AH-64 kit – it’s selling point in my case was the fact that it is the only kit that comes with separate sponson parts. Any other kit I know has them as integral part of the fuselage halves, so that Stage 1 would be fairly easy to build, Stage 2 challenging and Stage 3 a total re-sculpting of the forward fuselage. But in this case, the sponsons can simply be left away and a floor panel needs some modifications.

 

The thimble radome is an aftermarket resin piece, actually for a WWII FuG 240 Morgenstern radar on board of a Ju 88G night fighter. It simply replaces the original nose and it was blended into the fuselage through a 2C putty “plug”.

 

Stage 2 and 3 of the navalized Apache feature a higher upper deck around the rotor gear cover. On a 1:72 kit it’s not much, maybe 2mm, but recognizable to keen eyes. I scratched it through donation parts (including an air brake from an Airfix A-1 Skyraider…), styrene strips and some putty. The rotor mast was also extended by the same amount, compensating for the higher dorsal line. Subtle, but worked out fine.

 

I was a little uncertain concerning the stub wings. Stage 3 had a reduced span, and I found the OOB wings a little too small for the wingtip pods (scratched from styrene profiles and some 2C putty) with the landing gear. I eventually added 3mm depth to the wings through inserted styrene profiles – probably hard to recognize at all when hidden under paint, but proportions look IMHO more balanced, also with the missile ordnance on board and the longer nose. Any means to move the landing gear forward is helpful!

 

Work on struts and wheels started once the wings and the pods were in place, for a proper ground clearance. The struts are modified parts from the Academy kit, I just replaced the fat low-pressure main wheels for the land-based version with donations from a Hobby Boss MiG-15: similar diameter, but less wide and an interesting wheel hub cover.

 

For the retractable tail wheel, a well opening was cut of the tail boom and an interior plus covers added.

The whole tail wheel comes OOB from the kit, the struts were just re-arranged for a more vertical position in the well.

 

The ordnance comes from a Hasegawa US weapon set and encompasses a pair of AGM-119 Penguins, a pair of AIM-120 AMRAAM and a pair of AIM-9 Sidewinder, plus the missiles’ respective launch rails.

 

Anyway, nothing goes without trouble. In this case, disaster struck in the form of a cracked canopy while trying to dry-fit the clear part over the finished cockpit and fuselage. Sh!t.

I was lucky to have a spare AH-64A canopy at hand, from an early Italeri kit. While not as sharp in detail as the Academy part, the shape and outline of both pieces was almost identical, the Italeri part only turned out to be 2-3mm too short at its rear end, a gap that could be bridged with styrene strips, though.

 

Overall, the implantation called for some modifications around the cockpit opening, but for a donor part solution the result is thankfully pretty good, phew! When painting started, I was even more happier, because the putty work associated with the implantation turned out to be better than expected. On the downside, the donor part seems to bear a lot of micro-cracks – they are only visible from certain angles and in direct light, though, and once I discovered them the piece had already been blended into the fuselage, so I stuck with the solution.

 

Another final modification was a little rhinoplasty – I did not assess the amount of putty correctly that was needed to blend the radome with the rest of the fuselage, it added 4-5mm in length. The result, once the fuselage was completed and overall proportions clearer, looked a littel Pinocchio-esque, though. So, with a bleeding heart and shaky hands, I cut a 5mm disc out of the massive resin nose and fitted the two remaining parts together again, blending the cut and the differences in diameter with putty. This worked out fine, too, and I also used the opportunity to re-shape the radome’s underside a little, so that the whole outline would come closer to the Stage 2 sketches. Looks better, in the end.

  

Painting and markings:

I stuck to the livery many illustrations of this fictional helicopter show: a typical, all-gray low-viz scheme, similar to the USMC’s late AH-1 helicopters. Everything very straightforward and based on contemporary USN benchmarks.

 

Basic colors are FS 35237 for all upper surfaces and FS 36375 for the undersides – as a personal twist I added a third tone, FS 36320, to the flanks – after all, it’s a whif kit.

A light black ink wash and some dry-brushing on panels were used for weathering, as well as some grinded graphite around the engines and the stabilizers for exhaust soot stains.

 

The cockpit and visible parts of the rotor system became very dark gray (a mix of black and FS 36081), while the blades became neutral gray (FS 36173). The landing gear and its wells standard all-white in order to reveal leaks in the hydraulic system, as well as all six launch rails. The ordnance was painted according to the real world, I just chose a medium grey finish for the Penguins.

 

The decals were puzzled together from various sources, HLA-80 as a unit and its markings are purely fictional. The grey walkways are grey decal strips (TL Modellbau stuff).

  

Despite the canopy and nose trouble on the way, the result looks pretty good. O.K., my build does not match any of the three proposed design stages, but many characteristic details are there – and who knows how a real navalized AH-64 might finally have looked like?

