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Refugees United has developed a web platform and mobile tools that drastically streamline the family tracing process for both NGOs and individuals.
This digital infrastructure not only fosters greater collaboration and promotes unhindered sharing of information among Family Tracing and Reunification (FTR) agencies, but it also gives refugees the ability to become directly involved in their search for missing family via an anonymous, safe and easy to use forum. Refugees United received an Award of Distinction in the category "Digital Communities" at the Prix Ars Electronica 2013.
credit: Christopher & Dave Mikkelsen
Via a treadmill, installation visitors set a “social mechanism” into motion and can feel a bit like God as they go about it, since the movement of the mechanism as well as of the figures inside depend on the visitor’s own pace. The upshot is experiencing a sort of split consciousness: Does society co-opt us all, or do we create this enslavement mechanism ourselves? Reciting the Dada Manifesto into a microphone causes the installation to vibrate and several of the figures begin to tumble out of it.
Credit: Florian Voggeneder
Behind Shirley deconstructs and rethinks the colonial narratives in the development of facial recognition systems, exploring how darker skin was not taken into account in film chemistry and is now ignored in facial-recognition software.
Behind Shirley received an Honorary Mention in the 2022 Prix Ars Electronica category Interactive Art +.
Image: Visual Essay by Ibiye Camp 2020
Photo showing an impression of the CyberArts 2020 exhibition at the OK.
For further information please visit:
ars.electronica.art/keplersgardens/en/prix-interactive-art/
Credit: vog.photo
Photo of Gerhard Dirmoser's 'A Memory Theater' (2004) at the CyberArts exhibitions. A treatment of the years of Ars Electroinica, including the PRIX catalogues.
Credit: Florian Voggeneder
Based on research into the special stops found in some organs, mainly during the Baroque period, that were designed to imitate para-musical sounds such as those of birds or thunder, Organscape delves into how we attempt to represent our audible environment. The project consists of two elements that coexist and enter into a dialogue: a series of works composed by converting field recordings from different geographical locations to sounds characteristic of this historical instrument, and a sound installation called Organismo I, a sort of automaton that emulates a repertoire of sounds associated with the natural world and which, in this initial approach, focuses on mechanical bird song. In this sense, Organscape is not so much an attempt to achieve a faithful imitation but rather to outline certain acoustic characteristics of the evoked material.
Organscape 2020 got a Honorary Mention at the Prix Ars Electronica 2021.
Credit: Ars Electronica - Robert Bauernhansl
“K-9_topology is a true hybrid artwork with profound bio-political message and is certain to bring a lot of discussion to the audience from both art and science sides.” (Statement of the Jury).
K-9_topology was awarded the Golden Nica in the category "Hybrid Art" at the 2017 Prix Ars Electronica.
Photo showing Maja Smrekar.
credit: BORUT PETERLIN
The exhibit consists of five animatronic sculptures of babies. Each baby shows a different design for a potential body enhancement that has been surgically implemented to benefit the child. Each modification is put in place to solve a potential future problem for the baby, ranging from medical to environmental to social mobility issues. The realistic, breathing, sleeping babies have illustrated descriptions of the surgical procedure and are designed to be interactive. Holding the babies gives the audience a sense of the potential reality behind the future of modification and heightens the ethical conundrum behind the question: “In a future where forced evolution seems to be the only option for a sufficiently rapid advance, what would you do to benefit your child’s life?”
credit: Agi Haines
Photo showing the Project "OPERA" by Erick Oh (US) at the CyberArts Exhibition.
OPERA is a massive animation installation that portrays our society and history with all its diversity of beauty and absurdity. A civilization rises and falls (and rises again) in a continuous movement. The animated film can be seen as a contemporary animated development inspired by Renaissance fresco paintings and artists such as Bosch, Michelangelo, and Botticelli. With myriad details, Erick Oh recounts a repetitive human history and provides insights into the range of human emotions. His OPERA is hopeful, funny, thoughtful, frightening, and sad all at once. It challenges us to question the mechanisms of society and our own behavior, and to learn from the past.
