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In this interactive installation, visitors can directly experience the significance of the complex interplay of randomness and stochastics in current mathematical and physical research. 27 transparent boxes, floating in space, continuously generate random numbers by using the wellknown medium of dice. The process of random number generation is influenced by the complexity of nature and its structures, using a variety of natural materials such as cinnamon, moss, cotton, and cork that have special haptic properties like being soft, rough, hard-edged, or fluffy. Each roll of the dice thus takes on completely different characteristics. Visitors have the opportunity to control one of the boxes by accessing a web application and therefore become an active part of the installation with their self-generated random number. The ensemble of all generated random numbers forms the basis for a real-time calculation and generative graphics. With this project the artists want to demonstrate the importance of random numbers in various fields of research, such as artificial intelligence, physics, computer simulations, and machine learning.
"The Transparency Of Randomness" received a Honorary Mention at the Prix Ars Electronica 2021.
Credit: Ars Electronica - Robert Bauernhansl
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Photo showing Das Vergerät by Boris Petrovsky (DE) during the Cyber Arts Press Tour.
A collection of household appliances—for example, a vacuum cleaner, hair dryer, electric toothbrush and
drill—are grouped together and connected to each other. These are machines that surround us and play
major roles in our everyday lives. The machines in this installation function, though in an unconventional
way. They register the messages and commands visitors speak into a microphone, translate them via speech
synthesis into their own idiom, and repeat them. In Das Vergerät (a German neologism meaning something
like “dis-appliance”) the machines articulate the visitors’ words in a vocabulary of electrical noises.
Credit: Florian Voggeneder
Be shapeless, be formless, be able to adapt to any situation - that means "Be Water! Martial arts icon Bruce Lee made this central idea famous, and in 2019 the Hong Kong protest movement took it up in its own way. An extradition law passed in Beijing had triggered a broad public outcry, which is considered a best practice example of digital activism in the fight for basic democratic rights.
For further information please visit:
ars.electronica.art/keplersgardens/en/prix-digital-commun...
Credit: Collected online, Designed by Eric Siu
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Impressions of 'frequencies (a)' during the CyberArts 2013 exhibitions at OK (Offenes Kulturhaus).
frequencies (a) is a sound performance combined with light. It blends digital sounds with the crystal-clear tones of a tuning fork.
Credit: tom mesic
Besides developing *OriHime* and *OriHime-D*, which users regardless of age, gender, or disability can remotely operate, Ory Lab has created the *Dawn Avatar Robot Café*, where users work and visit via robots. The goal is to show that with the right tools, even people who have difficulty in moving about freely can do physical labor and customer service from the comfort of their homes via an avatar robot. For those who can't go outside due to the physical/psychological challenges of diseases, past accidents, or the likes *OriHime* creates another means of physical expression and action. *OriHime* is operated remotely by “pilots”, who interact with the world outside through the robots' cameras, speakers, and microphone. In this way, the robots offer virtual outings even for paralyzed pilots, who use a line-of-sight input device to speak with others.
Avatar Robot Cafe DAWN ver.β received the Golden Nica at the Prix Ars Electronica 2022 in the category Digital Communities.
Photo: Florian Voggeneder
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Myconnect is an interspecies connector that emerged as an aspiration to enable human beings to transgress their own species and connect with another at a perceptive and physiological level. By entering the installation one joins with the otherness, another multiplicity i.e. the fungal mycelium.
credit: Saša Spačal, Mirjan Švagelj, Anil Podgornik
Photo showing Koen Vanmechelen (BE), winner of Golden Nica Hybrid Art for his "The Cosmopolitan Chicken Project".
Credit: Florian Voggeneder
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Within the context of a clichéd “art documentary,” the animation puts the spotlight on AI artist AIVA. Viewers get a glimpse of AIVA’s studio and watch her study and paint a nude male model while commenting on his beauty and perfection. The animation concludes with AIVA at her own exhibition, surrounded by gallery owners and her team of engineers. The audience learns that all of her exhibited works have been sold, fetching over a million dollars. With her animation, Veneta Androva addresses the systematic discrimination of women in art and the myth of the male genius that still prevails. The film also focuses on the lack of female perspectives in the field of artificial intelligence today and shows what this amounts to: a world where algorithms that satisfy human—male—needs are portrayed as female—whether it’s Siri, Alexa, Cortana, Samantha, or Ai-Da.
