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Mott Haven East Historic District, Mott Haven, Bronx, New York City, New York, United States
The Mott Haven East Historic District consists of a small enclave of rowhouses and tenements on East 139th and East 140th streets, between Willis and Brook avenues, in the Mott Haven neighborhood of the Bronx. This section is one of the oldest settled areas of the Bronx and the first in the borough to be developed with rowhouses. Though common in Manhattan and Brooklyn, rowhouses from the nineteenth century are relatively rare in the Bronx.
Within the area of the district are three groups of single-family rowhouses (one row including a small multiple dwelling) and two groups of tenements. Erected between 1889 and 1903, these buildings serve as a virtual catalogue of speculatively-built housing types common to the South Bronx building boom of the 1880s and '90s. Complementing these residential buildings are the neo-Gothic St. Peter's German Evangelical Lutheran Church and Parsonage of 1911-12. As a whole, the buildings in the historic district include fine examples of neo-Grec, Queen Anne, Renaissance-inspired, and Flemish Revival design, illustrating the stylistic trends in residential architecture in New York City in the final decades of the nineteenth century.
Mott Haven, located in the historic township of Morrisania, takes its name from the village developed early in the nineteenth century by industrialist Jordan L. Mott, who opened an ironworks on the Bronx side of the Harlem River in 1828 and built his own house near the foundry. Industrial expansion occurred during mid-century, accompanied by sporadic residential construction, but the area remained relatively undeveloped until the opening of rapid transit lines in the early 1880s made it more accessible to Manhattan. Mott Haven was one of the few sections of the Bronx to attract nineteenth- century speculative developers, who sought to capitalize on the demand for new housing brought on by the increasing immigrant population in the metropolitan region. Soon the area became an urban extension of Manhattan and was known in the period as the "North Side," drawing middle-class families to its rowhouses, and working-class families to its numerous tenements and flats buildings.
The first two groups of rowhouses built in the Mott Haven East Historic District, one on the south side of East 140th Street (1889) and the other on the north side of East 139th Street (1892), were constructed by local developers William O'Gorman and Hermann Stursberg, who built other similar rows in the immediate area of the historic district. For these rows, O'Gorman acted as his own architect, designing the houses in a style known as neo-Grec. Typical of the style, the uniform brick facades are adorned with incised geometric ornament in stone and topped by bracketed metal cornices. As built, the long handsome rows of forty-nine two-and-one-half-story houses were terminated at each end by a house with an additional story; the eastern twenty-nine buildings of each of these rows were demolished to make way for the construction of P.S. 40 in the 1960s.
The third group of rowhouses, on the north side of East 140th Street, was built by O'Gorman in 1897-1900 to the designs of architect William Hornum. The picturesque row includes pairs of two- and-one-half-story houses separated by single three-story houses, and is terminated at the west end by a four-story tenement. The shorter paired houses are somewhat simply designed, with modest stone trim, door enframements, and modillioned cornices; by contrast, the three-story houses have varied window patterns, pedimented lintels, carved details, and stepped and gabled rooflines. O'Gorman's own house, distinguished from the others by its greater width and different face brick, was built as part of this row, at No. 427.
Further east on the north side of East 140th Street are two matching groups of "New Law" tenements built in 1902-03, one designed by the firm of Neville & Bagge and the other by George F.
Pelham; these architects were active practitioners in the field of multiple dwellings, designing numerous buildings throughout the city at the turn of the century and into the 1920s. Faced in brick with stone trim, each Renaissance-inspired building has an elaborate entranceway with a shallow projecting canopy, round-arched fifth-story windows, and an imposing metal cornice. Between the tenements and Hornum's row to the west stands the attractive, neo-Gothic St. Peter's German Evangelical Lutheran Church (1911- 12), designed by Louis A. Allmendinger. Faced with brick and stone trim, it has a central tower which adds to the picturesque character of the streetscape.
The buildings of the Mott Haven East Historic District, like those of surrounding areas, were initially inhabited by immigrant or second-generation families of European origin. By the mid-twentieth century, demographics in the area shifted to include African-Americans; the neighborhood now has a predominantly Hispanic-American population. Throughout the twentieth century to the present time, residential redevelopment, increased industrial usage, and demolition have eliminated many of the South Bronx's examples of original nineteenth- and early twentieth-century improvements; however, the blockfronts of the district retain their architectural integrity to a high degree. The Mott Haven East Historic District remains a vibrant residential enclave dating to the region's original phase of urban development.
HISTORICAL AND ARCHITECTURAL INTRODUCTION
The History of Morrisania
Prior to its incorporation into New Netherland in the early seventeenth century, the land corresponding to Morrisania was occupied by Native Americans in the Weckquaesgeek and Manhattan branches of the Mohegan tribe, who had named the region Laaphawachking. In 1641, Jonas Bronck, a Danish Lutheran, bought from Native Americans a 500-acre tract at the very southern reaches of what is now the borough named for him, between the Harlem River and the Aquahung (Bronx) River. Bronck constructed a house and outbuildings near the mouth of the Harlem River, southwest of the area of the Mott Haven East Historic District. From 1664 to 1673, while the Duke of York had control over New Netherland, the area became the dominion of the English. "Broncksland" was made subject to the government of the city of New York and Harlem.
In 1670, the English holding known as "West Farms," located between the Harlem River and Bungay Creek to the west and extending north to about the present 150th Street, was purchased by two brothers: Captain Richard Morris and Colonel Lewis Morris, Englishmen of Welsh descent. The Morrises had served in Cromwell's army, and upon the restoration of the monarchy (1660) in England, they immigrated to Barbados, where they became estate-owners and merchant sugar-planters. After falling from favor with local authorities, Captain Richard Morris moved to New York in 1668. He relocated to West Farms upon its purchase in 1670, and died two years later, leaving a wife and baby son, named Lewis after his uncle. Over the next few years, during a brief return of Dutch rule and ensuing resumption of English control, Colonel Morris secured claims to his holdings as well as adjacent unclaimed parcels, which totaled nearly two thousand acres. (The colonel also purchased at this time thirty-five hundred acres in New Jersey, later known as Morris County.)
The county of Westchester, including the Morris land and all of what is now the borough of the Bronx, had been formed in 1683 under an English charter, with the town of Westchester, east of the Morris property, as the county seat. Westchester became a borough-town in 1696, when a mayoral court was established. Colonel Morris's nephew and heir, Lewis, who became known as Lewis Morris, Sr., as well as Lewis Morris, Jr., and Lewis Morris III (who was actually the fourth Lewis Morris), all in turn served as Westchester county representatives to the Provincial Assembly.
Lewis Morris, Sr., settled for a time in New Jersey and became its first provincial governor. He returned to New York and secured in 1697 a royal patent for the manor of Morrisania, which he had inherited from his uncle. Judge Morris's second son, Lewis Morris, Jr., inherited the entire Morrisania estate. Lewis Morris, Jr., died in 1762, leaving his son, Lewis Morris III, to become the lord of the Morris manor. At that time, the vast majority of inhabitants of the relatively more-populated Westchester townships to the east of Morrisania, along the Long Island Sound, were conservative Loyalists. In contrast, Morris was a vocal critic of British taxation and control tactics, and he dominated a 1774 borough meeting held to elect delegates to a county convention. He was chosen as a representative, and later became a brigadier-general in the Congressional army; he resigned his army post to become a member of the Continental Congress, and was a signer of the Declaration of Independence.
During the first hundred years following the original Morris land purchase, or up until around 1770, the upper sections of Westchester County were fairly uniformly settled with farms and villages, while virtually no development occurred in the lower portions. Only a few houses, barns, and mills, on the banks of Mill Brook, which divided the Morris estate in two, had been extant. In about 1760, General Morris had developed a mill at the western recess of his lands.
In 1788, an act of the state legislature caused Westchester County to be divided into twenty-one townships, one of which was called Morrisania, corresponding to the Morris lands and reaching north to what is now East 170th Street. At this time Morrisania was the least populated township in the county, and Lewis Morris HI was one of only thirteen heads of families there. By 1790 there were a total of only 103 free persons and thirty slaves - seventeen of which were owned by the Morrises — in Morrisania.
Lewis Morris HI had lobbied for township status and the rights to make other improvements to Morrisania, concurrent with his unsuccessful campaign to have the new nation's capital established there. In 1790, the state legislature granted him permission to construct a stone-piered wooden dam-bridge at the base of present-day Third Avenue, to connect Harlem with the northerly Post Road; these improvements were known as the Coles Bridge and Road. Traffic through the northern Kingsbridge crossing slowed dramatically, as travelers to West Farms, Eastchester and beyond chose the more convenient and shorter route across the Coles Bridge and Morris estate lands. Despite Morris's efforts, however, the township of Morrisania was merged into the older, neighboring town of Westchester in 1791. Nevertheless, a village, known as Morrisania, had been formed on the Westchester side of the Coles Bridge.
Port Morris, at the southeast edge of Morrisania and southeast of the present-day Mott Haven East Historic District, was another early Morris manor improvement and a proposed site of the new national capital. The Morris family also hoped that Port Morris would rival the port of New York on Manhattan island, because of adjacent deep water, and for a time the port had its own custom house. However, the community was located in a lowland area which experienced regular tidal flooding. It remained a small anchorage and ferry terminal throughout the nineteenth century and, at the end of the century, was filled in and laid with sewers and streets to accommodate several large factories.
Soon after 1791, when it had been merged into the neighboring township of Westchester, Morrisania became part of the contiguous West Farms township. In general, development in what is now the southwest Bronx remained limited throughout the next half-century to the construction of estate structures and scattered frame houses, and the laying of additional private farm roads. When Lewis Morris m died in 1798 at the age of sixty-two, the division and redivision of the Morrisania manor lands, and resulting nineteenth-century urban development, began.
The Early Development of Mott Haven
Substantive development began in the southwest corner of Morrisania in 1828 when Gouverneur Morris II sold a large tract to the inventor of the coal-burning stove, Jordan L. Mott, and several co- investors. Mott, the first major industrialist to locate in the Bronx, established the Mott Iron Works on the Harlem River at Third Avenue and 134th Street, west and south of the present-day Mott Haven East Historic District. Mott built a residence near the foundry, and named his pocket of Morrisania "Mott Haven." Questioned about Mott's new designation of land linked historically with the Morris family, Gouverneur Morris II is said to have stated "I don't care what he calls it; while he is about it, he might as well change the name of the Harlem [RiverJ and call it the Jordan. "
By 1839, the population of Westchester County as a whole was just over 3,000 people. Evidence of Morrisania's slow development and rural character is provided by the fact that the area's first religious structure was not built until 1840. In a field near the Mill Brook, Gouverneur Morris, Jr., founded St. Ann's Episcopal Church (now a designated New York City Landmark) at the site of his parents' tomb, at what is now St. Ann's Avenue and East 140th Street, just to the east of the present-day Mott Haven East Historic District.
Mott Haven proper, in contrast to the rest of Morrisania, began to grow steadily in the mid- nineteenth century. Mott's firm was incorporated and expanded into new buildings constructed throughout the neighborhood. The Mott Ironworks began to manufacture a wider range of goods, including kitchen and bathroom fixtures as well as stable fittings, gates, statuary, and garden furniture, produced in brass, bronze, and nickel-plate, in addition to iron.
Though some considered his ventures an unwanted intrusion, in 1850 Mott proceeded with plans for the lower part of the Mott Haven Canal, which followed an underground stream running parallel to Morris Avenue, about halfway between it and the Harlem River. The canal enabled boats to travel inland as far north as 138th Street, about the distance of a dozen blocks, and encouraged local industrial development. New enterprises included other metal works, lumber yards, saw mills, stone yards, enamel works and a notable concentration of impressively-built piano factories. A corresponding residential building boom, resulting from the need for worker housing, occurred in areas immediately north and east of the burgeoning canal zone.
Mott Haven's industrial and residential growth was facilitated by the advent of the railroad, and preceded a period of intense development following the introduction of mass transit lines which transformed the farmlands of Morrisania into the urban environment that remains today. The introduction of the railways and additional bridges over the Harlem River in the 1840s linked Morrisania and Westchester county with the city of New York to the south. The New York & Harlem Railroad, incorporated in 1831, had taken over the New York and Albany line in 1838 and received authorization from the state legislature to bridge the Harlem River in 1840. Thus, the first railroad in what is now the borough of the Bronx passed in 1841 through Morrisania along Mill Brook, to West Farms and northward. The industrial community of Mott Haven, with its own rail-line station-stop, was firmly established.
In the following decades, a railroad and streetcar boom resulted in a web of crossing lines, many radiating from the Harlem (previously Coles) Bridge. Morris family members and other local landholders pushed for infrastructure improvements which would stimulate interest in speculative land purchases, and began selling off their acreage to builders. Mott Haven's industrial and commercial development and its proximity to Manhattan made it a favorable environment for real estate speculation. The earliest known rowhouses in the area, dating from the early 1860s, are located at 276 to 294 Alexander Avenue between East 139th and East 140th streets, in the Mott Haven Historic District. Though commonplace in Manhattan and Brooklyn, rowhouses were unusual in what is now the Bronx, where homes were customarily freestanding frame structures. Throughout the nineteenth century, Mott Haven contained the only concentration of rowhouses in the borough.
The new rail system was responsible for the evolution of a number of other South Bronx villages into well-established towns. By contrast, the area now constituting the Mott Haven East Historic District had yet to be developed by 1860. On a contemporary map, only the street grid plan, devoid of built improvements, characterized this section east of Third Avenue. After 1856, the new township of Morrisania was consolidated, with its town hall located at 160th Street and Third Avenue.
By 1858, traffic over the old Harlem Bridge had far surpassed the structure's capacity. The second Harlem (or Third Avenue) Bridge, another drawbridge made of cast iron, was erected in place of the earlier structure in 1860. This bridge was extant until the 1890s, when the much larger, surviving drawbridge of steel and iron was constructed to accommodate the markedly increased traffic, which included trolley cars. The earliest streetcar rail line in the Bronx ran up Third Avenue to Fordham from the Harlem Bridge as of 1863. In 1870, the New York-New Haven freight yards moved to Port Morris and spread along the waterfront in the South Bronx.
The Urbanization of Mott Haven
In 1874 the townships of Morrisania, West Farms and Kingsbridge split from Westchester County and became the 23rd and 24th wards of the City of New York, and thus part of New York County. (The southeastern portion of Westchester County was joined to the city in 1895.) New Yorkers referred to the area as "The Annexed District."
The severe Financial Panic of 1873 caused a city-wide building hiatus which lasted most of the decade. In the late 1870s, as the depression lifted, construction resumed slowly in what had become known as New York City's "North Side," encompassing Mott Haven. Development began to creep inward from the loose ring of towns in the southwest Bronx toward the open area of the present-day historic district, adjacent to Mill Brook. Directly to the south, along East 136th Street, three adjoining rowhouses were built as early as 1877-78 (located in what is now the Bertine Block Historic District).
