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A custom built MP/PDW chambered in .45, was one of many unique designs created for hitmen in the service of organized crime, the "Contractor's 45" was sometimes referred to as the modern replacement to the iconic Thompson SMG of the 1920s.
Contractors for the power company chipping limbs cut from trees too close to the power/cable lines. Doing this now will save hours and dollars when the next "Wind" storm arrives or ice storms next Winter. This task is done every 3 years or so, never ending.
Pictured are Joanna Kiernan and Tiffany Quinn at the CIF Top 50 Contractors event tonight in Iveagh Garden hotel in Dublin. Turnover in top construction firms grows to €6.72billion. The combined turnover of Ireland’s top construction firms has increased by €720million on last year according to Construction Magazine’s annual Top 50 CIF Contractors listing for 2018. The annual listing gives a snapshot of the overall growth in Irish construction as it delivers many largescale projects throughout Ireland and the world, attracting foreign direct investment to Ireland and exporting over €1.6bn in construction expertise. According to Construction Magazine’s figures the Top 50 Irish Contractors reported a combined turnover of €6.72billion over the last 12 months, with €5.1billion of this activity taking place in Ireland and a €1.62billion resulting from exported construction services. Photo: Sasko Lazarov/Photocall Ireland
Late 1960s Lumar Contractors "Powerhouse" High Lift Mobile Crane by Louis Marx and Company. Cleaned, re-strung and in full working order once more.
A sign reading "Paramilitary contractors accountable to no one are running around uptown now." with "They assaulted someone last night." added to the bottom.
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This image is part of a continuing series following the unrest and events in Minneapolis following the May 25th, 2020 murder of George Floyd.
I saw a picture of this ex Australian Army Scammell Contractor tank transporter that'd been converted to a tipper here on Flickr around 2011, and when I was on holiday there in 2018 I decided to see if the 1971 built machine was still around.
With not much time or information I managed to track it down even though it'd moved location to a coal mine which was impossible to access without induction training!
Never mind, at least the old girl was parked fairly near the fence!
treeps.deviantart.com/art/The-Daedric-Contractor-386389382
I said, I did. The daedric version of the Contractor Mask was done.
Also, I'm using the Wintage version of the Somber ENB now. I loved it!! =D
I am really happy with this figure - he is one of my Private Military Contractors, and he is heavily armed!
His helmet is a BrickArms MCH with minifig.cat Nightvision goggles and a Tiny Tactical scope (which I am using as a mounted camera), and he is armed with a BrickArms SMG (with Tiny Tactical additions), a BrickArms proto SABR, and a BricKArms proto Kukri, as well as several extra ammo magaziness. Everything is removable and usable for the figure.
It also uses the head of the GIBrick CIA Operative!
This view offers multiple angles of the figure.
As always, I hope you enjoy the figure, and comments are always appreciated!
This is my personal Contractor's M4A1 (as of 2-23-13, no longer)
Credit to Duke for the rails, the SPW team for the workspace, Wiikling for the mag, Worlock and Skye for the writing, Luckystriker for upper reciever(does not include bolt, writing, etc.)
P.S. The GL, the silencer, and the rail system is all shapework (does not include sight attachments or delta ring)
View all sizes please!!!
Built in 1935–1936 at a cost of $318,000, the U.S. Court-house features an understated combination of the Beaux Arts and Neoclassical styles. It was designed by Eric Kebbon, who also designed the 1937 C.F. Haynsworth Federal Building in Greenville, South Carolina. With funds limited during the Great Depression, the courthouse lacks the exuberant detailing typical of many Beaux Arts buildings. The Beaux Arts style is known for its classically inspired details, variety of stone finishes, and projecting pavilions with colossal columns and pedimented entablature on top. Characteristics of the Neoclassical style include symmetry, smooth stone surfaces, and colonnades.
