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At Fitness Connection you'll find all of the latest cardio and strength training equipment along with a dynamic group exercise program that includes classes like yoga, group cycling, mixed martial arts, muscle endurance training and pilates.

 

We have the largest gym in Raleigh with 65,000 square feet containing a junior Olympic size pool, sauna and steam rooms, over 150 pieces of cardio equipment, over 120 weight machines, a cardio cinema, free weights, kids club, full court basketball, and a personal training staff. Most importantly, you'll find an energetic, supportive environment full of all kinds of people who are committed to helping you achieve your goals.

Sculpture :

Growing Connections

 

Artist :

Kaarina Kaikkonen

Finland

 

Location : The Lath House, VanDusen Botanical Garden

 

Media : Recycled Clothing

 

As with many of her other works, Finnish artist Kaarina Kaikkonen installed this piece as a site-specific installation. Working in unusual spaces both indoors and out, these in-situ works are made by assembling recycled clothing in new configurations. The garments suggest their human shape and former use, now transcending their use as fashion or protection.

 

A bit tone mapped by HDR, just to bring up the colors as the clothes colors are fading a bit.

Operated by: Delta Connections

Manufacturer: Bombardier Model: CRJ-900LR

Delta Connections regional plane seen on the tarmac at ATL

 

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Please do not use this photo or any part of this photo without first asking for permission, thank you.

 

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TheTransitCamera on Blogger and YouTube

The word takes on a new significance when you're travelling! Thank goodness my connections worked OK on my way back to Houston!

Celtic Connections 2014 International Burns Concert - Donald Shaw, Capercaillie.

Credit: James Carney

Celtic Connections 2014 International Burns Concert - Julie Fowlis.

Credit: James Carney

  

If you like this pic, don't forget to fave or to invite it into one of your lovely groups ;-) Thx!

Santa Fe Plaza, New Mexico, USA

Thought it was interesting, so I grabbed the opportunity.

While I don't think anyone riding the Empire Builder, Amtrak train #8, missed there connections in Chicago upon their arrival, my shot of train #8 just about became my missed connection and the end of the first day before it even began.

 

As I have alluded to a few times, now in my photographic journey of CP 2816, the best laid plans of mice and men often go awry. After eating supper and walking back to my hotel room in Red Wing, MN. I set about making the plan for the next days chase down the CPKC River Subdivision.

 

I had already mostly made my mind up earlier in the day after finding what I had convinced myself was the "money shot", even more than a shot along the Mississippi River, that I was going to just start the morning in Red Wing and not try to head farther north. Partially due to the fear of getting stuck in traffic in a major city, even on a Sunday morning, and partially due to fear of if I did not arrive at my "money shot" early, I might not have a seat at the table.

 

Sitting in the bed I went over test shots and locations stopping to cross check against the SunCalc app, to where the sun would be for what time I guessed the train would be a each location. As I went through the locations, the "chosen" ones were marked on Google maps with a point and name for quick directions, mileages, and times to aid in the chase. With a quick check of the CPKC schedule that was published and the Amtrak timetable, it was fairly obvious that Final Spike Steam Tour would follow the Empire Builder out of St. Paul. With that my mind was made up that Red Wing was the right choice, and I headed to bed for 5 A.M. CST departure from the hotel for food and head to the first spot, or so I thought.

 

Well as soon as I woke up, the wheels started turning in my brain, and that's when things started to go awry. I had visited a spot in Cottage Grove the day before not far south of CPKC's St. Paul Pig's Eye Yard where the 2816 spent the past few days. While it was a ok shot I had dismissed it for reasons mentioned above, but as I got dressed, packed the bags, and checked out I couldn't help but think that one more shot would be nice. So then and there "the plan" was ditched and I raced north US-61 for Cottage Grove.

 

After arriving into town, I was a little more relieved to see traffic was relatively light. A quick stop to grab breakfast and off to the spot I had located to wait the arrival of 2816. As I got close to my chosen location along West Point Douglas Rd. South, the shortest way in was blocked by a westbound CPKC train with a pair of CSX ES40DC's stopped at a red signal at the north end of the siding on number one main. Being forced to take the long way around I arrived to find no one else around in the paved driveway leading to nowhere and shortly after the westbound departed.