Large-scale improvements to the infrastructure in the Annexed District advanced the pace of development. Businessmen formed booster organizations such as the North Side Association, active through the 1880s, which pushed for the improvements. As a result, streets were paved, sewers dug, parklands purchased, and perhaps most importantly, rapid transit lines laid. In 1884, the Madison Avenue Bridge was built at East 138th Street to provide a further connection between Manhattan and the North Side. Rows of housing, churches, offices, a school, and a fire station appeared along Alexander Avenue and above 141st Street. Industrial works and manufactories continued to surround the lower Mott Haven Canal west of Lincoln Avenue. Spanning the two blocks between Lincoln and Willis avenues, below 132nd Street, was the vast Harlem River station rail yard of the New York, New Haven & Hartford line. Still, at this time, very little had been developed between Willis Avenue and the newly- formed Brook Avenue just to the east of the Mott Haven East Historic District.
The first mass transit line to travel to the Annexed District was the Suburban Rapid Transit Company's Third Avenue El, begun in the early 1880s, which passed two blocks west of the area of the Mott Haven East Historic District. In 1886 the SRT began work on an additional North Side transit line, running through the blocks between Alexander and Willis avenues. The line incorporated a stop at 138th Street, just south of the Mott Haven East Historic District. It reached 145th Street in 1887, and then swerved westward to Third Avenue. A network of streetcars leading to and from the transit line stops was soon established. In response to an act of the New York State Legislature which was implemented in 1890 to coordinate the borough's improvements, the Commissioner of Highways of the Bronx Department of Street Improvements ordered a grid-type street layout for remaining unpaved areas and worked quickly to complete the borough's network of roadways and sewers.
Seventy-five percent of the area's population in the 1890s lived in close proximity to the El, which first served as a magnet for concentrated tenement construction south and west of the area of the
Mott Haven East Historic District. Development, however, soon fanned out from the rail line. Single-family rowhouses, and then more lucrative apartments and tenements, were built in surrounding areas. Examples of these building types exist in both the Mott Haven and the Bertine Block Historic Districts, as well as in this historic district. The South Bronx region at the end of the nineteenth century is described by historian Evelyn Gonzalez as follows:
By 1897, just a decade after the el began operation, the once vacant blocks east of Third Avenue were almost completely built over with solid brick buildings. This area held a mixture of building types: single-family town houses built in the late 1880s; multi-story apartment houses, built with increasing frequency in the 1890s; and to complete the picture, various industrial and manufacturing establishments along the neighborhood's southern fringe. This newly built-up area demonstrated the importance of the urban features the North Side had so painstakingly acquired.
The Bronx held the record as the fastest growing borough in the city between 1890 and 1940. The population of the North Side was 89,000 in 1890; ten years later it had more than doubled to over 200,000. By 1915, the number had increased threefold, to 616,000.
The Mott Haven East Historic District
Within the compact, one- and one-half-block area of the Mott Haven East Historic District are three groups of single-family rowhouses and two groups of tenements. Erected between 1889 and 1903, these buildings serve as a virtual catalogue of speculatively-built housing types common to the South Bronx building boom of the 1880s and '90s. Complementing these residential buildings are the St. Peter's German Evangelical Lutheran Church and Parsonage of 1911-12.
In 1887 and 1888, subsequent to the opening of the new transit line just west of Willis Avenue at the western edge of the historic district, speculative-building veterans William O'Gorman and Hermann Stursberg filed New Building applications for the construction of single-family houses in parallel rows along the entire south side of East 140th Street and north side of East 139th Street, between Willis and Brook avenues. At the time the rows were constructed, there were vast, undeveloped tracts east of the area of the historic district, farther from the rail line and past the grounds of nearby St. Ann's Church, and many blocks neither demarcated by paved streets nor subdivided into lots. The rows were completed in 1889 and 1892, respectively.
As built, the long handsome rows of forty-nine two-story-and-basement houses were anchored at each end by a house with an additional story; possibly multiple dwellings, the taller end buildings appear to have been planned in the course of construction. The eastern twenty-nine buildings of each of the rows were demolished to make way for the construction of P.S. 40 in the 1960s. Surviving structures
are Nos. 406 to 450 East 140th Street and Nos. 403 to 445 East 139th Street. No. 447 East 139th Street, once adjacent to the school property, was demolished in 1973 due to unsafe conditions, and is now an empty lot within the boundaries of the district.
For these rows, O'Gorman acted as his own architect, designing the houses in a style known as neo-Grec. Typical of the style, the uniform Philadelphia brick facades are adorned with bold, incised geometric ornament in stone and topped by bracketed metal cornices having coved fascias decorated with large spade-shaped leaf motifs. The bold articulation and uniformity impart a strong, repetitive rhythm to the streetscapes. All of the houses in the two rows are sixteen feet, eight inches wide; the three-story houses were designed to project from the facade plane of the two-story houses by means of angled end bays. Each house is fronted by a stone stoop with heavy, ornate, cast-iron newels, balusters, and handrails. Sidewalks appear to have been originally bluestone, as bluestone pavers remain in front of empty lots just to the east of No. 403 East 139th Street.
O'Gorman seems to have based his design for the houses in these two rows on that of an earlier group of eight neo-Grec houses he and Stursberg erected in 1885 on the south side of East 139th Street, directly south of the historic district. The lone survivor from that prototype row is in every detail a match to the 1889 and 1892 rows included in the district. Neo-Grec houses with uniform cornice lines, flat facades, and even fenestration patterns, while less expensive to construct, were somewhat outdated by this time. In Manhattan, the style was supplanted in favor of the variegated and irregular forms of the Queen Anne style by 1880.
O'Gorman and Stursberg had completed other projects in the neighborhood in addition to the 1885 row across East 139th Street from the historic district. By 1885, they had erected a row of twelve houses along the east side of Willis Avenue between East 138th and 139th streets (demolished). In addition, the partners appear by 1885 to have developed both sides of the block between East 141st and 142nd streets (demolished), also bounded by Willis and Brook Avenues, due north of the Mott Haven East Historic District.
Little is known about Hermann Stursberg except that conveyance records show that his family had owned land in the southern block of the Mott Haven East Historic District as early as 1874, and that he formed a South Bronx building partnership with William O'Gorman. He later owned property under the name of Hermann Stursberg Realty Company. The Department of Buildings documentation for the rows on East 139th and 149th streets lists his address as Staten Island.
William O'Gorman is known to have immigrated to New York from Ireland in 1863 or '64, at the age of 17. He obtained work with Daniel Crimmins, a builder, and quickly became his superintendent. In 1866 O'Gorman started his own architectural practice in Manhattan's Yorkville. He was the architect of two known rows of Italianate brownstone rowhouses in the same block in the Upper East Side - a row of six at 165 to 175 East 70th Street (1871, two demolished; two altered), and a row of seven at 150 to 162 East 71st Street (one demolished; two altered) ~ both for speculative builders. In 1875, after the annexation of the 23rd and 24th wards, O'Gorman joined Stursberg, transferred his business to the Bronx, and presumably began designing and building the rows of houses he planned with his new partner.
At least as early as 1887, O'Gorman and his family are known to have resided at 252 Willis Avenue just north of East 138th Street, in a house which was part of one of the rows that he had developed with Stursberg. The 1890 New York City Police Department census lists O'Gorman, age 45; his wife Julia, 43; sons William Jr., 22, Joseph, 16, Mort, 11, and Edward A., 5; daughters Lillie, 14, and Gertrude, 6; and Minnie Kane, 30, presumably a servant, as residents of 252 Willis Avenue. According to an 1897 New Building application for the erection of the row on the north side of East 140th Street, O'Gorman appears to have lived at 406 East 140th Street for some time between 1897 and 1900, when he is known to have moved to 427 East 140th Street. The U.S. census of 1900 shows that the developer's son, William J. O'Gorman, a thirty-one-year-old "Builder," lived at 497 East 139th Street. O'Gorman, Jr.'s house was demolished together with others at the east end of the block.
In the late nineteenth and early twentieth centuries, Mott Haven was inhabited predominantly by people of either Irish birth or descent, while lower Melrose, to the north, was populated by Italian immigrants and their families. The two rows on East 139th and 140th streets in the Mott Haven East Historic District, which were occupied as rentals when first developed, contained both American-born residents and immigrant populations of European heritages. Turn-of-the-century census records show that occupants of these single-family rentals were typically first or second-generation German or Irish immigrants living with extended families and often a single servant. Head-of-household occupations included draughtsman, clerk, salesman, iron worker, assessor, wool importer, road inspector, tailor, picture framer, examiner, wood worker, adjuster, insurance agent, painter, horse dealer, glue broker and pilot. In addition, there was one fire chief, one newspaper editor, and a physician.
Before O'Gorman and Stursberg had finished construction on the neo-Grec style rows, builder Edward D. Bertine had begun erecting three more fashionably-styled rows of houses on East 136th Street, in what is now the Bertine Block Historic District. In contrast to those of O'Gorman and Stursberg, Bertine's first houses, begun in 1891, were designed in the Queen Anne style, and were constructed of light-colored brick with an assortment of eclectic design features, a variety of textured facade materials, and picturesque rooflines including mansards, gables, and chimneys. Bertine's second group, begun in 1892, was designed in the Romanesque Revival style, with molded-brick and stone trim. The third Bertine group, constructed in 1895, exhibits Renaissance Revival design elements.
The next group of rowhouses built in the Mott Haven East Historic District exhibits stylistic elements found on the Bertine rows, including Queen Anne, Romanesque Revival, and Renaissance Revival design features. This group, located at 407 to 427 East 140th Street toward the Willis Avenue end of the block, was built in 1897-1900. The houses were constructed on land also owned and developed by William O'Gorman, Sr., or perhaps by or with his son William, Jr. Records of the Department of Buildings show a William O'Gorman, of 662 (later 406) East 140th Street, as owner/developer of the row, which seems to refer to the younger O'Gorman. The architect for the row, in any case, was not the elder O'Gorman, as in the earlier rows, but rather Walter H.C. Hornum, who had offices in Harlem.
Having begun an architectural practice on lower Broadway in Manhattan in 1886, Walter H.C. Hornum (dates undetermined), apparently moved to East 125th Street to work with his brother, Louis A. Hornum, in 1888. According to New York City directories, the firm of Hornum Brothers seems to have dissolved by the turn of the century, when Walter moved first to midtown and then in about 1907 to West 125th Street, while his brother had set up in midtown as Louis A. Hornum & Co. By 1917 the brothers' addresses were again listed together in midtown. Walter Hornum's known work includes 425 to 451 West 162nd Street, two rows of Romanesque Revival style residences built in 1894-95 (now included in the Jumel Terrace Historic District).
Begun in June, 1897, and completed in January, 1900, the row Hornum designed was planned as part of a larger development including eleven buildings to be built on through-the-block sites directly to the north, along the south side of East 141st Street. Construction on this parallel row, however, was suspended in 1899, and officially abandoned the next year. Area maps of 1893 and 1897 show the block divided into lots of equal size for rowhouses. However, the lots along East 141st Street were soon combined and larger, more profitable tenement buildings were constructed instead.
The completed row on 140th Street consisted of a varied yet harmonious group of two- and three- story-and-basement single-family dwellings, constructed of brick and stone and set back fifteen feet from the front lot line. The house at No. 409, toward the west end of the row, is only eight feet behind the lot line and adjacent to the end building at No. 407, a four-story brick multiple dwelling set back just five feet from the lot line. This "Old Law" tenement — constructed in accordance with regulations in Tenement House Act of 1879 — was built to house five families, each in one apartment per floor.
The two-story houses, grouped in pairs, the three-story residences, and the single multiple dwelling vary in width from about seventeen feet to twenty-two feet; No. 427, the three-story building at the east end of the row, is the widest house and the only structure in the group faced in Roman brick. It is probable that this house was built for William O'Gorman, Sr., for his family's use. The U.S. census of 1900 shows that William O'Gorman, a "Builder," now aged 55, owned and lived in No. 427.M
O'Gorman's residence has a rock-faced, rusticated stone basement, and has a red tile mansard roof, with a stone-trimmed pedimented gable. It is embellished with a rock-faced stone stoop having integrated carved newels, a carved stone entrance surround, and decorative stone trim. Windows contained stained glass sash. At the first story is a tripartite window with carved, figural wood mullions. At present, the building is in use as a school and staff residence. The neighboring lot to the east (No. 429), combined with this lot in 1966, remains undeveloped.
The projecting four-story tenement at the west end of the row joins the plane of its neighbor to the east by means of a curved corner return. The building, the darkest in color and heaviest in design detail, also contains a short, shallow stoop meeting the sidewalk. No. 409, the three-story-and-basement rowhouse to the east of the tenement, has a projecting bay that steps back to meet the flat plane of the
building's neighbors to the east. All of the rowhouses have stone stoops set back from the sidewalk, which ascend from paved landings within the houses' large, planted areaways. The six paired, two-story- and-basement rowhouses have flat roofs and matching galvanized metal crested cornices (see No. 413). Facades contain slender lateral reveals anchored by carved stone bosses at the second story (see No. 417). Each pair is distinguished from the others by variations in brick color, trim design, and decorative detail. The even cornice lines are level with the bases of the tiled mansards atop the three-story buildings, each of which has a differently-styled stone-trimmed gable.
Typical of the fanciful late-nineteenth century fashion in residential design, buildings in this row combine classically-inspired carved, molded, incised and rock-faced detailing and decorative wrought-iron window and door grilles. A variety of window shapes, including shouldered and flat-, segmental-, and round-headed types, are found throughout the row. The three-story buildings generally exhibit decorative motifs that are more elaborate than those of the neighboring paired buildings — these are nonetheless distinctively ornamented. Together, the group comprises a lively ensemble.
Upon its completion in 1900, the tenement building contained four rental households. They were composed of Seigmund Levey, a German-born furniture store proprietor, and his New York-born wife and daughter; Eli Partrige, an English real estate manager, and his New York-born wife and two daughters; James Morris, a club custodian from Virginia, his New York-born wife, who had one German-born parent, and his daughter, also born in New York; and the sixty-year old Charles Bates, a dry goods superintendant, and his wife Rachel, both New Yorkers.
Besides O'Gorman's own residence, completed houses in the row in 1900 were owned and occupied by an Irish-born undertaker, his wife, four children and a servant; another undertaker, born in New York, his wife, son, a servant, and one roomer; and a linen store manager and his wife and brother- in-law, all German-born, with their four sons, the two eldest employed as a traveling salesman and a clerk, and a servant.