The courthouse has a granite foundation, and the walls consist of limestone blocks. The overall massing and exterior design on all four elevations is simple, symmetrical, and classically inspired. The round-arched windows feature limestone keystones on the first story, while the second-story windows have heavy limestone frames culminating in keystones. Limestone belt courses extend along the first story and between the first and second stories. A cornice with an unadorned frieze and dentil molding runs below the roof's edge. Topping the hipped roof is a circular limestone cupola with Tuscan columns and copper roof with a brass finial.
The principal embellishment is a central temple-front pavilion on the south facade, highlighted by a coursed limestone base pierced with arches and an upper-level portico with an arcade. On the first story, the central arch frames the double door entry. The second story includes Tuscan columns and a limestone balustrade. Above the columns, the pediment features a simple frieze with dentil-block molding and an oculus (round) window with limestone surround.
The former postal lobby and main staircase are located at the south (main) entry. Original finishes include marble flooring and wainscoting, marble pilasters along the south wall, decorative crown molding, bronze ornaments and grills, and marble surrounds with keystones accenting the south wall's doors and windows. Marble writing tables and a bulletin board with marble surround are at the lobby's south wall. Below the north wall's crown molding are Ulreich's murals, depicting important events in Florida's history. The west and north walls have original brass six-panel doors with classically detailed surrounds. The lobby's original brass light fixtures with glass globes are typical of 1930s post offices. Faced with marble, the original curved staircase is at the lobby's southwest corner. Following the stairs' curve, the staircase railing has iron balusters with a wood cap and decorative bronze newels at each level.
The two-story main courtroom is on the second floor. The courtroom lobby retains historic terrazzo floors, marble baseboards, wooden chair rails, and paneled doors. The courtroom itself features wood wainscoting and fluted Ionic pilasters supporting a massive wood entablature with a dentil cornice, all of painted white pine. Arched windows on the south wall have wood trim with a keystone and rosette corner blocks. Original furnishings include the judge's bench, jury box, court rail, and spectators' benches.
In 2000, an annex was completed near the historic building to provide space for the U.S. District Court. In 2003–2004, the courthouse was subject to a $4 million renovation that included window and facade restoration, preservation of key areas such as judges' office suites, and remodeling of remaining areas for bankruptcy court, clerk, and trustee and U.S. Marshals use. Akin & Associates Architects, Inc. provided architectural design services, while Peter R. Brown Construction, Inc. was the general contractor. In 2005, the Tallahassee Trust for Historic Preservation recognized the project with an outstanding achievement award.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Courthouse_(Tallahassee)
search.leonpa.gov/Property/Details/2136450100000
© All Rights Reserved - you may not use this image in any form without my prior permission.
Year 1968 - XUP 999F
Engine 6 Cylinder Cummins
Power 390 HP
Gearbox RV Semi-Auto 8 Forward 2
Pulling Capacity 240 Tonnes Gross
History: XUP 999F was the last big Scammell to be brought by Siddle C.Cook in 1968, in december 1977 XUP 999F helped magna load into the record books by moving a 120ft long 401 tonne moisture seperator-reheater bound for san onofre nuclear power station in Calafornia USA. It was the heaviest load to move on the roads in the UK at the time. Seen at Kettarin Rally.
Come and join the group and add your photos of Coille Haulage Contractors ; www.flickr.com/groups/3212181@N24/
treeps.deviantart.com/art/The-Daedric-Contractor-386389382
I said, I did. The daedric version of the Contractor Mask was done.
Also, I'm using the Wintage version of the Somber ENB now. I loved it!! =D
treeps.deviantart.com/art/The-Daedric-Contractor-386389382
I said, I did. The daedric version of the Contractor Mask was done.
Also, I'm using the Wintage version of the Somber ENB now. I loved it!! =D
KJM Contractors Kenworth T909 Double Road-Train heads north of Port Augusta in the final light of day bound for Prominent Hill Mine near Coober Pedy.
"ALL MY PMC IS RICH AS FUCK!"
Ah, contractors. You love to hate them and hate to love them, but you've gotta admit that it's the most badass job in the world. Stackin' paper, shootin' motherfuckers, drinkin' booze and fuckin' bitches.
