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POPPY Interactive -War and Organized Crime Gone Global is made by visual storytellers Antoinette de Jong and Robert Knoth and produced by Submarine Channel.
The interactive documentary is a protracted investigation spanning over 20 years on the global nexus of drugs, war and organized crime using photo, video, radio reportages and found footage.
POPPY Interactive has a layered form of non-linear storytelling that bridges various locations and times with a clear navigational structure and that crisscrosses the forms of documentary and visual art. The interactive documentary merges multiple media on interactive maps and invites the user to become a traveler to find connections along the trails of drug, war and crime.
Credit: Robert Knoth/Getty Images
The investigation of biocultural diversity and identity that Vanmechelen has been conducting since 1999 combines art, science and aesthetics. In his Cosmopolitan Chicken Project, the artist has crossed species of chickens from many different countries. The aim: breeding cosmopolitan poultry with genetic material from every one of the world’s chicken species.
Credit: Florian Voggeneder
"A Father's Lullaby" is an ongoing series of public installations, community-organised workshops and a site-specific audio augmented reality platform. The project highlights the role of men in raising children and the consequences of their absence due to unequal treatment in the penal system based on ethnicity. The project aims to give a voice to these fathers and invites men to contribute by singing lullabies and sharing childhood memories. "A Father's Lullaby" exists in various formats, from a website to curated museum exhibitions.
Credit: Aram Bogosian
Photo showing Ralf Baecker (DE) and his work Mirage at CyberArts 2015 Exhibition at OK.
Mirage is a projection apparatus that makes uses of principles from optics and artificial neural network research. *Mirage* generates a synthesized landscape based on its perception through a fluxgate magnetometer (Förster Sonde).
credit: tom mesic
In this program, animated-film directors from Austria look at problems of our time. In short films — some fictional, some documentary — they challenge daily routines in our everyday digital lives, examine the impacts of social media and new technologies such as VR and AR, and discuss such absurd ideas as sending everyone back
to the lands of their ancestors. An interactive, poetic VR experience investigates the nature of post-digital reality, while a touching animated film looks at the fantastic world of an old woman suffering from dementia. The spectrum ranges from dystopian visions of the future to empathetic, humorous inner worlds.
For further information please visit:
ars.electronica.art/keplersgardens/en/computeranimation/
Credit: Rory O´Driscoll
What are we? Where do we come from and where are we going? Maja Smrekar’s artistic work revolves around these eternal questions of humanity. The work series K-9_topology, winner of the Golden Nica, consists of the four consecutive projects shown here, which each focus from different perspectives on the essence and the role of human beings and especially the role of a woman in increasingly tough bio political conditions of the present times.
credit: tom mesic
Photo showing an impression of the CyberArts - Exhibition opening.
The CyberArts – Exhibition shows the award-winning works of the Prix Ars Electronica 2013, the categories are Digital Communities, Hybrid Art, Interactive Art, Digital Musics & Sound Art and Computer Animation as well as Prix Ars Electronica Collide@CERN..
Credit: tom mesic
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: Florian Voggeneder
Photo showing Martin Sturm(AT) (director of OK Offenes Kulturhaus) giving a speech.
The CyberArts – Exhibition shows the award-winning works of the Prix Ars Electronica 2013, the categories are Digital Communities, Hybrid Art, Interactive Art, Digital Musics & Sound Art and Computer Animation as well as Prix Ars Electronica Collide@CERN..
Credit: tom mesic
Photo showing Koen Vanmechelen (BE), winner of Golden Nica Hybrid Art for his "The Cosmopolitan Chicken Project".
Credit: Florian Voggeneder
The Intelligent Guerilla Beehive is intended to offer refuge and protection to swarming bee colonies in urban areas. The outer membrane of the beehive (Sensorial Skin) is a smart fabric that integrates organic and electronic elements. Bacteria living in the upper cellulose skin act as biosensors. When they sense a specific degree of pollution they change colors an make patterns that reflect the environmental threats. A further, double-sided skin shelters a second type of bacteria that attacks the bees’ natural enemy – the Varroa destructor mite.
Credit: tom mesic
The Intelligent Guerilla Beehive is intended to offer refuge and protection to swarming bee colonies in urban areas. The outer membrane of the beehive (Sensorial Skin) is a smart fabric that integrates organic and electronic elements. Bacteria living in the upper cellulose skin act as biosensors. When they sense a specific degree of pollution they change colors an make patterns that reflect the environmental threats. A further, double-sided skin shelters a second type of bacteria that attacks the bees’ natural enemy – the Varroa destructor mite.
