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Completed components that are part of the "A Tribute to Traditional Music" sculpture located on the town square in Hayesville, Clay County, North Carolina. Joe Miller, a Brasstown, NC blacksmith, was commissioned to design and build the sculpture. The artwork is being funded by a grant from the Blue Ridge National Heritage Area Partnership. It is titled "A Tribute to Traditional Music." Photographed at Miller Forge in Brasstown, Clay County, North Carolina.
Photograph made on June 15, 2017
Credit: Clay County Documentary Project, David Smart Collection
Higher resolution image is available
Contact: rDavidSmart@gmail.com
Property Release Status: none
Image ID: CCDP_DSF8033
ST-27 SIAI-Marchetti SF.260M msn:10-27 Belgian Air Component / Belgische Luchtcomponent [Red Devils Display Team] lining up for departure from Waddington [EGXW] on 2 July 2012
The Optoelectronic Component and Materials Laboratories (or OCM Labs) is a collection of graduate students, post doctoral fellows, visiting scientists and research staff who are engaged in investigating an enormous variety of phenomena and devices related to electronic materials and optics. Some of the work involves the basic physics of new semiconductor and organic materials, some focuses on devices using these materials, and yet other work looks at the system impact of optical devices and structures. The unifying goal of our work is the realization of practical optoelectronic devices.
Photo by James M Rotz for the College of Engineering Office of Communications and Marketing
Jincheng Rubber Piston ★ 0.5ml rubber piston★ rubber components for syringe
♥ Description：
A, Professional manufacturer of rubber piston for syringe
B, size: 0.3ml,0.5ml,1ml,2ml,3ml,5ml,10ml,20ml,30ml,50ml,60ml,100ml
C, material: natural rubber ;latex free rubber(isoprene rubber)
♥ Product Description：
☞ (1)Material: natural rubber or latex free piston made of synthetic non-cytotoxic rubber, free from the protein of the natural latex to avoid possible allergy.
☞ (2)Function: it is a part of disposable syringe, highly sealing and sliding performance, prevent liquid overflow from syringe
☞ (3)Quality: through ISO9001-2008 and ISO13485-2003 standard ; CE; steady quality; no bacilli, no pyrogen, no toxicity; It's the first factory whose rubber pistons passed the test of state pharmaceutical administration.
☞ (4)color: black
☞ (5)Packing: 38x32.5x22.5cm our standard carton
♥Superiority:
OEM and ODM orders are welcome. We are a professional rubber piston manufacturer, so we can promise best quality, on-time delivery, best after-sold service, and we can make new moulds as your requirement.
Vacuum tubes, resistors, diodes, a Tube Screamer guitar pedal, transistors, terminal strips and more!
Fotos de stands y productos de la edición de octubre 2015, donde se presentaron las novedades para Otoño-Invierno 2016
Before my local shop for electronic components, Labb Elektronik, shut down, they gave away free bags with random stuff. These pictures are the result of sorting the components in these bags.
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Big old-school resistors.
Related blog post: gameboygenius.8bitcollective.com/wordpress/2008/11/02/ele...
First the image was converted into a set data vectors in format (x,y,r,g,b), one for each pixel in image.
Then this 5D-data was projected to 3D-space using principal component analysis, The resulting image was rebuilt based on that reduced information.
Componentes da dança Embelêco
Fonte: Maria dos Prazeres Nunes, 1990
A dança "Embelêco”, do povoado Capunga – Moita Bonita/SE, manifestação cultural criada da mistura do reisado e da queima de Judas, que faz parte da identidade do lugar. Este evento já se tornou uma tradição cultural, a qual ocorre todos os sábado de aleluia. Com o intuito de alegrar as pessoas, esse grupo sai de casa em casa, cantando e dançando músicas extrovertidas para malhar um boneco simbolizando o Judas traidor de Jesus Cristo. No final da brincadeira, à noite, lêem um atestado das heranças que o Judas deixou para o povo, após toca-se fogo no mesmo. Portanto, uma educação patrimonial é essencial para o reconhecimento e a preservação desta dança de rua “Embelêco”, principalmente para a perpetuação do patrimônio e da identidade deste povoado.