"AIVA" won the Award of Distinction at the Prix Ars Electronica 2021.
Credit: Ars Electronica - Robert Bauernhansl
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n the German Superwahljahr [Super Election Year] 2021, the Center for Political Beauty founded the Flyerservice Hahn: the best flyer service in Europe! Unbelievable, but true: A non-existing company with no real business address, no commercial register entry, and no tax number made the AfD an offer it just couldn’t refuse. A fictive company acquired orders worth millions. Why should a real super political party and real “Alternative” for Germany distribute flyers by hand, like all the idiots from the old-fashioned parties? The result: 85 lazy local, district, and state groups of the AfD supplied the nationwide logistics center of the new global leader of non-distribution. In the end our storage unit contained 5 million flyers. 72 tons of AfD garbage. Welcome to the Flyerservice Hahn!
Photo: tom mesic
“Femme Chanel - Emma Fenchel" is a found footage montage in which sequences from various other films are edited together in such a way that a new film is the result. Sarah Oos is the auteur of “Femme Chanel - Emma Fenchel.” To make it, she used scenes from a Chanel No. 5 commercial entitled “Night Train” and other films starring Audrey Tautou. “Femme Chanel - Emma Fenchel" is a manipulation on several levels,” according to Ms. Oos. “The video consists primarily of cuts interconnecting formally well-matched sequences from other motion pictures.
In order to manipulate on yet another level, I decided to employ only the original French soundtrack. Dialog between Emma and her lovers is made understandable to German-speaking viewers by means of subtitles, whereby there’s absolutely no connection between the spoken French and the written German.” This playful approach to cinematic reality already began with Sarah Oos’ naming of her chief protagonist: “Emma Fenchel is an anagram of Femme Chanel.”
credit: Sarah Oos
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Dr. Stefan Immel for his great tutorials on PovRay:
Cristhian Avila's project "The Eternal Return, pre-Hispanic Interactions" is a that sound installation by Cristihian Avila that acoustically revives the time of pre-Hispanic Peru. Ancient musical instruments such as pipes or flutes, which were discovered during archaeological excavations or borrowed from various collections around the world, were scanned and made from clay-like material using 3D printing. Sensors are used to determine various wind parameters, while Arduino is used to control pneumatic systems whose valves open or close accordingly. The result is unique sound worlds that bear witness to days long gone. "The Eternal Return, pre-Hispanic Interactions" received an Award of Distinction at the 2022 Prix Ars Electronica in the category Interactive Art +.
Photo: tom mesic
Photo showing an impression of the Golden Nicas awarded at the Prix Ars Electronica Gala 2014 at Brucknerhaus.
credit: Florian Voggeneder
Photo showing Louis-Philippe Demers (CA/SG) and the "Blind Robot".
He set out to transform a robot arm from a cold precision tool into a sensitive instrument, and thereby create a new form of intimate touch by social robots. In his installation, the mechatronic arm gently feels the faces and upper bodies of installation visitors just like a blind person would do. Finally, a monitor depicts what the robot “saw” in going about this.
