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This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
The SOYA C(O)U(L)TURE project by Indonesian female art collective XXLab (Irene Agrivina Widyaningrum, Asa Rahmana, Ratna Djuwita, Eka Jayani Ayuningtias, Atinna Rizqiana) is the winner of this year’s Prix Ars Electronica [the next idea] voestalpine art and technology grant 2015, a program within the framework of the Ars Electronica Residency network. A simple kitchen is used as a laboratory to transform the wastewater from tofu and tempeh production into useable biomaterials.
credit: XXLab
El Campo de Cebada (the barley field) is both a physical and a virtual space, an open source domain in downtown Madrid. Originally a swimming pool complex, it became a 3,500-m2 vacant lot in the heart of town, since, due to the financial crisis, there were no funds to erect a new facility. Following negotiations with municipal officials, El Campo de Cebada was successfully self-administered by locals.
Credit: Florian Voggeneder
This ironic and fascinating beautiful sculpture captures the moment, in which a bottle shatters to pieces on the floor. The computer controlled robotic arms allow you to stop the scene, to wind back and forth and watch it in different positions.
Measuring Angst / Jonathan Schipper (US)
credit: rubra
Chijikinkutsu is a neologism derived from two Japanese words: Chijiki meaning geomagnetism and Suikinkutsu, a sound installation for a traditional Japanese garden invented in the Edo period (1603-1868), in which the sounds of water drops falling into an earthenware pot buried under a stone washbasin resonate through hollow bamboo utensils. Nelo Akamatsu combined the two in this simple yet poetic configuration. All he needed to produce it are glass tumblers filled with water, magnetized sewing needles floating on the water surface, and small coils of copper wire affixed to the exterior of the tumblers and attached to batteries.
credit: Nelo Akamatsu
The Microbial Design Studio (MDS) was designed by researchers from the Design Class and the Biology Institute of the University of Pennsylvania with experts from industry. It is intended to allow laypeople to inform themselves about genetically modified organisms and the practices of transgenic design.
credit: tom mesic
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The Machine To Be Another is an embodied interaction system that merges human performance with neuroscience protocols and telepresence experiments. The system offers users an immersive experience of what it feels like to be in the body of another person. At heart a long-term investigation about identity and empathy, The Machine to Be Another aims to work as an open tool for social relations that asks the questions: By understanding the other, can we better understand ourselves? What would the world be like if we could really see through the eyes of the other, and if we really put ourselves in someone else’s shoes?
credit: BeAnotherLab
Be careful: could make you feel dizzy;
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Photo showing Nicolas Bernier of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
A homeless man collapses violently on the ground and remains frozen on all fours. The journalists' sudden interest in this man takes us into a grotesque and absurd media vortex.
"Absence" received an Award of Distinction at the Prix Ars Electronica 2022 in the category Computer Animation.
Image: Marc Hericher
Photo showing Christine Schöpf (AT) (director of Ars Electronica) giving a speech.
The CyberArts – Exhibition shows the award-winning works of the Prix Ars Electronica 2013, the categories are Digital Communities, Hybrid Art, Interactive Art, Digital Musics & Sound Art and Computer Animation as well as Prix Ars Electronica Collide@CERN..
Credit: tom mesic
Photo showing Lauren Lee McCarthy. Her artwork Someone is part of STARTS.
Visitors are invited to act as a human version of Amazon Alexa. For this exhibition, four participants’ homes are installed with custom-designed smart devices, including cameras, microphones, switches, lights, and appliances. The gallery contains a command center that resembles a cross between call center and WeWork co-working space, featuring four computer stations. Visitors may hear smart home occupants call out for “Someone”—prompting the visitors to step in as their home automation assistant and respond to their needs. They can peek into the four homes via the laptops, watch over them, and remotely control the devices in their homes. This installation was originally a live remote intelligence portal into four homes across the United States that took place over a two-month duration.
For more information please visit:
ars.electronica.art/center/en/someone/
Credit: Lauren Lee McCarthy
This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
The live installation Luminiferous Drift simulates the view from outer space of a hypothetical planet and ist weather phenomena. The experimental arrangement uses macroscopic protocells* to physically simulate the movements of phytoplankton in a biosphere.
credit: tom mesic
The "reactable" has an intuitive user interface sensitive for physical contact which makes music visible and almost graspable. It is based on a luminous round table and can be played simultaneously by several performers. A work by Sergi Jordŕ (ES), Günter Geiger (AT), Martin Kaltenbrunner (AT) and Marcos Alonso (ES) that was awarded with a Golden Nica in the Digital Musics category.
credit: rubra
Photo showing one of the visualizations of "Visualizing Palestine" (PS). "Visualizing Palestine" received an Award of Distinction at the Prix Ars Electronica 2013 in the category Digital Communities.
credit: Visualizing Palestine (PS).
Photo showing Das Vergerät by Boris Petrovsky (DE) during the Cyber Arts Press Tour.
A collection of household appliances—for example, a vacuum cleaner, hair dryer, electric toothbrush and
drill—are grouped together and connected to each other. These are machines that surround us and play
major roles in our everyday lives. The machines in this installation function, though in an unconventional
way. They register the messages and commands visitors speak into a microphone, translate them via speech
synthesis into their own idiom, and repeat them. In Das Vergerät (a German neologism meaning something
like “dis-appliance”) the machines articulate the visitors’ words in a vocabulary of electrical noises.