In 1898, the entire annexed portion of Westchester County became the Borough of the Bronx within Greater New York City, in keeping with the terms of the city charter of that year. Highly influential in the turn-of-the-century development of the southwest Bronx was an organization called The North Side Board of Trade. Founded in 1894 as a successor to the North Side Association in order to attract manufacturing and other enterprises and a "superior class of residents," its membership included leading business and professional men with interests in borough. The Board lobbied successfully for further improvements in the district, and the development of remaining open lands in the Mott Haven vicinity was soon accomplished with the erection of higher-density tenements and apartment buildings. Many such tenement buildings were constructed throughout the South Bronx at this time.
In the Mott Haven East Historic District, examples of such tenement construction appear on the north side of East 140th Street, several lots to the east of the O'Gorman/Hornum row. While an earlier New Building application reveals that three-story buildings, thirty-five feet in width, may have been planned for the row, nine five-story tenements, each over thirty-seven feet in width, were constructed in two groups in 1902-03; each building was planned to house ten families. The first group (Nos. 465 to 481) was designed by Thomas P. Neville of the firm of Neville & Bagge; plans for the second group (Nos. 441 to 461) were filed by architect George F. Pelham.
These buildings were erected for Gaines, Roberts & Co.; little is known about the firm's President, Furman V. Gaines, and Vice-President, Hugh L. Roberts. The structures were designed and built in accordance with the provisions of the Tenement Law of 1901, which marked the end of the narrow, rowhouse-sized tenement building and mandated the construction of larger, better ventilated multiple dwellings, complete with hot water, heat, and electricity.
After practicing on his own for two years at 47 West 66th Street, architect George A. Bagge (dates undetermined) formed a partnership in 1892 with Thomas P. Neville (dates undetermined) and set up offices at No. 250 and then No. 213-217 West 125th Street. In 1915 the firm moved south to midtown, and then from 1919 to 1930 to Bergen Avenue in the Bronx. After 1923 and until 1936 Bagge headed George A. Bagge & Sons, first located at 299 Madison Avenue and then at 157 and 7 East 44th Street.
Neville and Bagge were prolific designers of a number of building types, including stores and lofts, hotels, banks, and churches, but specialized in tenements and apartment houses. Although examples of the firm's work exist throughout Manhattan and the Bronx, most are in the residential neighborhoods of Manhattan's Upper West Side and Harlem. Neville & Bagge's rowhouses and apartment buildings appear in the Chelsea, Hamilton Heights, Jumel Terrace, Mount Morris Park, West End Collegiate, and Upper West Side/Central Park West Historic Districts. Individually designated New York City Landmarks designed by the firm include the freestanding Shuttleworth residence at 1857 Anthony Avenue (1896) in the Bronx and the facade (1907) of St. Cecilia's Convent at 112 East 106th Street, Manhattan.
Neville & Bagge's tenements at Nos. 465 to 481 East 140th Street form a unified row of four five-story tan brick buildings with limestone trim, designed in the popular neo-Renaissance style. George F. Pelham, a prolific practitioner in the field of multiple dwellings, was the architect of record for the adjacent five buildings at Nos. 441 to 461, the design of which matches that of the four Neville & Bagge structures to the west. The buildings are topped by metal cornices and feature centered, ground-story entrances having a sequence of harmonious yet slightly varying limestone surrounds, with projecting stone canopies and low stoops. At the time of designation, original entrance doors and window sash had been replaced.
Each steam-heated building was planned with two six-room apartments per floor plus a four-room janitor's apartment and storage space in basement. Lots are a standard 100 feet deep, and the buildings extend back about eighty-six feet. Fire escapes were placed on the rear elevations.
Other types of buildings were constructed in the neighborhood to serve the needs of the residents. The Mott Haven East Historic District contains an example of a small, early-twentieth century religious complex, in this case, intended to serve a local congregation of Lutherans of German birth or descent. In the center of the north side of East 140th Street, separating the rowhouses to the west and the tenements to the east, are the church (No. 435) and parsonage (No. 437), designed by Louis A. Allmendinger, and constructed in 1911-12 for the Second St. Peter's German Evangelical Lutheran Church, previously located at 374 East 141st Street. Today, a Lutheran congregation continues to occupy the church, now known as St. Peter's-in-the-Bronx.
The one-story-and-basement neo-Gothic church, punctuated by a tower, is a freestanding gray brick structure set on a stone base course, with a peaked slate roof, terra-cotta and copper cornices, and tile coping. The church's facade is set back from the building line of the adjacent tenements to the east, but forward of the neighboring parsonage to the west. Steel lintels support the low, square tower, originally decorated with a group of attenuated spires. A low stoop leads to a pair of wood entrance doors hung on metal strap hinges. Surmounting the entrance is a stained-glass pointed-arch Gothic window.
The church's two-story-and-basement parsonage is also freestanding, and contains Gothic design elements. The gray brick facades are ornamented with brownstone, limestone, and terra-cotta trim. The brownstone stoop is lined with iron railings and posts, and leads to an entrance door surmounted by a round-shouldered transom. Round-shouldered window openings have one-over-one double-hung sash and stained-glass transoms. The galvanized iron cornice is decorated with Gothic arches pressed into the fascia.
Little is known about the life and career of Louis Allmendinger, whose address is listed as 926 Broadway, Brooklyn, on Department of Buildings documentation for the St. Peter's Lutheran Church and Parsonage. Allmendinger took over the commission after an initial design by architects Schaefer & Jaeger had been approved and withdrawn in 1911. It is not known how much of the original scheme was used in the Allmendinger design. One other known building attributed to Allmendinger is the Byzantine style Russian Orthodox Cathedral of the Transfiguration of our Lord, constructed between 1916 and 1921 on North 12th Street in Brooklyn (a designated New York City Landmark).
Subsequent History
During the early twentieth century, the population of the Bronx continued to expand. The United States census of 1900 reports the total borough population at 200,507; the 1910 census shows that number more than doubled, with the population at 430,980. This constituted the greatest percent increase for the decade — 115 percent - of any borough in the city. To contend with escalating road and rail traffic between Manhattan and the South Bronx, the Willis Avenue bridge had been erected in 1901 and the Madison Avenue bridge was replaced in about 1910 with a larger structure. Two additional railroad bridges brought the total number of early twentieth-century crossings to the South Bronx to five.
The subway came to the Bronx in 1905, and caused a further real estate boom in the borough. Development spread north, as it had in Manhattan in the previous century. One subway branch reached Morrisania at 149th Street east of Third Avenue. This crossroads, nine blocks north of the historic district, became a major shopping hub. In 1912, historian Stephen Jenkins wrote that the subway was "the most important factor in causing the enormous increase in the population of the borough." Industrial development also increased markedly, and by 1910 the South Bronx contained hundreds of factories of varying types, and was considered the nation's piano manufacturing capital. Industry was concentrated just south and east of the area of the Mott Haven East Historic District.
Although the South Bronx contained a growing African-American population in the 1920s and '30s, the 1940 U.S. census findings for Census Tract 39 (bounded by East 138th and East 141st streets, Third and St. Ann's avenues), indicate that the population in the immediate vicinity of the Mott Haven Historic District was virtually all white, with nearly one-half of the population foreign-born. Of the foreign-born white heads of families in the tract, the largest percentage, nearly half, were from the Irish Free State (Eire), with Germans, Italians, and Russians together comprising another quarter. Latin Americans and other non-Europeans were only a fraction.
Recent Trends
By the 1970s, a clear change in the population of the area of the Mott Haven East Historic District neighborhood was discernible. Spanish-speaking residents comprised well over one-half of the population of the census tract, with those of Puerto Rican birth or parentage about fifty percent. African- Americans now made up forty-three percent of the total population. The 1990 U.S. census reported that the Hispanic population has grown to represent nearly eighty percent of the population of Tract 39.
In the 1960s and '70s, when many residential buildings in the South Bronx were abandoned or demolished, the area became synonymous with urban decay. In the midst of the disintegration, the neighborhood of the Mott Haven East Historic District, and its historic structures, endured. The Mott Haven East Historic District remains a vibrant residential enclave. Its century-old rows of solid houses and tenements, representative of the area's first phase of urban development, are important as anchors for current and future renewal.
- From the 1994 NYCLPC Historic District Designation Report
On a dog walk.
AgfaPhoto Vista Plus 200 (colour 35mm budget film from Poundland), developed in Ilford ID-11 b&w chemicals. Cross Processed. Some post digital enhancement.
Pentax ME Super. Pentax-M 28mm f/2.8 lens.
...Sunday morning in Teagardens.
Taken with Olympus OM-1 & Zuiko 1:1.4 f=50mm lens on Kodak TMax100 and stand developed in Adonal (1:150) for 90 minutes.
"The secret of happiness, you see, is not found in seeking more, but in developing the capacity to enjoy less." ~ Socrates
+++ DISCLAIMER +++
Nothing you see here is real, even though the model, the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
In the aftermath of the Second World War, Sweden required a strong air defense, utilizing the newly developed jet propulsion technology. This led to a pair of proposals being issued by the Saab design team, led by Lars Brising. The first of these, codenamed R101, was a cigar-shaped aircraft, which bore a resemblance to the American Lockheed P-80 Shooting Star. The second design, which would later be picked as the winner, was a barrel-shaped design, codenamed R 1001, which proved to be both faster and more agile upon closer study.
The original R 1001 concept had been designed around a mostly straight wing, but after Swedish engineers had obtained German research data on swept-wing designs, the prototype was altered to incorporate a 25° sweep. In order to make the wing as thin as possible, Saab elected to locate the retractable undercarriage in the aircraft's fuselage rather than into the wings.
Extensive wind tunnel testing performed at the Swedish Royal University of Technology and by the National Aeronautical Research Institute had also influenced aspects of the aircraft's aerodynamics, such as stability and trim across the aircraft's speed range. In order to test the design of the swept wing further and avoid any surprises, it was decided to modify a single Saab Safir. It received the designation Saab 201 and a full-scale R 1001 wing for a series of flight tests. The first 'final' sketches of the aircraft, incorporating the new information, was drawn in January 1946.
The originally envisioned powerplant for the new fighter type was the de Havilland Goblin turbojet engine. However, in December 1945, information on the newer and more powerful de Havilland Ghost engine became available. The new engine was deemed to be ideal for Saab's in-development aircraft, as not only did the Ghost engine had provisions for the use of a central circular air intake, the overall diameter of the engine was favorable for the planned fuselage dimensions, too. Thus, following negotiations between de Havilland and Saab, the Ghost engine was selected to power the type instead and built in license as the RM 2.
By February 1946 the main outline of the proposed aircraft had been clearly defined. In Autumn 1946, following the resolution of all major questions of principal and the completion of the project specification, the Swedish Air Force formally ordered the completion of the design and that three prototype aircraft be produced, giving the proposed type the designation J 29.
On 1 September 1948, the first of the Saab 29 prototypes conducted its maiden flight, which lasted for half an hour. Because of the shape of its fuselage, the Saab J 29 quickly received the nickname "Flygande Tunnan" ("The Flying Barrel"), or "Tunnan" ("The Barrel") for short. While the demeaning nickname was not appreciated by Saab, its short form was eventually officially adopted.
A total of four prototypes were built for the aircraft's test program. The first two lacked armament, carrying heavy test equipment instead, while the third prototype was armed with four 20mm automatic guns. Various different aerodynamic arrangements were tested, such as air brakes being installed either upon the fuselage or on the wings aft of the rear spar, along with both combined and conventional aileron/flap arrangements.
The flight test program revealed that the J 29 prototypes were capable of reaching and exceeding the maximum permissible Mach number for which they had been designed, and the flight performance figures gathered were found to be typically in excess of the predicted values.
In 1948 production of the type commenced and in May 1951 the first deliveries of operational production aircraft were received by F 13 Norrköping. The J 29 proved to be very successful and several variants and updates of the Tunnan were produced, including a dedicated reconnaissance variant and a dedicated all-weather fighter with an on-board radar, the J 29D.
The J 29D variant originally started its career as a single prototype to test the Ghost RM 2A afterburner turbojet with 27.5 kN (2,800 kgp/6,175 lbf). The new engine dramatically improved the Tunnan’s performance, esp. concerning the start phase, acceleration and climb, and was eventually adopted for the whole J 29 fighter fleet in an update program, leading to the J 29F variant.
However, at the time of the RM 2A trials, Sweden was more and more in need for a suitable all-weather aerial defense for its vast, neutral airspace in the vicinity of the Soviet Union. Only a single flight of the Swedish Air Force, F1 in Hässlö, operated roundabout thirty radar-equipped fighters, and these were outdated De Havilland Mosquito night fighters (locally designated J 30).
The highly successful J 29 was soon considered as a potential air-intercept radar carrier, offering a much more up-tp-date performance and deterrent potential against would-be intruders. Consequently, Saab started the development of an indigenous all-weather fighter on the basis of the Tunnan (originally coded “J 29R”). The work started with aerodynamic trials of different radome designs and placements on a Tunnan’s nose, e .g. inside of the circular air intake opening or above it. No major drawbacks were identified, and in 1955 the decision was made to convert thirty J 29B daylight fighters for the all weather/night fighter role. These machines officially inherited the designation J 29D.
The J 29D’s compact radar, called the PS-43/T, was designed by CSF (Compagnie Generale de Telegrahpi Sans Fil) in France after the Swedish specification. It had a wavelength of 3 cm with an effect of 100 kW, and it was to have a spiral scan pattern. Range was 15-20 km, only a slight improved against the Mosquitos’ bulky SCR-720B radar set, which only had a range of 12-16km. But the system’s compact size and the ability to be operated by the pilot alone meant a serious step forward. 34 sets were delivered together with blueprints in 1956, and the PS-43 radar system was later modified and adapted to the Saab 32 Lansen, too.
The structural modifications for the radar-equipped Tunnan were carried out in the course of the ensuing J 29F update program, which had started in 1954. Beyond the afterburner engine and dogtooth wing updates for the day fighters, the J 29D also received a re-designed nose section which now featured a thimble radome for the PS-43/T, integrated into the upper air intake lip, reminiscent of the F-86D’s arrangement. The air intake itself kept the original circular diameter, but the opening was slightly wider, raked forward and featured a sharper lip, for an improved airflow under the radome. Overall performance of the J 29 did not suffer, and the conversion took place swiftly thanks to a simple replacement of the nose section in front of the windscreen and the installation of a shielded tracking monitor in the cockpit.
Experiments with a heavier cannon armament (consisting of four, long-barreled 30mm guns in the lower fuselage) for the J 29 in general were conducted in parallel, too. But, despite showing no negative effect on the J 29’s handling or performance, this upgrade was not introduced to any of the J 29 variants in service and so the J 29D kept its original four 20mm cannon as main armament, too. Additional ordnance consisted of optional racks with 75 mm/3 in air-to-air rockets under the inner wings against large aerial targets like bombers. A pair of drop tanks could be carried on the outer pylons, too, and they were frequently carried in order to extend range and loiter time. Other loads, including bombs or unguided air-to-ground missiles, were possible, but never carried except for in practice.