Credit: Florian Voggeneder
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#architecture #arquitectura #зодчество #arquitetura #建筑 #건축술 #建築 #architettura #αρχιτεκτονική #Architektur #architectuur #建築學 #建筑学 #stavebnictví #building #arhitektura #architektura #arkitektur #architectuur #arhitektuur #arkitektura #arkkitehtuuri #arquitectura #არქიტექტურა #Architektur #αρχιτεκτονική #સ્થાપત્ય #achitekti #ארכיטקטורה #वास्तुकला #építészet #arkitektúr #arsitektur #ailtireacht #architettura #アーキテクチャ #arsitektur #ವಾಸ್ತುಶಿಲ್ಪ #ស្ថាបត្យកម្ម #건축물 #ຖາປັດຕະຍະ #arhitektūra #architektūra #архитектура #senibina #arkitettura #hoahoanga #आर्किटेक्चर #архитектур #वास्तुकला #arkitektur #معماری #arquitetura #ਆਰਕੀਟੈਕਚਰ #arhitectura #архитектура #usanifu #arkitektur #கட்டிடக்கலை #నిర్మాణం #สถาปัตยกรรม #mimari #архітектура #kiếntrúc #pensaernïaeth #akitekiso #AI_MAIN #ArtificialIntelligence #MachineLearning #DeepLearning #AI #NeuralNetworks #DataScience #BigData#Tech #Innovation #AIArtistry #ArtificialArt #MachineArt #AIgenerativeart #ArtificialVision #NeuralArt #Cyberart #SyntheticDesign #DigitalPainting #AlgorithmicPainting #GeneratedArt #RoboticDesign #AIinspiredart #ArtificialInspiration #DataVisualization #TechDesign #ArtificialExpression #ArtificialBeauty #ArtificialBrilliance #TheArtOfMachine #AIInnovationInArt #AiArt #ArtificialIntelligence #MachineLearning #DeepLearning #NeuralNetworks #ArtificialCreativity #DigitalArt #GenerativeArt #TechArt #CyberpunkArt #FuturisticArt #RoboticArt #AIgenerated #SyntheticArt #CodeArt #DataArt #AlgorithmicArt #ArtificialImagination #TheArtofAI #AIandArt #AIinArt #ArteDeInteligenciaArtificial #ArteDeAprendizajeAutomatico #ArteDeAprendizajeProfundo #ArteDeRedesNeuronales #ArteDeCreatividadArtificial #ArteDigital #ArteGenerativo #ArteTecnológico #ArteCyberpunk #ArteFuturista #ArteRobótico #ArteGeneradoPorIA #ArteSintético #ArteDeCódigo #ArteDeDatos #ArteAlgorítmico #ImaginaciónArtificial #ElArteDeLaIA #InnovaciónEnElArteDeIA #ArteEInteligenciaArtificial #ArteInnovadorDeIA #ArtificialIntelligenceArt #ArtIntelligenceArtificielle #MachineArt #ArtMachine #DeepLearningArt #ArtApprentissageProfond #NeuralNetworksArt #ArtReseauxNeurones #ArtCréativitéArtificielle #CréativitéNumérique #ArtGénératif #ArtTech #ArtCyberpunk #ArtFuturiste #ArtRobotique #ArtGénéréparIA #DesignSynthétique #ArtCode #ArtDeDonnées #ArtAlgorithmique #ImaginationArtificielle #ArtEtIA #KünstlicheIntelligenzKunst #KIkunst #MaschinellesLernenKunst #MLKunst #TiefesLernenKunst #DLKunst #NeuronaleNetzeKunst #NNKunst #KünstlicheKreativität #Digitalekunst #GenerativeKunst #TechKunst #CyberpunkKunst #Zukunftskunst #RoboterKunst #IAgenerierteKunst #SynthetischeKunst #CodeKunst #DatenKunst #AlgorithmenKunst #KünstlicheImagination #KunstUndKI #人工知能アート #機械学習アート #深層学習アート #ニューラルネットワークアート #人工クリエイティブアート #デジタルアート #ジェネレーティブアート #テクノロジーアート #サイバーパンクアート #未来アート #ロボットアート #人工知能生成アート #シンセティックアート #コードアート #データアート #アルゴリズムアート #人工想像アート #人工知能とアート #人工知能革新アート #ArteDeInteligenciaArtificial #ArteDeAprendizajeAutomatico #ArteDeAprendizajeProfundo #ArteDeRedesNeuronales #ArteDeCreatividadArtificial #ArteDigital #ArteGenerativo #ArteTecnológico #ArteCyberpunk #ArteFuturista #ArteRobótico #ArteGeneradoPorIA #ArteSintético #ArteDeCódigo #ArteDeDatos #ArteAlgorítmico #ImaginaciónArtificial #ElArteDeLaIA #InnovaciónEnElArteDeIA #ArteEInteligenciaArtificial #ArteInnovadorDeIA
Pendulum Choir by Michel Décosterd, André Décosterd (CH) is an original choral piece for 9 A Cappella voices and 18 hydraulic jacks. The choir stands on tilting platforms, constituting a living, sonorous body. That body expresses itself through various physical states. Its plasticity varies at the mercy of its sonority. It varies between abstract sounds, repetitive sounds, and lyrical or narrative sounds. The bodies of the singers and their voices play with and against gravity. They brush and avoid each other creating subtle vocal polyphonies. Or, supported by electronic sounds, they break their cohesion and burst into lyrical flight or fold up into an obsessional and dark ritual.
