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Carrying David Urquhart Travel contract livery is this very smart Volvo B9R with Jonckheere JHV C53Ft body operated by Telford, Newcastleton as X4 TCL.
Visiting Padstow, Cornwall, the former railway station's booking office building can be seen behind.
It was new to Park, Hamilton in 2013 as 2 HAN.
AFGE signs collective bargaining agreement with Defense Contract Audit Agency officials Thursday, Feb. 6 2014.
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Imagine a law that encourages the Federal government to partner with local businesses? A law that would create a partnership to do things such as restoring our forests, improving fish and wildlife habitat, removing noxious weeds, and creating healthy rivers. On top of these benefits to the environment, this law also improves the economies of rural communities. Sound too good to be true? Think again.
With the adoption of stewardship contracting authority (public law 108-7) in 2003, BLM has been able to offset forest product values against service costs, select “best value” contracts and award 10-year agreements with communities. Stewardship contracts may be used to improve, maintain or restore forests, rangelands, water quality and habitat. They can also be used to reduce hazardous fuels that pose risks. Since its inception, BLM has issued over 170 awards, covering over 51,000 acres.
Simply said, these contracts are a legal agreement to be “stewards” on Federally-managed lands. In real life this translates to a variety of projects from removing encroaching juniper trees and grinding them up to be used in a variety of ways, to restore native grasslands by cutting small confiers and selling them as Christmas trees, to thinning stands to increase forest health.
In the Lakeview District, stewardship contracting has allowed for maximum biomass utilization of forest and woodland products. Trees cut from the projects have been used for fuelwood, “hogfuel” chips burned to make renewable electricity, clean chips that are ground up and used to make hardboard and an array of juniper products like post and poles. Thousands of tons of BLM-sourced juniper has supplied the local Juniper Mill at REACH in Klamath Falls thanks to the Gerber Stewardship Contract. This contract has allowed for over 6,000 acres of forests and woodlands to be restored through treatments under this project. This unique mill is a non-profit organization that specializes creative utilization of juniper, finding uses for nearly all parts of the tree. On top of that, the REACH mill is an active participant in vocational-rehabilitation programs that focus on employing individuals with disabilities.
Thanks to the Gerber Stewardship, juniper byproducts that would have been previously burned can be used to foster community partnerships and stimulate the local economy.
The Medford District is also creatively implementing stewardship contracts to restore and maintain healthy ecosystems. Last year, the district awarded the Landing Pile Biomass Utilization Contract, an interagency contract in support of the Southwest Oregon Interagency biomass strategy. This contract allows landing piles from the BLM’s Medford District to be used locally rather than being burned.
As a result, the contract reduces open burning, improves air quality,and also stimulates local woody biomass markets—a good deal for everyone involved.
Stewardship contracting provides the BLM with the authority to implement landscape scale treatments that meet local and community needs. These contracts can include such activities as hazardous fuels reduction, fish and wildlife habitat improvements, forest health treatments, removal of noxious weeds, and stream restoration, to name a few.
As a result, stewardship projects make our public lands more resilient to natural disturbances, like wildfires and climate change.
The process is a unique one for several reasons, some of which include: First, the process requires collaboration. The collaborative process fosters community partnerships and stimulates local economies; particularly those whose economies depend on resources from nearby federal lands – such as timber or forage.
Second, contracts solicited under the stewardship authority are awarded on “best value,” allowing the BLM to thoroughly evaluate contractors’ proposals, and award contracts based on factors other than price or revenue generation. Conversely, a timber sale contract is always awarded to the highest bidder. Stewardship contracting allows BLM and communities to define other contracting attributes they also value.
And third, the stewardship authority allows BLM to exchange goods for services within a single contract. This means that BLM can essentially “trade” the cost of services received for the value of the treatment’s byproduct. All of these factors help increase efficiencies, which is good business for both the BLM and the contractors.
More commercialization has seen a rapid increase in the business. Contracts are an important part in a business since it structures the working of the business with parties at large. It becomes very important to take care of all the nuances of the contract and it is highly recommended to take the help of professionals for drafting. Read more: bit.ly/3bGTPND
Forest Contract Ltd is a leading Contract Furniture Supplier in UK. We manufacture quality furniture for hotel, offices and restaurants for commercial purposes.