The last converted J 29D was delivered back to the Swedish Air Force in late 1956, just in time to replace the last active J 30 Mosquitos in service, which had been gradually phased out since 1953. In parallel, the radar-equipped J 33 Venom was introduced into service, too, since the small number of J 29Ds had in the meantime turned out to be far from sufficient to effectively cover the Swedish air space against large numbers of ever faster jet bombers and reconnaissance aircraft. The J 29D fulfilled its role and duty well, though, and was just as popular as the daylight fighter versions.
Initially, all J 29D were delivered in bare metal finish, but they were soon adorned with additional markings on fin and wing tips for easier recognition and formation flights. A few all-weather fighters of F1 Flygflottil experimentally received the blue/green camouflage which had been adopted for the S 29C reconnaissance aircraft, but this was found to be ineffective at the typical altitudes the interceptors would operate. As a consequence, the scheme was quickly changed into the much lighter livery of the former J 30 and J 33 fighters, although the bare metal undersides and the formation markings under the wing tips were retained – even though this practice was confined to F 1 and not consequently carried out among all of the fighter squadron's J 29Ds. Some J 29D furthermore carried various forms of black ID bands for quick identification in war games, but unlike the day fighters, these markings were limited to the undersides only.
From 1963 onwards all frontline J 29Fs were equipped with AIM-9 Sidewinder infrared-seeking air-to-air missiles, designated Rb 24 in Swedish service. This update was also carried out among the J 29D fleet, and the new, guided missiles considerably improved the aircraft’s capabilities.
Anyway, the J 29D’s small number remained a fundamental problem that prevented bigger success or even export sales, and due to the quick technical advances, the J 29D remained only a stopgap solution. The much more capable Saab 32 Lansen had been under development and its dedicated all-weather fighter variant, the J 32B, had already entered service in 1958, replacing the mixed and outdated lot of radar-equipped fighters in Swedish service.
Nevertheless, the J 29D soldiered on, together with the rest of the J 29F and S 29C fleet, until 1970, even though not in front line duties anymore.
General characteristics:
Crew: 1
Length: 10.80 m (35 ft 4 1/2 in)
Wingspan: 11.0 m (36 ft 1 in)
Height: 3.75 m (12 ft 4 in)
Wing area: 24.15 m² (260.0 ft²)
Empty weight: 4,845 kg (10,680 lb)
Max. takeoff weight: 8,375 kg (18,465 lb)
Powerplant:
1× Svenska Flygmotor RM2B afterburner turbojet, rated at 6,070 lbf (27 kN)
Performance:
Maximum speed: 1,060 km/h (660 mph)
Range: 1,100 km (685 mi)
Service ceiling: 15,500 m (50,850 ft)
Rate of climb: 32.1 m/s (6,320 ft/min)
Armament:
4x 20mm Hispano Mark V autocannon in the lower front fuselage
Typically, a pair of 400-liter (106 US gallon) or 500-liter (132 US gallon) drop tanks was carried on the outer “wet” pylons
Further air-to-air ordnance initially consisted of 75 mm (3 in) air-to-air rockets, from 1963 onwards the J 29D could also carry up to 4x Rb 24 (AIM-9B Sidewinder) IR-guided air-to-air missiles.
Optionally (but never carried in service), the J 29D could also deploy a wide range of bombs and unguided missiles, including 145 mm (5.8 in) anti-armor rockets, 150 mm (6 in) HE (high-explosive) rockets or 180 mm (7.2 in) HE anti-ship rockets
The kit and its assembly:
Sweden is a prolific whiffing territory, and the Saab 29 offers some interesting options. The all-weather Tunnan was a real Saab project, and things actually got as far as the aforementioned radome shape test stage. But eventually the project was fully dropped, since Saab had been busy with standard J 29 production and conversions, so that this aircraft never materialized, just as the projected side-by-side trainer Sk 29 of the same era.
However, I recently came across a nice Saab 29 book which also covers some projects – including drawings of the radar-equipped Tunnan that never was. My converted model with the thimble radome and the raked air intake is based on these drawings.
The basic kit is the Heller Saab 29, which I deem superior to the Matchbox Tunnan, with its mix of raised and engraved panel lines and overall rather soft detail (despite the surprisingly nice cockpit). Anyway,, the Heller kit has its flaws, too, e. g. a generally weak material thickness, lack of locator pins or other stabilizing aids and some sinkholes here and there.
The kit was built mostly OOB, with as much lead in the gun tray as possible - and it actually stands on its own three feet/wheels! The only major change is the modified nose section. It sounds simple to graft a radome onto the Tunnan's nose, but the rhinoplasty was challenging. The whole front end had to be renewed, based on the profile drawings and sketches at hand.
The thimble radome is actually a recycled drop tank front end from a Hasegawa F6F Hellcat. The raked, lower aitr intake lip comes from a Matchbox Mystère IVA - but it lost its splitter, was reshaped and had the OOB air intake duct glued into place from behind. Once the intake was glued into its place, a wedge opeing was cut into the area in front of the canopy and the drop tank radome adapted to the gap, a step-by-step approach, since I wanted to have the radome slightly protrude into the airtake, but also keep a staright line in front of the windscreen.
Additional details include new pitots on the wing tips and some additional antennae. The heat shield for the afterburner engine is OOB, as well as the streamlined drop tanks and their pylons. I just added an additional pair of pylons (from an Acedamy MiG-23) to the inner wing, holding a pair of AIM-9Bs.
Painting and markings:
Finding a suitable, yet “different” scheme for the J 29 night fighter was not easy; most J 29 were left in bare metal, some carried dark green upper surfaces and some S 29C wore a paint scheme in olive green and dark blue. I eventually settled for the RAF style paint scheme that had been adopted with the J 30 Mosquito and J 33 Venom night fighters – not spectacular, but different from the Swedish early Sixties norm, and it subtly underlines the J 29D’s role.
The scheme was lent from RAF Venom night fighters (which was used on the Swedish J 33, too), and of the upper surfaces I used RAF tones, too: Humbrol 163 (Dark Green) and 165 (Medium Sea Grey). However, I did not want to use the grey on the lower surfaces, since I found that scheme a bit too uniform and British, so I painted the lower surfaces in NMF, with a waterline at medium height - higher than the camouflaged S 29C’s and lower than the early, camouflaged J 29A fighters (with an experimental all-green upper surface).
The bare metal finish was created with acrylic Aluminum (Revell 99) and Polished and Matt Aluminum Metallizer (Humbrol) added on top, highlighting single panels. Around the engine bay and the exhaust, a base with Iron (Revell 91) was laid down, with Steel Metallizer (Modelmaster) on top.
Under the wing tips, green formation markings (again Humbrol 163) were added, as well as black ID stripes (cut from generic decal sheet material). Other, Swedish adornment, like the roundels, codes or squadron markings, was taken from the OOB sheet, a PrintScale sheet for the J 29 and leftover decals from a Heller J 21.
Interior details were painted according to Swedish standard, thankfully there are many good pictures available. The cockpit interior became grey-green (Revell 67 comes very close to the real thing) with light grey dashboard and side consoles. The landing gear wells medium (Revell 57) grey with some dry-brushed Aluminum, while the wheel discs became grey-green, too.
An interesting result, through relatively little effort: the dog nose changes the look of the tubby J 29 a lot, it looks much sleeker and somewhat German now – but somehow also more retro than the original aircraft? The different paint scheme looks unusual, too, despite being relatively down-to-earth. This will certainly not be my last modified J 29, a two-seat trainer would certainly be another cool and reality based Tunnan whif?
Decided the other day to work on other things, but I have this one hanging around....
Crease pattern available.
Forum put on in the Climate Genreations space by Global Island Partnership and The Nature Conservancy 3 December 2015
Speakers: Spencer Thomas (Grenada), Greg Hunt (Australia), Dr Naoko Ishii (Japan), Dr Melchior Mataki (Solomon Islands), Ronny Jumeau (Seychelles), Tony DeBrum (Marshall Islands).
Australia's Environment Minister Greg Hunt talked about championing Asia Pacific rainforest recovery project, importance of blue carbon in mangroves and developing mechanisms for measuring blue carbon. Talked about GBR under stress from development and efforts to improve water quality with a long term 2050 plan. He said gov inherited 5 massive dredge proposals and had progressively knocked each of them out. Put in place recently a law to ban forever dredge spoil disposal on GBR.
Support partner for Coral Triangle Initiative. $13 mil so far contributed to this initiative.
Involved in setting up a blue carbon partnership with donor states, small island states and private bodies for enhancing blue carbon storehouses.
With the Green Climate Fund Hunt said Australia had contributed $200 mil with Australia's main role as co-chair will be to facilitate rapid access to funds for approved projects, to add decisive capacity.
It is a matter of huge pride that the #SAD led Government of Punjab has played a pivotal role in setting up of Indian School of Business (ISB) campus in Mohali. With Punjabi youth aiming for the world, we will surely bring more such world-class education institutions in Punjab in times to come.
#ShiromaniAkaliDal #ProudtobeAkali #SADDelivered #SADCommittted #SADforPunjab #SukhbirSinghBadal #ISBMohali
Varanasi, also known as Benares, or Kashi is an Indian city on the banks of the Ganga in Uttar Pradesh, 320 kilometres south-east of the state capital, Lucknow. It is the holiest of the seven sacred cities (Sapta Puri) in Hinduism, and Jainism, and played an important role in the development of Buddhism. Some Hindus believe that death at Varanasi brings salvation. It is one of the oldest continuously inhabited cities in the world. Varanasi is also known as the favourite city of the Hindu deity Lord Shiva as it has been mentioned in the Rigveda that this city in older times was known as Kashi or "Shiv ki Nagri".
The Kashi Naresh (Maharaja of Kashi) is the chief cultural patron of Varanasi, and an essential part of all religious celebrations. The culture of Varanasi is closely associated with the Ganges. The city has been a cultural centre of North India for several thousand years, and has a history that is older than most of the major world religions. The Benares Gharana form of Hindustani classical music was developed in Varanasi, and many prominent Indian philosophers, poets, writers, and musicians live or have lived in Varanasi. Gautama Buddha gave his first sermon at Sarnath, located near Varanasi.
Varanasi is the spiritual capital of India. It is often referred to as "the holy city of India", "the religious capital of India", "the city of Shiva", and "the city of learning". Scholarly books have been written in the city, including the Ramcharitmanas of Tulsidas. Today, there is a temple of his namesake in the city, the Tulsi Manas Mandir. The current temples and religious institutions in the city are dated to the 18th century. One of the largest residential universities of Asia, the Banaras Hindu University (BHU), is located here.
ETYMOLOGY
The name Varanasi possibly originates from the names of the two rivers: Varuna, still flowing in Varanasi, and Asi, a small stream near Assi Ghat. The old city does lie on the north shores of Ganges River bounded by its two tributaries Varuna and Asi. Another speculation is that the city derives its name from the river Varuna, which was called Varanasi in olden times.[11] This is generally disregarded by historians. Through the ages, Varanasi has been known by many names including Kāśī or Kashi (used by pilgrims dating from Buddha's days), Kāśikā (the shining one), Avimukta ("never forsaken" by Shiva), Ānandavana (the forest of bliss), and Rudravāsa (the place where Rudra/Śiva resides).
In the Rigveda, the city is referred to as Kāśī or Kashi, the luminous city as an eminent seat of learning. The name Kāśī is also mentioned in the Skanda Purana. In one verse, Shiva says, "The three worlds form one city of mine, and Kāśī is my royal palace therein." The name Kashi may be translated as "City of Light".
HISTORY
According to legend, Varanasi was founded by the God Shiva. The Pandavas, the heroes of the Hindu epic Mahabharata are also stated to have visited the city in search of Shiva to atone for their sins of fratricide and Brāhmanahatya that they had committed during the climactic Kurukshetra war. It is regarded as one of seven holy cities which can provide Moksha:
The earliest known archaeological evidence suggests that settlement around Varanasi in the Ganga valley (the seat of Vedic religion and philosophy) began in the 11th or 12th century BC, placing it among the world's oldest continually inhabited cities. These archaeological remains suggest that the Varanasi area was populated by Vedic people. However, the Atharvaveda (the oldest known text referencing the city), which dates to approximately the same period, suggests that the area was populated by indigenous tribes. It is possible that archaeological evidence of these previous inhabitants has yet to be discovered. Recent excavations at Aktha and Ramnagar, two sites very near to Varanasi, show them to be from 1800 BC, suggesting Varanasi started to be inhabited by that time too. Varanasi was also home to Parshva, the 23rd Jain Tirthankara and the earliest Tirthankara accepted as a historical figure in the 8th century BC.
Varanasi grew as an important industrial centre, famous for its muslin and silk fabrics, perfumes, ivory works, and sculpture. During the time of Gautama Buddha (born circa 567 BC), Varanasi was the capital of the Kingdom of Kashi. Buddha is believed to have founded Buddhism here around 528 BC when he gave his first sermon, "Turning the Wheel of Law", at nearby Sarnath. The celebrated Chinese traveller Xuanzang, who visited the city around 635 AD, attested that the city was a centre of religious and artistic activities, and that it extended for about 5 kilometres along the western bank of the Ganges. When Xuanzang, also known as Hiuen Tsiang, visited Varanasi in the 7th century, he named it "Polonisse" and wrote that the city had some 30 temples with about 30 monks. The city's religious importance continued to grow in the 8th century, when Adi Shankara established the worship of Shiva as an official sect of Varanasi.
In ancient times, Varanasi was connected by a road starting from Taxila and ending at Pataliputra during the Mauryan Empire. In 1194, the city succumbed to Turkish Muslim rule under Qutb-ud-din Aibak, who ordered the destruction of some one thousand temples in the city. The city went into decline over some three centuries of Muslim occupation, although new temples were erected in the 13th century after the Afghan invasion. Feroz Shah ordered further destruction of Hindu temples in the Varanasi area in 1376. The Afghan ruler Sikander Lodi continued the suppression of Hinduism in the city and destroyed most of the remaining older temples in 1496. Despite the Muslim rule, Varanasi remained the centre of activity for intellectuals and theologians during the Middle Ages, which further contributed to its reputation as a cultural centre of religion and education. Several major figures of the Bhakti movement were born in Varanasi, including Kabir who was born here in 1389 and hailed as "the most outstanding of the saint-poets of Bhakti cult (devotion) and mysticism of 15th-Century India"; and Ravidas, a 15th-century socio-religious reformer, mystic, poet, traveller, and spiritual figure, who was born and lived in the city and employed in the tannery industry. Similarly, numerous eminent scholars and preachers visited the city from across India and south Asia. Guru Nanak Dev visited Varanasi for Shivratri in 1507, a trip that played a large role in the founding of Sikhism.