Pendulum Choir was awarded with the Golden Nica in the Interactive Art category at the Prix Ars Electronica 2013.
credit: Xavier Voirol
Epiphyte Chamber features interactive lighting systems and kinetic mechanisms that use dense arrays of microprocessors and sensors. The work contemplates the ability of an environment to be near-living, to stimulate intimate evocations of compassion with viewers through artificial intelligence and mechanical empathy. Like any ecology and any material system, these environments are partial, reacting only to certain excitements and evincing awareness only of certain things. The viewer will become aware of subtle impacts: air, moving around the body, perhaps changes in surrounding magnetic fields that one disturbs as they pass.
credit: Philip Beesley
Tipping Point invites us to consider our relationship with water and the need to balance how we use the world’s water resources. The installation is created using a delicate combination of glass, water, audio feedback and lighting.
credit: Kathy Hinde
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Sound for Fungi. Homage to Indeterminacy began as a laboratory experiment where Schubert played sinus frequencies to fungi mycelia she collected from forests near her home in Berlin. After weeks of observing these collected specimens housed in custom-built sound-insulated boxes, most showed a positive response to the influence of sound by growing faster and denser than samples grown in silence.
The interactive video installation simulates Schubert’s experiment where sound influenced mycelium growth. Audiences can explore this biological process by using a tracking sensor where hand movements simulate the role of a sound frequency and change the fungi’s growth in realtime. The digital 3D environment shifts between macro and cellular level perspectives, revealing fragile topologies comprised of multiple nodes and connections, offering a glimpse into the complexity of the underground network of microbes that connect the ‘Wood Wide Web.’
"Sound for Fungi. Homage to Indeterminacy" by Theresa Schubert (DE) received an award on Honorary Mention at the Prix Ars Electronica 2021.
Credits: Sage Jenson, Theresa Schubert (DE)
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R.I.P. Levon Helm
Drummer and voice of The Band passed away a few days ago
Photo showing the Project "AIVA" by Veneta Androva (BG) at the CyberArts Exhibition.
Within the context of a clichéd “art documentary,” the animation puts the spotlight on AI artist AIVA. Viewers get a glimpse of AIVA’s studio and watch her study and paint a nude male model while commenting on his beauty and perfection. The animation concludes with AIVA at her own exhibition, surrounded by gallery owners and her team of engineers. The audience learns that all of her exhibited works have been sold, fetching over a million dollars. With her animation, Veneta Androva addresses the systematic discrimination of women in art and the myth of the male genius that still prevails. The film also focuses on the lack of female perspectives in the field of artificial intelligence today and shows what this amounts to: a world where algorithms that satisfy human—male—needs are portrayed as female—whether it’s Siri, Alexa, Cortana, Samantha, or Ai-Da.
"AIVA" won the Award of Distinction at the Prix Ars Electronica 2021.
Credit: vog.photo
Visitors to the “Avatar Robot Café” are served remotely. Users can apply as waiters via the “Avatar Guild” recruitment agency and then serve their customers using robots such as “OriHime” and “OriHime-D” without having to be on site. In an innovative way, the “Dawn Avatar Robot Café” wants to explore and show what technological aids are needed so that people who have limited mobility due to mental or physical illnesses or impairments can better participate in working or social life.
Photo showing Emiko Ogawa (JP/AT)(Head of Prix Ars Electronica).