(www.excessparts.net/) - Policies in returning products should be carefully understood before choosing surplus electronic components in order to avoid waste of time and money, for we cannot really rely on used electronic parts other than purchasing brand new electrical components. It is incontestable that risk in buying surplus electronic components for your electrical device is high compared to the brand new electronic components.
"Eco Smart provides Solar Panels of world class premium brands up to 25 years of manufacturer warranty at wholesale prices. We provide many benefits over our Solar Panels and Components which will foremost bring you a long lasting value of our recommended components.For more information visit www.ecosmart-solar.com
1st Floor, Al Riqqa Building,
Near Clock Tower, Deira,
Dubai, U.A.E.
Phone: +971 4 2669986
E-mail: dubai@ecosmart-intl.com"
Photography & Social Media Workshops at Hayes Valley Farm
Stop by Hayes Valley Farm from 3-4pm every Thursday and Sunday in May for hands-on workshops on Photography and Social Media.
The 2.2 acre outdoor photo studio at Hayes Valley Farm comes with props such as shovels, wheelbarrows, and the scenic vista of a field of fava beans growing over the former 101 freeway. No need to sign up, just show up with your camera.
Instructor: Zoey Kroll
Location: Hayes Valley Farm
450 Laguna Street (& Oak), San Francisco
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Hayes Valley Farm is an education and research project with a focus on urban agriculture. Situated on San Francisco city-owned lots bordered by Oak, Fell, Laguna, and Octavia streets, the project is organized by an alliance of urban farmers, educators, and designers. Hayes Valley Farm is a Parks Partner, a fiscally sponsored project of the San Francisco Parks Trust.
But too noisey (something "clicking" inside the hub)...would send it back, but more hastle than it's worth, etc.
So end up with the spare Scythe Fan in there instead.
A connection that most home theaters can’t function without. Also known as (EIA770.3), (Y/Pb/Pr) or simply “Component Video” is the most common and the most universal connection that can be found in every home theater system. Unlike S-Video or regular Composite, this cable is designed to transmit HD, ED and SD signals. Made of High-Purity Oxygen Free Copper (OFC), it has the characteristics of high conductivity, low signal loss and degradation, low electric resistance and good signal transmission. High-Density double shielding will reduce interference to a minimum, while 24k Gold plated connectors will ensure a tight fit. The featured nylon sleeve will protect the insulation from moist and dust and thus will prevent the aging of the cable.
Development and manufacture of plastic components and subassemblies for automotive and household appliances
Messe Basel - New Hall
Basel, Switzerland
Project 2004-2012, realization 2010-2013
Urban and entrepreneurial planning
The concentration of exhibition halls around the Messeplatz (Exhibition Square) is the key entrepreneurial aim of the Messe Basel leadership in its further development. Building the Messe Tower and replacing Hall 1 with a highly modern building and optimum exhibition areas were the first components in this strategy, followed by the continuing construction of new halls.
This concentration of exhibition centre activities is also an important urban planning matter for the development of the surrounding Kleinbasel neighbourhood, aimed at regaining outlying exhibition spaces on the present Deutsche Bahn (German Railways) area for apartments, offices and small businesses while simultaneously upgrading the Messeplatz as a focal point in Kleinbasel.
Necessary demolition
Achieving this entrepreneurial as well as urban planning aim of congegrating the Messe and at the same time retaining the important Watch and Jewellery Fair within Basel, required the replacement of two halls on the Messeplatz (Hall 1 at the front and Hall 3). These halls no longer fulfilled modern exhibition requirements in terms of ceiling heights, column spacing or load bearing capacity of the floors. It was also important that all halls be interconnected to ensure flexibility for various events, and that nearby car parking facilities should be retained.
Necessary construction
Fulfilling exhibition requirements for large volumes and uninterrupted floor areas, the New Hall is a three-storey extension of Hall 1 along the Riehenring. To provide indoor connection to all exhibition halls, the new building bridges over the Messeplatz and creates a covered public space, perhaps comparable to a railway station concourse or indoor market, realized in a modern design language. This key architectural and urban planning element defines the south end of the Messeplatz and is illuminated from above by a generous circular opening.