Since I'm home sick, I might as well make myself look how horrible I feel. I used alcohol activated paints and different eyeshadows and highlighters to make this makeup look. I will be putting this into photoshop later.
Okay....so this is a very simple candid to be in a wedding set. But I somehow like it for the very same reason!
Meet the twins Amber & Neha, cousins of the bride (and obviously, also of my wife). Until this time, people used to recognize them with the mole on Amber's nose. But from this photograph onwards, they will also be recognizable by their different ways of smiling!
:-)
I caught them on the way here, when they were hurrying to see the bridal make-up.
Isobel contracted polio and wore a leg brace and special shoes all her life. She married Evan Robertson and had one daughter Betty Anne. Dorothy married ....Shaver and had two daughteers Dorothy and Pamela. Dorothy drowned in Lake Deschenes just outside Ottawa knocked off a sail boat by a swinging boom. She was pregnant. Winnie scandalized the community by divorcing her first husband and subsequently married an army man, dear sweet Uncle Buzz. They had one son Jimmie who was noit a favourite amond many in the family and is said to have taken Grandad's signet ring with the family crest. Hazel was wilful and a dare devil. which probably endeared her to her father. Stories include her refusing to leave the library where she was reading when the footman asked her to because there was a fire in the kitchen. She is reported to have said,"Well then, put it out." And the time she and her friends (including Eddie Echlin whom she married after a long and happy marriage to my father Joe Clark) went paddling in all their finery in the Rideau Canal after a party at Rideau Hall and all dumped and finally she did scandalize her family when she became the first woman in Ottawa to fly (with a beau Brian Devlin). It was reported in the local paper, the Ottawa Journal, so of course the family found out. The bad thing about it was that her family was in deep mourning after Dorothy's death. Perhaps that was how she mourned - to challenge life. She married Joseph William Greig Clark whom she met at a resort in Muskoka. He was a glamorour returned war her and cut a dashing figure. They had four children, Joe, Pat(Fryer), Cynthia(Steers) and Susan (Gordon). (Cynthia Steers)
INTRO TO THECENTEROFTHENET.COM / LARGE 2400 + STUDENT PROJECT With approximately 650-2400 students, lacking funding and administration experience, I set up and administered a Nginx/Aegir based Octopus/Barracuda platform on an unmanaged VPS for development. Two full time college contracts granted access to students for research and development. Many Chinese teachers were reluctant to assign individual/group projects, lacking resources and technological ability. I created teams, leaders and online groups, known as “evogroups” at thecenterofthenet.com to address that. Different blending learning techniques where applied. Group questions populated a shared FAQ, leaders created support tickets for non-indexed questions, which would be later closed and then added to the FAQ.. Content was analyzed using Thomson Reuters semantic tagging and the Solaris Search module for future intelligent discovery, using what’s related type facets and metrics. All applicable metrics, liked, used, disliked, etc. would be recorded in “MyIQ”. Similar to Napster’s discovery model, where users accessed collections of similar listeners… Intelligent discovery connected users with similar Myiq’s.. Content wasn’t liked and forgotten in a single use cycle. 10 years ago, this was a rare strategy..
This was a complex system. I’m not a programmer; rather a task/form-follow-function orientated developer understanding principles and adapting code or script as needed. Creating a non-hardware version of OLPC targeting vocational, institutional, collaborative learning mixed user literacy environments and other dynamic scenarios was challenging. Targeting digital immigrants with various computer literacy levels in traditional Chinese classrooms, where universities today don’t allow laptops was difficult. Without prior teacher blogs, online lesson plans, etc. . Intensive student orientation was a prerequisite, allowing group and individual video research projects to then be assigned. Within the EMS, project and assignment management with collaboration tools & metrics allowed large classes to receive individualized attention. Additionally, I online final exams were also integrated, with dynamic questions, destroying cheating opportunity. Despite international 2018 EMS adoption, I'm unaware of previous and few modern Chinese schools with such integration.