Photo: tom mesic
Art, activism and investigative journalism are what went into making Paolo Cirio’s “Loophole for All.” This project’s attention is focused on the Cayman Islands, the world’s fifth largest financial center and offshore tax haven. Paolo Cirio has stolen the identities of 200,000 companies registered here and is offering them for sale on his website www.loophole4all.com. What makes it possible is that registration in this Caribbean paradise can be done totally anonymously. So anyone can acquire a certificate that sets him or her up with the identity of a real company and thereby provides entrée to the financial world of the Caymans.
credit: Paolo Cirio
BLACKTRANSARCHIVE.COM also known as „We Are Here Because Of Those That are Not“ is an archive built and designed by and for Black Trans people. The archive’s aim was to find a way to more accurately store Black Trans existence, an archive that would erase us as it attempts to remember us. Culminating in an 3D animated game the project preserves the stories of Black Trans people generating a space where our existence cannot be ignored.
Photo: Kai Werner Schmidt
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Photo showing the Project "Sound For Fungi. Homage To Indeterminacy" by Theresa Schubert (DE) at the CyberArts Exhibition.
Sound for Fungi. Homage to Indeterminacy began as a laboratory experiment in which Schubert played sinus frequencies to fungi mycelia she collected from forests near her home in Berlin. After weeks of observing, most of them showed a positive response to the influence of sound by growing faster and denser than samples grown in silence. The interactive and generative video installation simulates Schubert’s experiment. Audiences can explore this biological process by using a tracking sensor, whereby hand movements simulate the role of a sound frequency and change the fungi’s growth in real time. The title refers to the American composer John Cage’s development of “indeterminacy” as an improvisational technique in which aspects of a composition are left open to chance, nature, or free choice. Improvisation—not so much as a musical process but understood as a natural life phenomenon—represents a condition of existence itself. With her work, the artist facilitates an interspecies experience which works best when visitors bring tranquility and patience to their interaction.
"Sound For Fungi. Homage To Indeterminacy" received a Honorary Mention at the Prix Ars Electronica 2021.
Credit: vog.photo
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A work also featured in CyberArts 2013, Voices of Aliveness is a vocal sculpture, a so-called metamonument constructed from a collective memory. Participants ride a bike along a “shouting circuit,” a route along which they can feel free to scream their brains out.
Credit: Florian Voggeneder
Photo showing VALIE EXPORT, Golden Nica Visionary Pioneer of Feminist Media Art of the Prix Ars Electronica 2020.
She stands for a consistent feminist-political stance and its congenial (media) artistic counterpart; she created a forward-looking connection between performance, public space and media representation; she participated in major exhibitions such as the Venice Biennale (1980) and the documenta (1977, 2007); she has taught at renowned institutions such as the Art Institute in San Francisco, the University of Wisconsin, Milwaukee/USA, the Hochschule der Künste, Berlin, and the Kunsthochschule für Medien Köln. She is one of the most important and successful international pioneers of feminist media art.
For further information please visit:
ars.electronica.art/prix/en/winners/visionary-feminist/
Credit: Herta Hurnaus
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PL’AI is the latest in a series of artworks that dwell on the recent transformation in computer science that has shifted from calculation towards adaptive practices of learning from data, and its far reaching effects. In the PLANT MACHINE PROJECT the focus on plants as living agents exposed to the machinic gaze harkens to the use of automation in industrial farming, yet subverts the epistemic framework of science and engineering by making the constructions strive for plant pleasure, representation, and play. The impetus to observe plants and artificial intelligence at play stems from Huizinga’s writing on the ontological implication of play. He sees play as prior to culture and yet not defined by biological necessity, a capacity all creatures possess. In "PL’AI" we explore possibilities of play between cucumber plants and the naïve AI robot moving at their pace.
The robot approaches the plants with 36 individually controlled wires suspended from above, moving at the rate of 1cm/h. The robot senses the cucumbers with a laser scanner and feeds the images through a neural network, which in turn decides how to approach the plants by moving the colored balls. Through time the algorithmic “imagination” of cucumbers is modified via feedback from the cucumber tendrils while gradually transforming the robot-tendrils into a cucumber trellis that supports their growth.