 

Konica Hexar RF and Voigtlander Ultron 28mm f/1.9

 

Arista Premium 100 developed in Xtol (1:1)

+++ DISCLAIMER +++Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The Nakajima J9N Kitsuka (中島 橘花, "Orange Blossom", pronounced Kikka in Kanji used traditionally by the Japanese) was Japan's first jet aircraft. In internal IJN documents it was also called Kōkoku Nigō Heiki (皇国二号兵器, "Imperial Weapon No.2"). After the Japanese military attaché in Germany witnessed trials of the Messerschmitt Me 262 in 1942, the Imperial Japanese Navy issued a request to Nakajima to develop a similar aircraft to be used as a fast attack bomber. Among the specifications for the design were the requirements that it should be able to be built largely by unskilled labor, and that the wings should be foldable. This latter feature was not intended for potential use on aircraft carriers, but rather to enable the aircraft to be hidden in caves and tunnels around Japan as the navy began to prepare for the defense of the home islands.

 

Nakajima designers Kazuo Ohno and Kenichi Matsumura laid out an aircraft that bore a strong but superficial resemblance to the Me 262. Compared to the Me 262, the J9N airframe was noticeably smaller and more conventional in design, with straight wings and tail surfaces, lacking the slight sweepback of the Me 262. The triangular fuselage cross section characteristic of the German design was less pronounced, due to smaller fuel tanks. The main landing gear of the Kikka was taken from the A6M Zero and the nose wheel from the tail of a Yokosuka P1Y bomber.

The Kikka was designed in preliminary form to use the Tsu-11, a rudimentary motorjet style jet engine that was essentially a ducted fan with an afterburner. Subsequent designs were planned around the Ne-10 (TR-10) centrifugal-flow turbojet, and the Ne-12, which added a four-stage axial compressor to the front of the Ne-10. Tests of this powerplant soon revealed that it would not produce anywhere near the power required to propel the aircraft, and the project was temporarily stalled. It was then decided to produce a new axial flow turbojet based on the German BMW 003.

 

Development of the engine was troubled, based on little more than photographs and a single cut-away drawing of the BMW 003. A suitable unit, the Ishikawa-jima Ne-20, was finally built in January 1945. By that time, the Kikka project was making progress and the first prototype made its maiden flight. Due to the worsening war situation, the Navy considered employing the Kikka as a kamikaze weapon, but this was quickly rejected due to the high cost and complexity associated with manufacturing contemporary turbojet engines. Other more economical projects designed specifically for kamikaze attacks, such as the simpler Nakajima Tōka (designed to absorb Japanese stock of obsolete engines), the pulsejet-powered Kawanishi Baika, and the infamous Yokosuka Ohka, were either underway or already in mass production.

 

The following month the prototype was dismantled and delivered to Kisarazu Naval Airfield where it was re-assembled and prepared for flight testing. The aircraft performed well during a 20-minute test flight, with the only concern being the length of the takeoff run – the Ne 20 only had a thrust of 4.66 kN (1,047 lbf), and the engine pair had barely sufficient power to get the aircraft off the ground. This lack of thrust also resulted in a maximum speed of just 623 km/h (387 mph, 336 kn) at sea level and 696 km/h (432 mph; 376 kn) at 10,000 m (32,808 ft).

For the second test flight, four days later, rocket assisted take off (RATO) units were fitted to the aircraft, which worked and gave the aircraft acceptable field performance. The tests went on, together with a second prototype, but despite this early test stage, the J9N was immediately rushed into production.

 

By May 1945 approximately forty airframes had been completed and handed over to IJN home defense frontline units for operational use and conversion training. These were structurally identical with the prototypes, but they were powered by more potent and reliable Ne-130 (with 8.826 kN/900 kgf) or Ne-230 (8.679 kN/885 kgf) engines, which finally gave the aircraft a competitive performance and also made the RATO boosters obsolete - unless an 800 kg bomb was carried in overload configuration. Most were J9N1 day fighter single seaters, armed with two 30 mm Type 5 cannons with 50 rounds per gun in the nose. Some operational Kitsukas had, due to the lack of equipment, the 30 mm guns replaced with lighter 20 mm Ho-5 cannon. A few were unarmed two-seaters (J9N2) with dual controls and a second seat instead of the fuselage fuel tank. This markedly limited the aircraft’s range but was accepted for a dedicated trainer, but a ventral 500 l drop tank could be carried to extend the two-seater’s range to an acceptable level.