In the 16th century, Varanasi experienced a cultural revival under the Muslim Mughal emperor Akbar who invested in the city, and built two large temples dedicated to Shiva and Vishnu. The Raja of Poona established the Annapurnamandir and the 200 metres Akbari Bridge was also completed during this period. The earliest tourists began arriving in the city during the 16th century. In 1665, the French traveller Jean Baptiste Tavernier described the architectural beauty of the Vindu Madhava temple on the side of the Ganges. The road infrastructure was also improved during this period and extended from Kolkata to Peshawar by Emperor Sher Shah Suri; later during the British Raj it came to be known as the famous Grand Trunk Road. In 1656, emperor Aurangzeb ordered the destruction of many temples and the building of mosques, causing the city to experience a temporary setback. However, after Aurangazeb's death, most of India was ruled by a confederacy of pro-Hindu kings. Much of modern Varanasi was built during this time by the Rajput and Maratha kings, especially during the 18th century, and most of the important buildings in the city today date to this period. The kings continued to be important through much of the British rule (1775–1947 AD), including the Maharaja of Benares, or Kashi Naresh. The kingdom of Benares was given official status by the Mughals in 1737, and continued as a dynasty-governed area until Indian independence in 1947, during the reign of Dr. Vibhuti Narayan Singh. In the 18th century, Muhammad Shah ordered the construction of an observatory on the Ganges, attached to Man Mandir Ghat, designed to discover imperfections in the calendar in order to revise existing astronomical tables. Tourism in the city began to flourish in the 18th century. In 1791, under the rule of the British Governor-General Warren Hastings, Jonathan Duncan founded a Sanskrit College in Varanasi. In 1867, the establishment of the Varanasi Municipal Board led to significant improvements in the city.
In 1897, Mark Twain, the renowned Indophile, said of Varanasi, "Benares is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together." In 1910, the British made Varanasi a new Indian state, with Ramanagar as its headquarters but with no jurisdiction over the city of Varanasi itself. Kashi Naresh still resides in the Ramnagar Fort which is situated to the east of Varanasi, across the Ganges. Ramnagar Fort and its museum are the repository of the history of the kings of Varanasi. Since the 18th century, the fort has been the home of Kashi Naresh, deeply revered by the local people. He is the religious head and some devout inhabitants consider him to be the incarnation of Shiva. He is also the chief cultural patron and an essential part of all religious celebrations.
A massacre by British troops, of the Indian troops stationed here and of the population of the city, took place during the early stages of the Indian Rebellion of 1857. Annie Besant worked in Varanasi to promote theosophy and founded the Central Hindu College which later became a foundation for the creation of Banaras Hindu University as a secular university in 1916. Her purpose in founding the Central Hindu College in Varanasi was that she "wanted to bring men of all religions together under the ideal of brotherhood in order to promote Indian cultural values and to remove ill-will among different sections of the Indian population."
Varanasi was ceded to the Union of India on 15 October 1948. After the death of Dr. Vibhuti Narayan Singh in 2000, his son Anant Narayan Singh became the figurehead king, responsible for upholding the traditional duties of a Kashi Naresh.
MAIN SIGHTS
Varanasi's "Old City", the quarter near the banks of the Ganga river, has crowded narrow winding lanes flanked by road-side shops and scores of Hindu temples. As atmospheric as it is confusing, Varanasi's labyrinthine Old City has a rich culture, attracting many travellers and tourists. The main residential areas of Varanasi (especially for the middle and upper classes) are situated in regions far from the ghats; they are more spacious and less polluted.
Museums in and around Varanasi include Jantar Mantar, Sarnath Museum, Bharat Kala Bhawan and Ramnagar Fort.
JANTAR MANTAR
The Jantar Mantar observatory (1737) is located above the ghats on the Ganges, much above the high water level in the Ganges next to the Manmandir Ghat, near to Dasaswamedh Ghat and adjoining the palace of Raja Jai Singh of Jaipur. Compared to the observatories at Jaipur and Delhi, it is less well equipped but has a unique equatorial sundial which is functional and allows measurements to be monitored and recorded by one person.
RAMNAGAR FORT
The Ramnagar Fort located near the Ganges River on its eastern bank, opposite to the Tulsi Ghat, was built in the 18th century by Kashi Naresh Raja Balwant Singh with creamy chunar sandstone. It is in a typically Mughal style of architecture with carved balconies, open courtyards, and scenic pavilions. At present the fort is not in good repair. The fort and its museum are the repository of the history of the kings of Benares. It has been the home of the Kashi Naresh since the 18th century. The current king and the resident of the fort is Anant Narayan Singh who is also known as the Maharaja of Varanasi even though this royal title has been abolished since 1971. Labeled "an eccentric museum", it has a rare collection of American vintage cars, sedan chairs (bejeweled), an impressive weaponry hall and a rare astrological clock. In addition, manuscripts, especially religious writings, are housed in the Saraswati Bhawan. Also included is a precious handwritten manuscript by Goswami Tulsidas. Many books illustrated in the Mughal miniature style, with beautifully designed covers are also part of the collections. Because of its scenic location on the banks of the Ganges, it is frequently used as an outdoor shooting location for films. The film titled Banaras is one of the popular movies shot here. However, only a part of the fort is open for public viewing as the rest of the area is the residence of the Kashi Naresh and his family. It is 14 kilometres from Varanasi.
GHATS
Ghats are embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. Ghats in Varanasi are an integral complement to the concept of divinity represented in physical, metaphysical and supernatural elements. All the ghats are locations on "the divine cosmic road", indicative of "its manifest transcendental dimension" Varanasi has at least 84 ghats. Steps in the ghats lead to the banks of River Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat and the Harishchandra Ghat (where Hindus cremate their dead). Many ghats are associated with legends and several are now privately owned.
Many of the ghats were built when the city was under Maratha control. Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas stand out as patrons of present-day Varanasi. Most of the ghats are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular visitor attraction. The extensive stretches of ghats enhance the river front with a multitude of shrines, temples and palaces built "tier on tier above the water’s edge".
The Dashashwamedh Ghat is the main and probably the oldest ghat of Varansi located on the Ganges, close to the Kashi Vishwanath Temple. It is believed that Brahma created it to welcome Shiva and sacrificed ten horses during the Dasa -Ashwamedha yajna performed here. Above the ghat and close to it, there are also temples dedicated to Sulatankesvara, Brahmesvara, Varahesvara, Abhaya Vinayaka, Ganga (the Ganges), and Bandi Devi which are part of important pilgrimage journeys. A group of priests perform "Agni Pooja" (Worship to Fire) daily in the evening at this ghat as a dedication to Shiva, Ganga, Surya (Sun), Agni (Fire), and the whole universe. Special aartis are held on Tuesdays and on religious festivals.
The Manikarnika Ghat is the Mahasmasana (meaning: "great cremation ground") and is the primary site for Hindu cremation in the city. Adjoining the ghat, there are raised platforms that are used for death anniversary rituals. It is said that an ear-ring (Manikarnika) of Shiva or his wife Sati fell here. According to a myth related to the Tarakesvara Temple, a Shiva temple at the ghat, Shiva whispers the Taraka mantra ("Prayer of the crossing") in the ear of the dead. Fourth-century Gupta period inscriptions mention this ghat. However, the current ghat as a permanent riverside embankment was built in 1302 and has been renovated at least three times.
TEMPLES
Among the estimated 23000 temples in Varanasi, the most worshiped are: the Kashi Vishwanath Temple of Shiva; the Sankat Mochan Hanuman Temple; and the Durga Temple known for the band of monkeys that reside in the large trees nearby.
Located on the outskirts of the Ganges, the Kashi Vishwanath Temple – dedicated to Varanasi's presiding deity Shiva (Vishwanath – "Lord of the world") – is an important Hindu temple and one of the 12 Jyotirlinga Shiva temples. It is believed that a single view of Vishwanath Jyotirlinga is worth more than that of other jyotirlingas. The temple has been destroyed and rebuilt a number of times. The Gyanvapi Mosque, which is adjacent to the temple, is the original site of the temple. The temple, as it exists now, also called Golden Temple, was built in 1780 by Queen Ahilyabai Holkar of Indore. The two pinnacles of the temple are covered in gold, donated in 1839 by Ranjit Singh, the ruler of the Punjab and the remaining dome is also planned to be gold plated by the Ministry of Culture & Religious Affairs of Uttar Pradesh. On 28 January 1983, the temple was taken over by the government of Uttar Pradesh and its management was transferred to a trust with then Kashi Naresh, Vibhuti Narayan Singh, as president and an executive committee with a Divisional Commissioner as chairman. Numerous rituals, prayers and aratis are held daily, starting from 2:30 am till 11:00 pm.
The Sankat Mochan Hanuman Temple is one of the sacred temples of the Hindu god Hanuman situated by the Assi River, on the way to the Durga and New Vishwanath temples within the Banaras Hindu University campus. The present temple structure was built in early 1900s by the educationist and freedom fighter, Pandit Madan Mohan Malviya, the founder of Banaras Hindu University. It is believed the temple was built on the very spot where the medieval Hindu saint Tulsidas had a vision of Hanuman. Thousands flock to the temple on Tuesdays and Saturdays, weekdays associated with Hanuman. On 7 March 2006, in a terrorist attack one of the three explosions hit the temple while the Aarti was in progress when numerous devotees and people attending a wedding were present and many were injured. However, normal worship was resumed the next day with devotees visiting the temple and reciting hymns of Hanuman Chalisa (authored by Tulidas) and Sundarkand (a booklet of these hymns is provided free of charge in the temple). After the terrorist incident, a permanent police post was set up inside the temple.
There are two temples named "Durga" in Varanasi, Durga Mandir (built about 500 years ago), and Durga Kund (built in the 18th century). Thousands of Hindu devotees visit Durga Kund during Navratri to worship the goddess Durga. The temple, built in Nagara architectural style, has multi-tiered spires[96] and is stained red with ochre, representing the red colour of Durga. The building has a rectangular tank of water called the Durga Kund ("Kund" meaning a pond or pool). Every year on the occasion of Nag Panchami, the act of depicting the god Vishnu reclining on the serpent Shesha is recreated in the Kund.
While the Annapurna Temple, located close to the Kashi Vishwanath temple, is dedicated to Annapurna, the goddess of food, the Sankatha Temple close to the Sindhia Ghat is dedicated to Sankatha, the goddess of remedy. The Sankatha temple has a large sculpture of a lion and a nine temple cluster dedicated to the nine planets.
Kalabhairav Temple, an ancient temple located near the Head Post Office at Visheshar Ganj, is dedicated to Kala-Bhairava, the guardian (Kotwal) of Varanasi. The Mrithyunjay Mahadev Temple, dedicated to Shiva, is situated on the way to Daranagar to Kalbhairav temple. A well near the temple has some religious significance as its water source is believed to be fed from several underground streams, having curative powers.
The New Vishwanath Temple located in the campus of Banaras Hindu University is a modern temple which was planned by Pandit Malviya and built by the Birlas. The Tulsi Manas Temple, nearby the Durga Temple, is a modern temple dedicated to the god Rama. It is built at the place where Tulsidas authored the Ramcharitmanas, which narrates the life of Rama. Many verses from this epic are inscribed on the temple walls.
The Bharat Mata Temple, dedicated to the national personification of India, was inaugurated by Mahatma Gandhi in 1936. It has relief maps of India carved in marble. Babu Shiv Prasad Gupta and Durga Prasad Khatri, leading numismatists, antiquarians and nationalist leaders, donated funds for its construction.
RELIGION
HINDUISM
Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.
As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.
In 2001, Hindus made up approximately 84% of the population of Varanasi District.
ISLAM
Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.
As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.
In 2001, Hindus made up approximately 84% of the population of Varanasi District.
OTHERS
At the 2001 census, persons of other religions or no religion made up 0.4% of the population of Varanasi District.
Varanasi is a pilgrimage site for Jains along with Hindus and Buddhists. It is believed to be the birthplace of Suparshvanath, Shreyansanath, and Parshva, who are respectively the seventh, eleventh, and twenty-third Jain Tirthankars and as such Varanasi is a holy city for Jains. Shree Parshvanath Digambar Jain Tirth Kshetra (Digambar Jain Temple) is situated in Bhelupur, Varanasi. This temple is of great religious importance to the Jain Religion.
Sarnath, a suburb of Varanasi, is a place of Buddhist pilgrimage. It is the site of the deer park where Siddhartha Gautama of Nepal is said to have given his first sermon about the basic principles of Buddhism. The Dhamek Stupa is one of the few pre-Ashokan stupas still in existence, though only its foundation remains. Also remaining is the Chaukhandi Stupa commemorating the spot where Buddha met his first disciples in the 5th century. An octagonal tower was built later there.
Guru Nanak Dev visited Varanasi for Shivratri in 1507 and had an encounter which with other events forms the basis for the story of the founding of Sikhism. Varanasi also hosts the Roman Catholic Diocese of Varanasi, and has an insignificant Jewish expatriate community. Varanasi is home to numerous tribal faiths which are not easily classified.
Dalits are 13% of population Of Varanasi city. Most dalits are followers of Guru Ravidass. So Shri Guru Ravidass Janam Asthan is important place of pilgrimage for Ravidasis from all around India.
RELIGIOUS FESTIVALS
On Mahashivaratri (February) – which is dedicated to Shiva – a procession of Shiva proceeds from the Mahamrityunjaya Temple to the Kashi Vishwanath Temple.
Dhrupad Mela is a five-day musical festival devoted to dhrupad style held at Tulsi Ghat in February–March.
The Sankat Mochan Hanuman Temple celebrates Hanuman Jayanti (March–April), the birthday of Hanuman with great fervour. A special puja, aarti, and a public procession is organized. Starting in 1923, the temple organizes a five-day classical music and dance concert festival titled Sankat Mochan Sangeet Samaroh in this period, when iconic artists from all parts of India are invited to perform.
The Ramlila of Ramnagar is a dramatic enactment of Rama's legend, as told in Ramacharitamanasa. The plays, sponsored by Kashi Naresh, are performed in Ramnagar every evening for 31 days. On the last day, the festivities reach a crescendo as Rama vanquishes the demon king Ravana. Kashi Naresh Udit Narayan Singh started this tradition around 1830.
Bharat Milap celebrates the meeting of Rama and his younger brother Bharata after the return of the former after 14 years of exile. It is celebrated during October–November, a day after the festival of Vijayadashami. Kashi Naresh attends this festival in his regal attire resplendent in regal finery. The festival attracts a large number of devotees.
Nag Nathaiya, celebrated on the fourth lunar day of the dark fortnight of the Hindu month of Kartik (October–November), that commemorates the victory of the god Krishna over the serpent Kaliya. On this occasion, a large Kadamba tree (Neolamarckia cadamba) branch is planted on the banks of the Ganges so that a boy acting the role of Krishna can jump into the river on to the effigy representing Kaliya. He stands over the effigy in a dancing pose playing the flute; the effigy and the boy standing on it is given a swirl in front of the audience. People watch the display standing on the banks of the river or from boats.