Credit: Florian Voggeneder
Letting those balloons with attached lights and patents float up to the ceiling was tremendously refreshing.
Photo showing a still from Inside & Between by Gabriel Radvan. Inside & Between won the Golden NIca in the categoriy u19 - CREATE YOUR WORLD in 2015.
credit: Gabriel Radvan
Protei is a fleet of pollution collecting sailing drones. Initiated by Cesar Harada it is a result of collaboration between artists, designers and scientists and as such it belongs to the intersection between fields.It is designed as a low-cost open-source oil collecting device that semi-autonomously sails upwind, intercepting oil sheens going downwind. It is meant to be hurricane-ready, self-righting, inflatable, unbreakable, cheap and easy to manufacture for immediate response. It appropriates existing technologies so that it is possible to apply them quickly to address the crisis. The machine in development now is Protei_Oil_Spill for collecting spilled oil at sea, but being an open source project, other versions may be designed in the future for other purposes : Protei for the North Pacific Plastic garbage patch, heavy metals in coastal areas, toxic substances in urbanized waterways...
credit: Protei
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: Florian Voggeneder
Be careful: could make you feel dizzy;
Best viewed large;
Randomly generated Art
made with ContextFree
In the dystopian or seemingly post-apocalyptic setting of Rekion Voice, we are surrounded by robots that are essentially slaves. They are completely under human control: an infrared camera allows them to react directly to their masters, the audience, and follow them with blind loyalty.
credit: Florian Voggeneder
Made with Paintshop for Contest # 14 "May Luck Be On Your Side" on Technicolour Abstract Art
based on this pic:http://www.flickr.com/photos/yunamika/2565037596/ by ***Yuna***
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FIVE VARIATIONS OF PHONIC CIRCUMSTANCES AND A PAUSE by Tania Candiani (MX) received an Award of Distinction in the Hybrid Art category at the Prix Ars Electronica 2013.
credit: Tania Candiani
This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
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Made with PovRay.
for this pic many thanks go to:
Dr. Stefan Immel for his great tutorials on PovRay:
Goteo is an open source network in Spain that facilitates crowdfunding for projects that benefit the community. It’s a platform for shared infrastructure with a focus on projects of a social, cultural, scientific, educational, technological or ecological nature that open up new possibilities for communal development and for enriching the facilities and resources available to all members of society.
For their project "Bi0film.net: Resist like bacteria", Jung Hsu (TW) and Natalia Rivera (CO) received a Golden Nica at the Prix Ars Electronica 2022 in the category Interactive Art +.
Photo: Jung Hsu
"SjQ++" generates its own groove with interactions between human players and visual. "SjQ++" received an Award of Distinction in the category " Digital Musics & Sound Art at the Prix Ars Electronica 2013.
credit: SjQ++
Mirage is a projection apparatus that makes uses of principles from optics and artificial neural network research. Mirage generates a synthesized landscape based on its perception through a fluxgate magnetometer (Förster Sonde).
credit: Ralf Becker
Ishin-Den-Shin turns the body into a transmission medium for intimate acoustic communication. The work consists of a microphone that can pick up sound and inaudibly, haptically project it onto the body of the person holding the microphone. The acoustic signal becomes audible only when touching that person’s ear—as if the finger whispered the recorded sounds into the ear that was touched.
Credit: Florian Voggeneder
Photo showing an impression from the CyberArts Exhibition during a tour in the course of the Music Monday.
credit: Florian Voggeneder
Conspiracy: Conjoining the Virtual builds on the artist’s research into how isolating qualities of VR in conjunction with social haptic feedback can expose viewer subjectivity and social influence through the expression of the body. It thus investigates how virtual reality can give us new perspectives on the role of the individual in a collective intention, seeking to expose the fallacy of the hive mind.
Credit: tom mesic
Das Vergerät (a German neologism) means something like “dis-appliance.” 100 used electric household appliances are interconnected and spatially configured as a meta-machine or meta-appliance or as a model of smart homes. 100 is the average number of appliances found in a middle-class household.
credit: Boris Petrovsky
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: tom mesic
Originally, this work is the fourth and final part of the blank project by the artist following the Great East Japan Earthquake in 2011. All four works focus on the void left by natural and artificial disasters - a blank space signifying the unknown future.
The use of this device is not just arbitrary it may be another subconscious giveaway that I grew up in Japan. At the entrance of a shrine there is a gate, or “torii”, which literally means “there is a bird” in Japanese. In Japan, birds symbolize the entrance to another world, just like an arch of branches traditionally forms the boundary between profane human space and the sacred world. So I decided to use the bird as a motif for communication toward non-human beings - not by using technology to imitate or reproduce a bird but by equally genuine imaginary singing. The word “rhetoric”, which forms part of the project title, sometimes implies ‘no meaning at all’. The program enbedded in the device can specify the speed and the angle of the motor control, but not the chirping.
With this imaginary rhetoric, human beings, birds, other living things, and the environment may share a similar misunderstanding. As a human being, I see imaginary rhetoric as something we all have in common. On the whole we neither know nor understand each other.
credit: Soichiro Mihara (JP)