"OPERA" won the Award of Distinction at the Prix Ars Electronica 2021.
Credit: vog.photo
Equilibrium is a fragile state. In interpersonal relationships too, the risk of losing one’s balance is always present. Starting with a 170-year-old sofa, Jacob Tonski created a sculpture that metaphorically represents the delicate equilibrium in situations played out on and around such a sofa—a get-acquainted chat, sex, or just couch potatoes watching TV. A sophisticated, computer-controlled mechanism enables this fine old piece of furniture to balance on only one of its four legs.
Credit: Florian Voggeneder
The robot “NoodleFeet” is the physical manifestation of an illustrated character, built and “raised” by the kinetics and robotics artist Sarah Petkus – the “Mother of Machine”. Sarah Petkus sees herself as the mother of her creation, helping him along and continuing to develop him until he is able to “exist freely in the world.” With the project Mother of Machine, the artist wants to encourage inventors to regard their ideas as “children” they are rearing until they are able to “stand on their own two feet.”
The photo is showing Sarah Petkus.
Credit: tom mesic
The investigation of biocultural diversity and identity that Vanmechelen has been conducting since 1999 combines art, science and aesthetics. In his Cosmopolitan Chicken Project, the artist has crossed species of chickens from many different countries. The aim: breeding cosmopolitan poultry with genetic material from every one of the world’s chicken species.
Credit: Florian Voggeneder
ART - MAIN www.flickr.com/photos/jezevec/albums/72157605080379416/
ART - ANIMALS www.flickr.com/photos/jezevec/albums/72177720314662998/
AI - MAIN www.flickr.com/photos/jezevec/albums/72177720304402098/
AI - DOGS www.flickr.com/photos/jezevec/albums/72177720304960066/
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frequencies (a) by Nicolas Bernier (CA) is a sound performance combining the sound of mechanically triggered tuning forks with pure digital soundwaves. The performer is triggering sequences from the computer, activating solenoides that hits the tuning forks with high precision. Streams of light burst in synchronicity with the forks, creating a not-quite-minimal sound and light composition. Photo is showing Nicolas Bernier.
"frequencies (a)" received the Golden Nica in the "Digital Musics & Sound Art" category at the Prix Ars Electronica 2013.
credit: Francois Laflamme, 2012
Miwa Matreyek (US) creates an emotional, dream-like meditation on climate change and the anthropocene - the proposed current era where human influence has effected almost all realms of earth’s natural systems.
Infinately Yours won the Golden Nica in the category Computer Animation at the Prix Ars Electronica 2020.
For further information please visit:
ars.electronica.art/keplersgardens/en/computeranimation/
Credit: Keida Mascaro
Interpersonal relationships often prove to be a balancing act that succeeds only through ongoing give-and-take and adaptation. That also applies to “Balance from Within,” a 170-year-old, 40-kilogram couch balanced semi-upright on one leg through the application of a robotic mechanism installed inside it.
credit: Jacob Tonski
Bill T Miller = Orgy Of Noise
@ Willoughby & Baltic Gallery Presents
The Maker Revolution @ Cyberarts 4.25.09 @ Microsoft Startup Labs
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: tom mesic
The Framework f5x5x5 sculpture is a kinetic and luminous sculpture. Thematically, the work confronts architectural concepts of congestion, flow etc. with spatial sensing technologies through programmed “lumino-kinetic” devices.
Framework f5x5x5 / LAb[au]
credit: rubra
Home uses a telescope to watch real-life footage from a database of news articles, private lives and documentary material that was transmitted through mass media channels. Combining a minimal stage design with two projections and an observation balcony.
HOME - Hee-Seon Kim (KR).