Hosting abroad under censorship, utilizing domestic api’s was difficult. China blocked my server twice causing midterm server relocation. Drupal 6, under high user load, combined with the local network infrastructure was not scalable. A larger server and team was required to optimize database calls and more. Beyond my individual capability. With a working example, I created promotional Kickstarter campaign videos.
Using Audacity and PowerPoint, 100s of hours were invested in promotional videos. I had to pause development to care for my wife who developed health issues. This entire experience, researching and developing a large scale project would have been difficult in the US. These accomplishments are comparable with Khan Academy's initial work involving 70 Californian students. By the time my wife's health improved, there were significant php/drupal developments. Having no opportunity to update the project, I have instead migrated toward an offline independent Linux based S.E.L.M.S.
20 May 2019 – Building a Societal Contract for the World, Facilitator: Chris Hoenig, Co-Founder, Citizens Alliance
Scene setting: Anthony Gooch, Director, Public Affairs & Communications, OECD
Discussion leaders
Hossein Derakhshan, Journalist, Research Associate, MIT Media Lab
Natasha Friis Saxberg, Deputy Chairman, Foundation for Social Responsibility
Gabriela Gandel, Executive Director, Impact Hub
M. Yasmina McCarty, Head of Mobile for Development, GSMA
Ida McDonnell, Team Leader, Senior Policy Analyst, Development Directorate, OECD
Manuel Muñiz, Dean of the School of Global and Public Affairs; Rafael del Pino Professor of Practice of Global Leadership, IE University, Spain
David Grégoire Van Reybrouc, Cultural Historian, Archaeologist & Author
Friederike Röder, CEO, ONE France
Dennis Snower, President, Global Solutions Initiative
Closing: Jorge Moreira da Silva, Director, Development Co-operation Directorate, OECD, OECD Headquarters, Paris.
Photo: OECD / Christian Moutarde
by Direct_Relief
Procurement Contracts
Expense-PLUS-FIXED-Charge (CPFF) contracts reimburse the seller for allowable charges for performing the contract work plus a fixed charge payment calculated as a percentage of the estimated project charges. The charge is fixed and does not differ with...
Read more about Procurement Contracts
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pictionid61652619 - catalogtravel contract in german english spanish portuguese and french translation - titlearray - filenamemeyer0444.tif--Image from the Henry Cord Meyer Collection-Please tag these photos so that the information will be kept with our Digital Asset Management System---Repository: San Diego Air and Space Museum
Beginning in the 1960s, defense cuts and the contracting of the British Empire “east of Suez” led to the retirement of the Royal Navy’s once-significant fleet of carriers, and the cancellation of the CVA-01 class meant to replace them. This left the RN without a true means of power projection, especially since the RN also lacked surface ships heavier than a light cruiser. Before the last of the RN carriers, HMS Ark Royal, was decommissioned, however, the Fleet Air Arm had already been considering a replacement of the deHavilland Sea Vixen strike fighter with a version of the Hawker-Siddeley Kestrel, which would later evolve into the Harrier. Since the Kestrel/Harrier used thrust-vectoring to give it V/STOL capability, this would allow the FAA to keep a fixed-wing component while still allowing the retirement of the Ark Royal. With the Harrier now available, the RN planned three light carriers, the Invincible-class, to operate both them and helicopters; to avoid the notice of Ministry of Defense budget cuts, they were disguised as “through-deck cruisers.”
Since the FAA would need a more advanced aircraft than either the basic Harrier GR.1 or ground attack specialized GR.3, British Aerospace, which had absorbed Hawker-Siddeley, made a number of changes to the basic Harrier design. The Sea Harrier FRS.1 had an entirely new nose section, with a raised cockpit and bubble canopy for better all-around vision, necessary in a dogfight, since the Sea Harriers would also have to defend a task force as well as undertake strike missions. The nose was also larger and longer than the “bottlenose” GR.3, to accommodate the Ferranti Blue Fox radar, needed to guide Sea Eagle antiship missiles, the Sea Harrier’s other role. Some aluminum parts were replaced by steel to better resist corrosion at sea.
