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Victory Liner Inc.

 

Bus number: 7012

Area of Operation: Provincial Operation

Bus Manufacturer: Almazora Motor Corporation

Model: AMC Travel Star

Chassis: MAN 18.280 HOCL-CKD

Engine: MAN D0836LOH

Suspension: Air Suspension

Seating Configuration: 2x2

Seating Capacity: 49

 

Shot Location: Victory Liner Kamias Terminal

Victory Liner Inc

 

Bus number: 8052

Classification: Airconditioned Provincial Operation Bus

Coachbuilder: Hyundai Motor Company

Chassis: KMJRJ18SP

Model: Aero Queen

Engine: Hyundai D6CA-38B POWERTEC

Airconditioning Unit: Overhead Unit

Suspension: Air-Suspension

Seating Configuration: 2x2

Capacity:

 

Shot Location: Victory Liner Caloocan Terminal

Victory Liner Inc.

 

Bus number .: 8154

Classification: Air Conditioned Provincial Operation Bus

Model: Hyundai Universe Space Luxury

Manufacturer: Hyundai Motor Company

Chassis: Hyundai KMJKJ18TP7C

Engine: Hyundai D6CB Powertec

Suspension: Air Suspension

Seating Configuration: 2x2

Seating Capacity: 45 Passengers

 

Shot Location: Robinson Starmill San Fernando Pampanga

 

title.

Live shot 8.

(FUJIFILM GFX50R shot)

  

Copyright. Moth in Lilac. All Rights Reserved. / mothinlilac.com

  

live house. ANTI KNOCK. Shinjuku ward. Tokyo. Japan. July 7. 2019. shot ... ... 22 / XX

(Today 's picture, it is unpublished.)

 

Shooting: Editing: Configuration = Mitsushiro “stealaway” Nakagawa.

  

Moth in Lilac. : twitter.com/Moth_in_Lilac

Ayano : vocal : twitter.com/sfn_ayano

Lisa 13 : guitar : twitter.com/lhjw121315666

NalchaRos : bass : twitter.com/Nalu_chaRos223

You : guitar : twitter.com/you_ogami

M9N : drums : twitter.com/mokuniuka

 

Management office.

V.I.P. Design Machine : twitter.com/vipdm69

  

New mini Album. OUT NOW.

Mayve U

www.amazon.co.jp/dp/B07T8XM9RR/ref=cm_sw_em_r_mt_dp_U_XHn...

  

Images.

Moth in Lilac / Maybe U

youtu.be/DSJFiU8GvNc

  

Official.

mothinlilac.com

 

YOUTUBE.

youtu.be/EsmoinoNQEU

 

Apple Music.

music.apple.com/jp/album/moth-in-lilac/1441243472

  

August 10 Kichijoji Crescendo

 

I am in charge of the live shooting on both days.

If you have time, please come to live.

:)

  

Mitsushiro.

  

_________________________________

_________________________________

Profile.

In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.

stealaway.cocolog-nifty.com/stealaway/2019/02/2019-profil...

 

youpic.com/photographer/mitsushironakagawa/

_________________________________

_________________________________

  

Moth in Lilac.

  

New mini Album. OUT NOW.

Mayve U

www.amazon.co.jp/dp/B07T8XM9RR/ref=cm_sw_em_r_mt_dp_U_XHn...

  

Official.

mothinlilac.com

 

YOUTUBE.

youtu.be/EsmoinoNQEU

 

Apple Music.

music.apple.com/jp/album/moth-in-lilac/1441243472

 

July 19 Shimokitazawa Live Holic

August 10 Kichijoji Crescendo

 

August 10,I am in charge of the live shooting on both days.

If you have time, please come to live.

:)

  

Mitsushiro.

_________________________________

_________________________________

  

Interviews and novels.

About my book.

  

I published a book in old days.

At that time, I was uploading my interview on the net on the net.

That Japanese and English.

 

I will make it public for free.

Details were explained to the Amazon site.

 

How to write a novel.

How to take pictures.

Distance to the work.

 

They all have a common item.

I made a sentence about what I felt, and left it.

I hope that my text can be read by many people.

Thank you.

 

Mitsushiro.

  

1 Interview in English

「interview_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)

「novel_unforgettable_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

3 Interview Japanese version

drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

4 novels. unforgettable ' JPN version.

「novel_unforgettable_jpn.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

5 A streamlined trajectory. only Japanese.

「streamlined_trajectory.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

_________________________________

_________________________________

  

iBooks. Electronic Publishing. It is free now.

 

0.about the iBooks.

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

 

1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

  

2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

 

3. Streamlined trajectory.(For Japanese only.)

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11

 

_________________________________

_________________________________

 

My Novel >> Unforgettable'

 

(This book is Dedicated to the future artist.)

  

Synopsis.

 

Kei Kitami who aims at university.

A 6 year old older event companion woman. Meet Kaori Uemura on SNS.

 

The dream of Kaori who has moved to Tokyo.

It is to be a friend of the artist.

 

The producer of the radio station for that. The existence of Ryo Osawa was necessary.

Live on the radio.Osawa talks to Kaori.

 

"I have a wife and a child, but I want to see you."

Kei’s classmate Rika Sanzyou who is thinking of him.

She was searching for Kaori.

 

※ Supplement

I use Google Translate.

  

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

  

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

  

Main story

 

There are two reasons why a person faces the sea.

One, to enjoy a slice of shine in the sea like children bubbling over in the beach.

The other, to brush the dust of memory like an old man who misses old days, staring at the shine

quietly.

Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.

I face myself to change tomorrow, a vague day into something certain.

That is the meaning of a rebirth.

I had a very sweet girlfriend when I was 18.

After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After

she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies

until I realized it is love?

I wonder whether a nobody like me could have given something to her who was struggling in the

daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.

I had been thinking about such a thing.

However, I guess what she saw in me was because I had nothing. That‘s why she tried to see

something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable

tomorrow. But I wasted days depending too much on her gentleness.

Now I finally can convey how I felt in those days when we met.

  

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

  

Fin.

  

images.

  

U2 - No Line On The Horizon

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

 

_________________________________

_________________________________

 

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

 

_________________________________

_________________________________

The schedule of the next novel.

Still would stand all time. (Unforgettable '2)

(It will not go away forever)

Please give me some more time. That is Japanese.

_________________________________

_________________________________

  

2020 exhibition.

 

theme.

So Near, So far.

 

place. Tokyo Big Site.

www.bigsight.jp/

 

Sponsoring. Design festa.

designfesta.com/

  

2021.

Date unknown.

  

DIC Kawamura Memorial Art Museum attached gallery.

kawamura-museum.dic.co.jp/

 

place. Sakura City, Chiba Prefecture.

 

theme.

From that day, forever ...

 

_________________________________

_________________________________

 

My Works.

 

1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...

2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...

3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...

_________________________________

_________________________________

 

Do you want to hear my voice?

:)

 

I updated Youtube.

It is only in Japanese.

I explained comments on photos etc.

If your time is permitted, please look.

:)

 

youtu.be/b1o6Xf-Mjhw

 

1

About the composition of the picture posted to Flicker. First type.

youtu.be/b1o6Xf-Mjhw

 

2

About the composition of the picture posted to Flicker. Second type.

youtu.be/b1o6Xf-Mjhw?t=443

 

3

About when I started Fotolog. Architect 's point of view.

youtu.be/b1o6Xf-Mjhw?t=649

 

4

Why did not you have a camera so far?

youtu.be/b1o6Xf-Mjhw?t=708

 

5

What is the coolest thing? The photo is as it is.

youtu.be/b1o6Xf-Mjhw?t=776

 

6

About the current YouTube bar. I also want to tell, I want to leave.

youtu.be/b1o6Xf-Mjhw?t=964

 

7

About Japanese photographers. Japanese YouTube bar is Pistols.

youtu.be/b1o6Xf-Mjhw?t=1059

 

8

The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.

youtu.be/b1o6Xf-Mjhw?t=1242

 

9

What is a good composition? What is a bad composition?

youtu.be/b1o6Xf-Mjhw?t=1482

 

10

What is the time to point the camera? It is slow if you are looking into the viewfinder or display.

youtu.be/b1o6Xf-Mjhw?t=1662

 

11

Family photos. I can not take pictures with others. The inside of the subject.

youtu.be/b1o6Xf-Mjhw?t=1745

 

12

About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.

youtu.be/b1o6Xf-Mjhw?t=2144

 

13

About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.

youtu.be/b1o6Xf-Mjhw?t=2305

 

14

About Japanese photographers. About the exhibition.

Summary. I wrote a novel etc. What I want to tell the most.

youtu.be/b1o6Xf-Mjhw?t=2579

 

_________________________________

_________________________________

  

I talked about how to make a work.

It's really long, but I want to leave everything, so please ask. (^ O ^) /

 

Japanese only.

  

About work production 1/2

youtu.be/ZFjqUJn74kM

  

About work production 2/2

youtu.be/pZIbXmnXuCw

 

1 Photo exhibition up to that point. Did you want to go?

 

2 Well, what is an exhibition that you want to visit even if you go there?

 

3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.

 

4 works are materials and silhouettes. Similar to fashion.

 

5 Who is your favorite artist? What is it? Make it clear.

 

6 Creating a collage is exactly the same as taking photos. As I wrote in the interview, it is the same as writing a novel.

 

7 I want to show it to someone, but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.

 

8 What is copycat? Nowadays, it is suspected to be beaten. There is something called Mimesis?

 

ja.wikipedia.org/wiki/Mimesis

kotobank.jp/word/Mimesis-139464

 

9 What is Individuality? What is originality?

  

It is a flow of.

 

If you have time, please listen.

:)

 

www.youtube.com/user/mitsushiro/

 

_________________________________

_________________________________

 

Miles Davis sheet 1955-1976.

stealaway.cocolog-nifty.com/stealaway/2019/05/post-70842e...

 

_________________________________

_________________________________

 

flickr.

www.flickr.com/photos/stealaway/

_________________________________

_________________________________

 

YouTube.

www.youtube.com/user/mitsushiro/

_________________________________

_________________________________

 

instagram.

www.instagram.com/mitsushiro_nakagawa/

_________________________________

_________________________________

 

Pinterest.

www.pinterest.jp/mitsushiro/

_________________________________

_________________________________

 

YouPic

youpic.com/photographer/mitsushironakagawa/

_________________________________

_________________________________

 

fotolog

www.fotolog.com/stealaway/

_________________________________

_________________________________

 

twitter.

twitter.com/mitsushiro

_________________________________

_________________________________

 

facebook.

www.facebook.com/mitsushiro.nakagawa

_________________________________

_________________________________

 

My statistics. (As of May 16, 2019)

stealaway.cocolog-nifty.com/stealaway/2019/05/post-199d28...