Planned for many uses and events that will take place during and between exhibitions, and featuring restaurants and shops intended for a mix of international, local, exhibition, and public visitors, we have named this new outdoor hall the City Lounge. Open at all times, the City Lounge not only defines the entrance to the fair spaces, but will be a focal point of public life on Clarastrasse (the main shopping street in Kleinbasel) and will significantly enliven the street culture around the Messeplatz. For example, during the autumn fair the partially covered hall will create a fascinating atmosphere with smaller booths and aisles open to, yet protected, from the elements.
City Lounge and Messeplatz
With the addition of the New Hall, current activities on the Messeplatz will continue, but they will take place in a space with different proportions. What was once an elongated rectangle that more or less ran into Clarastrasse without noticeable demarcation is now almost a square with clearer urban definition.
A new “lane” between the New Hall and existing multi-storey car park offers better access to Messeplatz for pedestrians. Connecting east to the adjacent residential area around Riehenstrasse and Peter Rot-Strasse, this “lane” is a continuation of Isteinerstrasse and creates a new east-west link which integrates the Messeplatz into the quarter. Service and supply to the New Hall will be mainly through an underground route, thus reducing truck traffic on Riehenstrasse.
The Messeplatz is a pedestrian and cyclist precinct. Together with the adjacent Rosentalanlage, the Messeplatz will be the main outdoor space for the many residents of the Messe district. The green belt along the Messeplatz-Wettsteinplatz link will be enhanced by more trees on Riehenstrasse to visually connect the exhibition centre to the Rosentalanlage.
What is an exhibition hall today?
Ideally, exhibition halls should be as spacious as possible, rectangular in layout, with wide spans and ceiling heights of around 10 m, in order to provide the flexibility and versatility required for exhibition purposes. In recent years, the demand for such generous spaces has further increased.
Taking Baselworld as a leading example of a modern international exhibition, where the halls are animated by the individual exhibitors’ stands, the goods on display and the crowds of visitors, the question of an exhibition hall architecture does not seem to be a primary demand. Architecture is only perceptible in public areas and stairways and only there can an interface with the wider public landscape of the city emerge. The best illustration of this is the round courtyard in Hall 2. Regrettably, this courtyard is only accessible during exhibitions as it is undoubtedly one of the most attractive public areas in Basel and, especially during Art Basel in June, one of the most successful urban meeting points in the whole of Switzerland. The City Lounge aims to turn the inward-looking architecture of the round courtyard towards the outside and to make it accessible all year round.
How do we design an exhibition hall on the outside?
Viewed from the outside, exhibition halls are actually nothing more than a stack of big boxes. They require very few windows and architectural distinctions are deemed as impractical restrictions on interior flexibility. The architectural results are generally composed of vast, monotonous facades of brick as in Hall 2 or glass for Hall 1. To avoid this repetitive sameness, we took a different approach for the New Hall.
The New Hall features three exhibition levels. The entrance level, the lowest, is at grade with the street and outdoor square, permitting a natural and casual coming-and-going. Ground floor entrances seamlessly link the City Lounge to the existing Hall 1, former Hall 3, the new event space for 2’500 spectators, and a number of shops, bars and restaurants in the foyers. The dynamic sweep of the street level facade reacts to the flows of people and corresponds to the space required at the tram stop and entrances to the exhibition centre and Event Hall. Here, large expanses of glass create the spatial transparency both necessary and appropriate in order to achieve the openness envisioned for the exhibition hall complex and the enlivening of public urban life. This vitalisation and acceptance will be crucial to the long-term success of the "Messezentrum in the city" concept.
Above the ground will be two exhibition floors. To avoid the “big box” effect, the two upper volumes are offset from each other as separate entities, which indeed they are! The New Hall therefore consists of three individual elements, one on top of the other, each projecting over the street in varying degrees, and allowing them to respond to different urban conditions. From each point of view – whether from the Riehenring, Messeplatz or Riehenstrasse – the New Hall offers a different perception every time and thus avoids the monotony of uniform facade lines.
This constant architectural variation is reinforced, paradoxically, by applying a homogeneous material (aluminum) over all exterior surfaces. The facade of articulated twisting bands strategically modulates and reduces the scale of the large exhibition volumes to its surroundings. This is not simply a decorative element but a practical means to regulate the fall of natural light on adjacent properties and to frame specific views from individual spaces, primarily the social areas above the City Lounge, towards the public life of the city.
Herzog & de Meuron, 2013
text from
www.herzogdemeuron.com/index/projects/complete-works/201-...