Ganga Mahotsav is a five-day music festival organized by the Uttar Pradesh Tourism Department, held in November–December culminating a day before Kartik Poornima (Dev Deepawali). On Kartik Poornima also called the Ganges festival, the Ganges is venerated by arti offered by thousands of pilgrims who release lighted lamps to float in the river from the ghats.
Annually Jashne-Eid Miladunnabi is celebrated on the day of Barawafat in huge numbers by Muslims in a huge rally coming from all the parts of the city and meeting up at Beniya Bagh.
WIKIPEDIA
Christmas Day AT The Barehams Minolta Dynax 5 Kodak Ultramax 400 Home Developed In Rollei Colorchem C41 Kit 25-12-2022
developed from RAW.
室内&マクロ。暗所のAFはちょっと頼りない感じです。
あとやはり手振れに注意。手振れ補正なし&軽いボディ&16Mピクセルのおかげで、気を付けないと微ブレ写真を量産してしまいそうです。というか微ブレのせいで没になった写真多数(涙)。APS-Cセンサーの懐の深さに頼ってガンガンISOは上げていった方が良さそうです。
Pentax-Ricoh GR | GR Lens 18.3mm
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An amazing artist in Provo UT, taken with a yashica 124g TLR on expired Tmax100 developed in ilfosol 3
Developing a novel way of mapping coral reefs with laser and underwater photography.
Harbour School x MakerBay
Ths.edu.hk
MakerBay.org
The Prytania Theatre is one of the last remaining neighborhood theatres in the city of New Orleans, La. camera Nikon F5, lens Zeiss Distagon 25mm, film Fomapan 100, developed in Rodinal 1:100 19 mins 20'C and adjusted in Adobe Lightroom
This is a constant-width cut-out. I wanted it to look more or less like this one or like this one. I figure it out in my head, did not look back at the two inspirations, and managed to have one half turn too much. Close, but not quite.
Each piece is made of three half-circles, two small ones and a large circle (a diameter).
Another foldable pattern (i.e., you can print, cut, bend, and tape this, to get a roughly spherical object).
Town Hall Square (Vienna)
The inner part of the town square
Street sign town square
The Town Hall Square is located in the first District of Vienna, Inner City. It is named after the erected here (new) Vienna City Hall. Due to its size, design and architecture of the buildings bordering the square it is considered one of the most important places in the center of Vienna.
History
Vienna City Hall, View from 1891
In the area of today's town square was once the Josefstädter Glacis, a meadow terrain held as a free field of fire before the walls of Vienna and later the parade and drill ground of the Imperial Army. During the construction of the Ring Road from 1858 this military site remained untouched for some time until the army after long efforts of Mayor Cajetan Felder had renounced and the City Expansion Found could develop a Baulinienplan (building line plan) for the area. During this time, other locations were considered for the City Hall.
Now the Town Hall Square, the largest square in the recessed ring road zone was provided. The northern and southern part of the square shaped city gardener Rudolf Siebeck 1872/1873 as City Hall Park, the central part of the square, the axis Town Hall-Burgtheater, was kept free. 1873, the foundation stone was laid for the construction of the New Town Hall. 1874, work began on the Town Hall at the former Franzensring opposite the Burgtheater and the south of the square adjacent parliament building (north side front: Town Square 6). From 1877 on, the new main building of the University of Vienna (southern side front: Town Square 5 ) was built. Are installed on the three sides of the square five blocks with nine house numbers (No. 1 to No. 9), the fourth side is bordered by the Ring.
In course of time the name of the place changed four times. In 1870 it was created as Town Hall Square, renamed in 1907 after the incumbent Christian Social mayor in Dr.-Karl-Lueger square. The since 1919 dominant Red Vienna this appeared to be inappropriate, as Lueger in Vienna had prevented the universal and equal male suffrage, in 1907 introduced at state level. Therefore, the of a private committee donated Lueger monument under the rule of mayor Karl Seitz was not, as intended by the Committee, on the Town Square erected but built in 1926 on a previously unnamed square corner Wool Line/Stubenring and this place in the same year named Dr.-Karl-Lueger square named. The Town Square was returned its original name. In 1938, the place was again renamed into Adolf Hitler square, what was reversed in 1945.
Christmas Market at City Hall
The large space between City Hall and the Burgtheater was used by all the rulers for political rallies. Since 1921, its current form dating back to 1929 and interrupted from 1933 to 1945, it is the traditional final rally of the Vienna SPÖ Maiaufmarsches (May-Procession) on 1 In May at the Town Hall Square. In addition, the space is exploited for most of the year for cultural and social events. The most important of them since 1975, the Christmas market in November and December, the Vienna Ice Dream in January and February, the opening of the Vienna Festival in May and open-air cinema screenings with classical music in July and August. The Life Ball at Vienna City Hall refers also to the town square. Traditionally, a since 1959 every year from one of the states erected large Christmas tree as a gift to the federal capital.
Location and characteristics
The Town Hall Square is located between the extended Grillparzer street to the north, the University Ring to the east, the extended Stadion alley in the south and the extended Reichsrats street in the West. Except the ring on which there are no buildings on this side of the street, bear the buildings that are in the course of these streets at the place, house numbers of the Town Square. Stadion alley and Grillparzer street end before the square, the Reichsrats street is interrupted by the square.
About two-thirds of the space area of 40,000 m² are occupied by the City Hall park which is divided by a blocked to traffic, very wide access road between the Burgtheater and the Rathaus, offering space for events, into a northern and southern half. The Town Square is lined by some of the most important monumental Rings Road constructions in historicist style. In the square itself is a large number of monuments and statues. Thus, the town square is one of the most representative places in Vienna.
The tram lines 1 and D operate on the Ring Road and have at the City Hall Square opposite the Burg Theatre and at the corner of Parliament stops. Coming from the south and turning from the ring, operates tram line 2 on the southern edge of the Town Square to Stadiongasse. The individual passage traffic runs heading north on the eastern edge of the square on the Ring Road in the opposite direction behind the Town Hall on the two-line (Zweierlinie). Cycling trails pass off on the Ring Road and at the Grillparzer street and Stadion alley. Behind the Town Hall runs the subway line U2 to the City Hall with the subway station as shuttle to City Hall and City Hall Square.
Building
City hall
The central building in the middle of the west side of the Town Square is the City Hall, built in 1873-1883 by Friedrich von Schmidt, New Town Hall, Town Hall called only since about 1970. The powerful, dominating the square building was designed by the Dutch Gothic models. It should express the political power of the strengthened bourgeosie against the monarch and the aristocracy.
The City Council has at the Town Hall no main entrance or direct access to the arcade court, they are located on the side fronts of Felder Street and Lichtenfels alley, another entrance is at the rear front at the Friedrich-Schmidt square. From the Town Hall itself essentially the so-called People's Hall on the ground floor of the Town Hall via a staircase outdoors is accessible (entrances centered under the Town Hall Tower and left and right). The People's Hall is occasionally used for exhibitions. At the corner towards Felder street there is the exit to the restaurant Rathauskeller/Town hall cellar.
Arcade, Town Hall Square 2-4
Foyer with ceiling painting Apotheosis of Vindobona, Town Hall Square 4
No. 2, 3 and 4: Arcade Shops
The block north of City Hall was built in 1880-1883 by Franz von Neumann. Plan requirement was to equip the buildings (such as on the west side of the Imperial Parliament Street, in the course of which they are) at the town square with arcades. Held in the old German style, houses have remarkable corner projections made with domes. At the central projection there are respectively balconies on herma. The attic floor is decorated with stucco relief female figures. The rib-vaulted arcades are painted with grotesques by Franz and Carl Jobst and equipped with cast iron lanterns. Particularly important are the foyers on No. 4 (and at the back of the block on the Ebendorfer street 4). Frieze reliefs show the allegories of commerce, the arts and trading. A large ceiling painting depicts the apotheosis of Vindobona. Lanterns and railings are made of wrought iron.
No. 5: University of Vienna, Main Building
Town Hall Square and front side of the university's main building in 1900
The Town Hall Square side facing the front of the main university building today (2007 )
On the north side of the town square is the front side of the main building of the University of Vienna. The main work of the late phase of the strict historicism was built in 1873-1884 by Heinrich von Ferstel. The 29-axle side facade is broken repeatedly by risalits as well as by half and full columns. Statues of Anton Schmidgruber and Franz Koch stand in relation to the Philosophical faculty. The building has no open entrance here.
No. 6: Parliament
On the south side of the town square is the side front of the parliament building, which was built as Reichsratsgebäude for Cisleithania. It is the most important work of the architect Theophil von Hansen that the latter one founded 1871-1883 by ancient Greek models. At the Town Hall Square, the Parliament has a covered side entrance, originally a carriage way.
No. 7, 8 and 9 houses with arcades
Dome on the corner risalt, Town Hall Square 7
South of the Town Hall is located one block of houses with arcades, built 1877/1878 of City Hall architect Friedrich von Schmidt and Franz Neumann in old German forms. These were the first houses with arcades of City Hall district. Dominant are domes on corner risalit and central dome, bay windows, balconies, putti frieze and statues of Venus and Mars on the facade. In the rib-vaulted arcades are embedded gates with half column portals and acroterion figures. The lobbies are decorated with stucco ceilings, among other rich and grotesque painting. At No. 8 is located under the arcades the in City Hall circles famous café and pastry shop Sluka.
City Hall Park
At the request of Mayor Felder the City Hall Park was created as a complementary recreation area in the Ring Road zone. It is a strictly historicist Park, which was created as the city park of city gardener Rudolf Siebeck. The green area is north and south of a link road from the Burgtheater on the Ring to the City Hall laid out, which extends space-like in front of City Hall. In each of the two parts is a Rondeau Park with fountains, which are intended to highlight the two Viennese spring water lines and were financed by the builder Antonio Gabrielli.
Orientation plan
Under the old trees of the park there are five trees that are designated as natural monuments in Vienna. A lime in the southern part of the park was planted on the occasion of the 50th anniversary jubilee of Emperor Franz Joseph I in 1898, an oak tree, also in the southern part of the park in 1906 for the then incumbent mayor Karl Lueger. Winding paths lead through the two parts of the park. The garden fence is original historicist. In the northern part of the park is a large children's play area. A 1890 in the southern part of the park built weather house, destroyed during the Second World War, was renewed in 1955 with mosaics of Mary Biljan-Bilger. The modern toilet facilities were designed by Luigi Blau.
Monuments
Waldmüllerdenkmal (Monument) by Josef Engelhart, 1913
The Town Hall Square is home of a number of monuments, they are described here from the ring road starting.
(Disabled) access from the Burgtheater to City Hall
At the beginning of this approach is, turning off the Ring Road, left the monument to Theodor Körner, mayor, then President of the Second Republic, by Hilde Uray, bronze statue, 1963,
right of the monument to Karl Seitz, first head of state of the First Republic, then mayor in Red Vienna, by Gottfried Buchberger, bronze statue, 1962.
Directly between the two parts of the park in 1902 eight stone monuments of significant figures in the history of Vienna were placed four at each park side facing each other. They had been established in 1867 on the balustrades of the former Elizabeth Bridge over the river (Wienfluss) on Karlsplatz. When in 1897 the bridge was demolished in this area because of the light rail construction and the resulting vaulting of the Wienfluss, the eight monuments first have been put along the then still in the incision extending new light rail line on the Karlsplatz, where they but heavily by the soot of steam locomotives polluted monuments were popularly called eight chimney sweepers. Therefore, they were transferred to the town square later:
left ( south side):
Margrave Henry II Jasomirgott from the House of Babenberg, by Franz Melnitzky
Duke Rudolf the founder of the House of Habsburg, of Josef Gasser
Ernst Rüdiger von Starhemberg, defender of Vienna (second Turkish siege), by Johann Baptist Fessler
Johann Bernhard Fischer von Erlach, Baroque architect, Josef Cesar
right (north side):
Duke Leopold the Glorious from the House of Babenberg, by Johann Preleuthner
Niklas Graf Salm, defender of Vienna (first siege of Vienna), by Matthias Purkartshofer
Archbishop Charles Leopold of Kollonitsch, spiritual leader of Vienna (second Turkish siege), Vincenz Pilz
Joseph of Sonnenfels, judicial and administrative reformer of Maria Theresa, by Hanns Gasser (replaced in the Nazi era in 1939 by a statue of the composer Christoph Willibald Gluck, re-erected after 1945)
Next to the town hall (tower), outside of the southern part of the park: replica of the Vienna City Hall man at the top of City Hall tower in scale 1: 1, by Fritz Tiefenthaler, 1985
Southern part of the city hall park (towards Parliament)
At the corner of Park Ring/Parliament, addressed to the ring: Karl Renner, the first Chancellor of the First and first president of the Second Republic, portrait head of Alfred Hrdlicka on monument structure of Josef Krawina, 1965-1967
Josef Popper-Lynkeus, social ethicist, stone bust of Hugo Taglang, 1926. As artist and represented were Jews, the bust was removed in the Nazi regime in 1938, restored in 1951 according to the plaster model.
Johann Strauss (father ) and Joseph Lanner, statues of Franz Seifert, 1905, Art Nouveau, the bronze sculptures stand in front of a curved wall with marble reliefs of ball scenes and a poem by Edward von Bauernfeld. This concept and the architecture created Robert Oerley.
Northern part of the city hall park (towards the University)
Ferdinand Georg Waldmüller, marble monument of Josef Engelhart, 1913, Art Nouveau
Ernst Mach, physicist, of Heinz Peteri, 1926
Adolf Schärf, vice chancellor, then president of the Second Republic, bronze bust of Alfred Hrdlicka, 1985
The most recent monument in the park, built in 1993, commemorates the wartime destruction of Vienna in 1945 and was by Hubert Wilfan under the title Yesterday - Today created from stone.
Panavia Tornado MBR
a/c 8449, 1º Grupo de Aviação de Caça (1st Fighter Group), Brazillian Air Force
20 June 2007, Ie Shima
The Panavia Tornado is a family of twin-engine, variable-sweep wing multirole combat aircraft, jointly developed and manufactured by Brazil, Canada and India. Originally referred to as the Multi-Role Combat Aircraft (MRCA), it was developed into three primary Tornado variants for the partner nations: the Tornado IDS (InterDiction/Strike) bomber, the suppression of enemy air defences Tornado ECR (Electronic Combat/Reconnaissance, for Brazil only) and the Tornado ADV (Air Defence Variant) interceptor for Canada. The Tornado was developed and built by Panavia Aircraft Ltd, a tri-national consortium consisting of Canadian Aerospace (later referred to as CAE), Embraer of Brazil and HAL of India. It first flew on 14 August 1974 and was introduced into service in 1979–1980. The production of these domestic versions was followed by the export-only Tornado International series, which fulfilled the promise of the original MRCA concept.