_________________________________

_________________________________

 

Japanese is the following.

stealaway.cocolog-nifty.com/

 

Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2

_________________________________

_________________________________

 

#新宿 #Manhattan #USA #London #UK #Paris #アンチノック #Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #B&W #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #How #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart

 

For insta

#新宿 #Manhattan #London #Paris #アンチノック #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #B&W #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta

 

For twitter

#NY #London #Paris #Milan #LUMIX #FUJIFILM #新宿 #B&W #Exhibition #Flickr #Camera #street #MIL #MothinLilac #Mitsushiro #artist #アンチノック #designfesta #Fineart

  

タイトル。

Live shot 8.

( FUJIFILM GFX50R shot )

  

Copyright. Moth in Lilac. All Rights Reserved. / mothinlilac.com

  

ライブハウス。アンチノック。新宿区。東京。日本。 7月7日。2019. shot ...  ... 22 / XX

(Today 's picture, it is unpublished.)

 

撮影:編集:構成 = Mitsushiro “stealaway” Nakagawa.

  

Images.

Moth in Lilac / Maybe U

youtu.be/DSJFiU8GvNc

  

Moth in Lilac. : twitter.com/Moth_in_Lilac

Ayano : vocal : twitter.com/sfn_ayano

Lisa 13 : guitar : twitter.com/lhjw121315666

NalchaRos : bass : twitter.com/Nalu_chaRos223

You : guitar : twitter.com/you_ogami

M9N : drums : twitter.com/mokuniuka

 

Management office.

V.I.P. Design Machine : twitter.com/vipdm69

  

New mini Album. OUT NOW.

Mayve U

www.amazon.co.jp/dp/B07T8XM9RR/ref=cm_sw_em_r_mt_dp_U_XHn...

  

Official.

mothinlilac.com

 

YOUTUBE

youtu.be/EsmoinoNQEU

 

Apple Music

music.apple.com/jp/album/moth-in-lilac/1441243472

  

8月10日 吉祥寺クレッシェンド

 

僕がライブの撮影を担当します。

もしもお時間があれば、ライブへ来てください。

:)

 

Mitsushiro.

  

_________________________________

_________________________________

プロフィール。

2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。

stealaway.cocolog-nifty.com/stealaway/2019/02/2019-profil...

 

youpic.com/photographer/mitsushironakagawa/

_________________________________

_________________________________

 

ライブ撮影予定。

 

Moth in Lilac.

  

New mini Album. OUT NOW.

Mayve U

www.amazon.co.jp/dp/B07T8XM9RR/ref=cm_sw_em_r_mt_dp_U_XHn...

  

Official.

mothinlilac.com

 

YOUTUBE

youtu.be/EsmoinoNQEU

 

Apple Music

music.apple.com/jp/album/moth-in-lilac/1441243472

  

8月10日 吉祥寺クレッシェンド

 

僕がライブの撮影を担当します。

もしもお時間があれば、ライブへ来てください。

:)

 

Mitsushiro.

_________________________________

_________________________________

 

インタビューと小説。

僕の本について。

 

僕は、昔に本を出版しました。

その際に、僕のインタビューをPDFでネット上へアップロードしていました。

その日本語と英語。

 

僕は、無料でを公開します。

詳細は、アマゾンのサイトへ解説しました。

 

小説の書き方。

写真の撮影方法。

作品への距離感。

 

これらはすべて共通項があります。

僕は、僕が感じたことを文章にして、残しました。

 

僕のテキストが多くの人に読んでもらえることを望みます。

ありがとう。

 

Mitsushiro.

  

1 インタビュー 英語版

「interview_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

2 小説。unforgettable’ 英語版。

「novel_unforgettable_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

3 インタビュー 日本語版

drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

4 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)

(四百字詰め原稿用紙456枚)

 

 あらすじ

 大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。

 上京してきた香織の夢は、有名なアーティストの友達になるためだ。

 そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。

 大沢は、ラジオの生放送中、香織へ語りかける。

 「僕には妻子がある。しかし、僕は君に会いたいと思っている」

 ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。

  

本編

 

人が海へ向かう理由には、二つある。

 ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。

 もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。

 二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。

 再生だ。

 明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。

 それが再生の意味だ。

 

 十八歳だった僕には大切な人がいた。

 

「novel_unforgettable_jpn.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

5 流線形の軌跡。 日本語のみ。

「streamlined_trajectory.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

 

_________________________________

_________________________________

 

iBooks.電子出版。(現在は無料)

 

0.about the iBooks.

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

 

1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

For Japanese only.

  

2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

 

3.流線形の軌跡。

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...

_________________________________

_________________________________

 

僕の小説。英語版 

My Novel Unforgettable' (This book is Dedicated to the future artist.)

 

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

  

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

Fin.

  

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

_________________________________

 

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

 

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

_________________________________

次の小説の予定。

Still would stand all time.(unforgettable'2)

(いつまでもなくならないだろう)

もう少し時間をください。それは日本語です。

_________________________________

_________________________________

  

2020年の展示。

 

テーマ。

So Near , So far.

 

場所。東京ビッグサイト。

www.bigsight.jp/

 

Sponsoring. Design festa.

designfesta.com/

  

2021年。

日時未定。

DIC川村記念美術館付属ギャラリー。

kawamura-museum.dic.co.jp/

場所。千葉県佐倉市。

テーマ。

あの日から、ずっと…

_________________________________

_________________________________

 

僕の作品。

 

1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...

2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...

3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...

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あなたは僕の声を聞きたいですか?

:)

 

僕はYoutubeを更新しました。

日本語だけです。

僕は写真などの解説をしました。

もしも、あなたの時間が許されれば、見てください。

:)

 

youtu.be/b1o6Xf-Mjhw

  

1

フリッカーへ投稿した写真の構図について。1種類目。

youtu.be/b1o6Xf-Mjhw

 

2

フリッカーへ投稿した写真の構図について。2種類目。

youtu.be/b1o6Xf-Mjhw?t=443

 

3

Fotologを始めた時について。 建築家の視点。

youtu.be/b1o6Xf-Mjhw?t=649

 

4

なぜ、今までカメラを手にしなかったのか?

youtu.be/b1o6Xf-Mjhw?t=708

 

5

何が一番かっこいいのか? 写真はありのままに。

youtu.be/b1o6Xf-Mjhw?t=776

 

6

現在のユーチューバーについて。僕も伝え、残したい。

youtu.be/b1o6Xf-Mjhw?t=964

 

7

日本人の写真家について。日本のユーチューバーはピストルズ。

youtu.be/b1o6Xf-Mjhw?t=1059

 

8

写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。

youtu.be/b1o6Xf-Mjhw?t=1242

 

9

良い構図とは? 悪い構図とは?

youtu.be/b1o6Xf-Mjhw?t=1482

 

10

カメラを向ける時とは? ファインダーやディスプレイを覗いていては遅い。

youtu.be/b1o6Xf-Mjhw?t=1662

 

11

家族写真。他人では撮れない。被写体の内面。

youtu.be/b1o6Xf-Mjhw?t=1745

 

12

ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。

youtu.be/b1o6Xf-Mjhw?t=2144

 

13

日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。

youtu.be/b1o6Xf-Mjhw?t=2305

 

14

日本の写真家について。その展示について。

まとめ。僕が書いた小説など。僕が最も伝えたいこと。

youtu.be/b1o6Xf-Mjhw?t=2579

  

作品の制作方法などついて語りました。

すっごい長いですが、すべて伝え残したいことなので聞いてください。(^O^)/

日本語のみです。

  

作品制作について 1/2

youtu.be/ZFjqUJn74kM

 

作品制作について 2/2

youtu.be/pZIbXmnXuCw

  

1 それまでの写真展。自分は行きたいと思ったか?

 

2 じゃ、自分が足を運んででも行きたい展示とは何か?

 

3 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。

 

4 作品とは、素材とシルエット。ファッションと似ている。

 

5 自分が好きなアーティストは誰か? どんなものなのか? そこをはっきりさせる。

 

6 コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。

 

7 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。

 

8 パクリとは何か? 昨今、叩かれるパクリ疑惑。ミメーシスとは?

 

  https://ja.wikipedia.org/wiki/ミメーシス

  https://kotobank.jp/word/ミメーシス-139464

  

9 個性とはなにか? オリジナリティってなに?

 

おまけ 眞子さまについて

 

という流れです。

お時間がある方は是非聴いてください。

:)

 

www.youtube.com/user/mitsushiro/

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Miles Davis sheet 1955-1976.

stealaway.cocolog-nifty.com/stealaway/2019/05/post-70842e...

 

_________________________________

_________________________________

flickr.

www.flickr.com/photos/stealaway/

_________________________________

_________________________________

 

YouTube.

www.youtube.com/user/mitsushiro/

_________________________________

_________________________________

 

instagram.

www.instagram.com/mitsushiro_nakagawa/

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Pinterest.

www.pinterest.jp/mitsushiro/

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YouPic

youpic.com/photographer/mitsushironakagawa/

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fotolog

www.fotolog.com/stealaway/

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twitter.

twitter.com/mitsushiro

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facebook.

www.facebook.com/mitsushiro.nakagawa

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僕の統計。(2019年5月16日現在)

stealaway.cocolog-nifty.com/stealaway/2019/05/post-199d28...

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「日本の経営者は奇跡的無能」

stealaway.cocolog-nifty.com/stealaway/2019/06/post-926bf5...

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Japanese is the following.

stealaway.cocolog-nifty.com/

 

Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2

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#新宿 #Manhattan #USA #London #UK #Paris #アンチノック #Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #B&W #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #How #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart

 

For insta

#新宿 #Manhattan #London #Paris #アンチノック #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #B&W #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta

 

For twitter

#NY #London #Paris #Milan #LUMIX #FUJIFILM #新宿 #B&W #Exhibition #Flickr #Camera #street #MIL #MothinLilac #Mitsushiro #artist #アンチノック #designfesta #Fineart

  

E

Victory Liner Inc.

 

Bus Number: 8006

Model: Kinglong XMQ6118

Manufacturer: Xiamen Kinglong United (Kinglong Bus)

Chassis: LKLR1HSH86B6

Engine: Nissan Diesel PE6-T

Suspension: Leaf Spring Suspension

Seating Configuration: 2x2

Seating Capacity: 49 Passengers

 

Shot Location: Balintawak , Cloverleaf

Victory Liner Inc.

 

Bus Number: 757

Classification: "Ordinary Fare" Airconditioned Provincial Operation Bus

Model: DMMW Exfoh

Manufacturer: Del Monte Motor Works Inc.

Chassis: RB46S

Engine: Nissan Diesel PE6

Suspension: Leaf Spring Suspension

Seating Configuration : 2x3

Capacity:

 

Shot Location: Victory Liner Caloocan Terminal

Victory Liner Inc.

 

Bus Number: 1625

Fare Class: Airconditioned

Former Body: Santarosa Philippines

Bus Manufacturer: Almazora Motors Corporation (Philippines)

Bus Model: AMC Tourist Star RE

Engine: MAN D2866TOH

Chassis: MAN 16.290

Seating Configuration: 2x2

Capacity:

 

Shot Location: Caloocan

Del Monte Land Transportation Bus Company.