 

As I sat and waited for the next few hours other railfans arrived all looking for the same thing CP 2816. The day before a friend mentioned to me as I was driving around St. Paul, that while CPKC owned one of the two tracks between St. Croix and Hoffman St. it was all dispatched and controlled as two main track between the two points by BNSF. Now chalk it up to my lack of knowledge of the area, my brain just not paying attention or just, the fact that I was sure BNSF would not let CP 2816 run down the track they owned, I did not give the info much thought.

 

As time pressed on and grew near, a BNSF westbound passed heading to the city, and another westbound CPKC pulled up and paused briefly before heading for Pig's Eye Yard. All the while conservations were started and continued with other railfans as we all waited. During this entire time I thought it odd that all we were seeing were westbounds and in the distance I could hear numerous eastbounds could be heard on the BNSF owned number two main.

 

As time went on conservations started to change to are we in the right place? No one in our group could really answer that question, as none were from the immediate area. A quick call to my friend that pointed out the day before the operations on the double track, but split line, finally opened my eyes to the real possibility that, we might be in the wrong spot. Other checks on Facebook groups, did not yield and suggestions as to what track CP 2816 would take. Knowing we had not yet seen the Empire Builder I decided to stay put, but things were about to take the now obvious turn south. Oh where are you mice and men?

 

The time was quickly approaching 08:00 and Amtrak time, and the scheduled time for the Final Spike Steam Tour, to pass. More frequent checks of Facebook groups, finally revealed that CP 2816 had permission to leave the yard and was already past Newport. Again maybe it was my lack of knowing the area, or just I was 100% convinced that the steam train was going to head east on the CPKC owned track, I knew that if it was past Newport, it was on the move, but did not realize how close Newport was to Cottage Grove.

 

Finally at 09:05 CST someone yelled "Headlight" followed by "Amtrak", and we all headed for the edge of the road and took our positions for a shot. Wasting no time Amtrak train #8 The Empire Builder flew past the three story Norris Square Senior living community in the background with a pair of new ALC-42 locomotives lead by AMTK 338 & 331.

 

The joy of being able to photograph another pair of Amtrak's new locomotives in there classy paint, and brilliant bright sun, very, very quickly disappeared as i dropped the camera down from my eye, and to my horror noticed that before the last Superliner passed, the BNSF East Hump dispatcher had already lined a westbound train in the minute or less than #8 had cleared the westend of the siding. It was at that moment, I knew my last second decision might have just cost me the entire chase down the River Sub. along the Mississippi River.

 

I quickly told the other railfans of what was happening and we all scattered like cockroaches when a light is turned on in a dark room. As I speed along the road, Google maps told me the fastest way to Red Wing was on the east side of the Mississippi River on along WI St. Rt. 35. Taking advantage of every available MPH I could without getting too crazy, as I approached the Diamond Bluff area I heard train #8 call into the station at Red Wing. Phewwwwww, I managed to almost beat #8, but more importantly the steam train was still behind Amtrak. As I started across the east side of the Mississippi the Empire Builder called out departing Red Wing, and within another ten minutes, I arrived to my "money shot" and to my relief, I was the only one there.

 

The wait was not long standing across from the G.A. Carlson lime kiln, before CP 2816 came along (flic.kr/p/2pRfQfz) and the chase was on.

At Fitness Connection you'll find all of the latest cardio and strength training equipment along with a dynamic group exercise program that includes classes like yoga, group cycling, mixed martial arts, muscle endurance training and pilates.

 

We have the largest gym in Raleigh with 65,000 square feet containing a junior Olympic size pool, sauna and steam rooms, over 150 pieces of cardio equipment, over 120 weight machines, a cardio cinema, free weights, kids club, full court basketball, and a personal training staff. Most importantly, you'll find an energetic, supportive environment full of all kinds of people who are committed to helping you achieve your goals.

There has been a church on this site since Saxon times. The original building was probably built of wood, but this was succeeded by one of stone by the time of the Domesday survey in 1086 AD. It was probably built of ragstone and tufa both of which occur locally, some of the stone being reused for the construction of the present building dating from the 13th & 14th centuries. Much work was carried out during the 19th century, the north aisle being added in 1824, the south aisle in 1856, and the east wall of the chancel being rebuilt in 1883/4. The porch dates from the 15th century, and was moved to its present position after the addition of the south aisle.