The play between the cucumber and robot leaves morphological traces in the shape of the plants, the steel strings, and the neural network. We encounter the opening up of another temporality, neither that of a plant nor of a machine alone, already mutated by their needs and desires, and by our own implication in the possibility of their joy.
"PL'AI" by Špela Petrič (SI) received an award on Honorary Mention at the Prix Ars Electronica 2021.
Credits: Hanneke Wetzer, Špela Petrič (SI)
Photo showing an impression of the Golden Nica Hybrid Art winnig "The Cosmopolitan Chicken Project" by Koen Vanmechelen.
Credit: Florian Voggeneder
Festival Mutant Alienor 2009 à Lille à la Maison Folie Wazemmes.Du 4 decembre au 20 decembre.http://www.electroad.com/..Patrice Hubert.http://www.1661235.com/...Photos Yann Minh.http://www.yannminh.net..Sculptures, peintures, cyberculture, low brow art, cyberart, cyborgs, hybrides, gynoïdes, ..http://www.mairie-lille.fr/fr/Culture/maisons-folie-tri-postal/Maison_Folie_Wazemmes...---------------------.15.8 // ALIENOR
Festival Mutant –
04 decembre > 20 decembre
ALIENOR Festival Mutant est un rassemblement, sur un projet, d’activistes culturels éparpillés aux quatre coins de l'Europe (et même d’ailleurs), un seul leitmotiv : O.V.E : l’ Ouverture Vers l’Elargissement…
Pour sa troisième édition, Alienor provoque une rencontre de talents pluridiciplinaires recyclant expériences passées et contemporaines dédiée à la cyber culture et arts parallèles : numérique, digital, graphisme, illustrations, sculptures, design multimédia.…et investit la MFW en s‘ exposant sur deux niveaux : rez de chaussee : volumes, sculptures… premier étage : illustrations, grahisme…En annexe au premier étage un espace « bar rencontre » s’ouvre aux performances audiovisuelles, apéromix, point archives, mini boutiks et rencontre avec les artistes aux horaires d’exposition 14 ::00//19 ::00.
Du 04 au 20 decembre exposition « CLANDESTINE ANTICIPATION 04 »
04 decembre VERNISSAGE
06 decembre CATCHCLASH auberge MFW
09 & 16 decembre animations jeune public : CHOCOCHO ELEKTROKIDS, atelier : «MEME PAS PEUR» création masque alien // monstre
10 & 17 decembre CYBERNIGHT I & II à l’Hybrid
Jeudi 10 decembre A l'Hybride ALIENOFF I : CYBERSPACE & MONDES PERSISTANTS
Conference Immersive dans le NooMuseum de Yann Minh, avec comme invités les E.Troubadours (Karen Guillorel) Un concert d'Eric Wenger dans Second Life en directe. Et une performance cybersexe de Sylvie Mexico...
www.lhybride.org/spip.php?rubrique9
12 decembre soirée ALIENATION.1212, fête anniversaire 10 ans 15.8.
MFW
www.mairie-lille.fr/fr/Culture/maisons-folie-tri-postal/M...
www.mairie-lille.fr/fr/Culture/maisons-folie-tri-postal/M...
