View allAll Photos Tagged Cyberart
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“Not Your World Music: Noise in South East Asia” is a book about art, politics, identity, gender and global capitalism. And it is one of the very few works about noise & sound art and about electro-acoustic, experimental and industrial music of the past and present in Southeast Asia.
Not Your World Music: Noise in South East Asia was awarded the Golden Nica in the category "Digital Musics / Sound Art" at the Prix Ars Electronica in 2017.
credit: Dimitri della Faille
A work also featured in CyberArts 2013, Voices of Aliveness is a vocal sculpture, a so-called metamonument constructed from a collective memory. Participants ride a bike along a “shouting circuit,” a route along which they can feel free to scream their brains out.
Credit: Florian Voggeneder
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Project Fumbaro Eastern Japan was the Japan's largest voluntary initiative after the country was hit by hit by the most devastating earthquake ever recorded there.
credit: PFEJ
Made with Paintshop for Contest # 14 "May Luck Be On Your Side" on Technicolour Abstract Art
based on this pic: www.flickr.com/photos/yunamika/2565037596/ by ***Yuna***
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TORSO #1 is a sound sculpture that is visually reminiscent of a klopotec. This windmill-like wooden construction serves as a scarecrow in vineyards as it mechanically generates sounds and vibrations. Here, an electro-acoustic system of four 100 V loudspeakers rotates at different speeds, generating feedback patterns and modulating sound signals and the spatial sound itself. The targeted acceleration and deceleration of the rotating of the four-voice system serves as the central compositional means for the 35-minute piece – the sculpture becomes an abstract, audiovisual instrument.
Credit: vog.photo
Photo showing Kawarga Dmitry in front of "Down with Wrestlers with Systems and Mental Nonadapters!"
Via a treadmill, installation visitors set a “social mechanism” into motion and can feel a bit like God as they go about it, since the movement of the mechanism as well as of the figures inside depend on the visitor’s own pace. The upshot is experiencing a sort of split consciousness: Does society co-opt us all, or do we create this enslavement mechanism ourselves? Reciting the Dada Manifesto into a microphone causes the installation to vibrate and several of the figures begin to tumble out of it.
Credit: Florian Voggeneder
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The investigation of biocultural diversity and identity that Vanmechelen has been conducting since 1999 combines art, science and aesthetics. In his Cosmopolitan Chicken Project, the artist has crossed species of chickens from many different countries. The aim: breeding cosmopolitan poultry with genetic material from every one of the world’s chicken species.
Credit: Florian Voggeneder
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: Florian Voggeneder
In 1562, Flemish artist Pieter Bruegel the Elder completed a painting called The Triumph Of Death. In this panoramic landscape the sky is blotted out by black smoke; ships and dead fish litter the ocean shore; and an army of skeletons experiment with myriad death techniques. Over 200 years earlier, a nasty plague, commonly known as the Black Death, left a cruel and massive mark on european civilization, wiping out half of Europe’s total population. This plague triggered a series of social and economic upheavals with profound effects on the history of medieval Europe, guiding its survivors into the sort of self-inflicted darkness pictured by the Elder Bruegel.
Looking back at this historical trajectory, Peter Burr, Mark Fingerhut, and Forma have created a spiraling inter-dimensional narrative aptly titled DESCENT - a meditation on one of humanity’s blackest hours. Taking the form of a desktop application, descent.exe gives the user a brief glimpse of a world descending into darkness - an unrelenting plague indifferent to the struggles of the user. There is a silver lining, however, tucked into the software’s final sweep. An equanimous watcher, reduced to a single eye, looks on as the plague of rats that has infested your desktop destroys itself.
Credit: Peter Burr, Mark Fingerhut, Forma
Sadly, great mathematician Benoit Mandelbrot, who "discovered" fractals, died today at the age of 85.
R.I.P. and many thanks for his great work and studies.
www.bbc.co.uk/news/world-europe-11560101
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99 second-hand smartphones, on which the route function of Google Maps is activated, are slowly pulled along a street in a handcart. Google Maps interprets this as a traffic jam and switches the road in the app from green (no traffic) to red (traffic jam). This virtual traffic jam in turn has an impact in the real world because Google Maps now redirects cars to a different route so that they no longer get stuck in traffic. Simon Weckert shows how navigation systems or apps like Airbnb or Tinder influence our perception of the world and how they influence our actions.
For further information please visit:
ars.electronica.art/prix/en/winners/interactive-art/
Credit: Simon Weckert
The freemuse.org website is the world’s largest online resource having to do with music censorship. The site provides news, interviews with persecuted and censored musicians, and reportage about music censorship, reports the results of research, and covers actions to support endangered musicians. Image showing the front cover of the report "Music will not be Silenced" from the 3rd World Conference of Music and Censorship
Photo showing Rawr! A Study in Sonic Skulls by Courtney Brown (US) and Sharif Razzaque (US). This work is an interactive sound installation and musical instrument based on imagining the sounds of a lambeosaurine hadrosaur, duck-billed dinosaurs known for their large head crests, which researchers hypothesize were resonators for vocal calls.
credit: tom mesic
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Edit of this pic:
www.flickr.com/photos/41582768@N00/3303955311/
made with PaintShop.
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This project is part of the CyberArts 2020 exhibition at the OK.
This year’s Golden Nica goes for the first time to an anonymous group: Hong Kong citizens who have been organizing the pro-democratic protests since 2019. The decentralized, leaderless, and technologically sophisticated organization of their collective efforts sets new standards in digital activism for protest movements. In their struggle for basic democratic rights, the demonstrators use digital media as one of many means for organizing, communicating, documenting, and evading surveillance.