Credit: tom mesic
Photo showing Koen Vanmechelen (BE), winner of Golden Nica Hybrid Art for his "The Cosmopolitan Chicken Project".
Credit: Florian Voggeneder
In Ethiopia, the way one wears one’s hair is often much more than a mere question of style. Over thousands of years, hairstyles have evolved to express very specific things: they indicate tribal affiliations or social status. However, in the midst of a digital and global world, this cultural distinctiveness of Ethiopia is increasingly beginning to erode. With their project “Strong Hair,” the artists’ collective Yatreda wants to draw attention to the tradition and its imminent disappearance. The artists have created a collection of 100 portraits that highlight the diversity and expressiveness of Ethiopian hair styles. Each person was captured with a homemade 360-degree rotating camera and then “minted” as a non-fungible token on the Ethereum blockchain. Via NFTs, the goal is to ensure that this Ethiopian cultural tradition is preserved and — hopefully — revived beyond traditional physical media.
Credit: Yatreda
Photo showing the Project "Sound For Fungi. Homage To Indeterminacy" by Theresa Schubert (DE) at the CyberArts Exhibition.
Sound for Fungi. Homage to Indeterminacy began as a laboratory experiment in which Schubert played sinus frequencies to fungi mycelia she collected from forests near her home in Berlin. After weeks of observing, most of them showed a positive response to the influence of sound by growing faster and denser than samples grown in silence. The interactive and generative video installation simulates Schubert’s experiment. Audiences can explore this biological process by using a tracking sensor, whereby hand movements simulate the role of a sound frequency and change the fungi’s growth in real time. The title refers to the American composer John Cage’s development of “indeterminacy” as an improvisational technique in which aspects of a composition are left open to chance, nature, or free choice. Improvisation—not so much as a musical process but understood as a natural life phenomenon—represents a condition of existence itself. With her work, the artist facilitates an interspecies experience which works best when visitors bring tranquility and patience to their interaction.
"Sound For Fungi. Homage To Indeterminacy" received a Honorary Mention at the Prix Ars Electronica 2021.
Credit: vog.photo
Microbial Design Studio (MDS) is a desktop prototyping tool that automates the design of transgenic microorganisms. The platform replaces traditional microbiology lab equipment with a low-cost machine to allow non-specialists to grow organisms that can synthesize products such as biomaterials, food, and flavors. MDS handles all stages of microbial design from bacterial transfection to incubation, lysis, and purification. Users can work with advanced genetic techniques such as combinatorial DNA design, parametric genetic manipulation, and targeted genome editing (i.e., CRISPR/Cas9).
credit: Karen Hogan, Michael Hogan, Orkan Telhan
Photo showing Sound of Honda by Nadya Kirillova (Dentsu) /RU, Daito Manabe (Rhizomatiks), Yu Orai (Dentsu), Taeji Sawai (Qosmo), Kosai
Sekine, Kaoru Sugano (Dentsu), Sotaro Yasumochi (Dentsu), Kyoko Yonezawa (Dentsu) /JP.
Sound of Honda used 24-year-old Formula One data to bring an Ayrton Senna race back to life in sounds and
images. Installing speakers and LED lights along the 5.807-meter Suzuka circuit in Japan made it possible to
pair the reproduced engine sounds with motion data from the race.
Credit: Florian Voggeneder
Josef Pühringer (AT) (governor of Upper Austria) giving a speech.
The CyberArts – Exhibition shows the award-winning works of the Prix Ars Electronica 2013, the categories are Digital Communities, Hybrid Art, Interactive Art, Digital Musics & Sound Art and Computer Animation as well as Prix Ars Electronica Collide@CERN..
Credit: tom mesic
The Center for Technological Pain (CTP) is a dummy company founded by Dasha Ilina to provide remedies for health problems caused by digital devices such as smart phones and laptops. Its products and services include homemade objects, self-defense techniques, yoga exercises, and workshops. The proposed open commons and DIY practices take a humorous approach to what is in face a serious contemporary problem: the ever-increasing space that digital technologies occupy in society and the negative impact they can have on our bodies.
For further information please visit:
ars.electronica.art/prix/en/winners/interactive-art/
Credit: MU Hybrid Art House
Miwa Matreyek (US) creates an emotional, dream-like meditation on climate change and the anthropocene - the proposed current era where human influence has effected almost all realms of earth’s natural systems.
Infinately Yours won the Golden Nica in the category Computer Animation at the Prix Ars Electronica 2020.