 

Much of the north wall of the chancel beyond the choir seating is taken up by the Style monument, which was erected by Sir Thomas Style in 1626 in memory of his parents Oliver and Susan Style. Oliver Style was the son-in-law of John Bull. Oliver Style (1542 – 1622) purchased Wateringbury Place and lived there until his death at the age of 80 in 1622. He was the son of Humphrey Style, Charles Stuart’s cupbearer, whose memorial brass remains in Beckenham parish church. The figures on the monument have some of their old colour still left; that of Oliver Style is in a scarlet and ermine robe, Sir Thomas being dressed in armour. An extraordinary figure on this tomb is that of a partly cloaked skeleton with an angel, under an arch and among coloured flowers and cherubs, with the words: “death to me is an advantage; all men must die”, a good enough philosophy for skeletons! A ledger stone in memory of Sir Thomas Style has been moved from the chancel to the floor of the tower, and may be seen on request.

 

The vestry, which is entered from the north side of the chancel by a Tudor door, was built in 1838 at the expense of Alderman Matthias Prime Lucas of the City of London, who succeeded the Style family at Wateringbury Place, and whose portrait by Sir David Wilkie RA is in the Guildhall Art Gallery. The vestry is thought to be the largest of any in a Kent parish church.

 

Members of the Lucas family occupy the vault beneath the vestry, and theirs are the memorial hatchments displayed on the walls of the nave. The vestry also contains a memorial tablet to that well known and much loved priest Canon Livett. Fixed to the tablet is a piece of carved Norman stone, and the inscription reads: “This stone from the Norman east front of Rochester Cathedral is placed here in memory of Canon G.M. Livett BA, FSA, vicar of Wateringbury 1895 – 1922”. It was presented to him on completion of the restoration of the west front of Rochester Cathedral, during which he discovered the foundation of the east end of the Saxon Cathedral. Canon Livett was the first President of the Kent Archaeological Society.

 

A memorial board has now been affixed to the wall above the fire place in the vestry. It was once sited in the old school building on Red Hill before the school moved in 1976 to new premises in Bow Road, and was unable to house the memorial. It is unique in recording the names of all the former pupils of the school who served in the Great War of 1914 – 1918, as well as of those who were killed in the two Great Wars. It is included on the national list of war memorials which is held at the Imperial War Museum in London.

 

The east end of the north aisle of the nave is occupied by the Chapel of St. George, and contains memorials to those from the village who served and died in the two world wars of 1914 – 1918 and 1939 – 1945.

 

The organ is placed on the gallery at the west end of the nave. It was acquired from a Methodist church in Nottinghamshire and erected here in 1893, the munificent gift of Mr RH Fremlin & Mr W Jude, Churchwardens at the time. The organ was built by the renowned firm of Norman & Beard of Norwich, and was originally pumped by hand. It is a two-manual instrument, the great and swell organs, with a fine selection of stops ranging from trumpet to oboe. The largest pipe is 16 feet long. The organ was renovated in 2010.

 

The gallery replaces an earlier one, which was known as ‘the singing gallery’. It was much lower and extended further east than the present one which was constructed out of the older one. The old gallery had been used to house the church band, which accompanied on various instruments the singing in the church.

 

A feature of the nave is the millennium banners, which hang on and under the gallery. These were made to commemorate the millennium year by the many organisations in the village and exemplify the richness of village life. Descriptions of the various designs are given in an explanatory booklet which is kept in the church.

 

The light wood screen built at the west end of the north aisle of the nave conceals a kitchen and servery from which delicious refreshments are served after many services, social functions, and entertainments. Behind the kitchen, there is a choir vestry and lavatory. These were all built in the millenium year.

 

The lofty tower was built in the 13th century, and is therefore the oldest part of the present church. It contains a peal of six bells. These consist of five trebles tuned to G,F, Eb,D & C. The tenor bell is tuned to Bb. The bells were rehung with ball bearings in 1950. The present spire which is clad in cedar shingles, was restored in 1886, after having been struck by lightning and destroyed by fire on 28th February in that year.

 

The weather vane is dated 1832, and has the initials of the two Churchwardens of the time: JW & RH. These stand for James Woodbridge JP who lived at The Lodge (at that time Wateringbury Lodge), and Richard Harris.

 

The church possesses a fine light of Victorian stained glass installed behind the altar, in what is thought to be a 14th century stone window. It is a memorial to Henry Stevens who was Vicar of Wateringbury for 57 years, and who died in 1877. Unfortunately the inscription is carried across the three lights that make up the window, the right hand one of which reads: “this parish died on 22nd October 1877”, which is certainly not true! The oak eagle lectern was also given in memory of Henry Stevens, and by his widow.