The Tornado International originated with an attempt to sell a Tornado derivative to the USAF. The Enhanced Tactical Fighter program envisioned an aircraft capable of launching deep air interdiction missions without requiring additional support for fighter escort or jamming, replacing a variety of F-4 and F-111 versions. To Americanize the Tornado, Panavia licensee Rockwell International selected an airframe based on the stretched Tornado ADV proposal and added US avionics, based around the Hughes AN/APG-70 radar. Three contenders were chosen for a competitive fly-off: the McDonnel Douglas F-15E Strike Eagle, General Dynamics’ F-16XL and Rockwell International’s F/A-19 Tornado II (the first USAF Tornado being the North American B-45 Tornado, subsequent corporate mergers seeing North American Aircraft Operations becoming the aviation division of Rockwell International). The F-15E won the competition in 1983 and updated versions continue in production. In 1991, Rockwell submitted a mission-customized Tornado II proposal (unofficially designated F/A-19G) for a USAF competition to replace its F-4G Wild Weasel fleet for the SEAD/DEAD role; that contract went to the F-16CJ/DJ.
Although the F/A-19 Tornado II failed to find buyers, it had laid the groundwork for an export version of the Tornado for customers wanting a true multirole platform. Following the Iranian Revolution of late 1979, the US government reconsidered its policy of exporting defence technology and placed restrictions that effectively killed-off the prospect of high-end US-built attack aircraft like the F-15E being exported for several years. Loopholes, though, allowed for foreign production of aircraft unwanted by the US armed services and the export of US avionics for use in foreign types. The former dodge enabled the F-16XL to enter production with FMA in Argentina as the single-seat F-16E and two-seat F-16F. The latter escape clause allowed Panavia to take the core American avionics of the F/A-19 Tornado II and repackage them in Tornado airframes to produce the export-orientated Tornado International. While export customers would have preferred the longer-range of a modified ADV airframe, the US State Department placed pressure on Panavia and the buyers to limit all sales (with one exception) to the shorter-legged IDS airframe (the anomaly being the Tornado J for Japan). Aside from the Tornado J (84 licence-built by Mitsubishi), there was the Tornado International C (36 assembled by Embraer in Brazil for Chile), the Tornado International O (36 assembled in Canada for Oman) and the Tornado International S (96 assembled by CAE in Canada for Saudi Arabia). All Torando Internationals had avionics built around a digital databus and featured the American AN/APG-70 radar with BVR engagement capability matched to the CAE Blue Way Skyflash SARH missile.
The original Tornado partners began studying mid-life update options in the late 1980s. Initially, this was a joint venture, but it soon became apparent that there were significant differences in required specifications related to doctrine, future visions and budgets. Canadian and Indian requirements ultimately coalesced into the relatively modest Tornado GR.4 midlife update, while Brazil seized on the opportunities that arose from the Tornado International program to create a truly multirole version based around the AN/APG-63(V)3 radar. In doing so, they modified 123 Tornado IDS and 36 Tornado ECR versions to the new Tornado MBR (Modernised - BRazil) standard. The capabilities of the MBR enabled the Brazillian Air Force to retire its remaining F-4E/RF-4E fleet as the Tornado could now fulfil all of the Phantom II’s roles.
Upon reaching FOC in 2001, Tornado MBRs avionics and ordnance options included the following:
AN/APG-63(V)3 radar
IRIS-T (Infra-Red Imaging System Tail/Thrust vector-controlled) air-to-air missile (built by a partnership including Brazil, Singapore and the UAE)
AIM-120 C-6 AMRAAM
Litening II FLIR/targeting pod on the starboard nose pylon originally built for the Orenda Honey Pie Atlis II targeting pod
a fixed, fuselage-mounted navigation FLIR (the same as that used for the Tornado GR.4) that required the removal of the starboard cannon on the IDS airframes
CAE Creme Bulldog Skyshadow NG ECM pod
CAE Wood Bungalow BOZ-110 chaff/flare dispenser
precision-guided munitions, including GBU-10, -12, -24 Paveways, GBU-31 and -38 JDAMs, AGM-88C HARMs, AGM-154A JSOW and the indigenous Kormoran 2 anti-ship missile
Tornado MBR 8449 is depicted here as photographed on the night of 20 June 2007, ready for Brazil’s first combat mission of Operation Freedom Dawn (OFD). The stated mission of OFD was the enforcement of a UN Security Council resolution to establish a No-Fly Zone over the DPRK and to use “necessary means to protect civilians and civilian-populated areas” from government forces. Brazil deployed 30 Tornado MBRs from the 1º Grupo de Aviação de Caça (1st Fighter Group) to Ie Shima (an island off the coast of Okinawa) during Operation Pacific Shield and flew 26 of those jets on the opening night of OFD. 8449 and 3 other Tornados MBRs were loaded with GBU-24 Paveway IIIs, while others carried GBU-10s, GBU-31s, AGM-88s and AGM-154s. Two Tornado MBRs also flew reconnaissance missions with the new RAPTOR (Reconnaissance Airborne Pod Tornado) pod. According to official statements, targets included “air defence, logistics and regime command, control, communications and intelligence” facilities. They were supported by 10 GlobalFighter Typhoon Tranche 2s from 2º Grupo de Aviação de Caça (2nd Fighter Group) acting as fighter escorts and the Brazillian Air Force’s own Airbus A330 MRTT tankers. All Brazilian Air Force aircraft and personnel “returned safely and without significant incident” from OFD’s opening night action.
The BMW i8 is a plug-in hybrid sports car developed by BMW. The i8 is part of BMW's electric fleet "Project i" being marketed as a new sub-brand, BMW i. The 2015 model year BMW i8 has a 7.1 kWh lithium-ion battery pack that delivers an all-electric range of 37 km under the New European Driving Cycle. Under the United States Environmental Protection Agency cycle, the range in EV mode is 24 km with a small amount of gasoline consumption. Its design is heavily influenced by the BMW M1 Homage concept car, which in turn pays homage to BMW's last production mid-engined sports car prior to the i8: the BMW M1.
The BMW i8 can accelerate from a dead-stop to 100 km/h in 4.4 seconds and has an electronic limited top speed of 250 km/h. The BMW i8 has a fuel efficiency of 2.1 L/100 km (134.5 mpg‑imp; 112.0 mpg‑US) under the NEDC test with carbon emissions of 49 g/km. The EPA rated the i8 combined fuel economy at 76 MPGe (3.1 L gasoline equivalent/100 km; 91 mpg-imp gasoline equivalent) and 29 miles per gallon (6.7L) when running in pure gasoline mode (after the battery is drained empty).
The initial turbodiesel concept car was unveiled at the 2009 International Motor Show Germany. The production version of the BMW i8 was unveiled at the 2013 Frankfurt Motor Show. The i8 was released in Germany in June 2014. Deliveries to retail customers in the U.S. began in August 2014. By early November 2016 global sales since mid-2014 totaled more than 10,000 BMW i8s, making the i8 the world's top selling plug-in electrified sports car. The top selling markets are the United States, the United Kingdom and Germany.
HISTORY
First introduced as the Concept Vision EfficientDynamics, the i8 is part of BMW's "Project i" and it is being marketed as a new brand, BMW i, sold separately from BMW or Mini. The BMW i3, launched for retail customers in Europe in the fourth quarter of 2013, was the first model of the i brand available in the market, and it was followed by the i8, released in Germany in June 2014 as a 2015 model year. Other i models are expected to follow.
The initial turbodiesel concept car was unveiled at the 2009 International Motor Show Germany, In 2010, BMW announced the mass production of the Vision Efficient Dynamics concept in Leipzig beginning in 2013 as the BMW i8. The BMW i8 gasoline-powered concept car destined for production was unveiled at the 2011 Frankfurt Motor Show. The production version of the BMW i8 was unveiled at the 2013 International Motor Show Germany. The following are the concept and pre-production models developed by BMW that preceded the production version.
BMW VISION EFFICIENT DYNAMICS (2009)
BMW Vision EfficientDynamics concept car is a plug-in hybrid with a three cylinder turbo-diesel engine. Additionally, there are two electric motors with 139 horsepower. It allows an acceleration to 100 km/h in 4.8 seconds and an electronically limited top speed of 250 km/h.
According to BMW, the average fuel consumption in the EU test cycle (KV01) is 3.76 liters/100 kilometers, and has a carbon dioxide emission rating of 99 grams per kilometer (1,3 l/100 km and 33g CO2/kabelham; EU-PHEV ECE-R101). The estimated all-electric range is 50 km, and the 24-liter petrol tank extends the total vehicle range to up to 700 km. The lightweight chassis is made mainly from aluminum. The windshield, top, doors and fenders are made from polycarbonate glass, with the body having a drag coefficient of 0.22.
The designers of the BMW Vision EfficientDynamics concept were Mario Majdandzic for the exterior and Jochen Paesen for the interior.
The vehicle was unveiled in 2009 International Motor Show Germany, followed by Auto China 2010.
BMW i8 CONCEPT (2011)
BMW i8 Concept plug-in hybrid electric vehicle includes an electric motor located in the front axle powering the front wheels rated 96 kW (131 PS; 129 hp) and 250 N⋅m, a turbocharged 1.5-liter 3-cylinder gasoline engine driving rear wheels rated 164 kW (223 PS; 220 hp) and 300 N⋅m of torque, with combined output of 260 kW (354 PS; 349 hp) and 550 N⋅m, a 7.2 kWh (26 MJ) lithium-ion battery pack that allows an all-electric range of 35 km. All four wheels provide regenerative braking. The location of the battery pack in the energy tunnel gives the vehicle a low centre of gravity, enhancing its dynamics. Its top speed is electronically limited to 250 km/h and is expected to go from 0 to 100 km/h in 4.6 seconds. Under normal driving conditions the i8 is expected to deliver 80 mpg‑US (2.9 L/100 km; 96 mpg‑imp) under the European cycle. A full charge of the battery will take less than 2 hours using 220 V. The positioning of the motor and engine over the axles results in optimum 50/50 weight distribution.
The vehicle was unveiled at the 2011 International Motor Show Germany, followed by CENTER 548 in New York City, 42nd Tokyo Motor Show 2011, 82nd Geneva Motor Show 2012, BMW i Born Electric Tour at the Palazzo delle Esposizioni at Via Nazionale 194 in Rome, Auto Shanghai 2013.
This concept car was featured in the film Mission: Impossible – Ghost Protocol.
BMW i8 CONCEPT SPYDER (2012)
The BMW i8 Concept Spyder included a slightly shorter wheelbase and overall length over the BMW i8 Concept, carbon-fibre-reinforced plastic (CFRP) Life module, drive modules made primarily from aluminium components, interlocking of surfaces and lines, 22.4 cm screen display, off-white outer layer, orange tone naturally tanned leather upholstery.
The vehicle was unveiled in Auto China 2012 in Beijing and won Concept Car of the Year, followed by 83rd Geneva International Motor Show 2013. The designer of the BMW i8 Concept Spyder was Richard Kim.
BMW i8 COUPE PROTOTYPE (2013)
The design of the BMW i8 coupe prototype was based on the BMW i8 Concept. The BMW i8 prototype has an average fuel efficiency of less than 2.5 L/100 km (113.0 mpg‑imp; 94.1 mpg‑US) under the New European Driving Cycle with carbon emissions of less than 59 g/km. The i8 with its carbon-fiber-reinforced plastic (CFRP) passenger cell lightweight, aerodynamically optimized body, and BMW eDrive technology offers the dynamic performance of a sports car, with an expected 0–100 km sprint time of less than 4.5 seconds using both power sources. The plug-in hybrid system of the BMW i8 comprises a three-cylinder, 1.5-liter BMW TwinPower turbo gasoline engine combined with BMW eDrive technology used in the BMW i3 and develops maximum power of 170 kW (230 hp). The BMW i8 is the first BMW production model to be powered by a three-cylinder gasoline engine and the resulting specific output of 115 kW (154 hp) per liter of displacement is on a par with high-performance sports car engines and is the highest of any engine produced by the BMW Group. The BMW i8's second power source is a hybrid synchronous electric motor specially developed and produced by the BMW Group for BMW i. The electric motor develops maximum power of 96 kW and produces its maximum torque of around 320 N⋅m from standstill. Typical of an electric motor, responsive power is instantly available when starting and this continues into the higher load ranges. As well as providing a power boost to assist the gasoline engine during acceleration, the electric motor can also power the vehicle by itself. Top speed in electric mode is approximately 120 km/h), with a maximum driving range of up to 35 km. Linear acceleration is maintained even at higher speeds since the interplay between the two power sources efficiently absorbs any power flow interruptions when shifting gears. The model-specific version of the high-voltage 7.2 lithium-ion battery has a liquid cooling system and can be recharged at a conventional household power socket, at a BMW i Wallbox or at a public charging station. In the US a full recharge takes approximately 3.5 hours from a conventional 120 V, 12 amp household circuit or approximately 1.5 hours from a 220 V Level 2 charger.
The driver can also select several driving modes: SPORT, COMFORT and ECO PRO. Using the gear selector, the driver can either select position D for automated gear selection or can switch to SPORT mode. SPORT mode offers manual gear selection and at the same time switches to very sporty drive and suspension settings. In SPORT mode, the engine and electric motor deliver extra performance, accelerator response is faster and the power boost from the electric motor is maximized. And to keep the battery topped up, SPORT mode also activates maximum energy recuperation during overrun and braking as the electric motor’s generator function, which recharges the battery using kinetic energy, switches to a more powerful setting. The Driving Experience Control switch on the center console offers a choice of two settings. On starting, COMFORT mode is activated, which offers a balance between sporty performance and fuel efficiency, with unrestricted access to all convenience functions. Alternatively, the ECO PRO mode can be engaged, which, on the BMW i8 as on other models, supports an efficiency-optimized driving style. On this mode the powertrain controller coordinates the cooperation between the gasoline engine and the electric motor for maximum fuel economy. On deceleration, the intelligent energy management system automatically decides, in line with the driving situation and vehicle status, whether to recuperate braking energy or to coast with the powertrain disengaged. At the same time, ECO PRO mode also programs electrical convenience functions such as the air conditioning, seat heating and heated mirrors to operate at minimum power consumption, but without compromising safety. The maximum driving range of the BMW i8 on a full fuel tank and with a fully charged battery is more than 500 km in COMFORT mode, which can be increased by up to 20% in ECO PRO mode. The BMW i8’s ECO PRO mode can also be used during all-electric operation. The vehicle is then powered solely by the electric motor. Only if the battery charge drops below a given level, or under sudden intense throttle application such as kickdown, is the internal combustion engine automatically activated.
The vehicle was unveiled in BMW Group's Miramas test track in France.