For further information please visit:
ars.electronica.art/keplersgardens/en/computeranimation/
Credit: Keida Mascaro
The investigation of biocultural diversity and identity that Vanmechelen has been conducting since 1999 combines art, science and aesthetics. In his Cosmopolitan Chicken Project, the artist has crossed species of chickens from many different countries. The aim: breeding cosmopolitan poultry with genetic material from every one of the world’s chicken species.
Credit: Florian Voggeneder
While we (humans) refer to potential life in outer space as “aliens,” queer and transgender life on Earth is likewise still often referred to as “alien.” tranxxeno lab by Adriana Knouf addresses the biochemical requirements of transgender persons in outer space, especially their need for hormone replacement medication. TX-1 launched bits of these medications to the International Space Station (ISS), marking the first-known time that elements of the transgender experience orbited the Earth. TX-1 includes a fragment of Knouf’s spironolactone pill, a slice of her estradiol patch, and a miniature paper sculpture, as a gesture towards the absent-yet-present xenoentities of the cosmos. A symbolic exodus, the return of TX-1 to Earth was also a sign of resilience. The project draws attention to the fact that all human bodies are subject to individual, societal, and environmental changes, and that all people need support and care for their survival—whether on Earth or in space.
"TX-1" won the Award of Distinction at the Prix Ars Electronica 2021.
Credit: Ars Electronica - Robert Bauernhansl
Photo showing Genoveva Rückert (AT), cuartor of the CyberArts Exhibition in front of "Angles Mirror".
Credit: Florian Voggeneder
In Stranger Visions Heather Dewey-Hagborg (US) creates portrait sculptures from analyses of genetic material collected in public spaces.
credit: Heather Dewey-Hagborg
What are we? Where do we come from and where are we going? Maja Smrekar’s artistic work revolves around these eternal questions of humanity. The work series K-9_topology, winner of a Golden Nica in 2017, consists of the four consecutive projects shown here, which each focus from different perspectives on the essence and the role of human beings and especially the role of a woman in increasingly tough bio political conditions of the present times.
Credit: tom mesic
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Dust Blooms juxtaposes the beauty and function of urban flora using a synthesis of artistic and scientific methods. With her project the artist seeks to call attention to the relevance of the urban ecosystem.
credit: tom mesic
L’Enfant invites the audience to step into a concealed world constructed by artists. The performance involves techniques using a drone with a camera to detect and capture the scene and the audience reaction. The recorded image will be projected on the screen in an interactive approach through programming design.
credit: I-Chun Chen, He-Lin Luo
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"Electronic Theatre" features all prizewinning works in the 2015 Prix Ars Electronica’s Computer Animation / Film / VFX category.
credit: Till Nowak, Timo Schierhorn, Christian Hartmann .
February is one of the most important months of the year after December and summer. Some of the reasons are:
1) It’s the first month after everyone pretends they aren’t drinking.
2) Pancake day.
3) It’s my mom’s birthday, my grandma’s birthday and my four friend’s birthdays.
4) It’s Valentine’s Day.
A lot of these things are optional. You take it or leave it. Maybe you drink, always. Or never. If you’re not from one of the interesting countries, you don’t know about Pancake Day. And if you aren’t me, you don’t have to celebrate six special birthdays.
But everyone knows it’s Valentines Day, and if you’re anywhere in the world except Austria before 2005, someone is reminding you to celebrate the day of being in love.
To make it a more special day, I worked on this nice card for you to give to your favourite person. It’s a drawing of Krang, a very famous character on TV. He is a little kranky sometimes because he wants to be the most important person in the world, but the guys that are supposed to help him always mess everything up.
If you have someone you love that gives you that special feeling in the stomach, like you swallowed your brain, give them this card and show them that when they accept you as you are, you feel like you rule the world with love.
Please contact me if you want me to send you a big version of this Valentine’s card to print.
Compasses is a collection of poems written with a machine learning model of spelling and phonetics. The model invents new words in negative spaces between supposedly discrete categories.
Allison Parrish trained a machine learning model with two parts: a “speller,” which spells words based on how they sound, and a “sounder-out,” which sounds out words based on how they're spelled. In the process of sounding out a word, the “sounder-out” produces a fixed-length numerical vector, known as a “hidden state,” which is essentially a condensed representation of a word's phonetics. The “speller” can then use the phonetic information contained in this hidden state to produce a plausible spelling of the word. The hidden state, like any other numerical vector, can be modified: translated, multiplied, blurred, averaged.
"Compasses" by Allison Parrish (US) received an award on Honorary Mention at the Prix Ars Electronica 2021.
Credits: Allison Parrish