 

Bus Number: 5m

Coachbuilder:Del Monte Motors Corporation

Model: DMMC DM12

Chassis Model: MAN Diesel R39 18.350 HOCL

Suspension: Air Suspension

Engine Model: MAN Diesel D2066LOH

Seating Configuration: 2x1

Capacity: 29 Passengers

 

Shot Location: DLTBco. Pasay Terminal

 

Although this started out as a test shot with my Hasselblad 500C/M and CFVII digital back configuration for imaging the night sky, I decided that it was actually worth posting. It shows the stars in a classic part of the Milky Way from a Southern Hemisphere viewpoint.

 

The Pointers, Alpha and Beta Centauri in the Centaurus Constellation, are the two bright stars on the centre left of the image. The Southern Cross, in the Crux Constellation, are the bright stars on the centre right of the image.

 

Just below and to the left of the Southern Cross is a dark patch that is known as the Coalsack. Patches like this are thought to be clouds of dust that block the light from the stars that are behind them, and hence appear as dark regions. Surrounding this nebula, the masses of stars in the Milky Way combine to increase the brightness of this portion of the sky.

 

I went into this exercise with low expectations because this Hasselblad 500 V-series camera in combination with CCD sensor in the CFVII digital back is not at all good for imaging in low light conditions. I would also aware that I was taking the photograph in an area that has moderate levels of ambient light. However, when I did some online research and compared this image with images of the same portion of the sky that had been acquired in locations with low ambient light levels and with cameras better suited to low light astrophotography, I was somewhat surprised by the level of fidelity.

 

For this image, I used the widest aperture (f/2.8) that the 80mm focal length lens allowed, an exposure length of 30 seconds, and an ISO value of 50.

 

The "500 rule" is a rule of thumb that provides estimates of the maximum exposure length before stars will appear as light trails rather than points of light. This rule states that this exposure length in seconds is 500 divided by the focal length of the lens in 35mm format equivalent terms. The medium format of the 500 V-series camera coupled with the crop factor of the CFVII digital back provides a factor of approximately 1 when converting the lens focal length into 35mm format equivalent terms. Hence, the 500 rule would suggest a maximum exposure length of just over 6 seconds should be used to obtain an image where stars appear as points of light. I significantly exceeded this time (i.e., 30 seconds) because I needed more light. Close inspection of the image clearly shows that each star is imaged as a short light trail.

 

The maximum exposure time for the CFVII digital back is 32 seconds. This is a consequence of the heat that is generated in the CCD sensor. Modern CMOS sensors draw far less power and can provide much longer exposure times. I used an exposure length close to this maximum (i.e., 30 seconds).

 

The ISO of the CCD sensor in the CFVII back is limited to values between 50 and 400. Tests that I have carried out have suggested that the sensor noise for ISO values above 50 make it counterproductive to use the higher ISO values in low light situations. In stark contrast, modern CMOS sensors can provide usable images with some astounding ISO values (e.g., more than 100,000). These values turn night into day!

 

Given the elevated ambient light levels of this city location and the limitations of the camera, I was actually quite pleased with this result. It certainly encourages me to consider future opportunities for night sky photography with this camera.

 

en.m.wikipedia.org/wiki/Dark_nebula

photography.nationalgeographic.com/photography/photo-tips...

www.lonelyspeck.com/milky-way-exposure-calculator/

 

Barton, Australian Capital Territory, Australia.

 

Photography notes ...

The photograph was taken using the following hardware configuration ...

(Year of manufacture indicated in braces where known.)

- Hasselblad 500C/M body (1994).

- Hasselblad Acute Matte D 42262 Focusing Screen.

- Hasselblad CFV II Digital Back for Hasselblad V mount camera 16MP (2008).

- Hasselblad 45 Degree Viewfinder PME-45 42297 (2001).

- Carl Zeiss - C Planar 80mm f2.8 - Nr 4598852 - Hasselblad - SYNCHRO-CONPUR shutter (1968).

- FotodioX B50 Lens Hood for Select Hasselblad Standard Length C Lenses

- MFR # HASSY-HD-50100

 

Post-processing ...

Finder - I removed the CF card from the camera digital back and placed it in a USB card reader. I then used Finder on my MacBook Air to download the raw image file (3FR extension) from the card.

Lightroom - Imported the 3FR image. Applied various adjustments in the Develop module. Output the image as a JPEG image using the "Maximum" quality option (4080 x 4080 pixels).

photoFXlab - Applied the "Topaz Simplify Dust 1" filter. Then applied the "Topaz DeNoise JPEG Light" filter with various custom settings (including color and de-banding). Then applied some post-filter overall lighting adjustments in the main photoFXlab module. Saved the image as a JPEG image using the "Maximum" quality option (4080 x 4080 pixels).

PhotoSync - Copied the JPEG file to my iPad Mini for the final processing steps and posting to social media.

Investigator - Located where I made the photograph using the mapping option and added the geographic coordinates to the EXIF data.

Handy Photo - Retouched some streaks, empirically noted to be artifacts that occur around bright spots in the image when the maximum exposure time of 32 seconds of the CFVII digital back is utilized.

Snapseed - Applied a Glamour Glow filter and some overall lighting adjustments.

ExifEditor - Copied the EXIF data from the Investigator output image to the current working image.

Victory Liner Inc.

 

Bus Number: 8014

Model : Kinglong Xmq 6126Y

Chassis: King Long KLQ6121RJQ

Engine: Nissan Diesel PF6TA-12

Manufacturer : Xiamen King Long United

Suspension: Air-Suspension

Seating Configuration: 2x1

Seating Capacity: 29 Passengers

 

Shot Location: Victory Liner Kamias Terminal

Heto na pala ang nabili ng mag-asawang Manuel Joaquin at Grace Joaquin na Mannrose. Kaya pala iba ang livery sa mga normal Mannrose na ube-colored livery dahil magkaiba ang may-ari.

 

Company/Owner: Mannrose Liner, Inc/MSJ Tours

Fleet/Bus Number: 3300401

Classification: Air-conditioned City Bus

Coachbuilder: Santarosa Motor Works, Inc./Columbian Motors Corporation

Body Model: UD Trucks/Santarosa EXFOH PKB212

Engine Model: UD FE6-TA (FE6-D)

Chassis Model: UD PKB212N

Transmission: 6-speed Manual Transmission

Suspension: Leaf Spring Suspension

Seating Configuration: 3×2

Seating Capacity: 58

Franchise route: Baclaran–SM Fairview via Lagro, Ayala

Route: Baclaran, Parañaque City [BCL, PQ]–Palmera, San Jose del Monte City, Bulacan via N61 (Roxas Boulevard: from NAIA Road to EDSA) / N120 (Roxas Boulevard: from EDSA to Buendia Avenue) / N190 (Buendia Avenue/Sen. Gil Puyat Avenue) / Ayala Avenue (Makati City) / N1 (EDSA) / N174 (East Avenue) / N170 [Commonwealth Avenue (Quezon City)] / N127 (Quirino Highway)

Areas passing (underlines are designated stops for this bus scheme - EDSA area only: Buendia–Kamuning): Bayview International Towers\City of Dreams\Airport Road\Baclaran Market/Baclaran Church\Japanese Embassy\Cuneta Astrodome/HK Sun Plaza/Department of Foreign Affairs\World Trade Center\F.B. Harrison Street\BIR Pasay City\LRT Gil Puyat Station/Taft Avenue\Osmeña Highway/PNR Buendia Station\Chino Roces Avenue (Pasong Tamo)\Makati Central Post Office\RCBC Plaza Yuchengco Tower\RCBC Plaza\V.A. Rufino\PBCOM Tower\Ayala Triangle\Makati Ave./The Peninsula Manila Hotel\Glorietta\Buendia Avenue\Estrella\Guadalupe\Boni/Pioneer\Reliance\Shaw Boulevard\SM Megamall\Ortigas Avenue\Robinsons Galleria\Boni Serrano\Main Avenue\Araneta Center Cubao\Baliwag Transit/Five Star\Ermin Garcia Avenue\LTFRB Central Office/LTO Central Office\NIA Road\V. Luna Avenue/Land Registration Authority East Ave\Philippine Statistics Authority\SSS East Ave/BSP East Ave\BIR Road\East Avenue Medical Center\Philippine Heart Center\Matalino Street/Nat'l Kidney Transplant Institute\Quezon Memorial Circle/Quezon City Hall Gate 10\Nat'l Housing Authority Main Office/Maharlika Street\Philcoa\UP Ayala TechnoHub\Central Avenue\INC Templo Central\Tandang Sora Avenue\Luzon Avenue\Diliman Doctors Hospital\Don Antonio\Ever Gotesco\Saint Peter Parish\Sandiganbayan\Commission on Audit\Commonwealth Market\Manggahan\INC Capitol\Litex\Don Fabian\Doña Carmen Avenue\Winston Street\Pearl Drive\Fairview Center Mall/NCBA Fairview\Our Lady of Fatima Regalado\AMA Fairview/Bristol Street\Mindanao-Jollibee\Brittany Square/Belfast\Commonwealth Hospital and Medical Center\SM City Fairview\Trees Residences\Hilltop Mansion Subdivision/Our Lady of Fatima Hilltop\Mater Carmeli School\Sacred Heart Novitiate\Quezon City–Caloocan Boundary\Sacred Heart Village/Dela Costa Homes 2\Midway Park Subdivision\Amparo Subdivision Gate 2\Guadanoville Subdivision\Mountain Heights Subdivision\Pangarap Village\Bankers Village 2/North Caloocan Doctors Hospital\Cefels Park 3 Subdivision\Malaria Road\Funnside Ningnangan Caloocan\Ascoville Road\Sampaguita Street\Altaraza Town Center/Pleasant Hills Subdivision\Diamond Crest Village\Savano Park\Pecsonville Subdivision/SM Tungko (SM San Jose del Monte)\Skyline Hospital\Gumaok East\Francisco Homes Subdivision\Starmall San Jose del Monte

Type of Operation: City Operation Public Utility Bus (Bus B Segregation | Regular Class)

Area of Operations: National Capital Region (NCR)/Central Luzon (Region III)

 

Shot Location: N190 (Gil Puyat Avenue), Buendia, Makati City

Date Taken: May 13, 2018 (14:46H)

 

Notices:

* Please DON'T GRAB A PHOTO WITHOUT A PERMISSION. If you're going to GRAB IT, please give A CREDIT TO THE OWNER. Also, don't PRINT SCREEN my photos.

** If I have mistakes on the specifications, please comment in a good manner so that I can edit it immediately.

*** The specifications and routes (for provincial, inter-provincial, and city operation) mentioned above are subjected for verification and may be changed without prior notice.

**** The vehicle's registration plate(s), conduction sticker(s), and/or persons (if applicable) were pixelated/blurred to prevent any conflict with the photographer, the bus company and/or to the car owner for their security and/or privacy purposes. So, don't use their plate number, conduction sticker, and vehicle tag as an evidence for any incident. And, I have taken this photo for bus fanatics, bus enthusiasts, and bus lovers purposes.