 

A small number, both single- and two-seaters, were furthermore adapted to night fighter duties and equipped with an experimental ”FD-2” centimeter waveband radar in the nose with an “antler” antenna array, similar to German radar sets of the time. The FD-2 used four forward-facing Yagi style antennae with initially five and later with seven elements (the sideway facing rods) each. These consisted of two pairs, each with a sending (top and bot) and a receiving antenna (left and right). The set used horizontal lobe switching to find the target, an electrical shifter would continuously switch between the sets. The signal strengths would then be compared to determine the range and azimuth of the target, and the results would then be shown on a CRT display.

 

In order to fit the electronics (the FD-2 weighed around 70 kg/155 lb) the night fighters typically had one of the nose-mounted guns replaced by a fixed, obliquely firing Ho-5 gun ("Schräge Musik"-style), which was mounted in the aircraft’s flank behind the cockpit, and the 500l drop tank became a permanent installation to extend loiter time, at the expense of top speed, though. These machines received the suffix “-S” and flew, despite the FD-2’s weaknesses and limitations, a few quite effective missions against American B-29 bombers, but their impact was minimal due to the aircrafts’ small numbers and poor reliability of the still experimental radar system. However, the FD-2’s performance was rather underwhelming, though, with an insufficient range of only 3 km. Increased drag due to the antennae and countermeasures deployed by B-29 further decreased the effectiveness, and the J9N2-S’s successes could be rather attributed to experienced and motivated crews than the primitive radar.

 

Proposed follow-on J9N versions had included a reconnaissance aircraft and a fast attack aircraft that was supposed to carry a single bomb under the fuselage against ships. There was also a modified version of the design to be launched from a 200 m long catapult, the "Nakajima Kikka-kai Prototype Turbojet Special Attacker". All these proposed versions were expected to be powered by more advanced developments of the Ne-20, the Ne-330 with 13 kN (1.330 kg) thrust, but none of them reached the hardware stage.

 

The J9Ns’ overall war contribution was negligible, and after the war, several airframes (including partial airframes) were captured by Allied forces. Three airframes (including a two-seat night fighter with FD-2 radar) were brought to the U.S. for study. Today, two J9N examples survive in the National Air and Space Museum: The first is a Kikka that was taken to the Patuxent River Naval Air Base, Maryland for analysis. This aircraft is very incomplete and is believed to have been patched together from a variety of semi-completed airframes. It is currently still in storage at the Paul E. Garber Preservation, Restoration and Storage Facility in Silver Hill, MD. The second Kikka is on display at the NASM Udvar-Hazy Center in the Mary Baker Engen Restoration Hangar.

  

General characteristics:

Crew: 2

Length: 8.13 m (26 ft 8 in) fuselage only

10.30 m (33 ft 8¾ in) with FD-2 antenna array

Wingspan: 10 m (32 ft 10 in)

Height: 2.95 m (9 ft 8 in)

Wing area: 13.2 m² (142 sq ft)

Empty weight: 2,300 kg (5,071 lb)

Gross weight: 3,500 kg (7,716 lb)

Max takeoff weight: 4,080 kg (8,995 lb)

 

Powerplant:

2× Ishikawajima Ne-130 or Ne-230 axial-flow turbojet engines

each with 8.83 kN/900 kg or 8.68 kN/885 kg thrust

 

Performance:

Maximum speed: 785 km/h (487 mph, 426 kn)

Range: 925 km (574 mi, 502 nmi) with internal fuel

Service ceiling: 12,000 m (39,000 ft)

Rate of climb: 10.5 m/s (2,064 ft/min)

Wing loading: 265 kg/m² (54 lb/sq ft)

Thrust-to-weight ratio: 0.43

 

Armament:

1× 30 mm (1.181 in) Type 5 cannon with 50 rounds in the nose

1× 20 mm (0.787 in) Type Ho-2 cannon with 80 rounds, mounted obliquely behind the cockpit

1× ventral hardpoint for a 500 l drop tank or a single 500 kg (1,102 lb) bomb

  

The kit and its assembly:

This is in fact the second Kikka I have built, and this time it’s a two-seater from AZ Models – actually the trainer boxing, but converted into a personal night fighter interpretation. The AZ Models kit is a simple affair, but that's also its problem. In the box things look quite good, detail level is on par with a classic Matchbox kit. But unlike a Matchbox kit, the AZ Models offering does not go together well. I had to fight everywhere with poor fit, lack of locator pins, ejection marks - anything a short run model kit can throw at you! Thanks to the experience with the single-seater kit some time ago, things did not become too traumatic, but it’s still not a kit for beginners. What worked surprisingly well was the IP canopy, though, which I cut into five sections for an optional open display – even though I am not certain if the kit’s designers had put some brain into their work because the canopy’s segmentation becomes more and more dubious the further you go backwards.