The first Sea Harrier FRS.1 entered service in 1978, going to sea aboard both the purpose-built “Harrier carrier” HMS Invincible in 1981, and the World War II-era light carrier HMS Hermes, which had been retained until the rest of the Invincibles could come on line. The Blue Fox radar left a little to be desired, but since the only air-to-air missile available to the Sea Harrier was the AIM-9 Sidewinder heat-seeker, this was not deemed to be a problem, especially as the Sea Harriers would be equipped with the all-aspect AIM-9L. Both carriers were fitted with “ski-jumps” at the end of the flight deck, which allowed the Sea Harriers to take off with full warloads—something not possible using strictly hover mode.
The Sea Harrier would get its first test much sooner than anticipated, however, when Argentina invaded the Falkland Islands in 1982. With the demise of Britain’s fleet carriers, the Sea Harriers were the only fixed-wing aircraft available to defend the task force heading to reclaim the islands. Despite not being really designed for the job it assumed, the Sea Harrier did exceptionally well, shooting down 20 Argentine fighters for no air-to-air losses. While this was initially attributed to the Sea Harrier’s V/STOL capability, in actuality it was due to the superior training of British pilots, the Sea Harrier’s small size, and the fact that the Argentinians were fighting at the edge of their range.
Despite this, the Sea Harrier was obviously in need of upgrading if it was going to continue in the fleet defense role. After the end of the war, the FAA embarked on upgrading the Sea Harrier FRS.2 in 1988, later redesignating it the FA.2. This replaced the Blue Fox with the far superior Blue Vixen, which allowed the FA.2 to carry the AIM-120 AMRAAM, though it wouldn’t be until 1993 that the AMRAAM reached the FAA. Avionics were also upgraded and an improved ECM package fitted. This allowed the Sea Harrier to finally maximize its potential as a fleet defense fighter.
In the end, however, the Sea Harrier would never get a chance to do this, at least in British service. Though seeing action over Bosnia and Serbia in 1995 and 1999, the MoD decided to retire the Sea Harrier beginning in 2002. The FAA had already ordered the F-35B Lightning II to replace the Sea Harrier in 2012, and the MoD, despite protests from the FAA, saw no reason to perform a necessary mid-life upgrade for an aircraft to be retired. This may have proven premature, as the F-35 has since been pushed back to 2016, leaving the FAA jointly flying RAF Harrier GR.9s, which lack the ability to carry AMRAAMs; the Harrier force was retired completely due to budget cuts in 2009. The only other nation to fly the Sea Harrier is India, which acquired 25 Sea Harrier FRS.1s in 1983. These aircraft are being upgraded to carry the Rafael Derby AAM, but though India expressed interest in acquiring second-hand Sea Harrier FA.2s, this fell through due to India buying the MiG-29K Fulcrum for use on full-size carriers and the US being unwilling to supply India with the AMRAAM.
I'd wanted to do a "Shar" for awhile, and I was happy to see that the Minicraft Sea Harrier came with the colors for the aircraft I wanted to build: XZ457, better known as "Black 14." This aircraft was flown by two pilots during the Falklands War who scored three kills (two Mirage IIIs and a single A-4); two of those kills belonged to Flight Lieutenant David Morgan. Morgan was a RAF Harrier pilot seconded to the Fleet Air Arm, who lacked enough Harrier pilots. Morgan's three victories would make him the top scoring pilot of the war. XZ457 survived the war, was upgraded to FA.2 standard, and was retired in 1995. It is today preserved at the Boscombe Down Aviation Collection.
The Sea Harriers at the Falklands were painted overall gunship gray, to better hide them against the sea; this scheme earned them the moniker "Black Death" from their Argentine counterparts. All other markings were removed or toned down to better hide the aircraft as well, and to keep the Argentinians guessing as to how many Sea Harriers the RN had. It is equipped with two AIM-9L Sidewinders. Aside from some decal shine, I liked how this turned out.