Victory Liner Inc.

 

Bus Number: 1279

Coachbuilder: DMMC

Chassis: KMJKJ18BPSC

Model: DelMonte DM14 Series 3

Engine: Hyundai

Airconditioning Unit: Overhead Unit

Suspension: Air-Suspension

Seating Configuration: 2x2

Seating Capacity: 45 Passengers

 

Shot Location: Victory Liner Caloocan Terminal

St. Christopher Transport Services Corp.

 

Bus Number: 888-5

Bus Manufacturer: Santarosa Motor Works inc. (Philippines)

Bus Model: SR EXFOH

Chassis:

Suspension:

Engine:

Seating Configuration: 2x2

Capacity: 49

 

Shot Location:

Today I was wondering how it would be to meet the wish master, would he or she be good or evil and such things.

This artwork is the result of some of my thoughts, hope you will enjoy it.

 

Credits to:

 

tw3d dark art stock Gothic-cage at DA.

TF stock nr8 at DA

Gothic-blue stock_ by moonchildstock at DA.

Shoofly´s stock Dragonstock_ T1P1 shoofly-stock.deviantart.com/

IWS stock _ Spinning_wheel_2 at DA. iws-stock.deviantart.com/

Lament configuration_3 by Falln.stock

Snow/butterflies brushes from S.S www.obsidiandawn.com

my ride Caloocan to San Fernando Pampanga :)

 

Victory Liner Inc.

 

Bus Number: 1279

Coachbuilder: DMMC

Chassis: KMJKJ18BPSC

Model: DelMonte DM14 Series 3

Engine: Hyundai

Airconditioning Unit: Overhead Unit

Suspension: Air-Suspension

Seating Configuration: 2x2

Seating Capacity: 45 Passengers

 

video:

www.youtube.com/watch?v=yvMQFXrPVtI

Shot Location: Robinson Starmill Pampanga

Victory Liner Inc.

 

Bus Number: 6

Bus Manufacturer: Santarosa Motor Works, Inc.

Model: NV SR620

Chassis: Hyundai KMJRL18CPAC Aero Xpress HSX

Engine: Hyundai D6AC-A

Suspension: Air Suspension

Seating Configuration: 2x1

Seating Capacity: 29

 

Shot Location: Victory Liner Pasay Terminal

Blue livery

 

Isarog Line Express Transport

 

Bus Number: 1225

Bus Manufacturer: King Long Bus (China)

Bus Model: XMQ6129

Classification: Regular Aircon

Seating Configuration: 2x2

 

Shot Location: Cubao Terminal

Victory Liner, Inc.

 

Bus Number: 8111

Bus Manufacturer: Suzhou King Long United Automotive Industry Company, Ltd. (Higer Bus)

Model: Higer KLQ6119QE3

Chassis: Higer KLQ6110QE3

Engine: Yuchai YC6G270-30

Suspension: Air Suspension

Seating Configuration: 2x2

Seating Capacity: 41

 

Shot Location: Victory Liner Kamias Terminal

The Plymouth Prowler, later the Chrysler Prowler, is a retro-styled production car manufactured and marketed in 1997 and 1999-2002 by DaimlerChrysler, based on the 1993 concept car of the same name.

 

The Prowler was offered in a single generation in a front-engine, rear-drive, rear-transmission configuration — with an overall production of 11,700.

 

Design

 

Chrysler engineers were given free rein to design whatever they wanted in a "hot rod" or "sportster" type vehicle. Thomas C. Gale, Chrysler's design and international director "love for 1930s-era hot rods inspired Chrysler's latest design triumph, the retro-styled Plymouth Prowler." Gale, "who has a hotted up 1932 Ford in his garage, ... [approved] the rod-inspired Plymouth Prowler as the company's follow-up show-stopper to the Dodge Viper. An early influence is credited to a Chrysler-sponsored project at the Art Center College of Design that resulted in a thesis by Douglas "Chip" Foose that included drawings of a retro-roadster. Foose "designed it as a coupe for Chrysler to begin with but modified it to a roadster version."

 

One of the most striking design features of the Prowler are the open, Indy racer-style front wheels. The Prowler featured a powertrain from Chrysler's LH-cars, a 24-valve, 3.5 L Chrysler SOHC V6 engine producing 214 hp (160 kW; 217 PS) at 5850 rpm. For the 1999 model year, the engine was replaced with a more powerful, aluminum-block, 253 hp (189 kW; 257 PS) at 6400 rpm version of the engine. Both engines were coupled to a four-speed Autostick semi-automatic transmission. The transmission was located at the rear of the vehicle and joined to the engine by a torque tube that rotated at engine speed, an arrangement similar to that used by the C5 Corvette, Porsche 944, and Alfa Romeo 75, and helped to facilitate a desirable 50-50 front-rear weight distribution. The Prowler was the first rear-wheel drive Plymouth since the 1989 Plymouth Gran Fury and would stand as the last Plymouth model with that layout. While criticized for having only a V6 engine, Chrysler's High Output 3.5 had a horsepower rating similar to (or higher than) the company's Magnum V8s of that era. While not making nearly as much torque as a V8, Prowler's light weight helped to achieve rapid off-the-line acceleration.

 

The car prominently featured aluminum construction, in many cases adhesively bonded, chiefly in the chassis. The body was produced in Shadyside, Ohio, and the car was assembled by hand at the Conner Avenue Assembly Plant (CAAP) in Detroit, Michigan.

 

Legacy

 

Other retro-styled vehicles followed the Prowler, including the Chrysler PT Cruiser, Chevrolet's SSR, HHR, and the 2010 Camaro, Ford's 2002 Thunderbird and 2005 Mustang, as well as the 2008 Dodge Challenger..

 

In 1999 at the Specialty Equipment Market Association's annual car show in Las Vegas, Nevada, Chrysler unveiled the Plymouth Howler concept. Inspired by hot rod trucks, and based on the Prowler, the Howler featured a small, truck-like bed with a tailgate and hard tonneau cover. Under the hood, an adapted version of Jeep's new 4.7 L PowerTech V8 engine replaced the production model's 3.5 L V6. A Borg-Warner five-speed manual replaced the production four-speed automatic.

 

[Text from wikipedia]

 

en.wikipedia.org/wiki/Plymouth_Prowler

Phoenix Livery Modulo DeLuxe

 

Victory Liner Inc.

 

Bus Number: 7003

Bus Body Model: SR Modulo "Hernandez Edition"

Bus Body Manufacturer: Santarosa Philippines Motor Works Inc.

Chassis: MAN 18.280 HOCL

Engine: MAN D0836LOH02

Suspension: Air-Suspension

Seating Configuration: 2x1

Seating Capacity: 30 Passengers

 

Shot Location:

Company/Owner: Luzon Cisco Transport, Inc.

Fleet/Bus Number: 109

Classification: Air-conditioned Provincial Bus

Coachbuilder: Hino Motors Philippines Corporation

Body Model: Hino Philippines Grand-Echo II RM

Engine Model: Hino P11C-TH

Chassis Model: Hino RM2PSS

Transmission: Manual (6-speed forward, 1-speed reverse)

Suspension: Wide Air Suspension (WideSus)

Seating Configuration: 2×2

Seating Capacity: 49

Route: Cubao, Quezon City–Cabanatuan City, Nueva Ecija via N1 (Maharlika Highway)

Municipalities/cities passing: Santa Rita (Guiguinto)/Plaridel/Pulilan/Baliuag/San Rafael/San Ildefonso/San Miguel/Gapan City/San Leonardo/Santa Rosa

Type of Operation: Provincial Operation Public Utility Bus (Regular Class)

Area of Operation: Central Luzon (Region III)

 

Shot Location: Pulilan–Plaridel Regional Road/Bypass Road, Cut-cot, Pulilan, Bulacan

Date Taken: January 26, 2016

 

Notices:

* Please DON'T GRAB A PHOTO WITHOUT A PERMISSION. If you're going to GRAB IT, please give A CREDIT TO THE OWNER. Also, don't PRINT SCREEN my photos.

** If I have mistakes on the specifications, please comment in a good manner so that I can edit it immediately.

*** The specifications and routes (for provincial, inter-provincial, and city operation) mentioned above are subjected for verification and may be changed without prior notice.

**** The vehicle's registration plate(s), conduction sticker(s), and/or persons (if applicable) were pixelated/blurred to prevent any conflict with the photographer, the bus company and/or to the car owner for their security and/or privacy purposes. So, don't use their plate number, conduction sticker, and vehicle tag as an evidence for any incident. And, I have taken this photo for bus fanatics, bus enthusiasts, and bus lovers purposes.

Bus Operator: Victory Liner Inc.

Bus number: 1589

Area of Operation: Provincial Operation

Classification: Ordinary Fare

Seating Configuration: 2x3

Transmission: Manual Transmission

Shot location: Trinoma North EDSA

 

Victory Liner Inc.

 

Bus Number: 8104

Bus Manufacturer: Suzhou King Long United Automotive Industry Company, Ltd. (Higer Bus)

Model: Higer KLQ6119QE3

Chassis: Higer KLQ6110QE3

Engine: Yuchai YC6G270-30

Suspension: Air Suspension

Seating Configuration: 2x2

Seating Capacity: 42

 

Shot Location: Victory Liner Kamias Terminal

Victory Liner Inc.

 

Bus Number: 1650

Model: SR Exfoh Hi-Deck

Manufacturer: Santarosa Philippines Motor Works, Inc.

Chassis: MAN 18.310 (A55)

Engine: D2866LOH27

Suspension: Air-suspension

Classification: Airconditioned Provincial Operation Bus

Seating Configuration: 2x2

Seating Capacity: 49 Passengers

 

Shot Location:Balintawak

Victory Liner Inc.

 

Bus Number: 7059

Bus Manufacturer: Almazora Motors Corporation

Model: AMC Tourist Star RE Deluxe

Chassis: MAN R39 18.350 HOCL

Engine: MAN D2066LOH

Suspension: Electronically Controlled Air Suspension (ECAS)

Area of Operation: Provincial Operation

Seating Configuration: 2x1

Capacity: 29

 

Shot Location: NLEX

Bus No: 6038

Year released: 2006

Capacity: 49; 2x2 seating configuration

Body: Santarosa Philippines

Model: 2006 SR-EXFOH AC Series

Engine: Nissan Diesel PF6

Fare: Airconditioned

Aircon System: Denso LD8i overhead a/c

Transmission System: M/T

 

Shot Location: Trinoma , North EDSA

Victory Liner Inc.

 

Bus Number: 2104

Chassis: MAN 18.310 HOCL

Model: SR Exfoh Hi-Deck

Engine: MAN D2866LOH27

Seating Configuration: 2x2

Capacity: 45

 

Shot Location: Victory Liner Cubao Terminal

A wonderful 1970/71 McDonnell Douglas Corp. artist’s concept of their ‘Phase B’ shuttle concept, either delivering and/or deploying some sort of first aid/emergency-medical module to the stricken craft in the lower right. Also note the transparent ‘observation dome’ of the damaged ship, with what appears to be “Space Ghost” looking out at the operation. I see no Remote Manipulator System (RMS), so I’m assuming the rescue module either has its own propulsion/attitude maneuvering system, or that it’s been erected/rotated into position, but remains attached to the orbiter, which will maneuver to dock it with the damaged vehicle.