 

The only personal mods is a slightly changed armament, with one nose gun deleted and faired over with a piece of styrene sheet, while the leftover gun was mounted obliquely onto the left flank. I initially considered a position behind the canopy but rejected this because of CoG reasons. Then I planned to mount it directly behind the 2nd seat, so that the barrel would protrude through the canopy, but this appeared unrealistic because the (utterly tiny) sliding canopy for the rear crewman could not have been opened anymore? Finally, I settled for an offset position in the aircraft’s flanks, partly inspired by “Schräge Musik” arrangements on some German Fw 190 night fighters.

 

The antennae come from a Jadar Model PE set for Italeri’s Me 210s, turning it either into a night fighter or a naval surveillance aircraft.

  

Painting and markings:

This became rather lusterless; many late IJN night fighters carried a uniform dark green livery with minimalistic, toned-down markings, e. g. hinomaru without a white high-contrast edge, just the yellow ID bands on the wings’ leading edges were retained.

For this look the model received an overall basis coat of Humbrol 75 (Bronze Green), later treated with a black ink washing, dry-brushed aluminum and post-shading with lighter shades of dark green (including Humbrol 116 and Revell 67). The only colorful highlight is a red fin tip (Humbrol 19) and a thin red stripe underneath (decal). The yellow and white ID bands were created with decal material.

 

The cockpit interior was painted in a yellowish-green primer (trying to simulate a typical “bamboo” shade that was used in some late-war IJN cockpits), while the landing gear wells were painted in aodake iro, a clear bluish protective lacquer. The landing gear struts themselves became semi-matt black.

 

The markings are fictional and were puzzled together from various sources. The hinomaru came from the AZ Models’ Kikka single seater sheet (since it offers six roundels w/o white edge), the tactical code on the fin was created with red numbers from a Fujimi Aichi B7A2 Ryusei.

 

Finally, the kit received a coat of matt acrylic varnish and some grinded graphite around the jet exhausts and the gun nozzles.

  

Well, this fictional Kikka night fighter looks quite dry, but that makes it IMHO more credible. The large antler antenna array might look “a bit too much”, and a real night fighter probably had a simpler arrangement with a single Yagi-style/arrow-shaped antenna, but a description of the FD-2 radar suggested the layout I chose – and it does not look bad. The oblique cannon in the flank is another odd detail, but it is not unplausible. However, with all the equipment and esp. the draggy antennae on board, the Kikka’s mediocre performance would surely have seriously suffered, probably beyond an effective use. But this is whifworld, after all. ;-)

Develop your senses- especially learn how to see. Realize that everything connects to everything else.

Nikon F3

Six Gates Films Orwell BW @400 iso

developed in Tmax dev 7''

epson v700

 

almost all of this picture were taken by Luca (Laszlo K.) while i was developing.

 

it has been a glorious day. We developed over 23 rolls of color negative cinema film in a vintage Morse G3 tank. We had some major fixing issue but we saved some good frames & had a good time.

 

Bottom line:

1)ECN2 is totally feasible for home processing

2) Morse G3 tank agitation could not be the best for these films.

3) we took a little step forward for DIY film photography

Fuji GS645 Pro, Tri-x pan 320 expired, shot @iso 200.

Seld developed in rodinal 1+50, 10mn, 20C.

The parish church was established as a place of worship in association with the founding of Ludlow by the Normans in the late 11th century. It is situated atop the hill around which the medieval town developed. The church was rebuilt in the year 1199 and has had several later additions and modifications. The tower is 135 feet (41 metres) high and commands expansive views of the town and surrounding countryside. Notable features include an extensive set of misericords in the choir stalls as well as fine stained glass windows. The church is is also known as "The Cathedral Of The Marches".

 

Ludlow is a market town in Shropshire. It sits near the confluence of the rivers Corve and Teme. The oldest part is the medieval walled town, founded in the late 11th century after the Norman conquest of England. It is centred on a small hill which lies on the eastern bank of a bend of the River Teme. Situated on this hill are Ludlow Castle and the parish church, St Laurence's, the largest in the county. From there the streets slope downward to the River Teme, and northward toward the River Corve. The town is in a sheltered spot beneath Mortimer Forest and the Clee Hills, which are clearly visible from the town.

 

Ludlow has nearly 500 listed buildings, including examples of medieval and Tudor-style half-timbered buildings. The town was described by Sir John Betjeman as "probably the loveliest town in England".

05/05/2023. London, United Kingdom. Sophie, Duchess of Edinburgh, Prince Edward, Duke of Edinburgh and The Foreign Secretary James Cleverly at the Small Island Developing States Coronation Event. Treasury. Picture by Kirsty O'Connor/Treasury

Leica M6

Canon RF 35mm f2 LTM

Fuji Provia 400

Lab Developed

Cleaned and tweaked in Photoshop CS3

 

www.GeckoGPhotography.com

1 2 ••• 13 14 16 18 19 ••• 79 80