C&C Appreciated.
ean Village (from dene, meaning 'deep valley') is a former village immediately northwest of the city centre of Edinburgh, Scotland. It was known as the "Water of Leith Village" and was the centre of a successful grain milling area for more than 800 years. At one time there were no fewer than eleven working mills there, driven by the strong currents of the Water of Leith.
The mills of Dene were first mentioned in King David I's founding charter of Holyrood Abbey, usually dated c. 1145, in which he granted one of his mills of Dene to the Abbey. The area remained a separate village until the 19th century. In 1826, John Learmonth, a future Lord Provost of Edinburgh, purchased the Dean Estate from the Nisbets of Dean. A bridge was needed to access from one side of the high valley to the other (the low-lying village was more or less an irrelevance). The Cramond Road Trustees discarded plans by other engineers and insisted upon the use of Thomas Telford. They also insisted that the bridge be toll-free. This was built 1831-2 and opened in 1833.
The four-arched Dean Bridge , spans a width of over 400 feet and is 106 feet above the water level. It carries the Queensferry Road over the Dean Gorge, and was built at the joint expense of John Learmonth and the Cramond Road Trustees. The contractors were John Gibb & Son, from Aberdeen. The bridge transformed access westwards from the city and opened up the potential to develop the Dean estate. The side parapet of the bridge was raised in height in 1912 as a deterrent to suicides, which were very common here in the 19th century, being more or less guaranteed success. The change in stonework is still visible.
In 1847 the Dean Cemetery was created, standing on the site of Dean House. This mansion house was the centre of the Dean Estate which had been bought by Sir William Nisbet in 1609. It was demolished in 1845 to create the cemetery but some sculptured stones are incorporated in the southern retaining wall (visible only from lower level). Seven surviving panels of the painted ceiling (painted between 1605 and 1627) of the great hall of Dean House are now in the National Museum of Scotland.[2] The cemetery which is one of the few in Scotland run as a non-profit making charity trust (to avoid being asset-stripped), is the resting place of many well-known people, including the railway engineer Sir Thomas Bouch and David Octavius Hill.
The area to the south-west is generally termed Belford, being the site of a ford across the river near Bell's Mills.
Due to the development of much larger and more modern flour mills at Leith, Dean Village's trade diminished. For many years, the village became associated with decay and poverty, and it reached a low point by around 1960. From the mid-1970s onwards it became recognised as a tranquil oasis, very close to the city centre, and redevelopment and restoration began, converting workers' cottages, warehouses and mill buildings. This included development on a cleared former industrial site on the north side of the river. The area has now become a desirable residential area. The Water of Leith Walkway running from Balerno to Leith was created through the area in 1983. [Wikipedia]
treeps.deviantart.com/art/The-Daedric-Contractor-386389382
I said, I did. The daedric version of the Contractor Mask was done.
Also, I'm using the Wintage version of the Somber ENB now. I loved it!! =D
#Construction #SkiledTrades #Demolition #ConstructionLife #MondayMotivation #Goals #Careers #ConstructingHistory #mgicorp
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Transforming Tarmac Surface to Synthetic Grass Court Yorkshire...
Scania R520 6x4 tractor unit SL64LZH with a timber processing machine aboard its Nooteboom trailer heads along the A83 to Campbeltown from Tarbert, Argyll & Bute.
Date 1977/78 ? The A62 Manchester Road Abnormal Vehicle Park at Longroyd Bridge, Huddersfield. Used to work at my Fathas' garage on a Saturday morning and returning home was this parked up. So I insisted that we returned with the camera, my Fathas' Yashika. Me on the right with blonde hair, my pal Nigel on left, aged 13/14yrs.
Architect : Yoshinobu Ashihara (芦原義信).
Contractor : Kajima Construction (鹿島建設、銭高組、大明建設).
Completed : March 1964 (竣工：1964年3月)
Location : 1-1, Komazawakouen, Setagaya Ward, Tokyo, Japan (所在地：日本国東京都世田谷区駒沢公園1-1).