For further information please visit:
ars.electronica.art/keplersgardens/en/prix-digital-commun...
Credit: vog.photo
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Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
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Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
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The hospital Omar Bin Abdul Aziz in Aleppo, also known as M2, was the target of fourteen bombings between June and December 2016. To be able to analyze the attacks, video and photo material taken in and around the M2 was collected and evaluated. Using the prepared 3D model, it is possible to navigate between the image and video data of the incidents and to depict the extent of the damage.
credit: tom mesic
Loophole4All is the outcome of a bold tour de force by Paolo Cirio. He hacked the government website of the Cayman Islands, a Caribbean tax haven, and found out the true identities of 200,000 anonymous offshore letter-box companies there. Cirio followed up his big score as a corporate identity thief by selling shares in these secretive enterprises for as low as 99¢ as a way of collectively hijacking them. The upshot: immediate, massive legal threats from the unmasked tax dodgers and lots of media coverage worldwide.
Credit: Florian Voggeneder
The 24th edition of the Prix Ars Electronica attracted 3,083 submissions from 70 countries and thus impressively reflects the entire dynamic and multifaceted spectrum of the cyberarts. Seven juries composed of internationally renowned experts convened to select the winners of six Golden Nicas, 12 Awards of Distinctions, 1 [the next idea] voestalpine Art and Technology Grant and 71 Honorary Mentions. These honors along with prize money totaling 117,500 Euros will be presented to the winners at the Ars Electroncia Gala.
The photo shows Jens Hauser (DE/FR) - Member of the Jury.
credit: rubra
A work also featured in CyberArts 2013, Voices of Aliveness is a vocal sculpture, a so-called metamonument constructed from a collective memory. Participants ride a bike along a “shouting circuit,” a route along which they can feel free to scream their brains out.
Credit: Florian Voggeneder
What does exploitation smell like? Labor is a dynamic, self-regulating art installation that re-creates the scent of people exerting themselves under stressful conditions. There are, however, no people involved in making the smell—it is created by bacteria propagating in the three bioreactors in the artwork. Each bioreactor incubates a unique species of human skin bacteria responsible for the primary scent of sweating bodies: Staphylococcus epidermidis, Corynebacterium xerosis, and Propionibacterium avidum. As these bacteria metabolize sugars and fats, they create the distinct smells of human exertion, stress, and anxiety. Their scents combine in the central chamber in which a sweatshop icon, a wearer-less white T-shirt, is infused as the scents disseminate out, intensifying throughout the exhibition.
Credit: Paul Vanouse
Photo showing Lynn Hershman Leeson, Shadow Stalker, 2019, in Manual Override at The Shed, New York, November 13, 2019 – January 12, 2020.
For further information please visit:
ars.electronica.art/prix/en/winners/interactive-art/
Credit: Lynn Hershman Leeson, Shadow Stalker, 2019, in Manual Override at The Shed, New York, November 13, 2019 – January 12, 2020. Photo: Dan Bradica. Courtesy The Shed.
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The photo shows the jury of the Prix Ars Electronica 2021 in the Digital Musics & Sound Art category. From left to right: Ludger Brümmer, Cedrik Fermont, Rikke Frisk, Daito Manabe, Christine McLeavey Payne; Team Ars Electronica: Anna Grubauer, Emiko Ogawa, Karl Schmidinger
Credit: Ars Electronica / Martin Hieslmair
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The photo shows the jury of the Prix Ars Electronica 2021 in the Computer Animation category. From left to right: Juliane Götz, Hsin-Chien Huang, Randa Maroufi, Casey Reas, Helen Starr; Team Ars Electronica: Victoria Absmann, Jürgen Hagler, Ferenc Hirt
Credit: Ars Electronica / Martin Hieslmair
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Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
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Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
Software and installation, AHORA is a composition environment for music in space. A composed interactive song fragmented into its sound elements lies on the floor of the installation space. The sound elements make up the temporal corpus of the piece, which awaits the step of an installation visitor to make it resound. The sound elements are reordered depending on the visitor’s path, and thus the piece is rewritten depending on the particular route.
Credit: Florian Voggeneder
The robots around us are designed by humans to look cute and like a friend. However, these machines are controlled and dominated by humans, like slaves. We chain robots like slaves or dogs or lock them up like birds in a cage. In this work we show the robots behind the design, reconfirming the relationship between humans and machines as artifacts. In the installation, you will hear the screams of many slaves. The infrared ray camera allows the robots to sense and follow the audience about, showing their blind loyalty. However, ultrasonic speakers relay the robot slave’s motor sound and signal tone, which is like a scream, via the stethoscope. In the performance, slave robots move in sync with their master's bones and muscles, screaming as they go.
credit: Katsuki Nogami, Taiki Watai
Photo showing the Project "RHIZA" by Noor Stenfert Kroese (NL) at the Cyber Arts Exhibition.
The interspecies connector invites you to plant your bare feet on its mycelium. Through the skin, the biggest organ to sense the outer world, you can connect with the mycelium’s electrical communication. Rhiza emerged as an aspiration to enable human beings to transgress their own species and connect with otherness in multiple ways. This complex network, with its subtle blend of conflict and cooperation, can be seen as an example of how we relate to each other, and with our environmental systems. As with human society, this growing interspecies society is characterized by variety, with its capacity to help and hinder, to cooperate and to exploit. Nature is built on connections, and so are we.
Credit: tom mesic