Photo shows Hee-Seon Kim (KR).
credit: rubra
For people with good vision, taking a walk through a big city is something taken completely for granted. But orientation becomes infinitely more difficult if ones eyesight is no longer a reliable means of processing impressions from ones surroundings. BlindMaps is a research project devoted to precisely this problem: How to enable visually impaired people to get oriented and navigate in urban spaces with which they’re unfamiliar? And BlindMaps has come up with a way to help: Inputting the routing query verbally; utilizing touch-sensitive haptic technology; and an interface featuring a perforated, Braille-like screen with tiny protruding bumps whose changes or movements enable the user to navigate in real time.
credit: Markus Schmeiduch, Andrew Spitz, Ruben van der Vleuten
In this interactive installation, visitors can directly experience the significance of the complex interplay of randomness and stochastics in current mathematical and physical research. 27 transparent boxes, floating in space, continuously generate random numbers by using the wellknown medium of dice. The process of random number generation is influenced by the complexity of nature and its structures, using a variety of natural materials such as cinnamon, moss, cotton, and cork that have special haptic properties like being soft, rough, hard-edged, or fluffy. Each roll of the dice thus takes on completely different characteristics. Visitors have the opportunity to control one of the boxes by accessing a web application and therefore become an active part of the installation with their self-generated random number. The ensemble of all generated random numbers forms the basis for a real-time calculation and generative graphics. With this project the artists want to demonstrate the importance of random numbers in various fields of research, such as artificial intelligence, physics, computer simulations, and machine learning.
"The Transparency Of Randomness" received a Honorary Mention at the Prix Ars Electronica 2021.
Credit: Ars Electronica - Robert Bauernhansl
In “Plantas Autofotosintéticas,” Gilberto Esparza has created a complex symbiotic system. The installation consists of spherical Plexiglas tanks arranged in a circle and interconnected by tubes. The tanks contain colonies of bacteria that, through their metabolism, filter polluted water and significantly improve its quality, and also produce energy in the form of electricity. Both outputs are then utilized by Gilberto Esparza to keep a lifecycle running.
credit: Gilberto Esparza
Photo showing Kathy Hinde (GB) and her Project Tipping Point. The photo was shoen in the course of CyberArts exhibition at the OK im OÖ Kulturquartier.
credit: tom mesic
Clouds is an interactive, generative, documentary that allows the viewer to explore different perspectives at the intersection of code and culture. Filmed using a new 3D cinema format called RGBD and created entirely with open-source software, Clouds uses a data-driven “story engine” to present an endless, ever-changing conversation.
credit: James George, Jonathan Minard
Photo showing Chijikinkutsu by Nelo Akamatsu (JP), winner of the Golden Nica in the category Digital Musics & Sound Art.
Chijikinkutsu is a coinage especially created for the title of this work by combining two Japanese words: “chijiki” (= geomagnetism) and “suikinkutsu” (= a sound installation for Japanese traditional gardens). *Chijikinkutsu* is made using water, sewing needles, glass tumblers and coils of copper wire.
credit: tom mesic
“SOYA C(O)U(L)TURE” is a research project by XXLab, an Indonesian R&D collective with an exclusively female staff—designers, artists and programmers with a wide range of skills and points of view. Their ambitious goal is to combat water pollution and poverty in Indonesia. XXLab’s innovative procedure takes the toxic residues and polluted water that are byproducts of Indonesia’s intensive soy production and utilizes them as inputs for manufacturing edible cellulose as well as bio-fuel and biologically tanned leather. All the equipment and ingredients necessary for this treatment are low-cost, commercially available items. Plus, there’s no need for on-site experts to start up the process developed by XXLab. In do-it-yourself fashion, anyone can get busy in their kitchen at home.
credit: Tommy Surya Rahadyanto
Visualizing Palestine is committed to social justice and change for the better in Palestine. It focuses on the failure of the organizations involved in the Israeli-Palestinian conflict, effective deployment of communication tools (and not relying exclusively on dry-as-dust reports, tables and graphics) and the inability of the media to deliver unbiased coverage (instead of providing one-sided reportage that concentrates on Hamas).
Credit: Florian Voggeneder
Photo showing Louis-Philippe Demers (CA/SG) and the "Blind Robot".
He set out to transform a robot arm from a cold precision tool into a sensitive instrument, and thereby create a new form of intimate touch by social robots. In his installation, the mechatronic arm gently feels the faces and upper bodies of installation visitors just like a blind person would do. Finally, a monitor depicts what the robot “saw” in going about this.
