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After a lifetime of using the X method of roasting chestnuts, this time I tried www.youtube.com/watch?v=KnthcUOQWTo - parboiling the halves for two minutes and then squeezing the meat out with a pliers (couldn't pass up the opportunity to mix the toolbox with the kitchen). It actually worked pretty well! Learn something new every day.
A study in creating form from form. This compilation was created using pieces of two other images, one forest scene and one industrial scene.
Cause and Effect (1985)
US licensed version on Cause and Effect. The original release was by a German cassette magazine called Band-It in 1984. The Band-It cassette magazines were released by the Kasetto Fix label.
Here is a link to what the original cover of the German edition looks like: www.wtv-zone.com/rsmko/images2/band-it.jpg
Has tracks by artists such as Pacific 231, Attrition, Smersh, Viscera, and Party Day. The booklet contains information about which releases the tracks are from, but does not have an actual track-listing.
If anyone has the track-listing for this release please post it in comments, or write me a flickrmail.
This has been an ongoing project of mine for a couple of months now. ill put it on the back burner and then keep working on it. ive finally gotten it to a point that im proud of. the amount of computer processing involved in somthing like this is absolutly unbelevable. in fact, while trying to export the finished product it overloaded my video card and i had to export on my step dads tower. each individual video consists of anywhere from 300 to 2700 images. i really havent calculated the total amount of images involved in making a video like this but id guess around 20 or 30 thousand. i actually burned out the censor of a nikon D2h while making it haha. it was ok though because i bought it used.
So as i previously mentioned the cameras i used were a Nikon D2h and a Nikon D5000. all of the timelapses were shot in connecticut and pennsylvania. im planning on doing another video with more thought out spots and more diverse locations so this was more of an experiment then anything. whats really interesting is looking at the diversity in climate. the very last timelaps was shot in about 20 degree, snowy weather, where as some of the other ones were shot in 80 degree weather. how miserable i was is definitely not picture in it haha. im from florida so i hate cold weather.
Flickr wouldnt allow me to upload the whole video so you should watch it HD on vimeo!
Portfolio: www.dustinspengler.com
Tumblr: www.dustinspengler.tumblr.com
Prints: www.redbubble.com/people.com
Facebook: www.facebook.com/dustin.sapenga
Thunderstorm over Madrid (July 25th). It just passed me by with no rain at all.
Picture made with 7 single shots overlapped.
*Juxtaposing tv news footage*
Micheal Moore loves to create strong juxtapositions in his films, for maximum effect. A typical juxtaposition he creates in Fahrenheit 911 is the shot of an Iraqi woman crying about the people she lost in her bombed house and Britney Spears entertaining young people as her contribution to an effort to find new recruits for the war.
Some reviewers consider this not fair to Spears, but Moore thinks that if she gets involved in recruiting he is free to use her image of youth and happiness to emphasise the sorrow of the Iraqi woman [find REF interview, make precise]. Other reviews claim Moore is doing nothing else than documentary filmmakers have been doing for ever: bring his perspective into the films he makes [REF The New Yorker].
Filmmakers like Moore follow Shub and Eisenstein in their openness about the constructive aspects of the films they make, and the collisions they setup to let the audience create meaning. This is not necessarily propaganda; it is how films work, also documentary films. The biggest accomplishment of Fahrenheit 911 is perhaps that is has reminded many audiences, not in the last place in the United States, that documentaries are different from journalism and that they are supposed to have an opinion.
At many instances in the film, footage that originally was meant to be neutral or favourable to George Bush turns against him through the rhetoric that Moore builds with his narration and juxtapositioning of images. Waugh (in Nichols (ed.) Movies and methods II, University of California Press, Berkeley and Los Angeles) calls this recontextualisation “democratic didacticism” because it allows the viewer to read the film on at least two levels: the intended meaning of the footage and the perspective added by reconstituting the material. A dialectic between these two levels emerges and forces viewers to develop their own opinions. Compiling research material like this is useful for design research too, if it is supposed to fuel discussion rather than present user requirements.
View the trailer.
DVD available on Amazon
I had the chance of compiling a slide from my photographs to make it an easy way
for me to show my journey in Nepal.
Check it out here :
www.youtube.com/watch?v=y7TSh9oSNvw&feature=youtu.be
I hope you guys enjoy it!
Photo : Taken at overpriced Coffee Shop in Garden of Dream - Kathmandu, Nepal