Operational Contract Support Joint Exercise 2016 provides training across the spectrum of OCS readiness from requirements and development of warfighter staff integration and synchronization through contract execution supporting the Joint Force Commander. (U.S. Air Force photo by Staff Sgt. Jonathan Snyder/Released)
Aurora Aksnes (born 15.6.1996), is a Norwegian singer, songwriter and record producer. Born in Stavanger and raised in the towns of Høle and Os, she began writing her first songs and learning dance at the age of six. After some of her songs were uploaded online and became popular in Norway, she signed a recording contract with Petroleum Records, Decca and Glassnote Records in 2014. Aurora gained recognition with her debut extended play (EP), Running with the Wolves (2015), which contained the sleeper hit "Runaway". Later that year, she provided the backing track for the John Lewis Christmas advert, singing a cover of the Oasis song "Half the World Away".
Aurora's debut studio album, All My Demons Greeting Me as a Friend (2016) received generally positive reviews, charting in various European countries and earning platinum certification two times in Norway. Her second EP Infections of a Different Kind (Step 1) (2018) was the first part of a two-part album, while the second part was her second studio album, A Different Kind of Human (Step 2) (2019). Her third studio album The Gods We Can Touch was released on 21 January 2022.
Her music is primarily electropop, folk, and art pop with vocals referred to as "ethereal". She only played piano at the beginning of her career, but later involved herself in percussion and other aspects of music production. In addition to her solo work, Aurora has collaborated with and co-written songs for other artists, including Icarus, Askjell, Lena, Travis and the Chemical Brothers. She has also contributed to soundtracks for several films and television series, including Girls, Frozen II and Wolfwalkers.
She calls herself a "forest person" due to being surrounded by nature and her love to "climb trees", and being "isolated and hidden".[15] She has also shown interest in the ocean since she lived close to the sea, and her parents have a sailboat.[15][16] When she attended school, her sisters—Miranda (currently her makeup artist) and Viktoria Aksnes (currently her costume designer)—worried that she might be bullied due to her eccentric personality and style of dress.[17] Contrary to this, Aurora's classmates asked for more time than she was willing to give, and she instead preferred to spend time in the forest.[18] She also claimed that withdrawing into natural spaces gave her time to philosophize and discover the "power" of her own mind.[19] As a child, she was afraid of people who sought to hug her and disliked such a gesture in general: "I used to be terrified of people who wanted to hug me", she said. "I did not like to be hugged as a child. And I used to be terrified of one of my teachers at school, but then I met him a few months ago, and it was really nice. It’s weird how things change."[20]
At age nine, when she had a better handle of the English language, she began writing songs.[13] She has mentioned being influenced at that time by artists like Leonard Cohen, Bob Dylan, Enya, and the Chemical Brothers.[24][25]
According to Aurora, the first song she ever finished writing was titled "The Lonely Man".[33] Her first work before embarking on her music career was washing a pizza restaurant using a hose.[33] Songs from her early works were written in this early stage of her life.[34][35] Another of her early compositions was "I Had a Dream", which referred to how hard the world can be.[25][23] Although she considered it a "really long and boring song about world peace" she performed it once at her high school's leaving ceremony. The recording of her song "Puppet" (which was originally made as a Christmas gift for her parents) and a video filmed by a classmate of her school performance were uploaded online without her permission (which made her angry),[13][36] and was quickly discovered by a representative of the agency of Artists Made Management, a Norwegian management company, who invited Aurora to visit their office for a meeting in early 2013.[37][38] Aurora initially denied the proposal: "At first I thought no", she recalls, "but then my mum said I should think about the idea of sharing my music with the world because maybe there's someone out there who desperately needs it. And that could actually be a good thing".[36] In a few hours, both songs received thousands of visits in Norway, which earned Aurora some recognition in her country, in addition to a fan base on Facebook.[38][21][39]
2012–2016: Running with the Wolves and All My Demons Greeting Me as a Friend
Aurora self-released the song "Puppet" as her debut single in December 2012 under her birth name.[40] Aurora then set about working on her songwriting for around a year before giving her "first proper live performance" at Nabovarsel Minifestival in Bergen. About similar performances to that one she said: "I don’t think I was born to be an entertainer, I used to really be afraid of playing live on-stage. Obviously it’s terrifying! But now I’ve learned to, and I’ve learned to not focus on myself, cause it’s not about me. Now I only think about giving everyone the best experience. A magic moment."[20][41] Her second single, "Awakening", followed in March 2014, which became the first one released under the stage name Aurora.[42] Her third single "Under Stars" was the first one signed to her labels Glassnote Records and Decca Records, released in November 2014. Both songs established her as a "Promising Artist" of 2015 and attracted the attention of critics in Europe and the United States, especially for the artist's voice. Her next single "Runaway" was released in February 2015, which gained attention from singers Katy Perry and Troye Sivan.