Credit: Florian Voggeneder
This project is part of STARTS.
SOMEONE imagines a human version of Amazon Alexa, a smart home intelligence for people in their own homes. For a two month period in 2019, four participants’ homes around the United States were installed with custom-designed smart devices, including cameras, microphones, lights, and other appliances. Situated in an exhibition there was also a command center where visitors could peek into the four homes via laptops, watch over them, and remotely control their networked devices. Visitors would hear smart home occupants call out for “Someone”—prompting the visitors to step in as their home automation assistant and respond to their needs.
For further information please visit:
ars.electronica.art/center/de/someone/
Credit: Stan Narten
Made with Paintshop for Contest # 14 "May Luck Be On Your Side" on Technicolour Abstract Art
based on this pic:http://www.flickr.com/photos/yunamika/2565037596/ by ***Yuna***
Best viewed large.
The Framework f5x5x5 sculpture is a kinetic and luminous sculpture. Thematically, the work confronts architectural concepts of congestion, flow etc. with spatial sensing technologies through programmed “lumino-kinetic” devices.
Framework f5x5x5 LAb[au]
credit: rubra
Avena+ Test Bed explores the relationship between landscape, agriculture and digital fabrication. With the advent of precision farming, agriculture has become fully mapped and will transform farming to a highly digital activity. In combination with other changes underway in the countryside, mainly the paradigm shift from food to biogas production and various EU subsidy schemes to promote diversity, within the next few years this will lead to disruptive changes for the (European) countryside. The project uses the idea of “agricultural printing” to explore the possibilities of digital fabrication carried over into farming.
credit: Benedikt Groß
This project is part of the CyberArts 2020 exhibition at the OK.
What level of convenience and comfort does it take for us to be willing to forfeit our privacy and control over our lives to an AI system? SOMEONE is an interactive installation that illuminates the tension between intimacy and privacy as well as between comfort and autonomous action. Instead of a machine, SOMEONE responds to the wishes of the participating Smart Home residents. The project documentation shows these “human Alexas” operating their clients’ specially designed smart household appliances from a command center – while at the same time observing, eavesdropping on, and monitoring them.
For further information please visit: ars.electronica.art/keplersgardens/en/prix-interactive-art/
Credit: vog.photo
Photo showing the performance of “Trommeln ist ein Dehnbarer Begriff” (Drumming is an Elastic Concept) at LENTOS Art Museum’s auditorium during the Great Concert Night.
Josef Klammer (AT) has replaced his drums’ conventional plastic drumheads with ones made of rubber, which retards and extends the drumbeats and makes the drums’ “breathing” audible.
Big Concert Night at Brucknerhaus.
Credit: tom mesic
Impressions of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
NoodleFeet is the functioning robotic manifestation of an illustrated character who is built from light metals, 3D printed parts, and found objects. "Noodle" has been developed with mechanical and electronic systems which allow him to exhibit behaviors when stimulated by objects in his environment. His purpose is to exist freely in the world while reacting to situational encounters with self defining methods of personal expression.
"It is important to me that I have the most significant role in NoodleFeet's development, as I am his mother. Every ability that he has is a reflection of something I learned in order to provide for my offspring. The life style and mentality that I've adopted while rearing my robot child has resulted in some aspect of my practice becoming performative. This active display of parenting is to invite others to participate in helping me enrich Noodle's life." (Sarah Petkus)
Credit: Sarah Petkus
“Corpus Nil” is a performance that investigates hybrid forms of identity and musical ability.
Corpus Nil was awarded an Award of Distinction in the Digital Musics & Sound Art Category at the Prix Ars Electronica 2017.
credit: Onuk-ZKM
Swarm takes the logic of social media—demographically organized communities based around common interests, habits and markets—and transposes it onto gallery audiences. Using four rows of monitors, the work generates competing panoramic representations of the gallery space that appear to be exclusively occupied by specific groupings of people—men in their 20s, women in their 50s, people of Asian descent, people dressed in black, men with beards. Each group is shown as what appears to be a live video image, with people inserted into a “crowd” alongside others who have previously visited the gallery.
credit: James Coupe