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Official Release January 2013 the 23th www.facebook.com/events/488929087824755/
Necktar 2017 Volume 5 is an audio meta compilation in free share about Artificial / Fusion / Natural = Union www.necktar.info
The soundtrack of this mini teaser is a deriv concretion of few seconds from the beginning of the tracks on the compilation.
Just a medley of random shots I've taken of BNSF SD70ACe's around Burlington.
Shot 1: E. 6th St. Bridge, my favorite place to shoot.
Shot 2: On the K line south of town headed west (compass north) into the yard.
Shot 3: More from 6th St. Bridge. You can hear the shutter from my camera go off just a little slow- I forgot to adjust my ISO to the dim lighting, and the shot was fairly blurry. Bummer.
Shot 4: Between West Burlington and Middletown. As pretty as they are, they don't have a very endearing horn tone!
Ethan...
What can I say? He's an absolute clown and the family comedian...
He's grown up around cameras and camcorders and, by watching his 3 older brothers, quickly realized the benefit of throwing himself out there we're snapping pictures or recording..
Yesterday, he kept coming into my studio making faces trying to get me to laugh. So, I grabbed the camera and here is the series we shot.
Definitely worth a quick trip to the "All Sizes" button. : )
Peppa Pig Season three Episodes English New Compilation Peppa Pig – A pig who's the main man or woman. She enjoys jumping in muddy puddles, gambling along with her teddy undergo who is called Teddy, going to playgroup, and dressing up. She lives with her little brother George and her parents.[2] She is voiced by means of Lily Snowden-Fine (collection 1), Cecily Bloom (collection 2), and Harley Bird (series three-five). Peppa is four years vintage as shown inside the episode My Birthday Party. George Pig – He is Peppa's little brother. He is in most episodes and regularly seen in ownership of his toy dinosaur, which is called "Mr. Dinosaur." He cries in many episodes with his trademark showers of tears and crying sound. Often while he cries it has to do with Peppa teasing him. George's sounds are achieved by way of Oliver and Alice May. George is two years old as shown inside the episode George's Birthday. Mummy Pig – Mummy Pig is Peppa and George's mother. She is voiced by using Morwenna Banks. Mummy Pig does some earn a living from home on a computer. She also labored as a firefighter in series 3. Daddy Pig – Daddy Pig is Peppa and George's father. He works as an architect, as shown within the episode The New House. He is voiced through Richard Ridings. Grandpa Pig — Grandpa Pig is Mummy Pig's father. He loves gardening and crusing. Although the 2 fight in some episodes, he is nice buddies with Granddad Dog. He has a trackless educate named Gertrude. He is voiced with the aid of David Graham. Granny Pig — Granny Pig is Mummy Pig's mother. She is partial to fragrance. She grows apples in an orchard near her house along side veggies in her own lawn subsequent to her house. She has 4 chickens, and he or she is voiced by using Frances White. Uncle Pig – Uncle Pig is Daddy Pig's brother, and is Aunty Pig's husband and Chloe and Baby Alexander's father. He is voiced by way of John Sparkes who additionally narrates the series. Auntie Pig – Auntie Pig is Uncle Pig's wife and Chloe and Baby Alexander's mother. She is voiced through Alison Snowden (collection 1-2) and Judy Flynn (series three-four). Chloe Pig – Chloe Pig is Peppa and George's cousin, she is also Baby Alexander's sister. Her pals are Belinda Bear and Simon Squirrel, but they like to tease Peppa. She is eight years antique, and wears a yellow get dressed. She is voiced with the aid of Eloise May (collection 1-2), Abigail Daniels (collection 3-4) and Zara Siddiqi (series 4). Baby Alexander Pig – Baby Alexander Pig is Chloe's baby brother. His first phrase changed into puddle. He is voiced by Oliver May (series 2), Harley Bird (series three) and Minnie Driver (collection four). Auntie Dottie Pig — Auntie Dottie is Peppa and George's fantastic-aunt who sent "Horsey Twinkle Toes". It is unknown what she seems like and does now not have a voice actor given that she is by no means proven. Peppa pig, peppa pig episodes Этот ролик обработан в Видеоредакторе YouTube ( Другие видео: Subscribe & More Videos: goo.gl/ojY4sZ Thank for watching, Please Like Share And SUBSCRIBE!!! #cartoon, #peppapigenglishepisodes
¥404. v.a.. masonic. 4x12" vinyl lp boxset. hymen records
hymen records present this fifth-anniversery compilation. enjoy mostly unreleased tracks by hymen- and hymen-related artists.
discogs:
*Juxtaposing newsreels with home movies*
Esfir Shub applies what Sergei Eisenstein calls ‘intellectual montage’ to newsreels and home movies. Intellectual montage is based on the idea of creating meaning out of the ‘collision’ of film shots: “two film pieces of any kind, placed together, inevitably combine into a new concept, a new quality, arising out of that juxtaposition” (Eisenstein in Jay Leyda (ed.), Film Sense, Faber and Faber, London, 1986 (1943), p.14) This stands opposite the idea that montage connects shots of film to create continuity, as for instance the classical Hollywood system does.
By the mid 1920s Shub is a skilled editor and experiments with diverse found footage material. As an editor, she sees opportunities for the use of existing film material to tell the story of the 1917 revolution ten years after the event. Very little film material on the actual revolutionairy events is available but Shub finds ways to use what was then considered ‘counter-revolutionairy’ film like home movies of Tsar Nikolai II. Combining this material with old footage from newsreels, she makes The Fall of the Romanovs (1927). Her story of the revolution creates meaning that is contrary to the originally intended meaning of the footage. A technique she develops in this film is the juxtaposition of images to give them a new, often opposing meaning. She follows Eisensteins idea of intellectual montage and expands it to creating inversed meanings out of the collision of shots from newsreels and home movies.
This description of a scene from the film is a good example of this technique:
A crowd of elegant idlers are dancing [a mazurka on the awninged deck of a yacht].
The dancing tires some of them. They drink wine.
Title: ‘It made me sweat.’
And again they dance.
Title: ‘...sweat.’
A peasant, exhausted by his work, ploughs a furrow...
(Weisfeld quoted in Leyda, Films Beget Films, Allen & Unwin, London, 1964, p. 28).
Juxtapositions like this might seem simple and straightforward today, but as Leyda says, “it took [Shub] imagination to dig them from her raw material” (Leyda, 1964, p. 27). Our familiarity today with these kind of oppositions in editing shows how well accepted this technique, which was invented for propaganda, has become in features, documentaries and commercials.
I did not find a copy of this film on tape or DVD.