 

And, thanks to the SECRET PROJECTS Forum website, the orbiter can be more specifically identified as “Configuration 176 C”…I think. Specifically thanks to user flateric’s June 4, 2007 post, as extracted from AIAA paper 78-1469, “Space Shuttle Orbiter Configuration Case History”, presented at the AIAA AIRCRAFT SYSTEMS AND TECHNOLOGY CONFERENCE, Los Angeles, California, August 21-23, 1978.

At:

 

www.secretprojects.co.uk/threads/us-space-shuttle-project...

 

Although I love the work, to me, this particular design has a caricaturish appearance, like something a satirical cartoonist would’ve depicted to poke fun at the shuttle program. Finally, the artist is R. Noel. Huh…who? First heard…with nothing on him/her.

 

Finally, in a similar operation, featuring the Phase A, McDonnell Douglas drawbridge-wing orbiter, in which the shuttle itself is marked as the “ambulance”, although still with a first-aid marked module in the payload bay. However, a risky, possibly ‘casualty conducive’ EVA is being conducted:

 

myspacemuseum.blogspot.com/2012/06/?m=0

Credit: Rüdiger Landmann/”My Space Museum” blogspot

 

The above rendered by “J LONG”. Yet another name in the mix. I’m reaching, but since no one else is, why not:

 

www.legacy.com/us/obituaries/modestobee/name/james-long-o...

Credit: Legacy website

 

Finally & fortunately, the image, along with several others, is featured on the cover of “SPACEFLIGHT”, Volume 13, No. 12, December 1971, published by the British Interplanetary Society. The description of it is as follows:

 

“…depicts the shuttle orbiter marked with rescue insignia deploying a rescue canister from its 60 ft. long cargo bay. The canister would be docked with the nearby space tug which is assumed to have been crippled in Earth orbit. The space tug crew transfer to the shuttle orbiter through the rescue canister for return to Earth.”

 

On the whole, I hate people. Another one of the countless reasons why: This enterprising f**kstick has been going apeshit with a bunch of photos I’ve posted and/or linked to in my postings. In his shallow greedy mind, attribution or common courtesy is not a consideration:

 

www.redbubble.com/i/photographic-print/Old-Space-Shuttle-...

Replacing an earlier scanned photo with a better version 30-Nov-21 (DeNoise AI).

 

This aircraft was delivered to Pan-American World Airways Cargo in a full freighter configuration, without windows, as N457PA in Oct-67 (all B707-320C aircraft were built with a large cabin cargo door as standard and could be used for passengers or cargo, or both in the ‘combi’ role).

 

It was sold to ATASCO Leasing Inc in Jun-78 and immediately leased to Pelican Air Transport UK as G-BPAT, returning to ATASCO a year later in Jun-79. It was sold to Zambia Airways the same month as 9J-AEQ. They operated it for seven years until it was sold to National Air Charter in Apr-86, still as 9J-AEQ.

 

In Feb-89 it was sold to 707 Leasing Ltd and leased to TAAT Trans Arabian Air Transport, Sudan the same month as ST-ALM. It was only with TAAT for three months until May-89 when it was returned to 707 Leasing Ltd and leased to Air Hong Kong as VR-HKL.

 

It stayed with Air Hong Kong for over three years until it was returned to the lessor in Oct-92 and sold to TAAT, this time as ST-AMF. It continued in service with TAAT until they ceased operations in 2006 when the aircraft was stored at Khartoum, Sudan. It was reported still stored at Khartoum in Nov-11 and may have since been broken up.

Victory Liner Inc.

 

Bus Number: 8101

Bus Manufacturer: Suzhou King Long United Automotive Industry Company, Ltd. (Higer Bus)

Model: Higer KLQ6119QE3

Chassis: Higer KLQ6110QE3

Engine: Yuchai YC6G270-30

Suspension: Air Suspension

Seating Configuration: 2x2

Seating Capacity: 42

 

Shot Location: Marcos Highway

Executive Coach of Genesis

 

Bus Number: 818425

Bus Body: Santarosa Motor Works Inc.

Bus Model: SR Cityliner BV115

Engine: Doosan Diesel DE12TiS

Chassis: Daewoo Bus PL5UN58

Suspension: Stabilized Leaf Spring

Seating Configuration: 2x1

Capacity: 27

 

Shot Location: Balintawak

Victory Liner Inc.

 

Bus Number: 1570

Re-Body By: Partex AutoBody

Chassis: Nissan Diesel RB46S

Engine: Nissan Diesel PE6T

Suspension: Leaf Spring Suspension

Seating Configuration: 2x3

Capacity: 66

 

Shot Location : Victory Liner Caloocan Terminal

Commuters Bus Corporation

 

Bus Number: 06521

Classification: Non Airconditioned - City Operation Bus

Coachbuilder: Almazora Motors Corp.

Model: AMC City Star FV

Suspension: Leaf Spring Suspension

Chassis: Isuzu PABFVR34SLQ

Engine: Isuzu 6HK1-TCN

Seating Configuration : 2x3

Capacity:

 

Shot Location: Valenzuela City

Partas Trans

 

Bus Number: 81458

Model: Almazora AM

Chassis: Hino RM2P

Engine: Hino P11C-TH

Suspension: Airsuspension

Seating Configuration: 1x2

Capacity: 29

 

Shot Location : Partas Cubao Terminal

Bus number: A-26

Classification: Airconditioned Provincial Operation Bus

Seating Configuration: 2x2

Model: JAC Coach HK6124AM1

Manufacturer: Anhui JAC Coaches Co. Ltd.

Chassis: HFC6124KAYD3

Engine: YuChai YC6L310-30

Suspension: Air Suspension

Shot Location : Hotel Sogo Caloocan City

Configuration : V8

Displacement : 4,800 cc (4,8 L)

Power : 690 PS

Torque : 800 Nm

0 to 100 km/h : 4,4

 

Made with my AF-S Nikkor 70-300mm 1:4.5-5.6

"Like my new Facebook page Bjorn van Es Photograpy"

GranTurismo Events Nurburgring 2012

Company/Owner: Victory Liner, Inc.

Fleet/Bus Number: 7137

Classification: Air-conditioned Provincial Bus

Coachbuilder: Almazora Motors Corporation

Body Model: MAN/Almazora Tourist Star Lion's Regio R39

Engine Model: MAN D2066LOH12

Chassis Model: MAN 18.350 HOCL (PBMR39ZZ1FM)

Transmission: 6-speed Manual Transmission

Suspension: Electronically-Controlled Air Suspension (ECAS)

Seating Configuration: 2×2

Seating Capacity: 49

Franchise route: Tuguegarao City (Cagayan)–Caloocan City

Route: Monumento, Caloocan City [CAL]–Tugueagarao City, Cagayan [TUG, CV] via E1 (NLEX-Balintawak–NLEX-Dau; NLEX-SCTEX Connector–SCTEX-Amucao–TPLEX-Pura); N215 (Dau Access Road); Pura–Guimba Road / N114 (Pangasinan–Nueva Ecija Road) / N1 (Maharlika Highway)

Municipalities/cities passing: Dau (Mabalacat City)–Pura/Guimba [GUI]/Santo Domingo/Talavera/Science City of Muñoz/San Jose City [SJC]/Carranglan/Santa Fe/Aritao [ART]/Gabut (Dupax Del Sur)/Ineangan (Dupax Del Norte)/Bambang [BBM]/Bayombong/Solano [SOL]/Bagabag/Diadi/Cordon/Santiago City [STO]/San Isidro/Echague/Alicia/Cauayan City [CYZ]/Reina Mercedes/Naguilian/Gamu/Ilagan City [ILA]/Tumauini/Cabagan/San Pablo/Peñablanca

Type of Operation: Provincial Operation Public Utility Bus (Regular Class)

Area of Operation: Cagayan Valley (Region II)

 

Shot location: NLEX-Ligas Footbridge, Guiguinto Bulacan

Date and time taken: May 26, 2018 (15:59H)

 

Notices:

* Please DON'T GRAB A PHOTO WITHOUT A PERMISSION. If you're going to GRAB IT, please give A CREDIT TO THE OWNER. Also, don't PRINT SCREEN my photos.

** If I have mistakes on the specifications, please comment in a good manner so that I can edit it immediately.

*** The specifications and routes (for provincial, inter-provincial, and city operation) mentioned above are subjected for verification and may be changed without prior notice.

Odd seating configuration.

 

Raymond Transportation 7158

 

Company/Owner: Raymond Transportation, Inc.

Route: Naga-Cubao/PITX

Area of Service: Camarines Sur, Bicol Region (R5)

Type of Service: PUB Provincial Operation Bus

Classification: Deluxe Economy Airconditioned Bus

Coachbuilder: Zhongtong Bus Holdings, Ltd.

Model: LCK6118 "Elegance"

Chassis: LDYGCS

Engine: WP7.300E50

Transmission: M/T

Speed: 6 Forward, 1 Reverse

Suspension Type: Airsuspension

Seat Configuration: 2x3 with CR

Maximum Capacity: 56+2

Shot Location: Parañaque Integrated Terminal Exchange, Parañaque City

Date Taken: December 30, 2022

Philtranco

 

Bus number: 1831

Classification: Airconditioned Provincial Operation Bus

Coachbuilder: Santarosa Philippines Motor Works, Incorporated

Chassis: Daewoo BV115

Model: BV115 SR Cityliner

Engine: Doosan DE12TIS

Airconditioning Unit: Overhead Unit

Suspension: Leaf Spring Suspension

Seating Configuration: 2x2

Seating Capacity: 49 Passengers

 

Shot Location: Balintawak

This configuration is alternately considered the safest (for having a shield to help protect it) and the most foolhardy (for charging into melee combat) of the AG-06 configurations seen so far.

 

(I think this is the only AG-06/AG-06c setup so far that can justify having a blue system.)

Victory Liner Inc.

 

Bus Number: 1244

Coachbuilder: Hyundai Motor Company

Chassis: KMJKJ18BPSC

Model: Hyundai Universe Space Luxury

Engine: Hyundai D6AB

Airconditioning Unit: Overhead Unit

Suspension: Air-Suspension

Seating Configuration: 2x2

Seating Capacity: 45 Passengers

 

Shot Location : Victory Liner Pasay Terminal

A.Arandia Line

 

Bus Number: 306

Chassis: Higer KLQ6112 (LKLR1HS)

Coachbuilder: Suzhou King Long United Automotive Industry Company, Ltd. (Higer Bus)

Make and Model: Higer V91 - KLQ6119

Engine: YuChai YC6G300-20

Seating Configuration : 2x2

Capacity: 45

 

Shot Location: Marcos Highway

Victory Liner Inc.