The windows at the east and west ends of the south aisle, and at the west end of the north aisle of the nave were moved from the nave when the aisles were built and the church extended in the 19th century. Much of the ancient glass was destroyed in the great storm of 19th August 1763, and apart from those mentioned, the rest were destroyed or seriously damaged in the blast from a Doodle Bug (V1 rocket) which landed in the grounds of Wateringbury Place at 7.25 pm on 24th August 1944. Fortunately this did not damage irreparably the very beautiful window of St. Francis on the north side of the nave. This window is a memorial to Adele Violet Crofton, whose face at the age of 8 is that of the angel in the window. Behind the angel is the Adele Crofton Rose, grown by George Dickson of Ulster in 1928, and awarded a Gold Medal at the Royal Rose Society’s Show.

 

Mrs Crofton was known as Robin by her friends, and one sits on the hand of St. Francis. The window features seven robins, seven fishes, and seven rays of light coming down from the Holy Dove. There are seven birds about the Saint, six swallows and the Holy Dove. This is because Adele was the seventh child of a seventh child. Adele Crofton’s ashes are buried in the grave of her parents which is in the top left hand corner of the churchyard, adjacent to the gateway from Wateringbury Place.

 

The font at one time stood at the west end of the nave, in the centre beneath the gallery. Its removal to the present position necessitated the removal of a number of pews, and the careful tiling of the area to match the existing tiling by the south door. The font itself is of ancient stone cut to an intricate shape. At one time it was decoratively painted, traces of the paint being visible until recent times. It is thought that the colour was removed at the time of Cromwell.

 

On 1st June 1915 the font was used for the Christening of Godfrey William Style, son of Colonel Rodney Charles Style of Wierton Grange, Kent, and of the family with long connections with Wateringbury. Col. Style gave a cheque in gratitude to the Vicar, the Revd. CM Livett, who was able to commission the making of the font cover. This was beautifully made by Cecil French to the Vicar’s design described as ‘unpretentious but suitable’. The cover was refurbished in 1997 by Ron Buchanan.

 

The ornate four-branch chandelier over the font was the gift of the Rolfe family of Danns Lane. It was restored in December 2001 by Ted Vincent.

 

The porch is the only part of the church to be roofed with tiles, the church itself being roofed in slate. These are Kentish peg tiles. The porch was rebuilt in its present position after the construction of the south aisle to the nave in 1856, the old material being reused for the purpose. The old square headed windows of the porch date from the 15th century. A plaque records the receipt of a grant of £30 in 1883 by The Incorporated Society for Buildings & Churches, for “enlarging and restoring this church”; and adds that “all the seats are for the free use of the parishioners according to law”.

 

The church is set in a churchyard, which is bordered to the west, north and east, by the grounds of Wateringbury Place, and to the south by the A26 road to Tonbridge. The churchyard now incorporates the site of the village pound, in which at one time stray animals were impounded. The village war memorial now occupies the approximate site of the pound, and was moved there from the Wateringbury crossroads in 1978. Though the churchyard is full it has not been closed for burials, and is used for the burial of ashes.

 

The churchyard contains a number of interesting memorials, five of which are listed as being of historic interest. That of Sir Oliver Style which is placed just outside the south door of the church, is listed Grade IIa. It was restored in 2002 at the expense of the English Heritage and a number of other Conservation Charities. It is a memorial to the Sir Oliver Style who died on 12th February 1703, and who was the British Consul in Smyrna (present day Izmir) at the time of a great earthquake in which over 4,000 people died. He was at dinner at the time, and survived by throwing himself under the table.

 

Not far from this memorial stands a sundial which was made in Wateringbury in the 18th century by Thomas Crow, the inventor of the octant. The octant was the navigational instrument which preceded the sextant. The sundial originally had a brass face with four dials showing the local time for noon in many cities of the world, the month, hours, and Greenwich Mean Time. Unfortunately the face was stolen some years ago, but a new one, though with less information, has recently been made by Mike Allen of Larkfield. The Crow family tomb is sited near the east boundary of the churchyard.