PRODUCTION VERSION
The production BMW i8 was designed by Benoit Jacob. The production version was unveiled at the 2013 International Motor Show Germany, followed by 2013 Les Voiles de Saint-Tropez. It features butterfly doors, head-up display, rear-view cameras and partially false engine noise. Series production of customer vehicles began in April 2014. The electric two-speed drivetrain is developed and produced by GKN. It is the first production car with laser headlights, reaching further than LED lights.
The i8 has a vehicle weight of 1,485 kg (DIN kerb weight) and a low drag coefficient (Cd) of 0.26. In all-electric mode the BMW i8 has a top speed of 120 km/h. In Sport mode the i8 delivers a mid-range acceleration from 80 to 120 km/h in 2.6 seconds. The electronically controlled top speed is 250 km/h.
RANGE AND FUEL ECONOMY
The production i8 has a 7.1 kWh lithium-ion battery pack with a usable capacity of 5.2 kWh and intelligent energy management that delivers an all-electric range of 37 km under the NEDC cycle. Under the EPA cycle, the range in EV mode is 24 km, with a gasoline consumption of 0.1 gallons per 100 mi, and as a result, EPA's all-electric range is zero. The total range is 530 km.
The production version has a fuel efficiency of 2.1 L/100 km (134.5 mpg‑imp; 112.0 mpg‑US) under the NEDC test with carbon emissions of 49 g/km. Under EPA cycle, the i8 combined fuel economy in EV mode was rated 76 equivalent (MPG-equivalent) (3.1 L gasoline equivalent/100 km; 91 mpg-imp gasoline equivalent), with an energy consumption of 43 kW-hrs/100 mi and gasoline consumption of 0.1 gal-US/100 mi. The combined fuel economy when running only with gasoline is 28 mpg‑US (8.4 L/100 km; 34 mpg‑imp) for city driving, and 29 mpg‑US (8.1 L/100 km; 35 mpg‑imp) in highway.
The U.S. Environmental Protection Agency's 2014 edition of the "Light-Duty Automotive Technology, Carbon Dioxide Emissions, and Fuel Economy Trends" introduced utility factors for plug-in hybrids to represent the percentage of miles that will be driven using electricity by an average driver, in electric only or blended modes. The BMW i8 roadster has a utility factor in EV mode of 37%, compared with 83% for the BMW i3 REx, 66% for the Chevrolet Volt, 65% for the Cadillac ELR, 45% for the Ford Energi models, 43% for the McLaren P1, 39% for the Porsche Panamera S E-Hybrid, and 29% for the Toyota Prius PHV.
SPECIAL EDITION
The special-edition BMW i8 Protonic Red Edition model was unveiled at the 2016 Geneva International Motor Show.[51] The Protonic Red Edition will be produced at BMW Plant Leipzig from July 2016. This special edition car sports a Protonic Red paint finish with accents in Frozen Grey metallic. The colour scheme is complemented by BMW W-spoke 470 light-alloy wheels painted in Orbit Grey metallic with hubs painted in Aluminium matt and mixed-size tires (front: 215/45 R20, rear: 245/40 R20). Inside the car features red double-stitching and applications in high-grade carbon fibre and ceramic trim.
ROADSTER
The BMW i8 Spyder concept was unveiled at the 2012 Beijing Auto Show. In October 2016, BMW announced that the roadster variant would be added to the BMW i line-up in 2018.
The i8 Roadster is expected to get a longer-range battery and will have only 2 seats. The car's roof is an electric 2-piece unit, which neatly folds into the space where the rear seats would normally be.
SALES AND MARKETS
BMW originally planned to sell the i8 in about 50 countries, with the U.S. expected to be the largest sales market. In Europe, BMW expected the UK, Germany and France to be the top markets. On November 14, 2013, BMW announced they are taking orders for the i8 in Japan. Pricing starts at ¥19,170,000 (US$191,500) which includes the 8% consumption tax.
Global deliveries to retail customers totaled 1,741 units in 2014, and 5,456 in 2015, totaling cumulative sales of 7,197 units worldwide through December 2015. In 2015 global sales of the BMW i8 exceeded the combined figure of all other hybrid sports cars produced by other manufacturers. The United States is the leading market with 4,108 units delivered through October 2016, followed by the UK with about 1,700 units sold through October 2016, and Germany with 986 i8s registered through September 2016. Since mid-2014 more than 10,000 BMW i8s have been sold worldwide by early November 2016, representing 10% of BMW global electrified model sales, and making the i8 the world's top selling plug-in
AWARDS AND RECOGNITION
In July 2012 the BMW i8 won the 2012 North American Concept Vehicle of the Year. The BMW i8 Spyder won the 2013 Best Production Preview Vehicle award. The i8 won AutoGuide's 2015 Reader’s Choice Green Car of the Year. BMW’s i8 has been the winner of the coveted title ‘World Green car of the Year’ at Fame India Eco Drive 2015 It also was selected as Autoblog's 2014 Technology of the Year. Top Gear Magazine awarded the i8 with their coveted Car of the Year award for 2014. Green Car Journal awarded the BMW i8 with its 2015 Luxury Green Car of the Year. The i8 won the UK Car of the Year 2015 and also UK Performance Car of the Year 2015. The World Car of the Year organization declared the i8 as the winner of the 2015 World Green Car Award.
WIKIPEDIA
Which is (predictably) half of a double helical globe. This one is unusual, in that instead of alternating curved and straight folds abab, this model alternates them abba, so that you get flat strips curving slantwise.
Karate For Kids
Karate for kids classes in Cave Creek, Chandler, Mesa, Glendale, Arizona are taught in a method to develop life skills such as respects, enhanced self-discipline, greater confidence and respect in children. The karate for kids programs with the local ATA martial arts schools doesn’t only teach how to kick and punch. The karate classes will teach kids the valuable life lessons of self-control and the ability to defend themselves. All of the Karate Kids classes teach the attributes necessary to be a confident individual within our community.
Our Local ATA Martial Art schools in Cave Creek, Chandler, Mesa, Glendale, Arizona have carefully designed the karate programs for the youth within the community- age appropriate programs that are specifically aimed at the child’s development both physically and mentally. These karate lessons are taught through a top ranked and nationally recognized “Karate For Kids” program, that has a well established training curriculum designed school aged students.
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Martial Arts Classes For Women
In today’s world of fitness, women are looking for a structured and interesting workout in a manner to stay fit that breaks away from their traditional daily routine. Repeating the same exercise every day can be draining and break ones motivation and is rarely goal oriented. It isn’t the normal daily gym workout. ATA Martial Arts of Cave Creek, Chandler, Mesa, Glendale, Arizona is a training facility that women are finding the variety of goal oriented conditioning that is exciting. While the physical nature of martial arts is rewarding and a personal martial arts victory, it also teaches the self defense and survival tactics that is needed in todays ever changing world.
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Adult Martial Arts Classes for Men
Martial Arts classes for men in Cave Creek, Chandler, Mesa, Glendale, Arizona is more then just kicking and punching. ATA Karate Classes create a stronger self awareness, enhanced confidence, greater focus, and a true Victory in Martial Arts for men of all ages.
In an adult class a karate student will train will practical concepts in a safe, clean and enjoyable facility, while incorporating life skills to de-stress from life’s everyday challenges. Las Vegas ATA Martial Arts and Henderson ATA Martial arts offers three location to serve our community. Learning a skill set that will stick with you for life, no matter what age, allowing you to gain the self confidence desired so that you can feel comfortable with confrontation in any real life situation.
As one of the top martial arts training facilities in the community our Martial Arts programs such as Karate for Kids, Taekwondo and MMA and Fitness is a key method of enhancing the body’s functions, including flexibility, coordination, and balance with strength and endurance. Yes! It relieves stress while having some fun as well as meeting new people. As an adult, you do not need to have prior training before you get into a Martial Arts class. ATA Martial Arts has a defined teaching curriculum designed to take each student to the peak of their performance while greatly enhancing their skills creating a personal “Martial Arts Victory”.
KRAV MAGA & MMA FITNESS
Krav Maga and ATA’s MMA and athletic training is combined to provide a diverse full body workout while incorporating real life scenario drills for self defense.
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Developed by Fritz B. Burns Research Division for Housing
Architects: Walter Wurdeman and Welton Becket
Landscape Architects: Eckbo, Royston & Williams
Popular Mechanics - July 1946
Located high above on the rocks of the Canadian Shield. Now that would be a good view!
Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - New55 Atomic-X @ ASA-100
Blazinal (1+100) 60:00 @ 20C (Stand Developed)
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
Developing natterjack toadlets . Note characteristic yellow stripe down back beginning to show.
© Natural England/Peter Roworth 2013
Director Theophilus Raynsford Mann
~ a Taiwanese social reformer, philosopher, photographer, and film director
“Do Everything for My People”
馬天亮導演
~ 臺灣的社會改革者,哲學家,攝影師,和電影導演
《造福人民》
SUMMARY
Theophilus Raynsford Mann is a naturalist, occultist, Buddhist and Taoist. In 1982, Mann developed a technique for abstract photography, applied “Rayonism” into photographic works. Mann staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Mann’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Mann’s works have been quoted by the scholars many times, making Mann one of the highly cited technological, artistic, and managing public administrators in the academia. Mann was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
Theophilus Raynsford Mann possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Mann about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Mann takes great pride in his roots, which go back 150 years (since 1864); Mann’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Mann obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Mann’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Mann’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Mann instituted Mann’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Mann studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Mann completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013 www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Mann immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Mann is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand Theophilus Raynsford Mann. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Mann just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Mann understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As Theophilus Raynsford Mann’s saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣?
這是個什麼樣子的社會?
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡?誰可以看到?你看到了嗎?
Jurisprudence and Political Philosophy and Perspectives
Mann ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Mann will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Mann’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Mann had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Mann studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Mann would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Mann really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Mann has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Mann settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Mann was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Mann had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Mann developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Mann was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
Theophilus Raynsford Mann Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
Theophilus Raynsford Mann Photographic Exhibition of Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展(個人展32場)1983〜1985年.
Mann staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Mann was the first exhibitor around the country. All of the invited displays were by the Taiwan’s Government, cultural and artistic organisations, and sponsors. Mann’s earliest exhibition took place in the National Taiwan Arts Education Center (Museum) on 19 December 1983 when Mann was 25 years old; Mann was the youngest exhibitor in the history of the Center in any solo exhibitions. The Center that was opened in March 1957, kept a collection of Mann’s work. It is currently updating the Center’s internal organisation and strengthening co-operation with leading centers and museums around the world. Meanwhile, it widened the center’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Mann’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Mann may sprout, grow and bloom. Mann aims to provide an educational stimulus for society by introducing his works - Mann can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Mann believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Mann should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, Theophilus Raynsford Mann completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Mann was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Mann’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Mann was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “Theophilus Raynsford Mann Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Mann’s writings.
Authorship
Mann’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Mann was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Mann one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Mann’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Mann is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original 「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “Theophilus Raynsford Mann Photographic Exhibitions of Rayonnisme” © May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」(individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Mann’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Mann’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Mann’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Member of The Kaohsiung Life Line Association since 11 January 1979, an association established in the USA.
Member of The Society of Youth Writers, Tien (Catholic) Educational Center, Taipei since 1980.
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Mann promoted and founded the Consortium Juridical Person Mr. Theophilus Raynsford Mann Social Benefit Foundation 財團法人馬天亮先生社會公益基金會籌備處 (Social Charity 社會慈善事業) in Taiwan.
near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Mann was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and filmmaking.
教學與研究:
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ,視覺藝術和製作影片。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯:
移民事務,翻譯和法律服務。
Computer Hardware & Networking Engineer at Mann Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板,顯示器,電源供應器,光碟機/光盘驱动器,不斷電系統,硬碟/硬盘,硬盤數據恢復,基本輸入輸出系統編程,以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director and Photographer at Shapely Studio of Creative and Cultural Industries, 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。Theophilus Raynsford Mann (TianLiang Maa) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Mann was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
mtltwp.pixnet.net/album/set/1265208
www.facebook.com/sonate1c/info
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
www.worldcat.org/search?q=au%3AMa%2C+Tianliang%2C&dbl...
www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
books.google.co.uk/books?id=PkyaAAAAIAAJ&redir_esc=y
books.google.co.uk/books?id=JfxnMwEACAAJ&dq=editions:...
scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
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聲音藝術的審美角度, 大學雜誌, 天然
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為文化中心把脈, 幼獅文藝
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科學家與守財奴, 中國地方自治
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04/05/2023. London, United Kingdom. Lord Ahmad meets Simona Leskovar the Slovenia Ambassador to the UK at the Small Island Developing States Coronation Event. Picture by Lauren Hurley / DHSC
Part of the less beautiful Stockholm. "Bypass Stockholm" developd. A gigantic show of building and engineering knowledge. A total of 21 km from Kungens Kurva to Häggvik, of which 18 km through tunnel. Expected to be completed in 2026.
En del av det mindre vackra Stockholm. Förbifart Stockholm växer fram. En gigantisk uppvisning av byggnations och ingenjörskonst. Totalt 21 km från Kungens Kurva till Häggvik varav 18 km genom tunnel. Beräknas vara klar år 2026.
Well - what I set out to be as a Sautoir (necklace), turned out to be a devant de corsage and sautoir combined. Still - I am pleased with the result so far. The next step is to ink the design in, then it will be highlighted with silver gouache, and then touched up with the ink - and finally colored in.
Aufnahme, picture: 2013;
Fotoapparat, camera: Praktica L2, Baujahr, year of manufacture: 1975-80;
Objektiv, lens: Prakticar Zoom 3,5/35-70;
Film, film: Kodak TMax 400;
Entwickelt, developed: Kodak XTOL;
Scann: Negativ, negative;
Bearbeitet, edit: Tonwertkorrektur, levels;
Hier mein Album s/w Fotogrfie:
Here is my album b/w Fotogrfie:
16 September 2020. The Governors of ADB’s 14 Pacific developing member countries met with ADB President Masatsugu Asakawa, Vice President (Operations 2) Ahmed M. Saeed, and the Pacific Department’s management team to discuss critical development issues facing the Pacific, which have become more challenging due to the COVID-19 pandemic, and the role of ADB in supporting Pacific countries as they respond to these challenges.
ADB’s 53rd ADB Annual Meeting of the Board of Governors (2nd Stage) will be held via virtual meetings and online seminars from 17 to 18 September.
At the event, Ministers from ADB members, ADB Management, and development and industry experts will discuss a range of issues confronting Asia and the Pacific as it responds to the coronavirus disease (COVID-19) pandemic. Webinar topics include universal health coverage, regional cooperation, technology and investments, resilient and inclusive recovery, and domestic resource mobilization. View the full list of webinars and meetings.
The first stage of the 53rd Annual Meeting comprised a reduced-scale meeting of the Board of Governors on 22 May, during which Governors approved ADB’s financial statements and net income allocation in line with ADB institutional requirements.
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