Komazawa Gymnasium is in Komazawa Park, built for Tokyo Olympic 1964. There is track field in neighbor, many runner can see that.
ERF LV Series tractor (1972) Engine Gardner 100
Livery J Rowley - Sons (Haulage Contractor), Ash Banks, Staffordshire
Registration Number ELV 727 L (Liverpool)
ERF SET
www.flickr.com/photos/45676495@N05/sets/72157623665035629
The LV was introduced in 1962, with Fail Safe spring brakes being fitted as standard from 1967. ERF was the first British truck manufacturer to adopt spring brakes, all other manufacturers eventually followed suit. Spring brakes are still fitted as an industry standard to HGV's today. The A-Series was introduced in 1971 but did not replace the LV models The A Series were nearly all tractor units (although a handful of 4 x 2 rigid vehicles were built for drawbar work) and there were never any eight wheeler or 6 wheeler rigid A Series built, except special experiment vehicles of which none are known to have survived. All these six and eight wheelers are LV's as are four-wheel rigid vehicles and all tractor units with underslung rear springs, despite sometimes sharing the 7LV cab with the A Series.
Thanks for a stunning 59,743,000 views
Diolch am 59,743,000 gwych, golygfeydd, mwy na phoblogaeth y Lloegr honno yn y Gorllewin
Shot 28.05.2017 at the Smallwood Vintage Rally, Love Lane Farm, Betchton, Sandbach REF 127-091
To view more of my images, of Cliveden, please click "here" ! Click any image to view large!
From the achieves, reprocessed, using Photoshop CC 2024.
Cliveden is an Italianate mansion and estate at Taplow, Buckinghamshire, England. Set on banks 40 metres above the River Thames, its grounds slope down to the river. The site has been home to an earl, three countesses, two dukes, a Prince of Wales and the Viscounts Astor. As home of Nancy Astor, the house was the meeting place of the Cliveden set of the 1920's and 1930's — a group of political intellectuals. Later, during the 1960's, it became the setting for key events of the notorious Profumo Affair. During the 1970's, it was occupied by Stanford University of California, which used it as an overseas campus. Today owned by the National Trust, the house is leased as a five-star hotel run by London & Regional Properties. Cliveden means "valley among cliffs" and refers to the dene (valley) which cuts through part of the estate, east of the house. Cliveden has been spelled differently over the centuries, some of the variations being Cliffden, Clifden, Cliefden and Clyveden. The 375 acres gardens and woodlands are open to the public, together with parts of the house on certain days. There have been three houses on this site: the first, built in 1666, burned down in 1795 and the second house (1824) was also destroyed by fire, in 1849. The present Grade 1 listed house was built in 1851 by the architect Charles Barry for George Sutherland-Leveson-Gower, 2nd Duke of Sutherland. Designed by Sir Charles Barry in 1851 to replace a house previously destroyed by fire, the present house is a blend of the English Palladian style and the Roman Cinquecento. The Victorian three-story mansion sits on a 400-foot long, 20-foot high brick terrace or viewing platform, which dates from the mid-seventeenth century. The exterior of the house is rendered in Roman cement, with terracotta additions such as balusters, capitals, keystones and finials. The roof of the mansion is meant for walking on, and there is a circular view, above the tree-line, of parts of Buckinghamshire and Berkshire including Windsor Castle to the south. Below the balustraded roofline is a Latin inscription which continues around the four sides of the house and recalls its history; it was composed by the then prime minister Gladstone. On the west front it reads: "POSITA INGENIO OPERA CONSILIO CAROLI BARRY ARCHIT A MDCCCLI", which translated reads: "The work accomplished by the brilliant plan of architect Charles Barry in 1851. The main contractor for the work was Lucas Brothers. In 1984–86 the exterior of the mansion was overhauled and a new lead roof installed by the National Trust, while interior repairs were carried out by Cliveden Hotel. he interior of the house today is very different from its original appearance in 1851–52. This is mainly due to the 1st Lord Astor who radically altered the interior layout and decoration c. 1894–95. Whereas Barry's original interior for the Sutherlands had