 

t is known that the yew tree on the west side of the porch, was planted in 1597, and is therefore over 400 years old. Its age was the theme for many events held by the church in 1997, when members of the congregation wore sweatshirts embroidered with a yew tree motif. In that year the Wateringbury Local History Society gave and planted another yew tree in the churchyard, which it is hoped will still be flourishing 400 years from now.

 

wateringburychurch.org.uk/history/

Presidential Candidate 總統候選人

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Tianliang Ma

 

~ a Taiwanese social reformer, philosopher, photographer and film director

 

“Touching Fairness and Justice”

  

馬天亮

 

~ 臺灣的社會改革者,哲學家,攝影師,和電影導演

 

《感動的公平與正義》

  

TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.

  

SUMMARY

 

TianLiang Maa is a naturalist, occultist, Buddhist and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.

  

Early Life and Record of Genealogy

 

TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.

 

Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa

 

In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.

 

In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.

 

Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.

  

Early Career

 

In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.

  

Study Abroad and Immigration into the United Kingdom

 

In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013

www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.

  

PHILOSOPHICAL VIEWS

 

Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.

 

Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.

 

During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?

  

FAIRNESS and JUSTICE

 

As TianLiang Maa’s (馬天亮) saying are:

 

“Touching Fairness and Justice”

 

Feel good about themselves, but do not know the sufferings of the people...

Who can get easy life like them?

What is profile of modern society?

What type and style is truly solemn for this society identify?

Where “the characterization” is? Who can see? Did you see it?

 

《感動的公平與正義》

 

自我感覺良好, 不知民間疾苦...

誰能得到安逸的生活如同他們一樣?

這是個什麼樣子的社會?

這個社會認定什麼樣的類型和風格是真正莊重的?

「特徵」在那裡?誰可以看到?你看到了嗎?

  

Jurisprudence and Political Philosophy and Perspectives

 

Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.

 

According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.

 

The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.

 

Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.

 

Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.

 

In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.

 

In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.

 

No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.

 

The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.

 

Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.

 

Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.

 

The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.

  

Developed a Technique for Abstract Photography and Abstractionist

 

In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.

  

Photographic Exhibitions

 

TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.

一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展

 

TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.

馬天亮『光影』攝影特展(個人展32場)1983〜1985年.

 

Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.

  

Modernization in the Modern Abstract Arts of Taiwan

 

Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.

 

In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.

  

Became an Author and a Scholar

 

In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Maa was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.

  

Authorship

 

Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.

  

Became an Academic and Film Director

 

Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.

  

Director Works:

FILMS:

Experimental Film “New Image for the Spring” © 1982

Documentary Film “Rayonnisme” © 2011

“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)

 

FASHION SHOWS:

New Image for the Spring of Shapely Models International © 1982

High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982

 

ART EXHIBITIONS:

The Cadillac Club International Fine Arts Exhibition © 1981

The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981

  

Musician Work:

MUSIC COMPOSITION:

Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.

  

PHOTOGRAPHIC ALBUMS:

Portrait and Landscape in France © 2000

Portrait and Landscape in Scotland © 2001

Portrait and Landscape in England © 2009

Portrait at Queen Mary, University of London © 2010

Rayonism of London © 2011

Portrait at The University of Nottingham, United Kingdom © 2011

Snowy London © 2012

Portrait at King's College London © 2013

  

BOOKS:

Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.

“Album of the Cadillac Club International Fine Arts Exhibition” © 1981

“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981

“Album of New Image for the Spring of Shapely Models International” © 1982

“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982

“Romantic Carol” © 1982

Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985

新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985

New version of scenario original “The Soul's Sentimentalizing” (to be published)

「曾經輝煌到頂天立地」 “The Indomitable Spirit Was Brilliant to Upright” (individual biography, to be published)

“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)

「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)

  

Research Interests:

 

University of Oxford

Research Studies in Archaeology:

Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.

 

National Taiwan University

Graduate Certificate,

Graduate Institute of Electrical Engineering:

Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.

 

University of Glamorgan

M.Sc. Course,

Master of Science in Real Estate Appraisal:

Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.

 

National Sun Yat-Sen University

Postgraduate Certificate,

Postgraduate Studies in Computing:

Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.

  

Associations:

 

Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)

 

Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.

 

Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.

 

On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會 in Taiwan. near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...

 

Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.

  

Honours:

 

Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.

中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.

 

On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.

