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Connections 2020 brought together 900+ parents, alumni, faculty, staff, and friends to celebrate Lab's strengths and the power of philanthropy. The event raised over $1.6M for financial aid and professional development.
(Photo by Jean Lachat)
Our planet's location in the cosmos reflects on our position in nature. The darker the skies, the brighter the light.
Clear Skies 💫
Instagram: cap10pixel
Cap10pixel.com
Greece, Crete, Kedrodasos
Canon EOS R astromodified
Sigma Art 40mm f1.4
MSM NOMAD Star Tracker
L444 LOY
Mercedes Tourismo M/3
Loyalty Connections of Margate
Location: 02 Arena, London
Date: 29/01/2024
Set of Church Promo Materials - These include invitation cards, connection cards, and prayer requests.
Watching these two little girls, girls who didn't know each other at all, just go up to each other and begin playing, just felt like the essence of life. Of how things should be. No walls, no disconnection, no fear.
I want that in my life. Play, and openness, and reaching out.
I want the waves in my life to bring as much joy as sorrow.
for daily challenge attachments and connections 20th march.
I decided to do my belts because well if they weren't connected then my trousers would fall down :p althought i don't wear them that often anymore.
Connections 2020 brought together 900+ parents, alumni, faculty, staff, and friends to celebrate Lab's strengths and the power of philanthropy. The event raised over $1.6M for financial aid and professional development.
(Photo by Jean Lachat)
Unfinished sketch on the reverse
In connection with:
Juan Luna (1857-1899)
The Old Man
Rome, undated, c . 1878 - 1885
signed (lower right)
charcoal on paper
23 1/2” x 18” (60 cm x 46 cm)
Opening bid: P 1,000,000
Provenance:
Heirs of Don Alejo Vera
Private Collection, Manila
Lot 83 of the Leon Gallery Auction on 10 June 2017. Please see www.leon-gallery.com for more information.
In 1878, Juan Luna decamped from Spain, feeling that he had learned all that he could from the Royal Academy of the Fine Arts of San Fernando in Madrid — and to follow his professor, Alejo Vera y Estaca (1834 - 1921) to Rome. Alejo Vera had, in fact, “obtained a position at the newly created ‘Spanish Academy’ in Rome” and furthermore, had quite a few portrait commissions awaiting him. He recruited his star pupil Luna to join him in the Italian capital.
From Vera, Luna would learn a fascination for Pompeii (many of these paintings from this locale are now at the Philippine National Museum.) More importantly, he would be influenced by the refined historical style of his mentor, that would allow him to eventually best the European salons’ criteria for classical themes with his works “Death of Cleopatra” and “Spoliarium.” Luna would take up residence in Rome at 33 Via Margutta, in the artist’s colony in that address. His neighbors and friends were other artists and they would sketch and draw the many colorful characters in this bohemian neighborhood.
This charcoal portrait of the old man is signed, “Luna, Roma” and at the top catalogued with “Juan Luna y Novicio, Pensionado”, the usual description to works submitted by Luna as part of the conditions of his scholarship from the Manila Academia. (Luna’s scholarship provided for a year at the Madrid academy and a second year anywhere in Europe; in Luna’s case, Rome.) More interestingly, on the reverse, is another unfinished portrait of a gentleman and beneath it the words “Propiedad de mi abuelo Alejo Vera” (Property of my grandfather Alejo Vera), and an unreadable signature, P —. The sketch’s features happen to have a resemblance to Vera.
An equally tantalizing connection is to a photo of Luna, circa 1889 to 1890. By this time, Luna had become the
oast of the European salons. Luna arrived in Paris in 1885, fresh from his triumph for ‘Spoliarium’ at the Madrid exposition the previous year. He had painted that opus while in Rome, where he had spent over 5 years soaking in the atmosphere of the Eternal City and perfecting the vivid style that would make him famous.