included a square entrance-hall, a morning room and a separate stairwell, Lord Astor wanted a more impressive entrance to Cliveden so he had all three rooms knocked into one large one (the Great Hall). His aim was to make the interior as much like an Italian palazzo as possible, which would complement the exterior. The ceiling and walls were panelled in English oak, with Corinthian columns and swags of carved flowers for decoration, all by architect Frank Pearson. The staircase newel posts are ornamented with carved figures representing previous owners (e.g. Buckingham and Orkney) by W.S. Frith. Astor installed a large sixteenth-century fireplace, bought from a Burgundian chateau which was being pulled down. To the left of the fireplace is a portrait of Nancy, Lady Astor by the American portraitist John Singer Sargent. The room was and still is furnished with eighteenth-century tapestries and suits of armour. Originally the floor was covered with Minton encaustic tiles (given to the Sutherlands by the factory) but Nancy Astor had them removed in 1906 and the present flagstones laid. Above the staircase is a painted ceiling by French artist Auguste Hervieu which depicts the Sutherland's children painted as the four seasons. This is the only surviving element of Barry's 1851–2 interior and it is believed that Lord Astor considered it too beautiful to remove. The French Dining Room is so called because the eighteenth-century Rococo panelling came from the Chateau d'Asnieres near Paris, a chateau which was leased to Louis XV and his mistress Madame de Pompadour as a hunting lodge. When the panelling came up for sale in Paris in 1897, the 1st Lord Astor recognised that it would exactly fit this room at Cliveden. The gilded panelling on a turquoise ground contains carvings of hares, pheasants, hunting dogs and rifles. The console tables and buffet were made in 1900 to match the room. The main dining room of the house until the 1980s, today it is a private dining room with views over the Parterre and Thames. The second largest room on the ground floor, after the Great Hall, was the drawing room which today is used as the hotel's main dining room. This room, which has views over the Parterre and Thames, was redecorated in 1995 by Eve Stewart, with terracotta coloured walls, gilded columns and trompe-l'œil shelves of books. The ceiling is painted to resemble clouds and three Bohemian glass chandeliers hang from it. The portraits in the room include the 2nd Duke of Sutherland, the 1st Lord Astor, and Miss Mary Hornack by Sir Joshua Reynolds. Also on the ground floor is the library, panelled in cedar wood, which the Astors used to call the "cigar box", and, next door, Nancy Astor's boudoir. Upstairs are five bedrooms and on the second floor another five. The East wing was and still is guest accommodation, whereas the West wing was domestic offices but in 1994 these were converted into more bedrooms. The National Trust tour only includes the Great Hall and French Dining Room. The nearby 100-foot clock tower was added in 1861 and is the work of the architect Henry Clutton. As a functioning water tower it still provides water for the house today. It is rendered in Roman cement like the rest of the house, and features four clock faces framed by gilded surrounds and a half open staircase on its north side. It was described by the architectural critic Nicholas Pevsner as "the epitome of Victorian flamboyance and assertiveness. The tower is topped with a modern reproduction of Augustin Dumont's 19 th century winged male figure Le Génie de la Liberté (the Spirit of Liberty). The original is atop the July Column in the Place de la Bastille, Paris. This replaces two earlier versions, the first having fallen from the tower during a storm in the 1950's. The new statue is made of bronze and was created using Dumont's original mould from the 1860s found in a museum in Semur-en-Auxois, France. It measures 2.2 metres in height, is covered in two layers of 23.5 carat gold leaf and cost a total of £68,000. It is an allegorical sculpture which holds the torch of civilization in its right hand and the broken chain of slavery in its left. It was affixed to the tower in spring 2012.
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Armed with a tactical MP5 submachine gun, a combat knife, and a holstered automatic P226 pistol, this private contractor is ready for hire and action…