View allAll Photos Tagged Cyberart
In the dystopian or seemingly post-apocalyptic setting of Rekion Voice, we are surrounded by robots that are essentially slaves. They are completely under human control: an infrared camera allows them to react directly to their masters, the audience, and follow them with blind loyalty.
credit: Florian Voggeneder
“ARTSAT1: Invader” the world’s first art satellite, blasted off into outer space on February 28, 2014. The Invader is cube-shaped; each edge is 10 cm long. It weighs 1.85 kg. It’s equipped with an Arduino-compatible computer that has enabled its ground control crew at Tata Art University in Tokyo to successfully carry out a series of artistic missions: the algorithmic generation and broadcast of synthetic voices, music and poetry, recording and transmitting image data, and communication with the ground control station by means of a chatbot program.
credit: ARTSAT: Art and Satellite Project
Photo showing Martin Sturm(AT) (director of OK Offenes Kulturhaus) giving a speech.
The CyberArts – Exhibition shows the award-winning works of the Prix Ars Electronica 2013, the categories are Digital Communities, Hybrid Art, Interactive Art, Digital Musics & Sound Art and Computer Animation as well as Prix Ars Electronica Collide@CERN..
Credit: tom mesic
The America Project is a biotechnological art installation that produces a “collective genetic portrait.” For decades, DNA has been regarded as the sign of our individuality and identity. The artist applies the process of DNA gel electrophoresis to show that the DNA of humans is actually nearly identical.
credit: tom mesic
Best viewed large
Made with Chaos Pro
www.youtube.com/watch?v=_eeX9rdmld0
www.youtube.com/watch?v=-Smge23DCE8 (Record version)
The photo shows the jury of the Prix Ars Electronica 2021 in the Artificial Intelligence & Life Art category. From left to right: Jens Hauser, Kenric McDowell, Karen Palmer, Regine Rapp, Marleen Stikker; Team Ars Electronica: Christl Baur, Martin Honzik, Laura Welzenbach
Credit: Ars Electronica / Martin Hieslmair
The Ishin-Den-Shin installation addresses physicality and intimacy in digital audio communication. It consists is a microphone that can record sounds and transmit them through touch. Once recorded, the sound is transformed in an inaudible signal. This signal is transmitted to a person's body when holding the microphone. The signal can be transmitted by physical contact, from body to body. The recorded sound becomes audible only when touching someones ear. The sound can be heard only by the ear touched, as if the finger would be whispering the recorded sounds. Secrets, messages and whispers can then be transmitted from person to person in physical contact with each others. Bodies become a broadcasting medium for intimate, physical, sound communication.
A work by Yuri Suzuki, Olivier Bau and Ivan Poupyrev.
credit: Yuri Suzuki, Ivan Poupyrev and Oliver Bau
"Convergence" is a performance in which human musicians and their AI-generated avatars play a piece together. Convergence was awarded the Golden Nica in the Prix Ars Electronica category Digital Music & Sound Art in 2021.
Credit: Alexander Schubert
Impressions of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
Impressions of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
Photo showing Nina Czegledy of Leonardo at the Opening of CyberArts, OÖ Kulturquartier
Credit: tom mesic
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: tom mesic
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
"Borderlands Granular" by Chris Carslon (US) is a new musical instrument that allows users to explore, touch, and transform sound with granular synthesis, a technique that involves the superposition of small fragments of sound, or grains, to create complex, evolving timbres and textures. The software enables flexible, realtime improvisation and is designed to allow users to engage with sonic material on a fundamental level, breaking free of traditional paradigms for interaction with granular synthesis. "Borderlands Granular" received an Award of Distinction in the category "Digital Musics & Sound Art" at the Prix Ars Electronica 2013.
credit: Chris Carlson
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
In the dystopian or seemingly post-apocalyptic setting of Rekion Voice, we are surrounded by robots that are essentially slaves. They are completely under human control: an infrared camera allows them to react directly to their masters, the audience, and follow them with blind loyalty.
credit: Florian Voggeneder
This is Rocksteady. He is famous for being a rhinoceros with a very bad temper. If you have ever seen a rhinoceros - at the zoo maybe, or somewhere in Africa - then you know that rhinoceroses are famous for being a little angry all the time. And Rocksteady is often angry. He is angry because he has to get up in the morning. He is angry because his boss shouts at him a lot. He is angry because sometimes he is upside down and in a trap.
But Rocksteady also has an okay heart and a human consciousness. Sometimes Rocksteady is sad, and sometimes he feels like he wants to share his burdens with someone he loves.
For Valentine’s Day, you can give your favourite person this drawing and show them that even when you are angry, you want somebody who will be by your side forever. And if the person by your side is a pig, it’s even better.