Her next single, "Running with the Wolves" was released in April 2015, and its music video was released two months later. The song gained attention from BBC Radio station.[49] It was released alongside the announcement of the release of her debut EP Running with the Wolves.[50] Released in May 2015 on digital platforms, the EP received positive reviews from online music blogs and national press. To promote the EP, she appeared at summer festivals such as Way Out West, Wilderness, and Green Man Festival. Aurora's next single, "Murder Song (5, 4, 3, 2, 1)", was released in September 2015 and has received continued support in the national press, on national radio, and popular online music blogs.[51] Aurora also performed at the 2015 Nobel Peace Prize Concert,[52] saying that she and her family "have been following it from the living room at home for many years", and "it is an incredibly beautiful thing to be a part of."[53] Her presentation was praised by the concert's host Jay Leno.[54] She has played a sold-out headline show in London and supported Of Monsters and Men at Brixton Academy in November 2015.[55] Aurora recorded a cover of the Oasis song "Half the World Away" for the 2015 John Lewis Christmas advert.[56] Her next single, titled "Conqueror", was released in January 2016, and a music video was released the following month. Before the single release, the song appeared in the soundtrack of the videogame FIFA 16.[57]
In early 2016, Aurora featured on British band Icarus' song "Home" and released a cover of David Bowie's "Life on Mars" for the HBO Girls television series.[58][59][60] After a prolific start with her first musical productions, she released her debut album All My Demons Greeting Me as a Friend in March 2016,[61] receiving generally positive reviews from critics. After releasing the album, Aurora embarked on an international concert tour beginning in Australia that lasted more than a year.[62]
On 14 March 2016, Aurora made her American television debut on The Tonight Show Starring Jimmy Fallon, performing "Conqueror", which was later performed on Conan.[63] On 25 July 2016 she performed her cover of "Life on Mars" on The Howard Stern Show. The following night on 26 July, she performed "I Went Too Far" on The Late Show with Stephen Colbert, which was later released as the album's fifth single. The album's sixth and final single "Winter Bird" was released on 20 December. Aurora became the first in a series of emerging artists to partner with YouTube for a creative content distribution program,[64] she also starred in her own short documentary directed by Isaac Ravishankara and produced by The Fader, titled "Nothing is Eternal."[65]
2017–2019: Infections of a Different Kind and A Different Kind of Human[edit]
When All My Demons Greeting Me as a Friend debuted, Aurora said that it was "the first album of many" she was planning to release.[66] As of 12 May 2016, after coming back from her European tour, the singer announced that she was ready to begin writing and producing more material, which will form her second studio album. She stated in a Facebook event that she has fifteen demo songs and has written a thousand songs/poems. Her next project consisted of covering the song "Scarborough Fair" for the Brazilian telenovela Deus Salve o Rei and filming the opening sequence for it.[67] Between April and August 2018, the singer released two singles, "Queendom" and "Forgotten Love",[68][69] which would be included in the first half of a two-part album divided into "steps".[70] Aurora recorded the album during her stay in France in January of that year, and the production included the producers Askjell Solstrand, Roy Kerr and Tim Bran, with Aurora herself also involved in this aspect.[15] Some of that new material was anticipated in live performances, including festivals like Lollapalooza and Coachella.[71][72]
While maintaining some of the themes and stories of the previous album, this production would mark the first time that Aurora has incorporated themes of politics and sexuality into her music.[73] Most of the new inspiration came from the interaction that she had with her fans during her first tour.[74] The music video for "Queendom" saw its release in May 2018, which presented themes of inclusivity and empowerment of "the underdog", particularly her LGBT fans. In the video, Aurora kisses one of her female dancers to convey that "every type of love is accepted and embraced" in her "queendom".[75]
On 28 September 2018, the singer released the first half of her second album on EP format,[70] under the title Infections of a Different Kind (Step 1). The EP features eight songs,[76] and the title itself comes from the eighth track included on it, which Aurora declared as "the most important song I've ever written".[77] A Different Kind of Human (Step 2) followed on 7 June 2019, with lead singles "Animal" and "The River".