 

Bus Number: 8060

Bus Manufacturer: Kia Motors (Korea)

Bus Model: Kia KM949S Granbird SD-II "Super Parkway"

Chassis:

Engine: Hyundai D6CB

Suspension: Air Suspension

Seating Configuration: 3x2

Seating Capacity: 45

 

Shot Location: Victory Liner Kamias Terminal

Victory Liner Inc.

 

Bus Number: 1881

Coachbuilder: Del Monte Motor Works, Inc.

Body Model: Del Monte DM12 Series 1

Chassis: JA450SSN

Engine : Nissan Diesel PF6TA

Suspension: Leaf Springs Suspension

Classification: Air-Conditioned Provincial Operation Bus

Seating Configuration: 2x2

Capacity: 49

 

Shot Location: Balintawak

From Wikipedia, the free encyclopedia

 

Career

Name: RMS Olympic

Owner: White Star flag NEW.svg White Star Line 1911–1934

Cunard White Star Line Logo.JPG Cunard White Star Line 1934–1935

Port of registry: United Kingdom Liverpool, United Kingdom

Route: Southampton to New York

Ordered: 1906

Builder: Harland and Wolff, Belfast

Yard number: 400

Laid down: 16 December 1908

Launched: 20 October 1910

Completed: May 1911

Maiden voyage: 14 June 1911

In service: 1911

Out of service: 1935

Identification: Official Number 131346

Code Letters HSRP

ICS Hotel.svgICS Sierra.svgICS Romeo.svgICS Papa.svg

Radio callsign "MKC"

Fate: Retired at Southampton after 24 years service & scrapped. Superstructure dismantled at Jarrow, England, and the hull at Inverkeithing, Scotland.

Status: scrapped (besides the Second Class Lounge)

General characteristics

Class & type: Olympic-class ocean liner

Tonnage: 45,324 gross register tons; 46,358 after 1913; 46,439 after 1920

Displacement: 52,067 tons

Length: 882 ft 6 in (269.0 m)

Beam: 92 ft 6 in (28.2 m)

Height: 175 ft (53.3 m) (keel to top of funnels)

Draught: 34 ft 7 in (10.5 m)

Decks: 10 decks (1 crew deck)

Installed power: 24 double-ended (six furnace) and 5 single-ended (three furnace) Scotch boilers. Two four-cylinder triple-expansion reciprocating engines each producing 15,000 hp for the two outboard wing propellers at 75 revolutions per minute. One low-pressure turbine producing 16,000 h. 59,000 hp produced at maximum revolutions.[1]

Propulsion: Two bronze triple-blade wing propellers. One bronze quadruple-blade centre propeller.

Speed:

 

21 knots (39 km/h; 24 mph)

23 knots (43 km/h; 26 mph) (maximum)

 

Capacity: 2,435 passengers

Crew: 950

 

RMS Olympic was a transatlantic ocean liner, the lead ship of the White Star Line's trio of Olympic-class liners. Unlike her younger sister ships, the Olympic enjoyed a long and illustrious career, spanning 24 years from 1911 to 1935. This included service as a troopship during World War I, which gained her the nickname "Old Reliable". Olympic returned to civilian service after the war and served successfully as an ocean liner throughout the 1920s and into the first half of the 1930s, although increased competition, and the slump in trade during the Great Depression after 1930, made her operation increasingly unprofitable.

 

She was the largest ocean liner in the world for two periods during 1911–13, interrupted only by the brief tenure of the slightly larger Titanic (which had the same dimensions but higher gross tonnage due to revised interior configurations), and then outsized by the SS Imperator. Olympic also retained the title of the largest British-built liner until the RMS Queen Mary was launched in 1934, interrupted only by the short careers of her slightly larger sister ships.[2][3]

 

By contrast with Olympic, the other ships in the class, Titanic and Britannic, did not have long service lives. On the night of 14/15 April 1912, Titanic collided with an iceberg in the North Atlantic and sank, claiming 1,500 lives; Britannic struck a mine and sank in the Kea Channel in the Mediterranean on 21 November 1916, killing 30 people.

 

Background

 

Built in Belfast, Ireland, the RMS Olympic was the first of the three Olympic-class ocean liners – the others were the RMS Titanic and the HMHS Britannic.[4] They were by far the largest vessels of the British shipping company White Star Line's fleet, which comprised 29 steamers and tenders in 1912.[5] The three ships had their genesis in a discussion in mid-1907 between the White Star Line's chairman, J. Bruce Ismay, and the American financier J. Pierpont Morgan, who controlled the White Star Line's parent corporation, the International Mercantile Marine Co. The White Star Line faced a growing challenge from its main rivals Cunard, which had just launched Lusitania and Mauretania – the fastest passenger ships then in service – and the German lines Hamburg America and Norddeutscher Lloyd. Ismay preferred to compete on size rather than speed and proposed to commission a new class of liners that would be bigger than anything that had gone before as well as being the last word in comfort and luxury.[6] The company sought an upgrade in their fleet primarily in response to the Cunard giants but also to replace their largest and now outclassed ships from 1890, the SS Teutonic and SS Majestic. The former was replaced by Olympic while Majestic was replaced by Titanic. Majestic would be brought back into her old spot on White Star's New York service after Titanic's loss.

 

The ships were constructed by the Belfast shipbuilders Harland and Wolff, who had a long-established relationship with the White Star Line dating back to 1867.[7] Harland and Wolff were given a great deal of latitude in designing ships for the White Star Line; the usual approach was for the latter to sketch out a general concept which the former would take away and turn into a ship design. Cost considerations were relatively low on the agenda and Harland and Wolff was authorised to spend what it needed on the ships, plus a five percent profit margin.[7] In the case of the Olympic-class ships, a cost of £3 million for the first two ships was agreed plus "extras to contract" and the usual five percent fee.[8]

The launch of Olympic on 20 October 1910

 

Harland and Wolff put their leading designers to work designing the Olympic-class vessels. It was overseen by Lord Pirrie, a director of both Harland and Wolff and the White Star Line; naval architect Thomas Andrews, the managing director of Harland and Wolff's design department; Edward Wilding, Andrews' deputy and responsible for calculating the ship's design, stability and trim; and Alexander Carlisle, the shipyard's chief draughtsman and general manager.[9] Carlisle's responsibilities included the decorations, equipment and all general arrangements, including the implementation of an efficient lifeboat davit design.[10]

 

On 29 July 1908, Harland and Wolff presented the drawings to J. Bruce Ismay and other White Star Line executives. Ismay approved the design and signed three "letters of agreement" two days later authorising the start of construction.[11] At this point the first ship – which was later to become Olympic – had no name, but was referred to simply as "Number 400", as it was Harland and Wolff's four hundredth hull. Titanic was based on a revised version of the same design and was given the number 401.[12] Bruce Ismay's father Thomas Henry Ismay had previously planned to build a ship named Olympic as a sister ship to the Oceanic. The senior Ismay died in 1899 and the order for the ship was cancelled.[13]

 

Construction of the Olympic began three months before Titanic to ease pressures on the shipyard. Several years would pass before Britannic would be launched. In order to accommodate the construction of the class, Harland and Wolff upgraded their facility in Belfast; the most dramatic change was the combining of three slipways into two larger ones. Olympic's keel was laid in December 1908 and she was launched on 20 October 1910.[4] For her launch, the hull was painted in a light grey colour for photographic purposes; a common practice of the day for the first ship in a new class, as it made the lines of the ship clearer in the black and white photographs. Her hull was repainted black following the launch.[3]

 

Features

 

The Grand Staircase of Olympic.

 

The Olympic was designed as a luxury ship; her passenger facilities, fittings, deck plans and technical facilities were largely identical to those of her more famous sister Titanic, although with some small variations.[14] The first-class passengers enjoyed luxurious cabins, and some were equipped with private bathrooms. First-class passengers could have meals in the ship's large and luxurious dining room or in the more intimate A La Carte Restaurant. There was a lavish Grand Staircase, built only for the Olympic-class ships, along with three elevators that ran behind the staircase down to E deck,[15] a Georgian-style smoking room, a Veranda Café decorated with palm trees,[16] a swimming pool, Turkish bath,[17] gymnasium,[18] and several other places for meals and entertainment.

 

The second-class facilities included a smoking room, a library, a spacious dining room, and an elevator.[3][19]

 

Finally, the third-class passengers enjoyed reasonable accommodation compared to other ships, if not up to the second and first classes. Instead of large dormitories offered by most ships of the time, the third-class passengers of the Olympic travelled in cabins containing two to ten bunks. Facilities for the third class included a smoking room, a common area, and a dining room.[3][19]

 

Olympic had a cleaner, sleeker look than other ships of the day: rather than fitting her with bulky exterior air vents, Harland and Wolff used smaller air vents with electric fans, with a "dummy" fourth funnel used for additional ventilation. For the power plant Harland and Wolff employed a combination of reciprocating engines with a centre low-pressure turbine, as opposed to the steam turbines used on Cunard's Lusitania and Mauretania.[20] White Star had successfully tested this engine set up on an earlier liner SS Laurentic, where it was found to be more economical than expansion engines or turbines alone. Olympic consumed 650 tons of coal per 24 hours with an average speed of 21.7 knots on her maiden voyage, compared to 1000 tons of coal per 24 hours for both the Lusitania and Mauretania.[21]

 

Although Olympic and Titanic were nearly identical, and were based on the same design, a few alterations were made to Titanic (and later on Britannic) based on experience gained from Olympic's first year in service. The most noticeable of these was that the forward half of the Titanic's A Deck promenade was enclosed by a steel screen with sliding windows, to provide additional shelter, whereas the Olympic's promenade deck remained open along its whole length. Also the promenades on the Titanic's B Deck were reduced in size, and the space used for additional cabins and public rooms, including two luxury suites with private promenades. A number of other variations existed between the two ships layouts and fittings. These differences meant that Titanic had a slightly higher gross tonnage of 46,328 tons, compared to Olympic's 45,324 tons.[22]

Olympic on her sea trials in Belfast in 1911

Career

 

Following completion, Olympic started her sea trials on 29 May 1911, which she successfully completed; Olympic then left Belfast bound for Liverpool, her port of registration, on 31 May 1911. As a publicity stunt the White Star Line deliberately timed the start of this first voyage to coincide with the launch of Titanic. After spending a day in Liverpool, open to the public, Olympic sailed to Southampton, where she arrived on 3 June, to be made ready for her maiden voyage.[23] The deep-water dock at Southampton, then known as the "White Star Dock" had been specially constructed to accommodate the new Olympic-class liners, and had opened in 1911.[24]

 

Her maiden voyage commenced on 14 June 1911 from Southampton, calling at Cherbourg and Queenstown, reaching New York on 21 June.[25] The maiden voyage was captained by Edward Smith who would lose his life the following year in the Titanic disaster.[26] Designer Thomas Andrews was present for the passage to New York and return, along with a number of engineers, as part of Harland and Wolff's "Guarantee Group" to spot any problems or areas for improvement. Andrews would also lose his life in the Titanic disaster.[27]

 