Contact me, and I will send you this nice picture to print from your home. Or look at my shop and buy it for your iPhone over here: society6.com/tizia
Photo showing an impression from the CyberArts Exhibition during a tour in the course of the Music Monday.
credit: Florian Voggeneder
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
The Cosmopolitan Chicken Project (CCP) by Koen Vanmechelen (BE) is a Worldwide cross--breeding program with chicken breeds from different countries which Koen Vanmechelen started in 1999. In the CCP, art And science merge. The chicken is much more than a domesticated animal, it is art in itself, a metaphor for humanity and social processes, especially bio and cultural diversity. The Cosmopolitan Chicken Project received the Golden Nica in the category Hybrid Art at the Prix Ars Electronica 2013.
credit: Stoffel Hias
Photo showing Nicolas Bernier of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
This nature simulation dispenses with tasks, objectives and point requirements. In this half-game/half-work-of-art, everything that users see they can play too. At the push of a button, players transform themselves from a protozoan into a ladybug, a hot-air balloon or an entire galaxy.
credit: David OReilly
The interdisciplinary project Open Source Estrogen combines biohacking and “speculative design”* to show the public the dominance and biological power of the hormone estrogen.
credit: tom mesic
Protei, by Cesar Harada (UK), a fleet of sail-powered drones designed to fight pollution of the seas, is currently under construction. The production alliance’s mission is to develop an affordable open-source vehicle that can sail semi-autonomously against the wind and capture oil slicks being driven by the wind. It’s meant to be hurricane-proof, self-righting, inflatable, indestructible, low-priced and easy to set up so it can be deployed quickly in case of a crisis.
credit: rubra
Impressions of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
Julius von Bismarck (DE)
An installation visitor entering the space in which “Versuch unter Kreisen” (Experiment among Circles) by Collide@CERN prizewinner Bismarck (DE) is installed initially notices nothing unusual. Suddenly, things start to move. The suspended lamps begin to swing—slowly at first, gradually working up momentum—as if the whole building were being rocked. Each light obeys a particular choreography, whereby the mathematically computed cyclical motions were inspired by wave patterns.
credit: rubra
This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
Be careful: could make you feel dizzy;
Best viewed large;
Randomly generated Art
made with ContextFree
This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
The SOYA C(O)U(L)TURE project by Indonesian female art collective XXLab (Irene Agrivina Widyaningrum, Asa Rahmana, Ratna Djuwita, Eka Jayani Ayuningtias, Atinna Rizqiana) is the winner of this year’s Prix Ars Electronica [the next idea] voestalpine art and technology grant 2015, a program within the framework of the Ars Electronica Residency network. A simple kitchen is used as a laboratory to transform the wastewater from tofu and tempeh production into useable biomaterials.
credit: XXLab
El Campo de Cebada (the barley field) is both a physical and a virtual space, an open source domain in downtown Madrid. Originally a swimming pool complex, it became a 3,500-m2 vacant lot in the heart of town, since, due to the financial crisis, there were no funds to erect a new facility. Following negotiations with municipal officials, El Campo de Cebada was successfully self-administered by locals.
Credit: Florian Voggeneder
This ironic and fascinating beautiful sculpture captures the moment, in which a bottle shatters to pieces on the floor. The computer controlled robotic arms allow you to stop the scene, to wind back and forth and watch it in different positions.
Measuring Angst / Jonathan Schipper (US)
credit: rubra
Chijikinkutsu is a neologism derived from two Japanese words: Chijiki meaning geomagnetism and Suikinkutsu, a sound installation for a traditional Japanese garden invented in the Edo period (1603-1868), in which the sounds of water drops falling into an earthenware pot buried under a stone washbasin resonate through hollow bamboo utensils. Nelo Akamatsu combined the two in this simple yet poetic configuration. All he needed to produce it are glass tumblers filled with water, magnetized sewing needles floating on the water surface, and small coils of copper wire affixed to the exterior of the tumblers and attached to batteries.
credit: Nelo Akamatsu
The Microbial Design Studio (MDS) was designed by researchers from the Design Class and the Biology Institute of the University of Pennsylvania with experts from industry. It is intended to allow laypeople to inform themselves about genetically modified organisms and the practices of transgenic design.
credit: tom mesic
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
The Machine To Be Another is an embodied interaction system that merges human performance with neuroscience protocols and telepresence experiments. The system offers users an immersive experience of what it feels like to be in the body of another person. At heart a long-term investigation about identity and empathy, The Machine to Be Another aims to work as an open tool for social relations that asks the questions: By understanding the other, can we better understand ourselves? What would the world be like if we could really see through the eyes of the other, and if we really put ourselves in someone else’s shoes?
credit: BeAnotherLab
Be careful: could make you feel dizzy;
Best viewed large;
Randomly generated Art
made with ContextFree
Photo showing Nicolas Bernier of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
A homeless man collapses violently on the ground and remains frozen on all fours. The journalists' sudden interest in this man takes us into a grotesque and absurd media vortex.
"Absence" received an Award of Distinction at the Prix Ars Electronica 2022 in the category Computer Animation.
Image: Marc Hericher