  

Careers:

 

Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:

Academia,

Teaching and Research:

business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.

www.facebook.com/stlra/info

教學與研究:

企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ,視覺藝術和影片製作。

 

Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:

consultants of immigration, translations, and legal services.

www.facebook.com/elcits/info

永生移民顧問翻譯服務社的移民諮詢顧問和翻譯:

移民事務,翻譯和法律服務。

 

Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:

Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.

www.facebook.com/maaelec/info

計算機工程和網絡服務。維修主機板,顯示器,電源供應器,光碟機/光盘驱动器,不斷電系統,硬碟/硬盘,硬盤數據恢復,基本輸入輸出系統編程,以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。

 

Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:

1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.

www.facebook.com/filmshapely/info

 

Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:

Social Reform in Taiwan

www.facebook.com/twreform/info

  

《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.

Website

mtltwp.pixnet.net/album/set/1265174

album.blog.yam.com/mtltwp

photo.roodo.com/photos/mtltwp/albums/small/100469.html

www.facebook.com/hunyun22

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Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.

Website

www.facebook.com/sonate1c

www.facebook.com/piano1c/info

  

LINKS:

 

University of California, Berkeley

berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...

berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...

oskicat.berkeley.edu/record=b11283690~S1

 

University of Michigan

mirlyn.lib.umich.edu/Record/006237256

catalog.hathitrust.org/Record/006237256

 

WorldCat® Identities

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Google Books

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National Bibliographic Information Network (NBINet)

nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...

192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE

 

National Yang Ming University 國立陽明大學

library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...

 

National Taiwan University of Science and Technology 國立臺灣科技大學

millennium.lib.ntust.edu.tw/record=b1016706~S1

 

Wikimedia Commons 維基共享資源

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國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引

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聲音藝術的審美角度, 大學雜誌, 天然

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為文化中心把脈, 幼獅文藝

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科學家與守財奴, 中國地方自治

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Atomzone

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Nature - National Library Board Singapore

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画像検索

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Japan Photos and Pictures

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far-east-movement - Blogcu (Turkey)

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man fashion

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University of California, Berkeley period

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University of Michigan period

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University of Oxford period

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University of Glamorgan period

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University of Huddersfield period

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art galleries uk

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Mitrasites system

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articles.whmsoft

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German

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www.pediatr.org.tw/DB/News/file/1913-1.pdf

  

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A new (May, 2011) sculpture at the intersection of 15th Street and Arapaho in Denver. At the lecturn is Denver Mayor Bill Vidal.

The relationship one builds with a pet is interesting. Neither of you speak the same language but communicate, and love eachother. No matter if it is a tea cup chihuahua or a thousand pound horse.

N293SY landing at the LAX north complex.

a burden of reaching out to somebody.

treasure island - san francisco, california

connection-band.ch

Each of these sensor wires needs to make a specific connection. The wires are a jumble, but resolving one connection at a time completes the circuit.

 

In general, success can be achieved when we look beyond the clutter and solve one issue at a time.

Coffee Connection in Amsterdam, NL. First two floors of the tall buildind, nice little shop, stop in for a drink... when in Amsterdam search out cafe and not coffeehouse.

At Work, It Was 10:35 PM, When One Of My Bros Broke The Silence Of Nearly 1 n Half Hour. No Music, No Talks, Our Fingers On Keyboard & Eyes On Monitor. He Suddenly Stood, Turned To Me & Asked:

 

Him: Bro, Do You Ever Get Inspired ?

Me: Nodded My Head To Say Yes.

 

Him: By Which Type Of People ?

Me: (Jokingly) By Real Bad People :P

 

He Thought For A While & Again Said, "You Know, In Life We Can Get Inspired From Everyone - Each 1 Of Us. Just See The Good Sides Of Them, Praise Them & Get Inspired." Little Later, He Added, "Let Me Again Think On This Topic Tonight & We Shall Discuss Some Other Day Again."

 

The Time He Was Saying All This, I Was Cropping The Above PIc.

 

Special Connection About This Pic & The Above Conversation Is That I Alwasy Have to Pass This Giant Naked (Since It's Winter) Tree, Which is Somewhat 20 Ft. Above From The Roadside & The Tree Itself Is 20 Feet High. Now, Imagine How Do I have To Look At Its Tip (20+20=40 ft) From The Road. This Tall Tree & Sky At The Background, They Always Inspire Me ! :)

Leicaflex SL。Summicron-R 35/2.0。Fujicolor 200

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