As the largest ship in the world, and the first in a new class of superliners. Olympic's maiden voyage attracted considerable worldwide attention from the press and public. Following her arrival in New York, Olympic was opened up to the public and received over 8,000 visitors. More than 10,000 spectators watched her depart from New York harbour, for her first return trip.[28]

Hawke collision

Photographs documenting the damage to the Olympic (left) and the Hawke (right) following their collision (alternate view)

 

Olympic's first major mishap occurred on her fifth voyage on 20 September 1911, when she collided with a British warship, HMS Hawke off the Isle of Wight. The collision took place as Olympic and Hawke were running parallel to each other through the Solent. As Olympic turned to starboard, the wide radius of her turn took the commander of the Hawke by surprise, and he was unable to take sufficient avoiding action.[29] The Hawke's bow, which had been designed to sink ships by ramming them, collided with Olympic's starboard side near the stern, tearing two large holes in Olympic's hull, below and above the waterline respectively, resulting in the flooding of two of her watertight compartments and a twisted propeller shaft. HMS Hawke suffered severe damage to her bow and nearly capsized. Despite this, Olympic was able to return to Southampton under her own power, and no-one was seriously injured or killed.[14][30]

 

Captain Edward Smith was still in command of Olympic at the time of the incident. One crew member, Violet Jessop, survived not only the collision with the Hawke but also the later sinking of Titanic and the 1916 sinking of Britannic, the third ship of the class.[31]

 

At the subsequent inquiry the Royal Navy blamed Olympic for the incident, alleging that her large displacement generated a suction that pulled Hawke into her side.[32][33] The Hawke incident was a financial disaster for Olympic's operator. A legal argument ensued which decided that the blame for the incident lay with Olympic, and although the ship was technically under the control of the pilot, the White Star Line was faced with large legal bills and the cost of repairing the ship, and keeping her out of revenue service made matters worse.[29] However, the fact that Olympic endured such a serious collision and stayed afloat, appeared to vindicate the design of the Olympic-class liners and reinforced their "unsinkable" reputation.[29]

Olympic (left) returning to Belfast for repairs in March 1912, and Titanic (right) This was the last time the two sister ships would be seen together

 

It took two weeks for the damage to Olympic to be patched up sufficiently to allow her to return to Belfast for permanent repairs, which took just over six weeks to complete. To speed up the repairs, Harland and Wolff was forced to delay Titanic's completion in order to use her propeller shaft for Olympic. By 29 November she was back in service, however in February 1912, Olympic suffered another setback when she lost a propeller blade on an eastbound voyage from New York, and once again returned to her builder for repairs. To get her back to service as soon as possible, Harland & Wolff again had to pull resources from Titanic, delaying her maiden voyage from 20 March 1912 to 10 April 1912.[34]

Titanic disaster

Main article: Sinking of the RMS Titanic

 

On 14 April 1912, Olympic, now under the command of Herbert James Haddock, was on a return trip from New York. Wireless operator Ernest James Moore[35] received the distress call from her sister Titanic, when she was approximately 500 nautical miles (930 km; 580 mi) west by south of Titanic's location.[36] Haddock calculated a new course, ordered the ship's engines to be set to full power and headed to assist in the rescue.[37]

 

When Olympic was about 100 nautical miles (190 km; 120 mi) away from Titanic's last known position, she received a message from Captain Rostron captain of Cunard Liner RMS Carpathia, explaining that continuing on course to Titanic would gain nothing, as "All boats accounted for. About 675 souls saved [...] Titanic foundered about 2.20 am."[36] Rostron requested that the message be forwarded to White Star and Cunard. He said that he was returning to harbour in New York.[36] Subsequently, the wireless room aboard the Olympic operated as a clearing room for radio messages.[36]

 

When Olympic offered to take on the survivors, she was heatedly turned down by an appalled Rostron, who was concerned that it would cause panic amongst the survivors of the disaster to see a virtual mirror-image of the Titanic appear and ask them to board. Olympic then resumed her voyage to Southampton, with all concerts cancelled as a mark of respect, arriving on 21 April.[3]

 

Over the next few months, Olympic assisted with both the American and British inquiries into the disaster. Deputations from both inquiries inspected Olympic's lifeboats, watertight doors and bulkheads and other equipment which were identical to those on Titanic.[38] Sea tests were performed for the British enquiry in May 1912, to establish how quickly the ship could turn two points at various speeds, to approximate how long it would have taken the Titanic to turn when it sighted the iceberg.[39]

1912 "mutiny"

 

Olympic, like Titanic, did not carry enough lifeboats for everyone on board, and was hurriedly equipped with additional, second-hand collapsible lifeboats following her return to Britain. Toward the end of April 1912, as she was about to sail from Southampton to New York, 284 of the ship's firemen went on strike because of fears that the ship's new collapsible lifeboats were not seaworthy. 100 non-union crew were hastily hired from Southampton as replacements, with more being hired from Liverpool.[40]

 

The 40 collapsible lifeboats were secondhand, having been transferred from troopships, and many were rotten and could not open. The crewmen instead sent a request to the Southampton manager of the White Star Line that the collapsible boats be replaced by wooden lifeboats; the manager replied that this was impossible and that the collapsible boats had been passed as seaworthy by a Board of Trade inspector. The men were not satisfied and ceased work in protest.[41]

 

On 25 April a deputation of strikers witnessed a test of four of the collapsible boats. Only one was unseaworthy and they said that they were prepared to recommend the men return to work if it was replaced. However the strikers now objected to the non-union strikebreaker crew which had come on board, and demanded that they be dismissed, which the White Star Line refused. 54 sailors then left the ship, objecting to the non-union crew who they claimed were unqualified and therefore dangerous, and refused to sail with them. This led to the scheduled sailing being cancelled.[40][42]

 

All 54 sailors were arrested on a charge of mutiny when they went ashore. On 4 May 1912 Portsmouth magistrates found the charges against the mutineers were proven, but discharged them without imprisonment or fine due to the special circumstances of the case.[43] Fearing that public opinion would be on the side of the strikers, the White Star Line let them return to work and the Olympic sailed on 15 May.[39]

Refit

Olympic as she appeared after her refit following the Titanic disaster, with a full complement of lifeboats

 

On 9 October 1912 White Star withdrew Olympic from service and returned her to her builders at Belfast to be refitted to incorporate lessons learned from the Titanic disaster 6 months prior, and improve safety.[44] The number of lifeboats carried by Olympic was increased from twenty to sixty four (per Carlisle's original number), and extra davits were installed along the boat deck to accommodate them. Also, an inner watertight skin was constructed in the boiler and engine rooms, to create a double hull. Five of the watertight bulkheads were extended up to B-Deck, extending to the entire height of the hull. This corrected a flaw in the original design, in which the bulkheads only rose up as far as E or D-Deck, a short distance above the waterline. This flaw had been exposed during Titanic's sinking, where water spilled over the top of the bulkheads as the ship sank and flooded subsequent compartments. In addition, an extra bulkhead was added to subdivide the electrical dynamo room, bringing the total number of watertight compartments to seventeen. Improvements were also made to the ship's pumping apparatus. These modifications meant that Olympic could survive a collision similar to that of Titanic, in that her first six compartments could be breached and the ship could remain afloat.[45][46]

 

At the same time, Olympic's B-Deck underwent a refit, which necessitated eliminating her B-Deck promenades – one of the few features that separated her from her sister ship. The refit included extra cabins (the parlour suites which proved popular on the Titanic were added to the Olympic), more cabins were fitted with private bathing facilities, and a Cafe Parisian (another addition that had proved popular on the Titanic) was added, offering another dining option to first class passengers. With these changes, Olympic's gross tonnage rose to 46,359 tons, 31 tons more than Titanic's.[47]

 

In March 1913, Olympic returned to service and briefly regained the title of largest ocean liner in the world, until the German liner SS Imperator entered passenger service in June 1913. Following her refit, Olympic was marketed as the "new" Olympic and her improved safety features were featured prominently in advertisements. [48][3]

World War I

 

In August 1914 World War I began. Olympic initially remained in commercial service under Captain Herbert James Haddock. As a wartime measure, Olympic was painted in a grey colour scheme, portholes were blocked, and lights on deck were turned off to make the ship less visible. The schedule was hastily altered to terminate at Liverpool rather than Southampton, and this was later altered again to Glasgow.[3][49]

 

The first few wartime voyages were packed with Americans trapped in Europe, eager to return home, although the eastbound journeys carried few passengers. By mid-October, bookings had fallen sharply as the threat from German U-boats became increasingly serious, and White Star Line decided to withdraw Olympic from commercial service. On 21 October 1914, she left New York for Glasgow on her last commercial voyage of the war, though carrying only 153 passengers.[50][49]

Audacious incident

 

On the sixth day of her voyage, 27 October, as the Olympic passed near Lough Swilly off the north coast of Ireland, she received distress signals from the battleship HMS Audacious, which had struck a mine off Tory Island and was taking on water.[51]

The crew of the stricken Audacious take to lifeboats to be rescued by Olympic

 

The Olympic took off 250 of the Audacious' crew, then the destroyer HMS Fury managed to attach a tow cable between Audacious and Olympic and they headed west for Lough Swilly. However, the cable parted after the Audacious' steering gear failed. A second attempt was made to tow the warship, but the cable became tangled in HMS Liverpool's propellers and was severed. A third attempt was tried but also failed when the cable gave way. By 17:00 the Audacious' quarterdeck was awash and it was decided to evacuate the remaining crew members to Olympic and Liverpool, and at 20:55 there was an explosion aboard the Audacious and she sank.[52]

 

Admiral Sir John Jellicoe, Commander of the Home Fleet, was anxious to suppress the news of the sinking of Audacious, for fear of the demoralising effect it could have on the British public, so ordered Olympic to be held in custody at Lough Swilly. No communications were permitted and passengers were not allowed to leave the ship. The only people departing her were the crew of the Audacious and Chief Surgeon John Beaumont, who was transferring to RMS Celtic. Steel tycoon Charles M. Schwab, who was travelling aboard the liner, sent word to Jellicoe that he had urgent business in London with the Admiralty, and Jellicoe agreed to release Schwab if he remained silent about the fate of Audacious. Finally, on 2 November, Olympic was allowed to go to Belfast where the passengers disembarked.[53]

HMT Olympic in dazzle camouflage while in service as a troopship during World War I

Naval service

 

Following Olympic's return to Britain, the White Star Line intended to lay her up in Belfast until the war was over, but in May 1915 she was requisitioned by the Admiralty, to be used as a troop transport, along with the Cunard liners Mauretania and Aquitania. The Admiralty had initially been reluctant to use large ocean liners as troop transports because of their vulnerability to enemy attack, however a shortage of ships gave them little choice. At the same time, Olympic's other sister ship Britannic, which had not yet been completed, was requisitioned as a hospital ship. In that role she would strike a mine and sink the following year.[54]

 