On 12 April 2019, Aurora contributed with co-writing and vocals in the songs "Eve of Destruction", "Bango", and "The Universe Sent Me" for the Chemical Brothers' ninth album No Geography.[78] On 4 November 2019, the soundtrack to the Disney film Frozen II was released, with Aurora providing backing vocals on the song "Into the Unknown". On 9 February 2020, she performed the song on stage as part of the 92nd Academy Awards alongside Idina Menzel and nine singers that dubbed the song in their respective languages.[79] She released her solo version of "Into the Unknown" as a standalone single on 3 March 2020.[80]
Aurora released the single "Exist for Love" in May 2020, which was presented as her first love song ever with a self-directed music video.[81] The song was made during the COVID-19 lockdown in collaboration with Isobel Waller-Bridge, who composed the string arrangements.[81] It was the first glimpse into what she described as "a new era" in her career, with the upcoming release of a new album.[82] Under the musical direction of Gaute Tønder, she recorded the title track of the Christmas miniseries Stjernestøv [no] for Norwegian public broadcaster NRK; such contribution was made known in mid-November of the same year.[83] She also provided her vocals on the songs "Vinterens Gåte" and "Det Ev Ei Rosa Sprunge" (Norwegian version of the German song "Es ist ein Ros entsprungen"), from the album Juleroser by Herborg Kråkevik, in which the Bergen Philharmonic Orchestra and other Norwegian artists.[84] She also re-recorded her track "Running with the Wolves" for the animated fantasy and adventure film Wolfwalkers.[85]
In early 2021, she released five compilation EPs in celebration of her song "Runaway" receiving over 100 million streams on Spotify: For the Humans Who Take Long Walks in the Forest, Music for the Free Spirits, Stories, For the Metal People and Music for the Fellow Witches Out There throughout February.[86] On 7 July 2021, Aurora released the single "Cure for Me" as the lead single for the forthcoming album.[87] On 14 October, "Giving in to the Love" was released as the album's third single, and The Gods We Can Touch was announced for release on 21 January 2022.[88] Aurora featured in Sub Urban's song "Paramour", released on 19 November as a single for the latter's upcoming debut album.[89] She also released the song "Midas Touch for the soundtrack of the third season of the Amazon Prime Video Hanna series. To promote The Gods We Can Touch, she announced a concert tour throughout the United States and Europe (with Sub Urban, Sei Selina and Metteson as supporting acts) in 2022.[90] "Heathens" was released on 3 December 2021 as the album's fourth single, and a virtual concert film was announced, which released exclusively to Moment House on 25 January 2022, a week later after the album's release.[91][92] A collaborative event with the video game Sky: Children of the Light was released on 17 October 2022, which included a virtual concert that premiered on 8 December after The Game Awards 2022 and reoccurred from 9 December until 2 January 2023.
Publisher Gary Durr and Associate Editor Kristin Brooks discuss the day's strategies at the new Contract Pharma booth.
Return to Contract Pharma
Last year, 162 people processed 57-tons of packaging material. Since then, our partnership has expanded to include a sort of production totes and packaging foam.
Paul S Winson have won the contracts for services 3 and 13 from Centrebus. These routes are run on behalf of Leicestershire CC.
Acquired for the routes is Enviro200 JB51 BUS, which is duly seen here on route 3.
Alternative rock band DIE MANNEQUIN from Toronto, Ontario performed a sold out show at RIOT FEST 2015 Music Festival in Toronto. In picture: CAROLINE "CARE FAILURE" KAWA,KEVVY MENTAL,KEITH HEPPLER,J.C. SANDOVAL