HYBRIDE
www.lhybride.org/spip.php?rubrique9
E.MAGICIENS
www.e-createurs.net/emagiciens/
ARTISTES FROM ART & FACT
MANCHU // GRAFFET // PASCAL YUNG // KRISTAL CAMPRUBI // SEVERINE PINEAUX // MAEVA PIERRE // CHARLINE BENARD // SYLVAIN DEMIERRE // GILLES FRANCESCANO // JULIEN DELVAL // MICHEL BORDERIE // ALEKSI BRICLOT // BENJAMIN CARRE // YANN MINH // MARTINE FASSIER // THIERRY CARDINET // ELODIE MARZE // YOZ…
ALIENS MUTANTS REZO O.V.E
// JJ TACHDJIAN www.i-c-i.net/
// P3K www.myspace.com/p3kplo //
// OLIVIER LELONG – IDEO_TV www.myspace.com/ideo_tv
// BENALO www.myspace.com/benalo
// CHROME ART www.myspace.com/chrome_art
// LILLWYT www.myspace.com/lllwyt
// MICHEL KOCH http: www.michelkoch.fr/homefr.html
// JEROME LEFDUP http: www.lefdup.com/
// PATRICE HUBERT www.myspace.com/hp1661235
// ARNAUD POLLET www.myspace.com/dirtysweetproject
// DIGITAL VANDALS www.myspace.com/digital_vandal
// YANN MINH www.myspace.com/yannminh
// JOHN HALEY III www.myspace.com/fuguelixir
// KAREN GUILOREL karenguillorel.free.fr/
// E-TROUBADOURS etroubadours.com/
// ERIC WENGER www.metasynth.com/ERICWENGER/
// SYLVIE MEXICO www.labo-clax.com/
// DELPHINE VEYRAT D’URBET www.myspace.com/delphynecrea
// AKIZA www.myspace.com/akizadoll
// DIGITAL VANDAL myspace.com/digital_vandal
// VIDEOHEADCLEANER www.myspace.com/pitchvisualive
// TRAUMABIKINI myspace.com/traumabikini
// ARNAULT REBOTINI www.myspace.com/arnaudrebotini
// NOMENKLATUR www.myspace.com/nomenklaturmusic
// DALCAN www.myspace.com/andredalcan
// X.MOUTH SYNDROME www.myspace.com/mouthxsyndromeinc
// CERCUEIL www.myspace.com/cercueil
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#Jac5ive_ConcepTdesign #EYELOVEYO #UP2YO #FLOWERYO #LISTEN2YO #waterpowerpleaseandlove #YoWalkinglightonwaterpower #film #art #visual #Psychedelicart #cyberart
Photo showing the Project "A Father’s Lullaby" by Rashin Fahandej (US) at the CyberArts Exhibition.
A Father’s Lullaby is a “poetic movement” in which art and technology mobilize a plethora of voices while utilizing public places and virtual spaces. The project addresses the unequal treatment of prisoners in the USA based on ethnic origin (as well as the disparity in the rate of imprisonment) and the impact of this situation on children, women, and low-income communities. The installation consists of different layers of sound: a series of compositions based on lullabies contributed by fathers and a touch-activated sound station with audio/light panels that unfolds many different stories. Songs and lullabies collected via a website, as well as interviews with men on probation, tell of the structural violence of male-dominated mass imprisonment, but also of love and trauma, presence and absence, and the power of personal memories. A Father’s Lullaby is also beeing presented In Kepler’s Gardens / Campus of the Johannes Kepler University.
"A Fathers Lullaby" won the Award of Distinction at the Prix Ars Electronica 2021.
Credit: vog.photo
Besides developing *OriHime* and *OriHime-D*, which users regardless of age, gender, or disability can remotely operate, Ory Lab has created the *Dawn Avatar Robot Café*, where users work and visit via robots. The goal is to show that with the right tools, even people who have difficulty in moving about freely can do physical labor and customer service from the comfort of their homes via an avatar robot. For those who can't go outside due to the physical/psychological challenges of diseases, past accidents, or the likes *OriHime* creates another means of physical expression and action. *OriHime* is operated remotely by “pilots”, who interact with the world outside through the robots' cameras, speakers, and microphone. In this way, the robots offer virtual outings even for paralyzed pilots, who use a line-of-sight input device to speak with others.
Avatar Robot Cafe DAWN ver.β received the Golden Nica at the Prix Ars Electronica 2022 in the category Digital Communities.
Photo: MIYOGRAPHY
Kurokawa conceives his audiovisual works as timebased sculptures. The work’s title, “rheo,” is derived from the Greek word meaning “river” or “to flow.” In this sense, the audio & video recordings of real landscapes undergo seamless transitions into graphic analyses or re-syntheses of them. The result is a sort of landscape “under observation."
rheo: 5 horizons - a work by Ryoichi Kurokawa (JP)
credit: rubra