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A collaborative project with Anglepoise, Strong Island & The University of Portsmouth.
10 artists/designers will be twinned with 10 photographers and an Anglepoise light.
creatingbalanceproject.tumblr.com/
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Josh Knill - oftenhover.4ormat.com/
I Love Dust - ilovedust.com/
Also huge thanks to BSc Broadcast & TV students Massimo and Jonas.
Tree free, handmade papers, braid, motifs etc
I nearly jumped out of my skin when I received my MASSIVE parcel this morning, only posted yesterday! This photo does not show how beautiful and unique these silk, cotton etc papers and other bits made in a small Indian community are. I am going to have lots of fun with these!!
So much variety it's impossible to show, the glitter, embellishments and embossing isn't visible in this size photograph either. I made a few things already from some pieces I picked up from a craft fair.
*SQUEAL!!*
Creating Healthy Work Environments
24-26 March 2022
Washington, DC, USA
Day 2 - 25 March 2022
Photos courtesy of EPNAC.com
Members of the Avondale Regional Branch Library's Club Create craft soothing bath salts, melt-and-pour soaps, and “tub tea” with lavender.
Create a black-and-white cinematic portrait of a young girl sitting barefoot on a worn wooden porch beside an old barn. She hugs her knees close, long patterned skirt gathered beneath her, bracelets stacked on her wrists. A daisy-flower headband rests in her hair, framing her shy, mischievous smile. Soft natural light falls across her face, highlighting freckles and innocence. Tall grass and weathered wood textures surround her, evoking a nostalgic, rural summer mood. Add subtle grain and depth-of-field blur for vintage realism, as though captured on film. The image should feel intimate, quiet, and filled with unspoken stories.
The borders have been successfully attached (mitered too!) to this queen-sized quilt. More pics to follow of the whole top, once the weather improves and I can take it outside to photograph...that should be in about 6 weeks :-)
Larger areas of veneer loss were compensated with wood fills. The creation and placement of these fills was a multi-step process. First plastic transparencies were used to create a pattern for the fills. A tracing of the area of loss was etched into the film, and then this etching was traced over with a permanent marker. The film was then xeroxed to create paper patterns for each fill. These patterns were cut out and pasted onto new pieces of replacement veneer. This picture shows new fills which were cut using the patterns and a fine jeweler’s saw.
Un poco complicado si que es hacer una esfera perfecta . Despues de muchos intentos casi lo consigo .
Si quieres ver las fotografias mas visitadas o mas comentadas de mi galeria , puedes visitar
If you see the pictures most visited or commented on my gallery more, visit
Creating Healthy Work Environments
Austin, Texas, USA
Day 1 - 10 February 2023
Photos courtesy of Kayla Prasek Photography
Images from a collection of negatives I brought. The photographer is unknown. They were purchased complete with the copyright
Still having fun experimenting with the macro Lens. This image was taken in natural light with the aide of a chopping board covered in foil to reflect light back in to the centre of the Lillie.
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All my images are © All Rights Reserved, and must not be used in any form whatsoever, on or in any type of media without my expressed permission.
For Haven Bee of do. Good Stitches, hope it is not too low volume or too long!
blogged: monpetitlyons.blogspot.com/2013/02/february-bee-blocks.html
Assignment: create a scene that looks more like what you saw than a photograph of the scene could otherwise convey.
@ the Iguana cafe there is a machine which creates clouds and at the same time takes care of the cooling.
Artist Paz de la Calzada created Portale (2018) specifically for the Kalmanovitz Hall atrium.
Dated 1175-1200, the Romanesque portal featuring Adam and Eve and the Tree of Knowledge was originally from the Chapel of the Penitents in Northern Italy. It was a gift of the Fine Arts Museums of San Francisco and placed in the atrium during a 2008 renovation.
In Portale, de la Calzada uses two distinct patterns cut from gaudy, repurposed carpets from hotels and casinos to form a path through the portal. At the entrance, the design references tiles from a basilica in Northern Italy where the portal originated. The pattern on the other side draws from the ceiling of San Francisco’s Mission Dolores Basilica featuring an indigenous design painted by the Ohlone people who were imprisoned at the mission.
Portale reminds viewers of the dynamics between culture and power, past and present.