Stripped of her peacetime fittings, and armed with 12-pounders and 4.7-inch guns, Olympic was converted to a troopship, with the capacity to transport up to 6,000 troops. On 24 September 1915 the newly designated HMT (Hired Military Transport) 2810, now under the command of Bertram Fox Hayes left Liverpool carrying 6,000 soldiers to Mudros, Greece for the Gallipoli Campaign. On 1 October she sighted lifeboats from the French ship Provincia which had been sunk by a U-boat that morning off Cape Matapan and picked up 34 survivors. Hayes was heavily criticised for this action by the British Admiralty, who accused him of putting the ship in danger by stopping it in waters where enemy U-boats were active. The ship's speed was considered to be its best defence against U-boat attack, and such a large ship stopped would have made an unmissable target. However the French Vice-Admiral Louis Dartige du Fournet took a different view, and awarded Hayes with the Gold Medal of Honour. Olympic made several more trooping journeys to the Mediterranean until early 1916, when the Gallipoli Campaign was abandoned.[55]

Olympic in dazzle at Halifax, Nova Scotia painted by Arthur Lismer

 

In 1916, considerations were made to use Olympic to transport troops to India via the Cape of Good Hope. However on investigation it turned out she was unsuitable for this role, because her coal bunkers, which had been designed for transatlantic runs, lacked the capacity for such a long journey at a reasonable speed.[56] Instead, from 1916 to 1917, Olympic was chartered by the Canadian Government to transport troops from Halifax, Nova Scotia to Britain.[57] In 1917 she gained 6-inch guns and was painted with a "dazzle" camouflage scheme to make it more difficult for observers to estimate her speed and heading. Her dazzle colours were brown, dark blue, light blue, and white. Her many visits to Halifax Harbour carrying Canadian troops safely overseas, and back home after the war, made her a favourite symbol in the City of Halifax. Noted Group of Seven artist Arthur Lismer made several paintings of her in Halifax. A large dance hall, "Olympic Gardens" was also named in her honour. After the United States declared war on Germany in 1917, Olympic also transported thousands of U.S. troops to Britain.[58]

 

In the early hours of 12 May 1918, while en route for France with US troops under the command of Captain Hayes, Olympic sighted a surfaced U-boat 500 m (1,600 ft) ahead.[59] Her gunners opened fire at once, and she turned to ram the submarine, which immediately crash dived to 30 m (98 ft) and turned to a parallel course. Almost immediately afterwards Olympic struck the submarine just aft of her conning tower and her port propeller sliced through U-103's pressure hull. The crew of U-103 blew her ballast tanks, scuttled and abandoned the submarine. Olympic returned to Southampton with at least two hull plates dented and her prow twisted to one side, but not breached.[60]

 

Olympic did not stop to pick up survivors, but continued on to Cherbourg. The USS Davis sighted a distress flare and picked up 31 survivors from U-103. It was discovered that U-103 had been preparing to torpedo the Olympic when she was sighted, but the crew could not flood the two stern torpedo tubes.[61] For this service, Captain Hayes was awarded the DSO.[62] Some American soldiers on board paid for a plaque to be placed in one of Olympic's lounges to commemorate the event, it read:

 

This tablet presented by the 59th Regiment United States Infantry commemorates the sinking of the German submarine U103 by the Olympic on May 12th 1918 in latitude 49 degrees 16 minutes north longitude 4 degrees 51 minutes west on the voyage from New York to Southampton with American troops...[63]

 

During the war, Olympic is reported to have carried up to 201,000 troops and other personnel, burning 347,000 tons of coal and travelling about 184,000 miles.[64] Her impressive World War I service earned her the nickname Old Reliable.[65] Her captain was knighted in 1919 for "valuable services in connection with the transport of troops".[66]

Post-war

 

In August 1919 Olympic returned to Belfast for restoration to civilian service. Her interior was modernised and her boilers were converted to burn oil rather than coal. Oil was cheaper than coal, it lowered the refuelling time from days to hours, and allowed the engine room personnel to be reduced from 350 to 60 people.[67] During the conversion work and drydocking, a dent with a crack at the centre was discovered below her waterline which was later concluded to have been caused by a torpedo that had failed to detonate.[68]

Olympic at Southampton in 1929

 

Olympic emerged from her refit with an increased tonnage of 46,439, allowing her to retain her claim to the title of largest British built liner afloat, although the Cunard Line's Aquitania was slightly longer. In 1920 she returned to passenger service, on one voyage that year carrying 2,249 passengers.[69] Olympic transported a record 38,000 passengers during 1921, which proved to be the peak year of her career. From 1922 she was joined for an express service by Majestic and Homeric; two former German liners which had been ceded to Britain as war reparations, operating successfully until the Great Depression reduced demand after 1930.[70]

 

During the 1920s, Olympic remained a popular and fashionable ship, and often attracted the rich and famous of the day; Charlie Chaplin, Mary Pickford and Douglas Fairbanks, and Prince Edward, then Prince of Wales, were among the celebrities that she carried.[71] Prince Edward and Captain Howarth were filmed on the bridge of the Olympic for Pathé News.[72] One of the attractions of the Olympic was the fact that she was nearly identical to the Titanic, and many passengers sailed on the Olympic as a way of vicariously experiencing the voyage of the Olympic's ill-fated sister ship.[73]

 

On 22 March 1924, Olympic was involved in another collision with a ship, this time at New York. As Olympic was reversing from her berth at New York harbour, her stern collided with the smaller liner Fort St George, which had crossed into her path. The collision caused extensive damage to the smaller ship. At first it appeared that Olympic had sustained only minor damage, but it was later revealed that her sternpost had been fractured, necessitating the replacement of her entire stern frame.[74]

 

Changes in immigration laws in the United States in the 1920s greatly restricted the number of immigrants allowed to enter. This led to a major reduction in the immigrant trade for the shipping lines, forcing them to cater to the tourist trade to survive.[3] At the turn of 1927–28, Olympic was converted to carry tourist third cabin passengers as well as first, second and third class.[75] Tourist third cabin was an attempt to attract travellers who desired comfort without the accompanying high ticket price. New public rooms were constructed for this class, although tourist third cabin and second class would merge to become 'tourist' by late 1931.

 

A year later, Olympic's first class cabins were again improved by adding more bathrooms, a dance floor was fitted in the enlarged first class dining saloon, and a number of new suites with private facilities were installed forward on B-deck.[76] More improvements would follow in a later refit, but 1929 saw Olympic's best average passenger lists since 1925.

 

On 18 November 1929, as the Olympic was travelling westbound near to Titanic's last known position, the ship suddenly started to vibrate violently, and the vibrations continued for two minutes. It was later determined that this had been caused by the 1929 Grand Banks earthquake.[77]

Last years

 

The shipping trade was badly affected by the Great Depression. Until 1930 there had generally been around one million passengers a year on the transatlantic route, but by 1934 this had dropped by more than half. Furthermore, by the early 1930s, increased competition emerged, in the form of a new generation of larger and faster liners such as Germany's SS Bremen and SS Europa, Italy's SS Rex and France's SS Île de France, and the remaining passengers tended to prefer the more up to date ships. Olympic had averaged around 1,000 passengers per journey until 1930, but this declined by more than half by 1932.[78]

 

Olympic's running mate Homeric was withdrawn from the transatlantic route as early as 1932, leaving only Olympic and Majestic maintaining White Star Line's Southampton-New York service, although this was occasionally augmented during the summer months by either the MV Britannic or MV Georgic. [79]

 

At the end of 1932, with passenger traffic in decline, Olympic went for an overhaul and refit that took four months. She returned to service in March 1933 described by her owners as "looking like new." Her engines were performing at their best and she repeatedly recorded speeds in excess of 23 knots, despite averaging less than that in regular transatlantic service. Passenger capacities were given as 618 first class, 447 tourist class and only 382 third class after the decline of the immigrant trade.[80]

 

Despite this, during 1933 and 1934, Olympic ran at a net operating loss for the first time. 1933 was Olympic's worst year of business – carrying just over 9,000 passengers in total.[81] Passenger numbers rose slightly in 1934, but many crossings still lost money.[79]

Olympic in 1934, passing the lightvessel she struck and sank a few months later

Lightship collision

 

In 1934, Olympic again struck a ship. The approaches to New York were marked by lightships and Olympic, like other liners, had been known to pass close by these vessels. On 15 May 1934, Olympic, inbound in heavy fog, was homing in on the radio beacon of Nantucket Lightship LV-117.[82] Now under the command of Captain John Binks, the ship failed to turn in time and sliced through the smaller vessel, which broke apart and sank.[83] Four of the lightship's crew went down with the vessel and seven were rescued, of whom three died of their injuries – thus there were seven fatalities out of a crew of eleven.[84] The lightship's surviving crew and the Olympic's captain were interviewed soon after reaching shore. One crewman said it all happened so quickly that they didn't know how it happened. The captain was very sorry it happened but said the Olympic reacted very quickly lowering boats to rescue the crew, which was confirmed by an injured crewman.[85]

Retirement

Olympic (left) and Mauretania laid up in Southampton prior to their scrapping.

 

In 1934, the White Star Line merged with the Cunard Line at the instigation of the British government, to form Cunard White Star.[86] This merger allowed funds to be granted for the completion of the future RMS Queen Mary and RMS Queen Elizabeth. When completed, these two new ships would handle Cunard White Star's transatlantic business, and so their fleet of older liners became redundant and were gradually retired.

 

Olympic was withdrawn from the transatlantic service, and left New York for the last time on 5 April 1935, returning to Britain to be laid up.[when?] Her new owners considered using her for summer cruises for a short while, but this idea was abandoned and she was put up for sale. Among the potential buyers was a syndicate who proposed to turn her into a floating hotel off the south coast of France, but this came to nothing.[87] After being laid up for five months alongside her former rival Mauretania, she was sold to Sir John Jarvis – Member of Parliament for £97,500, to be partially demolished at Jarrow to provide work for the depressed region.[88] Her superstructure was demolished in 1936, and in 1937, Olympic's hull was towed to Inverkeithing to T.W. Ward's yard for final demolition.[89]

 

By the time of her retirement, Olympic had completed 257 round trips across the Atlantic, transporting 430,000 passengers on her commercial voyages, travelling 1.8 million miles.[87][90]

Olympic artefacts

Fittings from the ship installed in the Olympic Suite at the White Swan Hotel, Alnwick

The marble fireplace from the Olympic now at the White Swan, Alnwick

 

The Olympic's fittings were auctioned off immediately before she was scrapped; some of her fittings, namely those of the first-class lounge and part of the aft grand staircase, can be found in the White Swan Hotel, in Alnwick, Northumberland, England. The rest of her fittings found homes in scattered places throughout Great Britain.[91]

 

In 2000, Celebrity Cruises purchased some of Olympic's original wooden panels to create the RMS Olympic restaurant on board their new cruise ship, Millennium. According to Celebrity Cruise Line, this wood panelling once lined Olympic's à la carte restaurant.[91]

 

The clock depicting "Honour and Glory Crowning Time" from Olympic's grand staircase is on display at Southampton's SeaCity Museum.[92][93]

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