In the photograph of his studio is ‘Aesop’, c. 1881, hanging between an elaborately-curtained door and a suit of armor. The original ‘Aesop’ (c. 1638) was commissioned by King Philip IV of Spain for his hunting lodge but by the 1800s hung in the Prado, where Luna would have gone to study these and other works by Diego Velasquez.
To the left of Luna is another painting of the Roman wedding ritual, ‘Hymen o Hymenee’, created in 1889 and entered in the Universal Exposition of Paris of the same year. (It received a bronze medal.)
On the easel is a portrait of a white-haired and bearded gentleman. It is a finished work, having been set into a ornate frame. One can read his signature on the bottom right, less readable is a longer dedication, which suggests this painting may be one of a friend.
The work at hand is perhaps a study for this portrait; united by Luna’s verve and painstaking eye for detail.
-Lisa Guerrero Nakpil
Airport Connections of Manston, Thanet, Kent, K792OTC.
This vehicle is a Plaxton Premiere Volvo B10M-62 new to Wessex Coaches FlightLink of Bristol, Avon as 162: www.flickr.com/photos/45726467@N02/15002042697/, aquired in 2008 ?
If anyone knows anymore about this vehicle do tell us!
Delta Connection (Operated by Endeavor Air) flight 5181 arriving at Raleigh-Durham International Airport (RDU) from Newark Liberty International Airport (EWR). CRJ-900LR.
© Lightning Photography/Lee Smith. Please contact me if you would like to use this image for any purpose. Any unauthorized usage will result in legal action.
Took some portraits of a good friend and his wife. They rent a house on a farm (fishing farm), such lovely grounds/landcape. These were taken by my mates wife, I seem to have a great connection with almost all animals. I would just love to work with animals... my dream job!
This horse is a female and she is pregnant :) which made the experience all that more enjoyable and pleasing. She would just not leave me alone and was loving all the attention.
Nikon D700 | 50mm f1.8D | ISO200 | f2.8 | 1/100th
We have a soul connection. He is very aware of humans and tries very hard to communicate with his eyes.
Sony RX100 V
Connections 2020 brought together 900+ parents, alumni, faculty, staff, and friends to celebrate Lab's strengths and the power of philanthropy. The event raised over $1.6M for financial aid and professional development.
(Photo by Jean Lachat)
Connections can mean a lot of things. Here I'm showing how I connect with my Family and Friends with Facebook. Also note the old trusty phone sitting there, and the curly cord that connects my desk light to the electricity.
This is my contribution to the Swedish photo project Fotosöndag (Photo Sunday). This weeks theme is "kontakt" (contact).
Students of color, the LGBTQ community and female students convened in Reeve Union Ballroom April 2 to hone their networking skills with professionals at Creating Connections: Empowering through Networking, a Social Justice Week event hosted by University of Wisconsin Oshkosh Career Services.
Over 1,200 Salem-Keizer high school students practiced job interview skills and got feedback from local business leaders at Career Connections on March 3, 2016, at the Salem Convention Center. The annual career training for students is a partnership between Salem Area Chamber of Commerce, Keizer Chamber and Salem-Keizer Public Schools.
This official Salem-Keizer Public Schools' photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, e-mails, products, promotions that in any way suggests approval or endorsement of Salem-Keizer Public Schools.
Connections 2020 brought together 900+ parents, alumni, faculty, staff, and friends to celebrate Lab's strengths and the power of philanthropy. The event raised over $1.6M for financial aid and professional development.
(Photo by Jean Lachat)
L to R: Susan Clark, Sally Rhys, Kathi Haugen, Jenny Helms, Richard Rosen, Carmen Milashouskas, Kirstin Litchfield, Karen Pesznecker
Connection
By Peter S. Quinn
My heart is a connection
To you and to me
Together in the beat
That makes our love free
These feelings like light
In rising daybreak
Every touch of this relation
That we in love shall make
Your heart is a connection
So much and tenderly
That I feel here inside me
When our love is free
Like dreams flowing between
In their everlasting
Only touches and nothing seen
In love caringly trusting